TE AMO IN AETERNUM

He’s certain hell is better than this. It’s something he wishes for every day, if only to have an eternal companion with the devil, a challenge to overcome.

Though, even with this boredom, Fyodor refuses to let anyone live in his home. They’ll only serve to be another pain, something that would, surely, push him past the brink of sanity.

The centuries old décor will get replaced with gaudy twenty-first century items, ones that will be nothing more than an eyesore. There are a few already scattered around his home from previous tenants, but only things that he believed useful enough for him to keep; a few books from authors he didn’t live to read, a television from the nineties, a computer that he watched one couple scroll on before he murdered them in cold blood.

Perhaps he is two hundred years dead and gone, but he refuses to be an ignorant ghost, one that is unaware of anything beyond these four walls, caught forever in the past.

Although now, it’s been a while since anyone’s tried to move in, and he’s certain the only reason the house hasn’t been torn down is because its preserved nicely, an eighteenth-century home that has withstood the test of time.

Fyodor, in his lowest moments, wishes they would tear it down. Maybe then, and only then, can he be set free. Or maybe, he’s forever trapped in this exhaustive lot, doomed to decay, even when there’s nothing left of the foundations but soil.

He pushes a pawn forward on the board, putting himself in checkmate for the millionth time in a row. It’s been so long that he’s used to his own tricks. Even the computer, which he’d come to understand quickly, is no match for him. It’s far too exhaustive to play against a machine that utilizes an algorithm he can so easily decipher.

Out of nowhere, the front door unlocks, and Fyodor glances over at the sound, dark hair falling over his eyes. Seconds later, he notices an older realtor with a clipboard leading you around, a woman he’s never seen, dressed up nicely with a darker shade of lipstick smeared across your mouth.

He’s been through this before. It’s a miracle the realtor hasn’t given up on this house yet, a mansion she is determined to sell despite the endless horrors that have been committed by his hand.

“Here it is,” she says, nervous, gesturing around the expansive hall, the crystal chandelier and staircase that immediately follows. “It was built in 1731, but one of the owners remolded it in the style of the mid-nineteenth century. The structure has been stabilized; it’s safe… enough.”

The two of you chat, but he doesn’t bother to listen in. It’s all questions of: when can I move in? can we negotiate? — things you will come to regret once he sets his sights on killing you.

Then, the realtor is sighing, wringing her hands together as she watches you spin around the house in awe. It’s clear that you’re impressed by the layout, the rich furniture and colors that have been used.

That, at least, satisfies Fyodor. Everyone else who has moved in was looking to upgrade it to a modern style, rid the place of its aged grace and charm.

“I’m truly sorry,” she says, brushing curly hair away from her cheekbones. “But I am legally obligated to tell you that every person who has lived here before has suffered a terrible, terrible fate. There have been gruesome murders that cannot be explained, done in ways that I don’t even want to tell you about.”

You laugh, eyeing her with skepticism. “Are you telling me it’s haunted?”

The realtor shrugs. “That’s what people say.”

“I don’t believe in ghosts,” you answer, and Fyodor rolls his eyes, scoffing as he floats to the second floor, unable to listen into the unreasonable conversation anymore. It’s been the same story for decades. No one believes in ghosts, but it is always a ghost that kills them.

He returns to the chess board, irritated, though unable to consider the game any further. Your face is stuck in his mind. For some reason, he can’t remember the last time he’s ever seen anyone with such beauty.

Fyodor stops; your ageless elegance doesn’t matter—it can’t, and it won’t. You’ll be dead by the end of the month, when you gather all your things and invade the bedroom that was once his own. Even if you are beautiful, you are a nuisance, a threat to Fyodor’s eternal torment and quiet existence.

Still, he can’t help but wonder if it would be nice to have something other than his own thoughts to distract him from the endless misery.

