she/they/he, adult (pls no minors), grad student so assume i'm suffering but having a good time
dragon age. origins, awakening, & da2 primarily. always asking hey where's zevran. what's he doing. early modern vibes and by vibes i do mean vibes. what if i apply a bunch of otherwise usually fun but not esp practical info into helping a faux-medieval/renaissance setting make a little more sense to me specifically. ask me abt my playlists if u enjoy the shawm. ask me abt shakespeare/early modern english theatre if u want a new friend.
i am shy but friendly. house-trained!
ao3 here
fic tag here
will eventually compile some info abt ocs but for now:
my main girl is cat cousland, a walking anxiety disorder who is having a bad time. an autism diagnosis would not save her but it would make her brother go ohhhhhhhh wow.
my hawke is an andersmancer but more importantly, bethany is there (: ask me abt fenbelathany.
if you're here bc of my leandra posts. idk welcome and i'm sorry ig.
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it rly is batshit that when you're romancing leliana, wynne's little 'hey now' talk w you abt it involves her telling you that leliana is 'sincere and guileless' regardless of whether the marjolaine reveal has happened. wynne, i don't think that's true. wynne, i think maybe leliana can hold her own. wynne.
jumping off @atiya-nagrano's post about Aveline and Fenris, one of the interesting things to me about that relationship is the way that Fenris becomes the nexus of a lot of Aveline's anxieties about her own assimilation into the culture of the city.
Aveline: Do you feel like a citizen, Fenris?
Fenris: Excuse me?
Aveline: You've been in Kirkwall as long as I have. Does it feel like home?
Fenris: I have no comparison, really. It feels like a free place.
Aveline: Maybe that's enough.
Fenris: We shall see.
Like this isn't just a dialogue about whether Fenris has made himself someone who fits in here, who Aveline can accept here. It's a dialogue about whether or not Aveline has made herself someone who fits in here, who can accept herself here. And this is a problem for Aveline that begins as early as or even before Act 1.
Hawke: It seems like Kirkwall suits you.
Aveline: It has been a challenge. Lots of opportunity... if you're the type the locals want.
Hawke: Are you?
Aveline: If you argue enough, you kind of convince yourself.
This is from Aveline's Act 1 recruitment quest, A Friend in the Guard. In the understanding that this is a story, and that we see specific conversations within these characters' presumable seven years' worth of conversations cherry-picked for narrative purpose- This is the start of a conflict that Aveline spends the next six years attempting to answer. Is she the type the locals want? Can Donnic be persuaded to see her as a desirable partner? Will the Guard accept her as their new leader or will they reinstate the previous Captain who, while corrupt, was at least not a foreigner? And, ultimately, can she argue all of it well enough to convince herself? Can she convince herself that the place she has built for herself here is doing the good she wants it to do - that it's not a betrayal of Ferelden... Wesley... her friends... her principles? Even in circumstances where Aveline did not get together with Donnic (read: assimilate to Marcher identity via marriage), Aveline does manage to re-secure her position as Captain of the Guard in her Act 3 quest, Favor and Fault. She manages to undermine Jevan's plot, to execute him and the guards who have mutinied on her. Lacking conviction in her own merits, her intent to resign is entirely self-propelled. (And whether or not she sees it through following the events of The Last Straw or finds new purpose in it is another matter of ambiguity.)
But back to the original dialogue. I think I feel compelled to note the variants that exist for romanced Fenris.
(Alternately, if Fenris is in a relationship with Hawke)
Aveline: You've been in Kirkwall as long as I have. Does it feel like home?
Fenris: It feels. That itself has been a surprise.
(If Aveline has gotten together with Donnic in the completion of her act 2 quest, The Long Road)
Aveline: I think I know what you mean.
(or if she hasn't)
Aveline: I think I had a chance for that and missed it.
