Meyle & Mayer snake brooch, c. 1900, crafted from silver, enamel, and opal.
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Meyle & Mayer snake brooch, c. 1900, crafted from silver, enamel, and opal.

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Tile flooring at the Oceanário de Lisboa, an aquarium in Lisbon, Portugal
'Inferno Canto 34, Satan in the Frozen Lake'. Alberto Zardo. c. 1920.
Maud - Alfred Tennyson, Margaret Armstrong, ill. - 1905 - via Internet Archive
The Bab Ballads, 1898

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René Lalique Serpent Pectoral Pendant designed around 1899.
Art by Shigeru Mizuki
In Greenlandic Inuit tradition, some objects were believed to carry forces far beyond their physical form.
Known as tupilaqs, these strange figures were associated with spirits, magic, and vengeance. Traditionally, they were said to be created from materials such as animal parts, bone, skin, and sometimes other remains, then brought to life through ritual power to harm an enemy.
The surviving tupilaqs seen today are usually later carvings made from materials like wood, ivory, or bone, especially from the late 1800s onward. These were often created as preserved artistic objects, but they still reflect an older spiritual world filled with fear, power, and unseen forces.
Their twisted shapes, hollow eyes, and unsettling forms were not meant to look beautiful in a simple way.
They were meant to look dangerous—like spirits caught between myth, magic, and memory.
Martyrdom of Saint Adrian. Hours of Henry VIII. Jean Poyer illustration. Tours, France ~ ca.1500 Morgan Library & Museum New York

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Audrey Bialke (American, 1991) - Deep Murmurs Through Time (2023)
Mishima and his kitty :33
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fleshed out, and with my angel version
Akiko Sakagami
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The skull of Maria Domin, c. 1823. The Charnel House a.k.a. ‘Bone House’ in St. Michael’s Chapel in Halstatt, Austria
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