You move in on the thirteenth of June, nothing more than a few boxes and a decade old car to keep you company. He guesses you’ve traveled a long distance to get here, and you’ve gotten rid of half of your life in the process.

A good thing for him. That means things can be over relatively quickly, and all your belongings can be disposed of easily after he kills you.

You spend the entire first day unpacking, and Fyodor waits patiently, allows you time to get comfortable in his home. He watches as you bring a stack of thick novels into the waiting room, which once boasted large parties, and place them on a shelf below those that have his name within the covers.

You take a few calls as you hang up your autumn coats, ones that won’t be needed for a few months. The voice on the other line sounds frantic, worried. A local, most likely. You only seem annoyed by his continuous string of anxieties.

When the sun sets, and you grow tired, you rub your eyes and head to bed. The first night you will spend in this place that Fyodor likens to Hell.

It’s the time he’s been waiting for—a moment to catch you off guard. You are so unsuspecting, already so at home in the mansion, that you have no fear of anything hurting you in the middle of the night.

While you get ready for bed, Fyodor slips into your room, observing the pieces of your life that have conquered his bedroom. A soft classical piece plays from your phone, one that he recognizes from his mortal life. Clearly, you are fascinated by the period he once lived in. A shame, really, he won’t be able to tell you more about it.

You leave the bathroom, come back towards him to change into a pair of small shorts, a large shirt hanging over your frame.

He’s forgotten how long it’s been since he’s seen a woman, how long since he’s touched one.

Fyodor finds himself distracted by your body, the smoothness of your skin. His eyes travel over your legs, your hips, the fullness of your breasts and ignores how much he desires to let his thumb graze over your flesh. There is something so soft about you, so gentle and innocent.

Perhaps, that is where his fascination stems from: he has always been the opposite. Even in his human existence, Fyodor was not a kind man, and he doesn’t plan on becoming one now that he is dead.

He shakes away the vision, the thoughts that swirl within his mind. It has been far too long since he has experienced any sort of pleasure, and maybe even a man as cold as himself is not immune to the desires that course within his veins.

Though he tries to be. He ignores his arousal desperately in exchange for a renewed bloodlust.

You climb into bed, put your phone on the white cord, and shut your eyes. Thirty minutes later, you’re sleeping soundly, soft puffs of air leaving your lips as you sleep.

It’s the opportune moment. The silver knife gleams brightly in his hand, streaks of moonlight tracing over the slanted point. It’s the same blade he’s killed every other new tenant with, their screams still echo in the halls like a harmonious melody each time he bring the knife down on another unknowing victim.

He stands before you at the side of the bed, watches as your chest rises and falls, the evidence of your life undeniable. You are a lovely image like this, something to be painted and adored; more beautiful than many of the women he’d met in his time, even those who were of the finest elite in the country.

Fyodor presses the blade to your throat, contemplative. He considers how much lovelier you will look with the scarlet stain of blood seeping down your neck, spraying across the room and ruining the fresh sheets. Will you awaken, gasping as you claw at your throat, or will you drift away without even understanding what has become of you?

He pictures it, and digs the blade close to your throat, nothing more than a pinprick of blood flowering there.

You don’t awaken; but you a little sound leaves you, something between a gasp and a moan, and you shift away from the knife gripped between his pale fingers. It’s a sound that has him pausing, musing, as he regards your vulnerable state, a beautiful figure there with no clue that such a murderous man is also a resident in her home.

You make another one of those pretty noises in your throat, and Fyodor, against two centuries of murderous intent, pulls the knife away. He watches as you roll on your stomach, your shirt scrunching, moving up your body to reveal the undersides of your breasts. Your hand shifts towards him on the bed, reaching in his direction, before you still. Then, your breathing is back to normal, evened out completely.

Your lips part blissfully as you sigh in your sleep.

He can’t stop looking at you, can’t stop wondering what his name would sound like leaving the perfect swell of your mouth, if you’d sound just as pretty when you orgasm as you do when you’re asleep.

