linney, she/they/he, adult (pls no minors), grad student so assume i'm suffering but having a good time
dragon age. origins, awakening, & da2 primarily. always asking hey where's zevran. what's he doing. early modern vibes and by vibes i do mean vibes. what if i apply a bunch of otherwise usually fun but not esp practical info into helping a faux-medieval/renaissance setting make a little more sense to me specifically. ask me abt my playlists if u enjoy the shawm. ask me abt shakespeare/early modern english theatre if u want a new friend.
i am shy but friendly. house-trained!
ao3 here
fic tag here
will eventually compile some info abt ocs but for now:
my main girl is cat cousland, a walking anxiety disorder who is having a bad time. an autism diagnosis would not save her but it would make her brother go ohhhhhhhh wow.
my hawke is an andersmancer but more importantly, bethany is there (: ask me abt fenbelathany.
if you're here bc of my leandra posts. idk welcome and i'm sorry ig.
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Bethany: Perhaps my transition was made easier by the books you sent along with your letters.
Isabela: Oh, you liked them, did you?
Bethany: They were wicked. It was like you were there.
An Archive of Our Own, a project of the Organization for Transformative Works
Later, it will embarrass him to have had these thoughts. I jinxed it, he will tell himself over and over whenever the distant sun of the past fails to warm a dismal present. Too happy, too drunk on a lover's hubris, too complacent. He jinxed it. He jinxed it.
civil war: resolved. archdemon: vanquished. blight: over. surely everything ought to be smooth sailing from there, right?
part one of this big ol thing that essentially tracks zevran from just before the start of awakening thru to the point when he decides to be black shadow instead of an ex-crow.
Guy who never feels like his problems are “bad enough” to be taken seriously: what if I hurt the character so horrifically that everyone around them could not possibly deny the severity of their pain even if the character themself tries to downplay it.
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lrb the thing abt like, making sure to send some sort of gift when someone dies………..sending congratulatory gifts when ppl are born, sending medicinal help when someone is sick. the social structure itself isn’t fair but it is rly lovely coming across ppl managing that unfair social structure in such a way that ppl still receive the care and acknowledgment they need ):
reading a historical romance novel and reflecting on the way these stories often present woke nobility for the contemporary reader. a big thing is servants. you can’t not have servants in those times but many modern readers think “but I would never have servants. it would be so weird to have servants” and in order to make the protagonists of the story more relatable they are actually friends with the servants. but flip your perspective and think of it from the side of the servants. wouldn’t it be so awful if your boss was always trying to be friends with you. a really common thing you’ll see is the woke baronet having tea in the kitchen with the servants bc he’s not like other baronets. but what if your boss wanted to hang out and talk during your lunch break every day. not so charming when you think about it that way
#okay but now what is the optimal way to be a good boss in this situation i genuinely wanna know#its easy to guess what makes a bad boss or a mid boss. but what is a good boss#specifically in such a highly structured hierarchal situation (via @rainbowroach)
HELLO you are asking questions that literature and poetry THROUGHOUT the middle ages has asked, and it is from this questioning that we derive things like the Codes of Chivalry (which is not "how to treat a noble lady really nice" but is actually "how to be an ethical person when you're rich and you own a horse" and includes such things as "don't run people over with your horse")
In fact I daresay you already know instinctively just from cultural osmosis what a good boss -- a good liege lord -- is and does based on the tropes that have survived to the current day and the kinds of things that get Hugely Praised in things like legends of King Arthur.
A good boss (liege lord) is:
Merciful. He is not having his peasants killed for things like poaching rabbits during a famine. In fact, he is working to mitigate famine. During times of individual hardship, he might negotiate with a peasant for a payment plan on their annual rent.
Patient. He is not impulsive, he does not lose his temper.
Prudent. He makes choices that are thoughtful, considered, conservative (in the sense of not needlessly risky--he's not investing his entire fortune in having everyone plant an unproven crop). He is making sure local infrastructure like roads and public buildings are maintained and kept in good nick.
Gentle. He doesn't haul off and slap a servant or a tenant for breaking a dish or making a mistake. He doesn't abuse animals, his wife or children, or his employees. He doesn't rape the servants.
Generous (both in money and in spirit). He is not extorting the peasants for an amount of rent that is beyond their means, he is not raising taxes every year to cover his own lavish lifestyle. He is paying his servants a living wage (or, if wages are low, he's giving them room/board/clothing to make up the difference). If someone in a tenant's family dies, the lord is sending a gift of condolence, or helping to pay for the funeral, or possibly even ATTENDING the funeral and speaking a few kind words about the deceased, ESPECIALLY if they were a really upstanding and important member of the community. If one of his tenants is gravely sick, the lord is sending a basket of food or paying for a doctor. He is giving charitably (generally this will be, like, a bequest to the church so that they can run a hospital or an orphanage or a school for the local village children).
