she/they/he, adult (pls no minors), grad student so assume i'm suffering but having a good time
dragon age. origins, awakening, & da2 primarily. always asking hey where's zevran. what's he doing. early modern vibes and by vibes i do mean vibes. what if i apply a bunch of otherwise usually fun but not esp practical info into helping a faux-medieval/renaissance setting make a little more sense to me specifically. ask me abt my playlists if u enjoy the shawm. ask me abt shakespeare/early modern english theatre if u want a new friend.
i am shy but friendly. house-trained!
ao3 here
fic tag here
will eventually compile some info abt ocs but for now:
my main girl is cat cousland, a walking anxiety disorder who is having a bad time. an autism diagnosis would not save her but it would make her brother go ohhhhhhhh wow.
my hawke is an andersmancer but more importantly, bethany is there (: ask me abt fenbelathany.
if you're here bc of my leandra posts. idk welcome and i'm sorry ig.
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For WIP Madness (This is FiberPunk's normie account btws)
Nora? I'm curious about this!
Okay im gonna share the last snippet I have for this one which I think is kinda juicy? You can find the other snippets mostly here.
Some context - this is my Cass/Nora break up scene.
For both of them, its their first time being with a woman. At the beginning of the relationship, Cass had really put Nora on a pedestal - wires getting crossed between faith and love and desire with Nora's role as Herald/Inquisitor.
But Nora is also a 22 year old fresh out of the Circle who has never had a healthy relationship or learned to take care of herself. She has developed a drinking problem to cope, and because she has never been allowed to really express her emotions outwardly she never learned to regulate rather than repress.
Other context: Nora's closest friend (who she now realizes she was in love with) was made tranquil by force ar 19. Nora carries a lot of shame about feeling she abandoned her.
(Ignore the note in the middle where I couldnt figure out the dialouge 🥲)
-♡-♡-♡-♡-
Nora was wine drunk in her room when the knock came. Soft. Tentative.
"Come in!" She called. When Cassandra entered she laughed - a genuine laugh, lit through with affection.
"You know you don't have to knock, Cass." She said. The warmthwas genuine, but her tounge did feel awfully thick - forming the words clumbsily.
Cassandra knitted her brows as she came to sit next to Nora on the bed.
"Are you drunk?" Cassandra asked, concern clear in her voice.
Nora felt a lance of annoyance, but she knew what she really felt was shame. She had been drinking to much lately, she knew.
She waived her hand dismissively nonetheless -"Just a couple glasses in the bath." Liar.
Cassandra's eyes flicked to the mostly empty bottle of wine and back to Nora, the crease between her brows growing deeper.
Nora smiled sheepishly, giving what she hoped very much was the appearance of innocence.
"Okay, maybe a bit more than a couple glasses. I'm fine though!"
"Perhaps I should return later."
"No no, Cass, don't go. Talk to me. Don't be mad." Nora gave an exaggerated pout.
Cassandra sighed, "I'm not .. "mad". I just have something - serious to discuss with you."
Nora pursed her lips.
"Inquisitor business?"
"If I said both?"
"I would be curious." Nora said with a smirk, but Cassandra's stricken face stopped her short. "Cass. What is it?"
"I am afraid," Cass said, taking a deep breath, "that this news may change things between us. But I must tell you."
Nora sat silent for a minute.
"Well, that's sobered me up. Come. Tell me."
[--- add in dialouge - tells about tranquility cure]
Nora found she was shaking. She hadn't realized she wasnt breathing until she had grown dizzy. She tasted blood as she bit down on her lip. She would not cry.
"Nora-" Cassandra said, reaching out to place a hand on her arm.Nora jumped away as if burned, backing slowly away from this woman who had loved her, and held her, and listened to her, and who now she saw for what she was - a wolf. A hunter.
She would cage her.
"You people are fucking ghouls." She said, her voice cold.
"Nora - I only just learned this myself! The cure -" Cassandra leaped to her feet, stepping towards Nora, hand outstretched. She stopped herself from touching her.
"The cure - ha!" Nora felt mad, incandescent with a growing rage she hadn't let herself feel. "What about the cause, Cassandra?"
"Nora — "
"You talk about a cure, but where was your rage when you saw Avexis? When I told you about Bea? When you and Leliana investigated Kirkwall? I dont know how I convinced myself that you were safe. That I could love someone who stood by while our minds were stolen."
Cassandra looked stricken.