Surely, he can find a better use for you—it would be a shame for such a pretty thing to go out so early.

As he draws back, Fyodor notices the chess board on the side table, the pieces arranged nicely, each on the correct square. He can’t tell if you play. You could just have it for decoration, or perhaps it was a gift given to you from a lover that he hasn’t seen pictures of, the one that he’s certain someone as lovely as you must have.

The board is aged; not as old as the one in the drawing room, but a nice set, nonetheless. Fyodor glances back at your sleeping form once more, smiles coolly to himself, and shifts a pawn forward.

The chess piece is the first thing you notice in the morning.

It’s almost ridiculous how easily it catches your eye, a tiny little movement within the chaos that was your brand-new room. A pawn is on a different square, leering at you from the other wall, as if smiling, a flashing sign above its head, calling to you, hoping you’ll pay attention.

You almost think nothing of it; things can move, can’t they? Perhaps there was a shift in the earth overnight… Though, that makes little sense when you think about it rationally.

It’s strange, that much is certain. You remember the realtor telling you about the ghosts, and though you aren’t inclined to believe in haunted houses and scary stories, you find a part of yourself questioning the logic of the chess piece.

You are certain it was on the correct square before you slept.

It’s the only thing on your mind as you get ready, suffer through a tasteless breakfast, and throw on a rain jacket to combat the dreary weather. You’re meeting a friend for lunch—the only friend you have in this town. Sigma is the sole reason you decided to move here, instead of the other arbitrary cities that you’d been desperate to escape to.

Still, the board won’t leave your mind. You take one last glance at it before, on a whim, pushing the opposite color pawn forward as well.

Then you leave, hoping that a conversation with your friend will take your mind off the strangeness of that happenstance, the anxiety you feel about moving to a new place, a new job where no one knows you, a home that stays cold, despite the heat that reigns with long summers.

The walk to the cafe is short, but with the wind and the drizzling rain, you are miserable, your hands wrinkling from the dampness, even within your pockets.

Sigma is waiting for you, his lavender and white hair loose over his shoulders as he peruses the menu, eyes darting across it like he’s never read it before.

You sit, offer him a greeting, and though your conversation is cordial, the two of you catching up on your day, you eventually ask the question you’ve been dying to know.

“Do you believe in ghosts?”

Sigma stops, puts the utensil back down on his plate, and regards you with a thin frown. “Did something happen?”

You think of the chess piece, wonder if another will be moved when you get home. “No, but—”

“I told you not to move into that house,” he says, eyes narrowing. Sigma refuses to step into that mansion, grows anxious every time you mention it. “Over ten people have died there. Do you want to get murdered?”

“No particularly,” you say, staring at him flatly, your mouth pulling into a line. “But I’ve made it one night already. I’ll be fine.”

A hard laugh leaves him, as he shakes his head, unamused by your cheekiness. “That’s what they all say, isn’t it? Then they all die.”

“Very dramatic.” You take a long sip of your water. Sigma’s features don’t crack in the slightest as he stares at you, waiting for you to continue. “I’m not scared. I just want to know if you believe in ghosts or not… Because I don’t.”

Sigma’s eyes flit across your face, searching for any hint of a lie, for any signs of fear. When he finds none, his hands stretch across the table, lacing them together as he glares. “Whether you believe in ghosts or not doesn’t matter. There’s something evil about that house, and you’re putting yourself in danger by living there.”

The conversation with Sigma weighs on your mind for hours after, when you return home, still thinking about the chess board. It was just as you’d left it, two pawns moved forward, staring each other down menacingly. Nothing out of the ordinary.

You sigh and finally put it out of your mind. It was just a coincidence, that’s all. The piece was probably on the wrong square all along, and you’d been too tired last night to notice it.

Instead, you focus your sights on unpacking, and contemplate what to do with the portrait hanging above the mantel.