Feelings about the Fenris romance aside, I think it's important that ultimately Fenris's sense of being able to belong here in Kirkwall is inextricably tied to being able to belong with someone else. And maybe more sharply, to belong with someone else who has a claim or tie to the city that he himself doesn't have. Hawke whose Amell heritage can tie Fenris to the city in a way Fenris by himself doesn't feel he can manage. Donnic whose claim as a born Marcher can tie Aveline to the Guard in a way Aveline by herself doesn't feel she can manage.
I'm going to make a bit of a wild statement here. I don't think Fenris is the companion that Aveline works the hardest to justify and defend a space for in Kirkwall, but I think he's probably the one that she does this for the most easily. I don't think she considers taking a stand for him as fraught as come with defending Merrill or Bethany from the Templars (to say nothing of Anders, who she disowns more fully). Nor does it require overlooking the mass differences in temperament and self-image that she has with Isabela, or overlooking Isabela's part in kickstarting the Qunari riots in Act 2. I don't think Aveline considers killing those slavers for Fenris any type of real ethical problem she's confronting. And I am now wondering if the ways she feels (however warranted) that they are similar is a factor in that? As per the other recent Aveline post, they're bonding over their complicated relationships with names and roles. They're bonding over their complicated relationship with their impulse to defer to authority. They're both not-quite citizens looking for love.
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i think it's a normal response to go aveline SUCKS to refusing to toss fenris' file but also. in the spirit of thinking abt her character thru the lens of a character who's rly, rly trying not to see the contradiction between being a good person and being a cop, i want to break it down, bc it is kind of her whole deal.
Aveline: Are you safe, Fenris?
Fenris: No.
Aveline: You know, some guards give people the opportunity to lie if it will keep the peace.
Fenris: You can see what I am. Lie to yourself if you must.
even before she becomes guard captain, she's still trying to consolidate her friendship w fenris into her overall framework of 'guards = good.' this to me is a copout (badumtsh), and i think that's part of why fenris responds so bluntly. he understands his position, and he understands that he exists outside of aveline's desired worldview; aveline is the one tying herself in knots going okay guards are good but sometimes guards lie but when guards lie it's still good because it's abt keeping the peace. and fenris tells her flat out that she's the one lying. and he is right.
then she becomes guard captain and they have the infamous conversation abt what aveline found in fenris' file, essentially:
Aveline: You are known, Fenris.
Fenris: What?
Aveline: I'm going through Jeven's neglected reports. Some involve you. And requests about you.
Fenris: By whom?
Aveline: I don't know. They're old, poorly kept. But you should be on your best behavior.
Fenris: Thank you for getting rid of them.
Aveline: I didn't.
again, aveline is being forced to confront what she believes is right with this other thing she believes is right. she splits the difference: she gives fenris a heads up, but she doesn't get rid of the reports. compromise. belief system/sense of self intact.
except are they? bc she's still rly struggling.
Aveline: All right, I'm just going to say it. Fenris, you need to present yourself better.
Fenris: What are you talking about?
Aveline: You're squatting in Hightown. I sympathize with your claims, but your neighbors have influence.
Fenris: My claims?
Aveline: To the estate. "Rightfully stolen" isn't exactly something I can forward to the Viscount. Be more discreet about... yourself.
Fenris: I shall endeavor to exist with less offense.
incredible zinger from mister deadpan
aveline's still working overtime to keep these two competing (mutually exclusive) needs in balance. fenris can you just make it easier for me. fenris will you just try to be respectable. fenris i need you to pls pls stop ripping my brain in half.
but it's! not! working!
Aveline: Fenris, did you consider my offer for you to train the guard in Tevinter fighting techniques? I've heard nothing.
Fenris: My abilities were inflicted, not taught. I will not pass that on.
Aveline: Some good should come of them.
Fenris: No.
okay well what if fenris could just help the guard. then it all balances out. she can justify all the work she's doing to smooth things over for him if he's helpful to the guard, this is keeping the peace, sometimes little lies are necessary.
bc she is absolutely working hard to smooth things over for him:
Fenris: It feels good to be captain of the guard, yes?
