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@athenason97

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Everyone should see the movie Bottle Shock. Itâs so freaking good.
At the end of the day, it feels like breathing under the weight of a hundred atmospheres of pressure, when I canât say âI love youâ.
w.w.h
Ceramic tile means something else in this town. Not the lemon painted, blue ground, floor tiles that litter Neapolitan churches and homes, nor the glowing gold tiles with clay red grout on which bread rises and sauce is prepared, nor the terra-cotta roof tiles that are all one the same, pretty, yet otherwise uninteresting.
No. In this town, Ceramic tiles are special. They are a glittering, playful magic carpet ride on a warm early summers evening, enjoying ice cream and cookies, exploring the worlds of Spider-Man and Lion King under neon glow. They are a lively jazz band, light by the setting sun, playing their hearts away on the top of the most out of place convenience mart.
In this town, ceramic is wild, crazy, and funky. The strangest bird man, super hero dude thing, Holding a long, yet oddly bent staff, that may be useless, yet keeps us safe (and frightened) during the long winter nights. Or better yet, ceramic is a set of toilets covered in Genitalia That make an opening in the museums opening show, soon to be followed by table top sculpture of nothing yet totally everything.
Ceramic means home in this loving town. For itâs a place that exists on the corner of Alice and L, where families have grown for generations. Where memories are preserved in fluid colors, with little details of life preserved in the strangest of ways. With hands and feet on the walls, dog prints in the yard. Itâs a place where some people live, but the whole town calls home, for its the palace of us all.
-w.w.h

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Perhaps a poem to be returned to. A good choice from spoken word?
I had the pleasure to write the opening essay for @friebergsarah section of the 2019 Art and Humanities Graduate Exhibition catalogue @manettishrem. (at Jan Shrem and Maria Manetti Shrem Museum of Art at UC Davis) https://www.instagram.com/p/BysuqauAEV2/?igshid=1kxtdg1cbwhhj
If my life were an RPG and my starting inventory represented my closest companions, Iâd have a butterfly, kaleidoscope, and a double-edged sword.
Poems to finish off that catalog essay. Check out the work of Sarah Frieberg at sarahfrieberg.com
Sarah Frieberg
Iâm weirdly starting to get frustrated by people not actually understand what I mean when I say I study Classical and Ancient art. I mean the stuff I focus on happened at least 1800 years ago, my current research is 2500 years before present, and my last project was nearly 5000. Every time I mention it, they are like âooh like Michelangelo? The Pieta is ancient, right?â Even my freaking GF of three years doesnât always get it. Thatâs a blink of an eye in the bigger picture. Sigh. ÂŻ\_(ă)_/ÂŻ

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Nature and Art: beginnings of a catalog essay
      Throughout the history of museums, art and nature have been held as extremes and curated thusly. At one end of the spectrum is the world in which, us, the human conscious inhabits, full of wonders and impossibilities. Countless species of fauna, which are far surpassed by the near incomprehensible magnitude of flora, have occupied what are now natural history, ecological, and science museums. The new realm of science. The other end of the spectrum is the absorption, filtration, and reinterpretation of this world via the human medium, art. Capturing the human essence, via thoughts, emotions, imagination, art has been heralded as one of the vitalities of the human condition. Wealth, fame, nobility has been cultured about the creation and collection of art, creating the massive institutions that have become the modern museum. Western culture has come to distinguish and segregate these two worlds into distinctly separate categories, almost as though they are unlinked, as though art is not a reaction to nature, nor that nature is fundamental to art. Ink and paint are pigment made from the earth and plant and insect, while clay and marble are the essence of the earth itself. There is a resonance between the intrinsic essence of art and nature that mimics the resonance between all humans and all of life.
The Image of a Soul
      Yesterday you sent me a snap, a black Saison, with the caption, âas black as my soulâ. Of course, we joked that it obviously is not so, in words so firm and strong to leave no room for possibilities. It stuck with me all day, an image forming in my head, that ignited a charcoal burning desire to paint. Even though I now am beginning to know the secrets of oils, they do not seem like the correct medium to portray your soul, a thing more complex than any two-dimensional form could every display, nor could a third do it right. Yet the image smolders at the edges of my mind, an image that absolutely does have black in it.
      How does one define the shape and form of a soul? Do you limit it to the beating lump of the human heart, which in itself is so abstract and strange? Is it boundless like the interior of your mind? What is the separation between mind and soul? In a person such as you, there is so little difference. Concern rattles in your mind like a loose book in a suitcase, nothing that will actually cause damage, yet holds great potential. Anxeity pairs so well with confidence, limitations and boundless possibility, never shall an ego form on you. So, what is the image of a soul?
      An all-expansive canvas with no terminus, where hue, tint, and shade have no delineation in value or range and never dry, yet always defy gravity, constantly blending. There is no white ground of the impressionists, instead this is where the black lies. It is the basis of everything, the background to life itself. Black is what gives prominence to everything else, what highlights glory, and diminishes shame. Your blackness is not deeply dark, nor mono-valued. A phantasmagoria of value: the grey of burnt wood, the white of papers straight of the press, the deepest black of the universe, itself. Layers of green and red occupy the body of that universal space: Pompeiian Red, in wall paintings, Rothko canvas, and Latin Loebs, Copper, in your hair and candles sticks on your mantel, Tawny, in the bookcase you built by hand and the pants you love, Forest Green, for a summer of adventure and a never ending love, and Grassy, in Bunches and Rhizomatous. A flare of barley blonde inks across the bottom, sunshine, flowers, smiles, pasta, beer, and a beloved pair of shoes.
      So, what is the image of a soul? Itâs something without form, shape, line, or any qualities of fine art. It is color. It is emotion and expression. So yes, my dear, your soul is as black as that Saison, but it also has the color of cardamom and grapefruit. The bright explosion of a million colors that are all you. Â
Sometimes I get so caught up in the papers that Iâm writing that I start using the present or future tense, neglecting the fact that I am writing about ANCIENT history. Part of me wonders if it because I am so vividly enraptured by the period I am studying, or because Roman politics are so deeply connected to the contemporary political state of not only America, but Europe.
Happiness is a romantic image that can not truly exist for those people of today.Â