It’s a dusty old thing, one that the previous owners had, for some reason, never taken down. It had hung over the mantel for centuries, the corners faded from the sun, but the sinister grin of the subject never losing its effect.

You tilt your head, stare at it from a different angle. Looking at it that way, you could, perhaps, see why the painting appealed to them. It’s old, with a style from a different century, and the man composed of deep shadows and pale colors is undeniably handsome. He seems out of place in the portrait, trapped there, too otherworldly to be captured on such a canvas. His features are sharp, molded out of something tougher than diamonds, something more beautiful than this plane is able to comprehend. His deep eyes seem to know all as they stare at you, trace you across the room.

For minutes, you are hypnotized, before a wave of disgust washes over you, and you turn away, unable to look at it any longer. You’ll sell it, you decide. Maybe it will be worth a pretty penny.

That evening, you decide to look into it, but the search into a local art dealer doesn’t get far. When you sit down at your laptop, beginning to type your question into the browser, the lid shuts on your fingertips.

It takes a moment for you to register what had happened. A faint sting dances along the back of your hands, your knuckles tender as you lift the lid back up. Lines bounce along the screen, as if the imprint of your hand had made its way into the pixels, matching the pulse of your nerves.

You curse lowly, hoping that a reset will fix the issue.

The lid had just fallen, nothing serious. It was a newer model, but those things could happen. Issues with the manufacturing, with the way it was assembled. Technology fails you all the time.

You hold the power button, irritated, and upset, when a horrible, screeching noise echoes from the computer. Nothing but a shrill scream, the speakers begging you for help. You slam it shut once more, and the noise stops, but your heartbeat doesn’t slow down.

Shit.

Tomorrow, you’ll have to take it in, and see if anyone can discern the issues. It’s not ideal, but there’s so many things to still need to do, and a broken laptop makes those things very difficult.

You sigh, pushing the chair back into the table. The portrait looms above you as you retreat back to your room, hands shaking. It’s irrational, you know it is, but you swear his eyes follow you all the way up the stairs.

It doesn’t take long for you to start believing in the ghost that is haunting your manor, the one who has let you live for a week and who plays a new game of chess every time your back is turned. Whoever it is, they are much better than you; so far, you’ve lost twice—haven’t even gotten close to winning.

He hides things from you, items that you are needing for the next day, papers that you can’t submit to work on time because the important files have been stashed away.

You find your books opened to paragraphs the ghost seemingly finds interesting, your sheet music scattered in a mess when you return. The candles get blown out unexpectedly, and doors slam when you’re not suspecting it.

If he’s trying to scare you—it isn’t working. You remain in the house, sometimes talking to him like he’s a friend, whispering amongst the walls that know all of the secrets in your home.

You stop at the library on your free weekend, flipping through a dusty copy of the local legends, only stopping when you find your home. There’s a copy of the painting there—your painting, the one that still hangs above your mantel, despite your better judgment.

Beside it, there’s a painting of your home, done when the house was first built. The outside of it is a differently color entirely, the garden in front blooming with pink and yellow flowers. It looks cheerful; the home of a warm and loving family, inviting and kind to each of the neighborhood children. Nothing like the dark manor it is today, with a dead garden in the front and shutters that keep even an ounce of light out.

You read the pages proceeding the painting. The first owner had been a kind man, but the next were not such. After the original owner lost his wealth, he sold the house, passed it to a line of greedy men, ones that were focused only on their money. For a century, it went on this way—until a man named Fyodor Dostoevsky purchased the home for twice as much as it once was.

He was the one who changed it, renovated it, upgraded it to his own personal style, ensuring that it fit in with the times and his own opinions of luxury. Fyodor was charming, but ruthless, deadly with his own intelligence, owning half the town as they lost their money to his schemes.

Fyodor’s rein came to an end when he was poisoned by his closest friend, perhaps the one man he had trusted. It was the first murder in a string of ones to follow within the house.