"Nora, I-" she straightened her back, "the Rite of Tranquility is a necessity. It may have been applied to broadly, but - "
Nora picked up the wine glass from her bedside table and threw it. It shattered on the wall behind Cassandra, who looked at her with wild eyes full of shock.
"Fucking GHOULS! Monsters every fucking one of you!" Nora realized she was sobbing "What about now? What about me? Get out Seeker."
Cassandra stepped towards her, and Nora saw the tears that were brimming in her eyes. She had never seen Cassandra cry. She found she hated them.
Cassandra took another step towards her. "Nora, please - let me -"
"I told you to get out!" A powerful change in the pressure of the room burst the balcony door open. The wine bottle shattered. She had never lost control like this. It felt like a decades worth of suppressed pain and rage and grief was pouring out of her, and she could not stop the flood.
Suddenly, she was hit with a void that sent her reeling. Knees buckling, she fell the floor - her mana depleted to the point of exhaustion. She looked up at Cassandra with betrayal in her eyes, before crumpling into herself.
"Nora - i am sorry - you were out of control. I had to -"
"Get out. Please."
Nora's voice sounded small to her ears when she spoke. She sounded like a child. She felt like a child. She felt like the first time she lost control of her magic. She felt like it might be the last time.
She looked at the ground, averting her eyes.
"Get out. Thats an order."
She heard Cassandra's footsteps walking away. She heard her pause before the door. She heard her leave.
After a few minutes, Nora rose. She locked the door, and pulled over a chair to fit until the knob and barricade it against intrusion.
She crawled over to the rug in front of the fire. She didn't sleep.
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hmmmmm i think i agree that lumping alistair into the bizarre category of 'chantry boy' is an annoying (and incorrect!) misrepresentation but i don't think i agree w the implication that he's particularly subversive — or that by identifying him w andrastianism and the templar order, morrigan has misread him. in a lot of their banters, alistair sort of reflexively identifies himself as in alignment w those institutions.
Alistair: So let's talk about your mother, for a moment.
Morrigan: I'd rather talk about your mother.
Alistair: There's nothing to talk about. And besides, isn't your mother a scary witch who lives in the middle of a forest? Much more interesting.
Morrigan: To you, perhaps. You would find the moss growing upon a stone interesting.
Alistair: You know what's more interesting than that? Apostates. Mages outside of the Tower. That's illegal, you know.
Morrigan: You did not read that in a book somewhere, did you? I hope the small letters did not strain you overmuch.
Alistair: Or we could not talk about your mother. That works for me.
this is the big one. like quite frankly i don't think this means alistair would actually turn morrigan in or that he would approve of what would happen after morrigan ended up in a circle. but the chantry/templar alignment is useful to him when he wants to intimidate her. it's notable to me that it's when morrigan jabs at his ability to read that he decides to tap out.
later, when she rolls her eyes at him asking her why she thinks he's stupid, he snaps, 'i was educated by the chantry. i studied history. they don't make stupid templars.' and like. my guy i do think they make stupid templars. but his chantry education as a templar is a thing he can hold over morrigan's head. and he does.
Alistair: All right. I've come up with one, a question that you can't answer.
Morrigan: Are you talking to me?
Alistair: That's right. You think you're so smart? I've got an academic question that I bet you won't be able to answer.
Morrigan: Oh, I doubt that.
Alistair: So tell me, then: what was the name of Andraste's husband?
Morrigan: This is a religious question, not an academic one.
Alistair: You're joking, right? A five year-old could answer that question. Do you not know more than a child?
Morrigan: I care nothing for your religion. And this game of yours is over.
Alistair: Oh, how the mighty have crumbled.
a chantry-taught metric of intelligence disadvantages morrigan and advantages alistair, so he uses it to make her feel stupid. morrigan is right when she tells him he's asking a religious question and not an academic one in the same way that's it's unfair of her to judge alistair against flemeth's metric. why would knowing the name of andraste's husband demonstrate intelligence to someone who exists outside of that institution — or rather, someone who is imperiled by that hegemony?
like.
Alistair: So tell me, was the Tower of Magi everything you thought it would be?
Morrigan: Abominations running rampant? Templars ready to slaughter every mage in sight? Yes, it rather met all my expectations.
Alistair: You don't think you might have been better off getting your training there? Instead of whatever your mother taught you?
Morrigan: You're right. My mother didn't nearly have as many abominations running about. That certainly would have improved my education.
Alistair: Hmm. I'll give you that one.
Morrigan: I'm so relieved.