Pious. This classically means "goes to church, submits with humility to God" but to me this quality is subtextually standing in for "maintaining an ongoing sense of Perspective that HE'S not god, that there are higher powers he is Accountable to, that he too can be Judged, etc, so that he doesn't end up going on a weird fucked up power trip"
Humble. One of the most admiring things you hear about a lord doing in literature and epic poetry is, "He ate off of wooden plates while his followers ate off of gold and silver." Humility isn't about being meek, it's just about not thinking so much of yourself that you turn your nose up and sneer at what "lesser" people do. In other words: Don't be a fucking diva. If your carriage gets stuck in the mud, climb out and help everybody else push, you're not gonna die from getting mud on your shoes.
Condescending. This word has changed wildly in meaning/tone over the last couple centuries -- it's now a rude thing to do (because we've done away with legal social hierarchies, so someone acting like they're lowering themselves to your level IS insulting), but in older times, a high-ranking person "condescending" to a servant was worthy of praise and admiration: it means they were setting aside rank and privilege to speak to them with the easygoing, friendly respect and compassion they'd give a peer. This is things like... Treats those beneath him with courtesy and respect (ie: listens soberly and attentively when one of his servants or tenants comes to complain about a problem). Having a sense of humor and kindness about it when the lord and a servant both come around a corner at the same time and run into each other and the servant gets knocked to the ground and starts babbling apologies--the condescending (positive) lord helps them to their feet with his own hands and cracks a joke to show them that it's ok (as opposed to just walking off without a word or insulting/scolding them). This is also things like trusting a farmer, woodcutter, or artisan to speak with expertise about their own livelihood and taking their advice into consideration if they tell the lord that one of his ideas won't work.
Good boundaries. The ethical liege lord knows that it's normal for the staff to probably be softly bitching about him in private (even with a really good boss, we all grumble from time to time). He's not eavesdropping on them, he's not going into the staff areas where they should reasonably expect to have a degree of privacy, etc.
Righteous and protective of "the weak". The "weak" here doesn't necessarily mean physically weak, this is often used in the sense of someone politically or socially weak, aka The Marginalized -- the poor, the disabled, women, children, the elderly, etc. If a lord sees someone like this being mistreated or abused, he's supposed to step in and put a stop to that.
Committed to reciprocity. In a highly hierarchical system like feudalism, every person (from the lowest peasant all the way up to the crown prince) legally OWES their liege lord certain things (taxes, labor, service, loyalty, etc). A good liege remembers and takes very seriously the idea that this should be a balanced and reciprocal relationship -- in other words, he owes something BACK. Feudalism is modeled very strongly on the family system: If children owe their parents obedience and service, then parents owe their children care and protection. This still applies when the "child" is a farmer and the "parent" is a local baron. Or when the "child" is a duke and the "parent" is the king.
Basically, we get so caught up in the aesthetics of nobility that we forget that it literally is a managerial position that comes with responsibilities that were... very similar back in the day to the same ones we have now. Humans have not changed all that much. At the end of the day, a really good boss in the 1400s versus in one from the 2020s displays most of the same qualities of personality, even if the details of execution are different.
The next question is, of course, "well, but this theoretical liege lord is HIGHLY idealized -- how often did that actually HAPPEN? Wasn't it more likely that everyone was exploited all the time?" and to that I say: Well, maybe. But again, I don't think humans have changed all that much. Just like the bosses of today, there's a SPECTRUM: A really really good boss is rare and precious and one that you tell stories about for years after you've left that job, but a truly, genuinely, homicidally nightmarish boss is also pretty rare. Most bosses are sort of meh -- they have their good moments, they have their shitty moments, but they're tolerable and you can get along with them well enough to do your job, and then you roll your eyes at them behind their back. Generally, humans don't take outright exploitation lying down. Being a bad boss in the historical period is how you get peasant uprisings and revolts, and you know that to be true because your parents raised you with that knowledge, so unless you are very stupid or inbred or an egomaniac, there is literal personal incentive to at minimum be a Tolerable liege lord. And that means hitting at least SOME of the above bullet points.
TL;DR: In the words of Honore de Balzac, "Everything I have just told you can be summarized by an old word: noblesse oblige!"