You close the book, unsure if you regret the knowledge you’d gained or not.

The house feels colder now that you know the history of it. As if you can see the cruelty etched into every wall. Colors of the home bleed into each other, a pastel yellow of warmth and light, and the next room empty, almost uninhabitable, with its royal purples.

You stare at the portrait as you make dinner, feeling like you can never escape the gaze of those oil painted eyes. He has a name now—Fyodor. It feels even more disarming now that you know more about him than he’ll ever know about you.

And though Fyodor watches you, every night, from every angle, you convince yourself it’s just the way that the painting is situated. It would be foolish to think that he’s really watching every move you make, irises pinned on your form, unblinking.

The oven heats up behind you as you cut up your food, humming a soft tune to yourself. It’s getting hotter outside – you’d almost forgotten how miserable the summers could be. You forget every year, even though you’ve lived many.

Just as you’re getting lost in your thoughts, going through a list of things that need to get done in your fixer-upper home, you hear a scratch behind you.

It’s a quick sound, so quick that you almost think it was only your imagination. It’s enough to give you pause, your humming fading out into the night as your eyes dart around your house. Although you’ve tried not to let urban legends get the best of you, you’re paranoid in this aged mansion now.

A few seconds pass. You listen to the sound of your own heartrate, feel it pounding in your chest as you will it to calm down. It’s just enough time for you to convince yourself that it was nothing, that you’re far too nervous about silly ghosts to think rationally.

Though as you turn, a knife flies from the counter, just grazing your cheek, but enough to cause a scratch to open up against the skin. Your finger draws away scarlet as you press it to the wound, staring at the painted crevices of your fingertip.

You can’t move. Despite every cell in your body begging, screaming at you to move, you’re frozen, trapped in the four walls of that kitchen as you stare at your bloodied hand.

It’s all a dream, you repeat to yourself. A dream.

One that you don’t wake up from.

Time passes strangely, when every muscle in your body is on edge, your head pounding from the anxiety that spikes throughout your nervous system. A bead of sweat drips from your temple, and though you aren’t sure how long you stand there, nothing else happens. The knife remains lodged in the wall behind you, and the ghost makes no other attempt to lodge one into your stomach.

It’s quiet. There’s no noise, save for the music that plays softly from your phone.

After you regain control of your racing heartrate, you realize that the song playing isn’t what you’d put on originally. It had switched to a gentle, classical piece. Tchaikovsky, you think… or something similar. Something that a man from a different era would be familiar with.

“Who’s there?” You find yourself saying, perhaps stupidly. “What do you want?”

There’s no response – of course there isn’t. You’re talking to the air. To a ghost. No one had gotten inside the house. You’d checked more than enough times, just as you always did.

“I live here now,” you offer, thinking that, perhaps anger is not the best course of action. Neither is fear, though, if the scary movies you’d watched as a teenager had been any indication. “But I’ll leave, if you want me to.”

There’s no answer to that either.

You sigh, and deflate once more, trying to make yourself believe that there was a logical explanation to knives flying and playlists changing. Just as you’d made yourself believe that everything the “ghost” had done before was just a game, innocently played.

Perhaps, there was never a ghost at all. It could be that stress is driving you to insanity.

With a glass of wine in your hand, you finish up dinner, feeling like you are at your wit’s end. How is it that only a few weeks in this house has already singed your mind, turned you into a believer of things that you are not?

The portrait feels like an omen, staring at you with violet eyes, as you wonder where Fyodor is now. Does he watch you when your home, cooking, as you shower, a vicious gaze tracing over each curve of your body, with a sickening thought of all the things he wishes to do to you?

You shiver. It’ s been a while since anyone’s looked at you with a hint of desire. The feeling has become foreign, now, but you can still recall the gratification that comes with being wanted, how it makes you feel, if only for a moment, comfortable in your own skin.