'instead of whatever your mother taught you.' it's what flemeth taught morrigan that saved alistair and the warden's life, but alistair a) cannot concede that here and b) super cannot concede that here if he wants to press morrigan's buttons abt who got the better education.
and also idk it's just a weird level of HELLO? to walk out of broken circle, rock up to the apostate mage, and say hey that was all kind of a lot, but you get why your education was still lesser, right? and then immediately having to be like yeah the abominations were bad. yeah.
i do think there's smth there abt alistair and intelligence where he tries to pass himself off as mister guy-who-doesn't-know-anything partly out of an acute self-loathing, partly bc he doesn't want to deal w being an expert after duncan dies. but he does value what he's learned, he values his training. the resentment he holds for ppl who make him feel stupid indicates to me that even when he's being self-deprecating, it's not so much that he rly believes he isn't smart as much as he believes he's vulnerable to being made out to be stupid. he does still feel his input matters even when he defers the actual decision.
how much trouble will i be in w the imaginary council of judges in my head if my sapphic week contributions, assuming they are in sharing shape by the time the week hits, are Difficult and Unsatisfying
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in other news i'm going to go see a play tonight that is going to piss me off so bad but i can't wait to complain abt it later bc the problem is not that it's bad, the problem is that it is emblematic of why precocious teenage girls should be treated as such and not as older/wiser beyond their years blah blah blah
i think honestly i projected a ton of baggage onto this play. i remember it so specifically and i think it has more to do w the environment i was in when i engaged w it than the actual content. it still makes me sad in ways it maybe doesn't intend, and i still think it has problems, but i'm glad i went if for no other reason than the things i thought i were going to define me just don't anymore. even when they're onstage and being received by ppl around me who may or may not react in ways that i agree with. and that's been true for a while, but i kind of touched a hot stove tonight v impulsively and what i learned is that actually, that stove's p cold now. that's rly comforting.
i think part of engaging w aveline necessarily means engaging w a hawke who's friends w a cop, or reliant on one, and both of those relationships are gonna be untenable if you're trying to avoid that dynamic altogether. like there are absolutely reasons for ppl to want to disengage.
and also, i don't rly think aveline needs to be rehabilitated. her decisions are like. Bad. they are bad in ways that reflect real world issues. i don't think anyone is obligated to Like her or think abt her as much as they think abt the characters that ARE enjoyable and perhaps easier to engage with.
(so if u don't want to engage, here's where you tap out)
but i do question the like. like which character in da2 is easier to engage with. why. bc typically if i see a da2 character being extolled as Correct and Virtuous it's bc everything uncomfortable abt them has been flattened. femicide. racism. collaboration. the characters that popped into your head when you read those things might be the same ones i have in mind, they might not be.
the thing that consistently bothers me abt these conversations is carver, and that's at least partially due to my own brother baggage, but like. i agree w aveline.
Carver: Did you approve my application?
Aveline: I can't make you a guard, Carver.
Carver: We were both soldiers. Why won't they take me?
Aveline: I was an officer. And I follow orders.
Carver: (Laughs) No you don't.
Aveline: I also think of others before myself. You seem tired of that, and that's dangerous.
Carver: Just when it's not my choice. You told them not to take me, didn't you?
Aveline: Yes.
there was a post going around somewhere that i can't find now that makes the extremely prescient point that most ppl assume carver is default white. quite frankly the game assumes carver is default white. and there is a much, much different vibe to this dialogue when it is a white woman in charge deliberately sabotaging a marginalized man.
but when aveline and carver are on relatively equal footing, this is like. i'm sorry, it's a fucking nonissue. me personally no i don't want carver in a position of power. he's not disciplined. he takes his ego out on others.
Anders: Nice day to be planning a trip into the Deep Roads, don't you think?
Anders: The Blight, the dampness, the festering darkness filled with tainted rats...
Carver: Shut up.
Anders: You've got a real chip on your shoulder, you know?
Carver: I've got a big blade on my shoulder, magey.
