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Treated as a hurdle to a m/m pairing that's not even that interesting. Despite the man she likes being like 30 and her being a high schooler, she's treated as the one who should supposedly know better than to get involved with him. A lot of the fandom likes to put this male character on a pedestal and ignore the fact he was attracted to her even before he knew she was 18.
Her relationship to Laura and Donna is so interesting. She's strong and smart but also can be vulnerable. She has dreams outside of what her little town can offer. My personal favorite twin peaks character behind Laura.
Hen Wilson:
Constantly overlooked by the fandom in favor of men, and when people do focus on her it's all about how she helps the m/m ship du jour get together, or supports them, or guides a man in his sexuality discovery. People outside the fandom are constantly being bombarded with the noncanon ship between two white (passing) men, and never even hear about the Black lesbian main character. The OG animals facts girlie but everyone gives that trait to her (white) male coworker.
BADASS Black lesbian firefighter who joined the crew at a time when it was rife with racism and misogyny. Had to fight three times as hard to earn her place and boy did she! Multifaceted, makes devastating mistakes, lashes out, is sososo compassionate, funny, and the smartest character on the show! And her wife is so hot
Hen is a main character who has been in a lesbian relationship since the very first episode(!!!), and yet it's only when the white male lead comes out as bi that fandom celebrates how wonderfully queer the show is and put his face on all the fandom Pride events and artwork! I guess it's not queer rep until it's a white man doing it…
Hen is brave, kind, has a huge heart, makes mistakes, loves, laughs… She's such a wonderful and vibrant character and she doesn't deserve to be overlooked by both the writers and the fandom!
Fandom turns her into a cheerleader for their fave m/m ship, usually Buddie but sometimes Bucktommy (the latter being especially crazy considering her history with Tommy). Fans also hated on her for what she said about feeling like no one supported her after Bobby died because Buck made her fill out a grief checklist one time, even though that speech (while maybe not super supported by the previous episodes) had very clear subtext about her being the only black woman at her workplace.
Hen is a friend to all animals and is extremely messy in her personal life, two great qualities for any character.
fandom refuses to give her the same rich inner live her male coworkers have, because she's just allowed to be the mothering, wise, funny black woman. it's not that fans hate her, they proclaim to love her, but everytime she gets a storyline they complain. everytime she behaves like a human being, with flaws, on the show they complain. anyone's guess whether that's misogyny, racism or misogy-noir
Henrietta fucking Wilson, smartest person you'll ever know (except for her rocket scientist wife) is a firefighter/paramedic, she is badass, she's a mom, she's a lesbian, she's a great friend and she has this incredibly dry wit sometimes. she has flaws, she's stubborn, she tries so hard not to burden anyone that it's burdening, she makes decisions and takes the fall for them. she!!!
This is a complicated answer but here's my thesis. Hen (main character) is sometimes (sometimes!) not served that well by the canon, and I think it's because they are (since s1) afraid to let a black lesbian character be too messy. But this is about fandom, not canon. And she does have some really juicy storylines. And what I have noticed is that fans love to hate the show and they like to say Because Hen Has No Story as one of the reasons. And then when Hen has a juicy story, many of these some fans will insist it's Bad Actually and will come up with some of the most convoluted nonsensical reasons the storyline is objectively bad, when they are in fact clearly just upset their fave didn't get more attention that ep, but they can't say that because that would be racist and they are Not Racist, you see. So some really fun and interesting stories gets crickets at best and torn up and discarded at worst and sucks.
She marches to the beat of her own drum. She's compassionate and kind and brilliant. She's Judging You. She is SUCH a good friend. She is constantly celebrating people and making sure they feel appreciated. She had a really cool villain foil in s5 and nobody ever talks about how good it was. She loves animals. She's had to carve out her place wherever she goes. She has excellent intuition and she's daring and kind of egotistical about her ability to save lives with risky ad hoc medical hail marys. It's hard to sum her up, she's been here 9 seasons. In some ways the family dynamics of the team started with her.
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Others have brought up how much Twin Peaks invokes fairytale and mythology, particularly with regards to saints and hermits.
Margaret (The Log Lady) is a seer, a conduit between some other thought or world, translating her log to deliver cryptic but helpful information to our protagonists. At first we thought the wagon wheel on her house was a spinning wheel; it still calls to mind the Norns and other spinners of fate. She knew they would come. They must submit to her rules and rituals ("Wait for the tea!") to obtain access to her knowledge; and they must be polite. Dale lost an earlier opportunity to learn from her because of his lack of faith and respect.
This brings me to Harold, who follows very similar formatting. Donna must come to him, and meet him in his house on his terms. She brings first a physical offering (he meals on wheels) and then a spiritual one: her life story. He then agrees on the condition that he read Laura's journal to her, and that the journal doesn’t leave his home. He makes explicit, even, that she's agreed to a binding arrangement: "A bargain has been struck". He's very fey: bound to his home, surrounded by lurid flowers, and collecting the secrets of those who come to him. I think of Angela Carter's Erl-King, of dryads and other tree spirits, of every fairy deal.
Hell, you can argue that Blackie fits her own template in the same vein; she's the enchantress in her castle, in control of her domain, encorselling the unwary into her service. Audrey (and every other girl) signs a literal contract. Audrey must pass a test, prove she has something worthwhile to offer. And Blackie too is a seer, albeit a self-serving one; she reads the cards every night, divining her future; she transforms her own employees into these same cards- "Pick a card." She even has a little old hunchbacked woman who sews these identities onto the girls, as fitting as any fairytale hag
Of course, the tragic thing about Blackie's control is how arbitrary, even false, it is. She is only the mistress when the owner is away, and dies trying to gain ownership of her own house. She is killed with a kiss, mastered from outside. She invokes Circe, Morgan le Fay, and The Lady of the House of Love, a vampiress and a prisoner.
"Through the darkness of futures past, the magician longs to see."
Both Margaret and Harold see the past; the night on the ridge, Laura's own thoughts. Blackie seeks to see the future. Some give their knowledge willingly, some are tricked, and some never see a way out of their own enchantment.
Class clown, frat boy, wacky uncle. A silly goofy guy, who's exuberant and eccentric and playful! Life of the party!
Who talks to Audrey like she's a little kid and outright ignores Johnny, who competes with his brother for the chance to deflower a girl they've trafficked, who mocks the madame going through withdrawal telling her she "used to be so pretty" right after threatening her, who gets furious whenever anyone who works for him asserts a boundary or expresses displeasure, who cares more about a deal going through than a girl dying.
And he's a silly goofball the whole time. And he and his staidly-dressed brother who takes business seriously are exactly as bad as each other. None of the dressing matters.
Jerry Horne is like Xander from BtVS in a story that's using his character to make a point about mysogny and power; it doesn't matter if hes smiling or funny or small or dorky. He's just as much of a threat as any of the big muscley guys in leather jackets.
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Emory giving little glass unicorns, symbols of purity and virginity, to the girls invited to One-Eyed Jack's. While Audrey hides in the closet, a dismembered mannequin in the dark behind her, armless and naked. Wooing and praising girls for their innocence, little lambs to be led away and cut up for their choicest parts, the offal discarded when there's no more use for it.
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Remember when Cooper said he couldn't focus on the investigation because he kept thinking about the content of Audrey's smile? It was so platonic and fatherly it brought tears to my eyes
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