(for more discussions of the ethics of fealty and what it means to be a good boss when you are an exquisitely beautiful twink of a prince with a hot beefy bodyguard.... [fingerguns] read A Taste of Gold and Iron)
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thank u for the tag @softeasun!! tagging @the-cryptographer, @ikarons, @dick-hardboiled, @fruitzbat, and @communistfries
having a lot of fun making two guys sit in a room without a buffer. context for this is they are two guys in the immediate aftermath of the Big End of Awakening Breakdown and thus zevran has had to resort to essentially poisoning cat to sleep (w her consent).
"Have a drink," Fergus says from the fireplace, rising from Cat's chair. "Better yet, have a seat."
What Zevran would like to say is, I had forgotten you were here, and I would like for you to leave. What he says instead is nothing, and he accepts the proffered cup of wine and sinks into Cat's chair while Fergus leans against the mantle of the fireplace.
"They set her up to fail," Fergus says grimly. "The Wardens. Weisshaupt. Whoever."
It's something that has occurred to Zevran, yes, something he has been loath to give too much credence, newly mistrustful of institutions as he is, and attempting, for once in his life, moderation. Or maybe he just hadn't wanted to think about it. Fergus must sense some of this in his glum silence.
"I won't go as far as to say this is all my fault," he says, somewhat gruffly. "I'm not the martyr of the family. But I knew she wasn't doing well when she left Highever. I didn't . . . want to interfere. I didn't want to acknowledge it at all. She's not a child anymore. I had my own grief to manage."
He looks, abruptly, so guilty that Zevran can see the little boy in him. More than that, Fergus resembles Cat so much with that expression on his face that Zevran has the ill-advised impulse to laugh.
"I suppose she told you all about that," Fergus sighs.
There isn't any resentment in this declaration, only resignation, and Zevran considers the strange position he now finds himself in, drinking in his lover's bedroom with his lover's bear of a brother, who is perhaps more loose-lipped than he meant to be at the start of the evening. Not that Zevran can begrudge him the drink.
"In truth," he says honestly but carefully, "she has not been as forthcoming with me as you might assume. I know being at Highever was difficult. She also wished to give me the impression that she shouldered it with her accustomed rigor, and in the time we spent together during the Blight, your sister was not a woman given to despair if she could find something else to do."
Fergus chuckles at that, an unexpectedly warm sound, made all the warmer by the silence that comes after it, a slow spiral back into gloom.
"I am a man given to despair," he admits, tilting his cup from side to side, examining the way the liquid conforms to the movement. "My wife and my boy . . . "
He visibly chokes up, eyes watering. Zevran allows himself a single moment of impatience, callous though it may be. He has had his fill of tears and not nearly enough sleep to suffer more.
"I was not at my best then," Fergus concludes at last, blessedly sedate. "Cat bore the brunt of it. I might have spared her a little more grief. She might have asked for help sooner than I realized she needed it."
"Perhaps," Zevran says, enough of an agreement that it won't prompt an argument, enough of a potential disavowal that he can avoid another argument, too. Unfortunately, his mouth keeps going. "Or perhaps she would have been too stubborn either way."
"You'll have to get used to it," Fergus agrees, still divining his drink.
Abruptly, he transfers his attention to Zevran, unnervingly focused.
"I suppose we haven't had the opportunity to really get to know each other," he points out, and Zevran once more swallows a laugh that would surely earn him little favor.
"What would you like to know?" he asks, deciding that if this takes a turn for the unpleasant, it will not vary with what has occurred so far, and so selfishly, he'd rather just get it over with.
Fergus rubs the tips over his fingers over his lips, but his cheeks give away the smile he's attempting to suppress.
"Should I interrogate you?" he quips. "Crows don't break under torture, or so I've heard."
"No, we have that habit beaten out of us," Zevran replies bluntly, and again that mortified guilt rearranges the shape of Cat's brother's face until the likeness is unmistakable. "Forgive me, Your Lordship, it has been a long day. So, ironically, I am a perfect candidate for interrogation."
"Don't call me 'Your Lordship,'" Fergus replies. "Out there, I'll be a teyrn, but in here, I'd appreciate less formality. Cat would kill me, for one. Or add it to the list of reasons why she'd be justified."
"Fergus, then," Zevran agrees.
"Zevran," Fergus concurs, and it shouldn't surprise him that Fergus, like Cat, pronounces his name in the Antivan way, but it's nevertheless a jolt. "What do you do now that you're no longer a Crow?"