Anders: Right. Wonder what you're compensating for.
jumping to threats of physical violence bc some guy was literally just trying to make conversation is not fucking good! i'm not saying anders isn't annoying: he is!!!!! i'm saying when a guy is annoying, you go 'you are so fucking annoying.' you don't microaggress them while threatening violence.
aveline does this, too, btw, w isabela. in both instances, it's someone punching down bc of a knee-jerk emotional reaction — isabela and anders are both more vulnerable than aveline and carver, respectively. anders and isabela might deliberately provoke the ppl around them to get a response, but i don't think 'i'll give you a sore spot' or 'i've got a big blade on my shoulder' are appropriate responses.
all four of them are, interestingly to me, fereldan refugees, altho i admit i'm stretching that a bit w isabela. isabela is certainly a refugee ig, if not a specifically fereldan one.
anyway, what i want to highlight here is that if aveline is a cop, then carver wants to be a cop. the 'bad apples' narrative abt policing says that cops could be good if we just kept all the violent assholes out of the force, eliding the fact that the it's the 'violent assholes' profession. either way, not the point. carver wants to be a cop. carver wants to wield institutional power over other ppl bc he feels powerless and in his sibling's shadow — carver is already doing that w the limited power he has.
if hawke doesn't take him on the expedition, he becomes a religious cop. he says he has concerns abt some of the 'extreme elements' (oh no the bad apples) within the order but he also says he's 'found [his] place'.
It's not a perfect job, though. I don't really like what we do to mages, but do we have a choice? It keeps everyone safe, and it's better than the alternative. Many mages understand that we're trying to help, even if our methods could use improvement.
this is batshit. this is a batshit thing to say to your marginalized loved one who has come home to find out that you joined the ppl hunting you down, who tried to hunt your father and sister down. bc here's the second part of my deal: if carver is alive, your hawke always exists at more intersections of marginalization than he does. that's how the game is set up. you cannot get around that.
i rly. rly need to underline. that he tells hawke, an apostate mage, 'many mages understand that we're trying to help'. can we agree that the most charitable interpretation of that is a breathtaking tactlessness?
and i will say that one thing ppl v rarely talk abt wrt carver is that there are versions of him that are fine w it if your hawke decides to help annul the circle. if he's a warden and you side w the templars, he explodes at you — that part ppl will bring up. but if he's a templar? maybe his voice actor chooses to flavor 'it's . . . good' w some reticence. but if he chooses to be a templar — if he chooses to join institutional power — he sides w institutional power, and he does so as someone who benefits from it.
aveline, meanwhile, mirrors fenris wrt helping hawke if hawke decides to side w the mages. there are conditions that, if not met, will require hawke to ask again for her to join them if aveline doesn't immediately agree to help. but tbh, beat for beat, aveline makes the same stand that fenris does with one crucial exception: if hawke doesn't have the approval to convince fenris to join them on the second try, hawke has to fight fenris to the death. aveline refuses to fight at all.
the wiki says that aveline resigns, which is the vibe but never explicitly stated in the cut scene? relying on youtube. whatever the case, she drops her sword and the guardsmen leave w her.
and like. my favorite part of da2 is that it is possible that characters will take a stand against hawke. sometimes w the approval system they'll just go along reluctantly, but to me? aveline getting to wrestle w her complicity and devotion to 'duty' is sexy. being forced to put aside all of her compartmentalized, unrealistic, unhealthy loyalty to 'order' bc she can't, at the end of the day, ignore her own personal feelings is a pressure cooker moment i rly enjoy.
carver will also refuse to fight hawke on meredith's orders....................................the same way cullen will refuse. at the v last second.
what i'm saying is that carver is often used as a sort of neutral bullet point in a list of aveline's deficiencies, but in fact, he shares a lot of those deficiencies — he can be a p potent example of what choosing institutions over ppl means. players, at least in my corner of tumblr, don't seem to frequently pick the options that make those deficiencies undeniable (tbf neither do i! i'm hanging out w bethany p much every playthru), but then, every playthru i've done, aveline has agreed to side w the mages without hesitation. it's not nearly as tricky to net her required approval as it can be w fenris if you're playing pro-mage.
i also. idk. i think there are absolutely real world resonances and also i think the game wants those resonances to be there even tho the game does not see policing the way i do. aveline's friendship-exclusive ability is called 'serve and protect.' i am in no way denying that the guards aren't invoking cops, aveline in particular. for that matter, i'm not denying aveline's culpability in the act 2 crisis: as in real life, her adherence to institutionalized racism and misogyny has nightmarish consequences for the ppl she is claiming to serve and protect.
but at the same time, i would still like to talk abt aveline, and to some extent, even tho i am a bethany enjoyer, carver.
and i think what's frustrating is that while i don't mind aveline and donnic getting together or even having hawke help aveline and donnic get together.........................i do mind that that is her act 2 'questioning beliefs' quest. the game does, when aveline is forced to acknowledge that her personal moral code does not line up w what she feels is her objective obligation to order, make aveline question her beliefs. the quest that's supposed to be abt that rly doesn't.
her act 3 questioning beliefs start w cullen sending a letter that says, in part, that her job is in danger bc:
She is accused of coddling her men and weakening law enforcement in this crucial time.
and the conclusion is either she's forced to quit bc the institution rejects her in favor of a corrupt man, or the guardsmen choose to be loyal to her. and a lot of this is contingent on whether she and donnic are married.
idk man idk. poor execution in a lot of ways but do we think aveline using her power as guard captain to do things like this:
Aveline: Thank you for that tip, Fenris.