Aveline: No, I will not change the patrols around your mansion again. There's already been too many questions.
Fenris: You wound my pride with such accusations.
Aveline: But you were going to ask.
Fenris: Eventually.
Aveline: (Laughs) I'll look at the roster and see what I can do.
enough that he feels comfortable bringing it up w her — joking w her. she even laughs. she's not sitting on jeven's reports, considering turning him in. she's doing what she says she can't do and pretending this isn't going to be in conflict w what she feels she owes kirkwall as guard captain forever. eventually she will be able to reconcile what she says are her values w what she's actually doing; eventually, fenris will do smth that allows her to reconcile those feelings.
but that never happens.
Aveline: Do you feel like a citizen, Fenris?
Fenris: Excuse me?
Aveline: You've been in Kirkwall as long as I have. Does it feel like home?
Fenris: I have no comparison, really. It feels like a free place.
Aveline: Maybe that's enough.
Fenris: We shall see.
she is anxious. 'maybe that's enough.' is it? is it enough for her? is she rly okay w all of this as it is?
Aveline: There's a war coming. Does it feel different, fighting by choice?
Fenris: You were never ordered to kill?
Aveline: I was a soldier, but I was willing.
Fenris: I was willing, as well, but not by choice. (Laughs) If that makes any sense.
Aveline: Does anything in this mess?
she does think abt what her position means. she thinks abt the contradictions inherent to her roles bc she can't avoid them. they haunt her — it's been almost a decade since she was a soldier when this dialogue happens.
in fact, she's been thinking abt them the whole time:
Bethany: Being a guardsman seems like a better life than being a soldier.
Aveline: Oh?
Bethany: My brother was a soldier. It's all about taking land and serving some king you've never met.
Bethany: Guardsmen, they do something real. They protect people. They make their lives better.
Aveline: I don't know if I agree.
Bethany: Neither would my brother.
like every single other companion in da2, aveline's worldview is constantly under threat, internally and externally. it is under threat in act 1, and act 2 brings it to a boiling point — w catastrophic consequences. by act 3, aveline, in keeping w the themes of the game, will either double down hard or make the more vulnerable decision that puts her at risk.
her arc is by no means a feat of mastery, but i think there's still plenty to mine there. tbh i think not engaging w what she has to offer narratively means you miss out on a lot of the ugliness of kirkwall, but also how precarious everything is — esp when aveline is interacting w extremely vulnerable ppl, like fenris, whom she cares abt immensely. and yet he upends her worldview. and yet she does not always treat him in a way that indicates she fully understands how vulnerable he is. and yet, the first thing she asks him is, 'are you safe?'
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For WIP Madness (This is FiberPunk's normie account btws)
Nora? I'm curious about this!
Okay im gonna share the last snippet I have for this one which I think is kinda juicy? You can find the other snippets mostly here.
Some context - this is my Cass/Nora break up scene.
For both of them, its their first time being with a woman. At the beginning of the relationship, Cass had really put Nora on a pedestal - wires getting crossed between faith and love and desire with Nora's role as Herald/Inquisitor.
But Nora is also a 22 year old fresh out of the Circle who has never had a healthy relationship or learned to take care of herself. She has developed a drinking problem to cope, and because she has never been allowed to really express her emotions outwardly she never learned to regulate rather than repress.
Other context: Nora's closest friend (who she now realizes she was in love with) was made tranquil by force ar 19. Nora carries a lot of shame about feeling she abandoned her.
(Ignore the note in the middle where I couldnt figure out the dialouge 🥲)
-♡-♡-♡-♡-
Nora was wine drunk in her room when the knock came. Soft. Tentative.
"Come in!" She called. When Cassandra entered she laughed - a genuine laugh, lit through with affection.
"You know you don't have to knock, Cass." She said. The warmthwas genuine, but her tounge did feel awfully thick - forming the words clumbsily.