Zevran wishes desperately that Cat had given him the details of what, exactly, she'd relayed to her brother about him, and in retrospect, sort of shocking that he didn't pump her for information when he'd had the chance, enamored as he is of hearing how others describe him. She surely must have assured Fergus that her lover no longer honors any contract stipulating her death, and it follows that she would have emphasized his relatively newfound liberation from an organization that Fergus' departed Antivan wife had perhaps mentioned.
"I remain an assassin, but I am more of an independent man now," he says. "I am in Antiva more than Ferelden, though I travel. Generally, people do not retire from the Crows, but thus far, I have managed it."
He smiles briefly, humorlessly. A stupid joke, but Fergus looks thoughtful.
"Which of the Houses did you belong to?" he asks.
"Arainai," Zevran answers, searching the other man's face, but this name doesn't seem to spark any recognition.
"My wife's family made a deal with House Gegar," Fergus explains. "It's the only one I know of."
House Gegar. It would make sense. A merchant's house, largely a joke. The seat of their power is in Genellan, where trade is robust. He can remember Taliesen complaining every time he was sent to guard a shipment, but all the Houses benefited from the commerce of House Gegar, and so they were a joke only in private. Kiss the ring, Taliesen had always muttered, but he'd been as awed as anyone else at the wealth they had been permitted to see, knowing as they all did that whatever was shipped down the River Volo was a fraction of the whole.
"Your wife was from the provinces, if I recall correctly," Zevran says, and at Fergus' raised eyebrows, he adds, "Cat mentioned it once. Genellan."
"Did she tell you much about my wife?" Fergus asks curiously. "Any of her family, really?"
"Not until after Arl Eamon guessed who she was." His drink long since forgotten, he sets the cup on the floor in front of him. He needs no other incentive to doze off, and the warmth from the fire makes it difficult to keep his head upright as it is. "She takes her Wardening very seriously, you know."
"Yes," Fergus says, unease clear.
"She mentioned you threw her slipper down a well once," Zevran recalls suddenly. He can remember the weight of Cat's skull on his belly, the bizarre comfort of being used as a pillow. His fingers in her hair as if he could sift through her thoughts that way, puzzle her out. "And she — "
" — went into the well after it," Fergus finishes for him, eyes bright with a wonder that Zevran doesn't want to look at directly. "Maker. She bullied me into lowering her into that well, and I told her, over and over again, it won't work, you'll only get hurt, but she could talk a stone into singing. Our father was furious."
He trails off, caught in the memory like a spider web, and even as he comes back to the present, Zevran imagines he can see the wisps of it still clinging to him.
"It was things like that," Zevran says after a moment. "Small things. We did not have time to," he waves a hand, "truly, you know. There was the Blight." There was being ambushed by Taliesen. There was the mad rush to Redcliffe only to turn right back around.
"How long do you think it will take for you to finish your business in Antiva?" Fergus asks, and now there is a more definite sense of a conversational direction.
"I cannot rightly say, Fergus," Zevran replies, a little dryly.
"I see," Fergus says. Zevran shrugs. "Do you two have . . . plans?"
Zevran regards the other man for a moment. He has no idea what Cat has told her brother about him, and neither does he know what, if anything, she has divulged about what being a Warden means. That she will never have children, that she should have died when she killed the archdemon. That becoming a Warden shortened her lifespan beyond the surface assumptions, a hazy and uncertain mortality. For that matter, Zevran himself cannot say he is an expert in what being a Warden truly means, for Cat specifically or for them as a couple, beyond that she can no more walk away from her life than he from his. He opts for purposeful cluelessness.
"What plans do you mean?" he asks.
"To be married," Fergus replies with a bracing frankness, and this time, Zevran cannot contain his laugh, a quiet, breathy, and altogether skeptical noise.
Fergus' brow furrows. Zevran winces.
"Let neither of us pretend that we do not know that Cat and I are hardly the first human and the first elf to ever — " Brasca. " — enter into a romantic relationship with each other, but the rules of the Chantry did not change overmuch during your time in the Wilds. Such a marriage would not be sanctioned in most chantries."
"We can procure a willing priest," Fergus says easily, nigh dismissively in the way of powerful men, and for all that he handwaves formality in the hopes of appeasing his sister, he is still a teyrn. "Such marriages have happened before. In Highever, even."
Zevran has a brief, disorienting vision of himself and Cat before an altar, a benevolent Revered Mother passing her hands above their heads. It is as ridiculous as the ensuing pang of longing in his chest.
"Well, don't let me rush you," Fergus adds, misinterpreting whatever expression had crossed Zevran's face.