Fenris: You caught them, then?
Aveline: Yes—a whole nest of slave runners working out of the Undercity.
Fenris: I imagine you imprisoned them?
Aveline: Sadly, they never made it to prison.
Fenris: You always know how to make me smile, Aveline.
might have smth to do w cullen saying she's accused of undermining the guard's authority?
yes, these ppl are slavers. i'm still gonna be annoying and say that aveline using her position as guard captain to extrajudicially murder ppl on behalf of a friend isn't not corrupt, even when i agree w the end result.
here is where it is most egregious and fascinating to me:
in ISABELA'S act 3 questioning beliefs quest, isabela finds documents that prove castillon is expanding his slaving/human trafficking, so again we're dealing w a p cut and dry moral question. if you convince bela not to use them as leverage and just kill castillon, it results is +5 disapproval from aveline. if you let isabela use the documents as leverage, which leads to a slaver going free, aveline gives you +10 approval points, the most out of everyone. however you feel abt the writing choice, isabela's preferred route is to blackmail castillon. she and aveline are aligned. they're intended to be aligned.
varric reacts similarly to aveline, tho his approval/disapproval stays at +5 either way. this to me reads as his accustomed preference for stability. +5 anything in da2 feels kind of like a throwaway tbh.
but aveline's reaction is abt more than keeping the peace, which is reflected in the slightly increased level of investment indicated by that +10. if you as hawke choose to kill castillon, when isabela complains that now she can't use the documents, aveline jumps in to say that yes, actually, she can.
and so my interpretation is that this is abt aveline prioritizing her relationship w bela over her principles. she's not killing slavers for fenris bc she believes it's the right thing to do, or at least not primarily: she's killing them bc aveline's conflict is abt when her personal connections clash w her duty — and a lot of the time (i would argue most of the time!!!!!), even and esp when she clings to a mask of impartial duty, her relationships win out.
maybe that's the layer of her relationship w donnic that compels me even as some of the writing leaves me cold. she takes the risk of rly publicly choosing a relationship she wants over protocol — and donnic chooses to see her as not her role, but a person. and so it is maybe easier for the rest of the guardsmen to choose aveline as a person when it's between her and jeven. which is, i think, what aveline actually wants.
Fenris: You do not like your name?
Aveline: My name is a wish my father made. And I did want to be a knight, but...
Fenris: I see. Still, it's a good name. A strong name.
Aveline: What were you named after?
Fenris: I don't know my real name. My master called me Fenris, his "little wolf."
Aveline: Could you not call yourself something different now?
Fenris: Couldn't you?
Aveline: A fine point.
yes, she wanted to be a knight but not at the cost of only being a knight. i don't think fenris is teaching her a lesson abt identity here, bc he doesn't change his name either — he's commiserating, and it comforts aveline to have someone who understands what it's like to have a role subsume your whole life, even if their circumstances are wildly, wildly disparate. if aveline were to 'call herself something different', who would respect that?
aveline's conflict is that she's working within institutions and structures that inevitably make the choice between role and identity public and mutually exclusive. that's the take. that's interesting to me!! nobody has to agree, but in a game where the pc goes from a refugee killing other refugees to get into the city to reinstated nobility and champion of kirkwall w all the political clout that comes w that title, i think??? that matters.
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the scary thing talking about Zev and Fenris (and Merrill and Anders and Isabela to a lesser extent) is that bringing up coercive power dynamics that affect the way they go through the world and through their romances sometimes swings in the other direction where I may be accused of acting as if they have no agency at all as if they are not choosing to do anything when they come onto the PCs or continue to engage in jobs that necessitate them murdering on other people’s command. and then I’m like, no, they do have agency and do make choices, but likewise they did have agency and did make choices when they did all that for the Crows and for Danarius, and likewise they may not be choosing to do so for Warden and Hawke for reasons entirely flattering to Warden and Hawke