Cassandra knitted her brows as she came to sit next to Nora on the bed.
"Are you drunk?" Cassandra asked, concern clear in her voice.
Nora felt a lance of annoyance, but she knew what she really felt was shame. She had been drinking to much lately, she knew.
She waived her hand dismissively nonetheless -"Just a couple glasses in the bath." Liar.
Cassandra's eyes flicked to the mostly empty bottle of wine and back to Nora, the crease between her brows growing deeper.
Nora smiled sheepishly, giving what she hoped very much was the appearance of innocence.
"Okay, maybe a bit more than a couple glasses. I'm fine though!"
"Perhaps I should return later."
"No no, Cass, don't go. Talk to me. Don't be mad." Nora gave an exaggerated pout.
Cassandra sighed, "I'm not .. "mad". I just have something - serious to discuss with you."
Nora pursed her lips.
"Inquisitor business?"
"If I said both?"
"I would be curious." Nora said with a smirk, but Cassandra's stricken face stopped her short. "Cass. What is it?"
"I am afraid," Cass said, taking a deep breath, "that this news may change things between us. But I must tell you."
Nora sat silent for a minute.
"Well, that's sobered me up. Come. Tell me."
[--- add in dialouge - tells about tranquility cure]
Nora found she was shaking. She hadn't realized she wasnt breathing until she had grown dizzy. She tasted blood as she bit down on her lip. She would not cry.
"Nora-" Cassandra said, reaching out to place a hand on her arm.Nora jumped away as if burned, backing slowly away from this woman who had loved her, and held her, and listened to her, and who now she saw for what she was - a wolf. A hunter.
She would cage her.
"You people are fucking ghouls." She said, her voice cold.
"Nora - I only just learned this myself! The cure -" Cassandra leaped to her feet, stepping towards Nora, hand outstretched. She stopped herself from touching her.
"The cure - ha!" Nora felt mad, incandescent with a growing rage she hadn't let herself feel. "What about the cause, Cassandra?"
"Nora — "
"You talk about a cure, but where was your rage when you saw Avexis? When I told you about Bea? When you and Leliana investigated Kirkwall? I dont know how I convinced myself that you were safe. That I could love someone who stood by while our minds were stolen."
Cassandra looked stricken.
"Nora, I-" she straightened her back, "the Rite of Tranquility is a necessity. It may have been applied to broadly, but - "
Nora picked up the wine glass from her bedside table and threw it. It shattered on the wall behind Cassandra, who looked at her with wild eyes full of shock.
"Fucking GHOULS! Monsters every fucking one of you!" Nora realized she was sobbing "What about now? What about me? Get out Seeker."
Cassandra stepped towards her, and Nora saw the tears that were brimming in her eyes. She had never seen Cassandra cry. She found she hated them.
Cassandra took another step towards her. "Nora, please - let me -"
"I told you to get out!" A powerful change in the pressure of the room burst the balcony door open. The wine bottle shattered. She had never lost control like this. It felt like a decades worth of suppressed pain and rage and grief was pouring out of her, and she could not stop the flood.
Suddenly, she was hit with a void that sent her reeling. Knees buckling, she fell the floor - her mana depleted to the point of exhaustion. She looked up at Cassandra with betrayal in her eyes, before crumpling into herself.
"Nora - i am sorry - you were out of control. I had to -"
"Get out. Please."
Nora's voice sounded small to her ears when she spoke. She sounded like a child. She felt like a child. She felt like the first time she lost control of her magic. She felt like it might be the last time.
She looked at the ground, averting her eyes.
"Get out. Thats an order."
She heard Cassandra's footsteps walking away. She heard her pause before the door. She heard her leave.
After a few minutes, Nora rose. She locked the door, and pulled over a chair to fit until the knob and barricade it against intrusion.
