Long Day’s Journey Into Night (Gan Bi, 2018)
cinematography: Yao Hung-i, Jingsong Dong & David Chizallet
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Long Day’s Journey Into Night (Gan Bi, 2018)
cinematography: Yao Hung-i, Jingsong Dong & David Chizallet

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Crash (David Cronenberg, 1996)
House “De Rusthoek” (1962) in Paterswolde, the Netherlands, by Architectenbureau Van Linge
Il demonio [Brunello Rondi, 1963]

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Cannes 2019 last days by Julien Mignot, Paolo Verzone, Greg Williams & Cyril Zannettacci
Inherent Vice (2014) | dir. Paul Thomas Anderson
Doc could never figure out what Shasta might’ve seen in him, besides being just about the only doper she knew who didn’t use heroin, freeing up a lot of time for both of them. And it wasn’t any clearer about what had driven them apart either. They each gradually located a different karmic thermal, watching the other glide away into different fates. Does it ever end? Of course it does. It did.
yumi lambert for vogue portugal july 2018
Jane B. for Agnès V., 1988, Agnès Varda
Through a Glass Darkly (Såsom i en spegel) (1961) - dir. Ingmar Bergman
My life is my work and dedicated to my love for you.

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Olivia Colman photographed by Philip Montgomery for The New York Times Magazine
Romy Schneider in L'important c'est d'aimer
Let’s go to the other side. The view will be better there.
Cold War (2018) dir. Pawel Pawlikowski

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You can make it disappear as if it never existed.
Burning (2018) dir. Lee Chang-dong
I always know where I am by the way that the road looks. Like I just know that I’ve been here before. I just know that I’ve been stuck here, like this one fucking time before, you know that? Yeah. There’s not another road anywhere that looks like this road - I mean, exactly like this road. It’s one kind of place. One of a kind. Like someone’s face… like a fucked up face.
My Own Private Idaho (1991) dir. Gus Van Sant