"I am not sure marriages are even allowed amongst Grey Wardens," Zevran says after a moment. He imagines they would be more akin to suicide pacts. And granted, they've sort of already covered that. "The Maker smiles sadly, as the saying goes."
Fergus falls silent at that, sipping his wine. Zevran allows himself to rest his eyes under the pretext of massaging them.
"They've set her up to fail," Fergus says again after a moment. "But I haven't figured out why."
Because she survived where she should have died killing the archdemon, Zevran could say, but that would require mentioning, at the very least, a ritual ensuring Cat's survival, and Fergus seems the type to follow up. He suspects the Wardens have grown accustomed to letting Ferelden manage Ferelden, that if at any point in the many intervening years between the Wardens' expulsion and the Fifth Blight, Weisshaupt had felt it truly imperative to reestablish the Fereldan arm of the order, they would have. There is much at play here, none of it easily explained even assuming a full night's rest and an appropriate hour.
"Well," Cat's brother says, and he drains his cup. "Forgive me. I should let you sleep. Let's not make a show of pretending you're off to your room," he adds, somewhat benevolently, and while Zevran had not realized that that was something they might have still been pretending, at least with Fergus, he supposes he's glad they definitely aren't now.
"Things will be better in the morning," Zevran says, because it's the sort of thing people say.
Fergus chuckles.
"An optimist, are you?" He stretches with a groan. "Well. I must say, it's not every day I watch a man poison my sister."
"I do not intend to make it a regular occurrence," Zevran says tiredly.
Fergus chuckles again, somewhat sadly.
"Goodnight, Zevran," he says, and he claps him on the shoulder before nabbing the bottle of wine from where he'd placed it on Cat's desk and departing, easing the door closed behind him with a conscientious restraint.
Zevran looks at the bed. Tavish looks back at him, his tongue lolling out of his mouth. He makes a harrumphing noise, then lays his head back down as if to say, I think that went all right.
"If you say so, gordito," he sighs as he crawls under the sheets.
a v drunk guy on the tube asked me when shakespeare's birthday was and i said i didn't know and he said i should quit my master's program and it was so funny that now every time i don't have an answer to an early modern question my wife asks, she says i should quit
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the thing is, amaranthine city should have an alienage. it should have an alienage for no other reason than it was the orlesian capital of ferelden during the occupation. unless that’s why?? but that doesn’t track w denerim having an alienage.
I am working on the third chapter for Something Like Home. Another one from Anneliese perspective. Its very very rough and hasn't even been reread yet so uh, here it is anyways!
It was hard not to feel directionless, Anneliese thought, in a place like this. In every sense one could mean it.
Her days lacked the structure they had once held in the village; As they had they had the Circle; Even as they had on the run. The streets themselves seemed to mirror her disorientation - a winding labyrinth of dirt and stone and light and shadow, wholly unlike anything in her admittedly narrow experience.
Kinloch had hared the hard stone, and she recalls the maze like feeling that its circular halls held when she first arrived in a distant way - she was so very young, afterall. And, by the time she had ran, she had known every dust heaped corner of that tower. Familiarity had eroded at the hard corners and edges, left it so clearly mapped in her mind that even now she could trace her footsteps through it - down the stairs and to the right to the library, up and up and up and up to the harrowing chamber. The way the thin shafts of light from the upper windows caught the gentle motes of dust as they fell. And anyways, the architecture itself shared little in common with the sharp lines and jagged edges of Kirkwall.
The weeks on the run from Kinloch had seen her in cities, true, but Kirkwall made her doubt the accuracy of the term. What was Denerim, with its dirt roads and wood structures, its rambling central square with stalls selling cheese and cloth and other sundries?
And her, so fresh from the Circle, her hands resting on the swollen curve of her belly, head whipping around like the nervous cats that skulked the back alleys of that city, eyes wide as saucers.
Haminbryn had been little more than a Chantry, a green, a mill, and a handful of cottages scattered along a hillside - the horizon cut short by the dense Brecialian forest and laying out the boundaries of her little life there.
The first week she had barely left the Estate - itself a rambling old space, far too big for the bodies that occupied it. a strange thought that in another life this might have been home. That she might have grown up under these vaulted ceiling - that she had, in fact, been born under this very roof.
Perhaps the extra space was there to house the many ghosts that seemed to haunt the place.
Gentle tags for @barbex @mylosingdogs @fiberpunk027 @thequeenofthewinter @atiya-nagrano @ocean-in-my-rebel-soul @armoredinmoonlight uhhhh anyone else! I am bad at tags 😅❤️