She crawled over to the rug in front of the fire. She didn't sleep.
hmmmmm i think i agree that lumping alistair into the bizarre category of 'chantry boy' is an annoying (and incorrect!) misrepresentation but i don't think i agree w the implication that he's particularly subversive — or that by identifying him w andrastianism and the templar order, morrigan has misread him. in a lot of their banters, alistair sort of reflexively identifies himself as in alignment w those institutions.
Alistair: So let's talk about your mother, for a moment.
Morrigan: I'd rather talk about your mother.
Alistair: There's nothing to talk about. And besides, isn't your mother a scary witch who lives in the middle of a forest? Much more interesting.
Morrigan: To you, perhaps. You would find the moss growing upon a stone interesting.
Alistair: You know what's more interesting than that? Apostates. Mages outside of the Tower. That's illegal, you know.
Morrigan: You did not read that in a book somewhere, did you? I hope the small letters did not strain you overmuch.
Alistair: Or we could not talk about your mother. That works for me.
this is the big one. like quite frankly i don't think this means alistair would actually turn morrigan in or that he would approve of what would happen after morrigan ended up in a circle. but the chantry/templar alignment is useful to him when he wants to intimidate her. it's notable to me that it's when morrigan jabs at his ability to read that he decides to tap out.
later, when she rolls her eyes at him asking her why she thinks he's stupid, he snaps, 'i was educated by the chantry. i studied history. they don't make stupid templars.' and like. my guy i do think they make stupid templars. but his chantry education as a templar is a thing he can hold over morrigan's head. and he does.
Alistair: All right. I've come up with one, a question that you can't answer.
Morrigan: Are you talking to me?
Alistair: That's right. You think you're so smart? I've got an academic question that I bet you won't be able to answer.
Morrigan: Oh, I doubt that.
Alistair: So tell me, then: what was the name of Andraste's husband?
Morrigan: This is a religious question, not an academic one.
Alistair: You're joking, right? A five year-old could answer that question. Do you not know more than a child?
Morrigan: I care nothing for your religion. And this game of yours is over.
Alistair: Oh, how the mighty have crumbled.
a chantry-taught metric of intelligence disadvantages morrigan and advantages alistair, so he uses it to make her feel stupid. morrigan is right when she tells him he's asking a religious question and not an academic one in the same way that's it's unfair of her to judge alistair against flemeth's metric. why would knowing the name of andraste's husband demonstrate intelligence to someone who exists outside of that institution — or rather, someone who is imperiled by that hegemony?
like.
Alistair: So tell me, was the Tower of Magi everything you thought it would be?
Morrigan: Abominations running rampant? Templars ready to slaughter every mage in sight? Yes, it rather met all my expectations.
Alistair: You don't think you might have been better off getting your training there? Instead of whatever your mother taught you?
Morrigan: You're right. My mother didn't nearly have as many abominations running about. That certainly would have improved my education.
Alistair: Hmm. I'll give you that one.
Morrigan: I'm so relieved.
'instead of whatever your mother taught you.' it's what flemeth taught morrigan that saved alistair and the warden's life, but alistair a) cannot concede that here and b) super cannot concede that here if he wants to press morrigan's buttons abt who got the better education.
and also idk it's just a weird level of HELLO? to walk out of broken circle, rock up to the apostate mage, and say hey that was all kind of a lot, but you get why your education was still lesser, right? and then immediately having to be like yeah the abominations were bad. yeah.
i do think there's smth there abt alistair and intelligence where he tries to pass himself off as mister guy-who-doesn't-know-anything partly out of an acute self-loathing, partly bc he doesn't want to deal w being an expert after duncan dies. but he does value what he's learned, he values his training. the resentment he holds for ppl who make him feel stupid indicates to me that even when he's being self-deprecating, it's not so much that he rly believes he isn't smart as much as he believes he's vulnerable to being made out to be stupid. he does still feel his input matters even when he defers the actual decision.
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how much trouble will i be in w the imaginary council of judges in my head if my sapphic week contributions, assuming they are in sharing shape by the time the week hits, are Difficult and Unsatisfying
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