That thought alone quickly snaps you out of your irrational behavior. Thinking of a ghost wanting you? A man that had been buried in the earth for so long that his body would be nothing more than bones?

This house was making you sick, you concluded, wrapping your leftovers up in plastic and tinfoil, placing them in the fridge. Your nervous friend was right – you never should’ve moved into this house, and you never should have stayed this long.

Your hands shook along the banister, heart racing around every corner. You expected that, maybe, you would see a dark-haired spirit there, his body translucent, but still corporeal. Though, there was no spirit hiding within the depths of the shadows, lurking in the places where he still belonged. No sounds startled you, caused you to jump as you brushed your teeth, completed the one last routine of your day.

The bed was colder than usual as you climbed into it, like a flush of a cold spot had settled within the sheets. You remembered what they said about temperatures and ghosts—how they changed, nothing able to survive in the places that they haunted, as they were not of this world, but something in between, something unnatural.

Your lamp flickers as you turn it on, and it’s just one more red flag you choose to ignore. In houses as old as this one, there are issues like that. The wiring is faulty, the electric needs to be monitored, a laundry list of items you will probably never resolve.

There are a thousand rational conclusions, though, and only one irrational one, which puts your mind at ease. Things like flickering lamps and cold spots can be explained simply, even if knives flying at your face cannot.

Still, you settle into bed, deciding that you will talk to the realtor again soon. You’ll move in with Sigma if he’ll have you. Anything to put your mind at ease for good.

That night, you dream of Fyodor, as if he is there right in the room with you, looming above you with those deep, violent eyes. His fingers, long and pale, trace across your cheekbones, as your eyes flutter open, consciousness coming back to you.

He says your name – it’s no surprise he knows it, after living with you for so long. It’s spoken softly, with a hint of possession behind it, like you belong to him. And yet, you’ve never said a word to him, even if all this time, he’s gotten to know you better than anyone else ever has.

You expect a scream to leave your throat, some hint of surprise, of fear, even, to see a stranger in your bedroom. To see him watching you with those familiar eyes, hair falling over his pale forehead as he gazes down at you from the edge of the bed.

No sound emerges.

Your mind feels a little fuzzy, hazy at the edges as you blink at him, closer to a state of intoxication, than you are alertness. Despite that awareness, you can’t seem to snap out of it; maybe you don’t want to. Instead, you sink deeper into the warmth, the honeyed feeling that comes with turning off your rationality. Everything feels as if it’s coming through in blurred, rosy glasses.

“Fyodor,” you mouth, instead of the scream that you’d anticipated, his name coming out in two wistful syllables.

You should hate him – there’s something in your instincts pushing back at you. A flash of a knife, the days of chaos and uncertainty, where you were sure you were losing your mind, come back at you.

But none of that seems to matter now, as you trace your finger across his cheek, feeling the sharp indent below the high bone. His eyelashes are a shade lighter than his hair, soft as they flutter over his forehead. The portrait of him didn’t do him justice… or perhaps, it is in death that he has found his purest form.

“I’m too tired.”

You’re not sure where those words even come from. Calm, like this is nothing but routine, and waking up with Fyodor beside you is the closest thing to normalcy.

He smiles at you, leaning over you again on the bed, lips pulled tightly together in a morbid grin. It does little to sour your mood, to scare you into action, even if you can’t quite understand why.

“I know,” he replies.

It’s the first time you’ve heard him speak, a deep, accented sound smoothing against your ears as he traces his gaze against each of your features; musical, almost. His voice calms you, lulls you back into a meditative state.

You reach for him, in a trance, and twirl a strand of his hair between your finger, just to see if he’d let you. After the hell you’d been through the past week, well – was it really that miserable? He seems content to watch over you, observe the gentle movements of his dark hair coiled up around your pointer finger.

“Why are you here?” you ask, your voice softer than a whisper, carried away by the wind until it never existed at all.