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The sun rises into a void, vacuous space, or that is what the unordained will tell you, those people who have never watched the stars at one in the morning or seen the milky way on a midnight hike, when the forest is too quiet or just noisy enough to grant some wanderlust. they have missed the galaxies that churn endlessly in the endless space that is the universe and the mind full of hope, imagination, things to be explored and pondered until the sun rises. Instantaneously all of that is gone as Helios pushes the enigmatic dark navy away and he eradicates the remainder of the galaxy and all the awesome sublimity that accompanies it. It is at this moment that the darkness sluggishly starts creeping at the edges. The downward spiral of the tireless sun, harsh winds, voices talking ceaselessly, the weight of human actions and emotions weighing down, memory comes back like flashes of color: lofty giant tress decaying in vibrancy to mute, buildings, and sidewalks and everything man blackening with forgetfulness and lack of intent, and the vibrant red of emotion and love bloodying into a crimson as dark as the flashes of dusk heralding a storm starker than any a sailor has ever seen. In briefest moment or the lengthiest life time, the sun slinked below the horizon line, leaving an unsatisfactory dark, that is neither the enveloping navy nor bright, comforting, twinkling. early night leaves the decrepit remnants of a history not well remembered and infinitely more poorly received. The cheery birdsong has departed yet the languorous crickets nor the anagogic croaks of frogs lying in the smallest damp livened up to the pragmatic night that breathes soul into the restless and questioning. eventually it will come, with the promise of another day and another trauma. Yet the night always comes first to reassure, assuage, console, enhearten, refresh and relieve.
w.w.h
hot take: âchivalryâ is fine as long as itâs adapted to 21st century values. if you are a male, you SHOULD be aware that your female friends face certain issues that you as a male dont. acting on that awareness in a way that keeps your female friends safe, isnât a bad thing.
like⌠opening doors isnât rly chivalrous when itâs just a thing you ought to do for everyone. but real 21st century chivalry might be, like, standing between your female friend and the guy thatâs trying to get her drunk, or offering to walk her home when itâs late.
if the âchivalryâ inconveniences everyone involved and youâre just doing it for your over-inflated male ego â ie, âno youâre the girl here, you HAVE to let me hold this door for you and do all these things for you even when you can do it yourself and im just slowing you downâ â then itâs just outdated misogyny.
Chivalry was literally designed to make nobles aware of their power and influence so they donât unintentionally harm people when trying to do their job of leading and protecting people. Modern chivalry should carry on that sentiment of men and white people becoming aware of their own power of privilege and influence to help and protect the lives of their peers.
*Not to inflate their egos, but because itâs the good thing to do and makes the world a better place to be.
Chivalry, at its core, involves being helpful to people who donât have your advantages.Â
It involved generosity and protecting those weaker than oneself: including opening doors when doors were made of badly fit heavy wood and often got stuck,and women, especially undernourished exhausted-from-childcare women, had a harder time opening them. It involved not lying, and following through on your promises. (A guy who is consistently late with the accounting reports, which delays the whole team, is not dedicated to chivalry, no matter how polite he is on a date.)Â
Chivalry is a code of ethics that involves dedicating oneâs strength and skills in service to others; itâs not based on gender roles.Â
Chivalry is a code of ethics that involves dedicating oneâs strength and skills in service to others; itâs not based on gender roles.