Fyodor never disappears from your line of sight, even when you try to blink, to close your eyes. He’s there, gazing at you with a lustful fondness, one that’s dangerous, perhaps even malicious. If it’s a dream, it sure feels like a vivid one.

“You wanted to leave,” he says, taking your finger away from his face, before bringing it to his lips. The kiss is barely there, and his mouth is cold, chapped, from the brutality of the afterlife. “I couldn’t let you do that.”

“Hm?” You try to sit up. It takes more effort than it should’ve – you’re so relaxed, so weak, that you fall back down, letting yourself sink into the plushness of the pillow. “Why?”

Fyodor releases your hand, before touching his own finger to your mouth. It’s slender, like a piece of ice, gently parting your lips before grazing your chin, hovering over your neck. Then, he drops his touch to your collarbone. He stakes a claim on every inch of your skin, pausing as he reaches your chest, still covered by the blankets.

Your clothing is thin – it wouldn’t take much effort to get his cool hands on your bare skin. But he refrains, still smiling before answering your question, tucking his hands together onto his lap. “It’s been so long.”

It doesn’t make sense, but you can’t muster up the effort to question him, not when he’s contemplating every word, like he’s hesitant to scare you away. You let him think, watch him ponder, as you stare, too exhausted to move a muscle.

“I thought you’d be like all the rest,” he says, taking a seat next to you on the bed, nearly touching your hip. “They were nothing but filth, stains in these halls. It’s a crime for them to ever think that they belonged here. In my home.”

You blink. “It’s my home, too,” you say, suddenly filled with an immense amount of dread. It crawls up your neck, chokes you, and nothing leaves you but garbled sounds, as you panic.

Fyodor doesn’t move – there is no twitch in his features, as he watches you with disguised adoration, a kind you didn’t think a ghost capable of revealing. “Of course it is, darling,” he says, so softly, it could’ve been mistaken for kindness. Fyodor leans down, presses his cold, dead lips to your cheek, a kiss of death. “That’s why I couldn’t let you leave. It’s your home. You belong here.”

“Right,” you breath, steadying yourself, before nodding. “My home.” Once more, you gaze around the room, your eyes flicking over every surface. Things are exactly as you’d left them, nothing out of place. “With you?”

The ghost smiles, and reaches out to you, finally helping you into a seated position. Your neck is so stiff, in pain, and you roll it around, feeling nothing there when you expect shifting bones. “With me,” Fyodor confirms, running his icy fingertips across your throat, tangling them with your hair.

He leans into you, pressing a lingering kiss to your mouth, one that catches you off balance, before you accept it with an eagerness that surprises you further. It doesn’t feel unfamiliar, instead, it’s as if you’re coming home, like the man you’ve never seen until now was always meant to find you.

A thought that should’ve scared you, even though it doesn’t.

Fyodor pulls away, right as you begin to shift forward, maneuver yourself onto his lap. “You should rest,” he replies, keeping you at a distance. “It might take some time to adjust.”

“Hm? What do you mean?” you blink, holding onto his wrist as your gaze shifts from his impossibly dark eyes to the mirror across the room.

There, in the darkness of the evening, shrouded in moonlight, you can see your reflection staring back at you, eyes vacant, lifeless. You expect to see yourself as nothing but exhausted, but when you draw your gaze across the image of yourself, there is blood seeping from your neck, a stream of scarlet. There is thick gash across your throat, slashed so deep that it would’ve killed you instantly.

The expression on your face shifts from one of calm to horror, as you scrape at your neck, trying to clear off the blood that isn’t really there, the permanent wound that will follow you even into your death.

“What did you do?” you scream, tears rolling down your cheeks, even though you can’t feel them, can only see them in the mirror. “What did you do to me?”

Fyodor smiles, eyes crinkling at the corners. Though you fight against him, he takes you into his arms, and you are too weak to fight him off. “I told you,” Fyodor says, shushing you, running his palm over your head as you scream. “I couldn’t let you leave.”