Mark Rothko, Untitled, No 2, 1964Â
One of the Black Form Paintings
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Mark Rothko, Untitled, No 2, 1964Â
One of the Black Form Paintings

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Nestled in the Margam Forest of South Wales, Hafod Grange has developed a process for embedding flowers and seedheads in polyester resin: a material that has the look of molten glass with none of its specimen-destroying properties. This paperweight preserves the puffy head of a hand-picked goat’s beard plant (Tragopogon pratensis) in a crystal clear globe, allowing the gossamer ball of plumed seeds to be admired from all angles. The resin is infused with a UV filter to prevent fading.
Martine Franck
Roman Ondak

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Icelandic horses
DICKSTHEFUCKOUT!
Study for Munich Olympic Games   -   Jacob Lawrence,  1972
American ,1917 - 2000
OK-RM & Matthieu Lavanchy, 2016
An Ethiopian woman prays at Deir el-Sultan Monastery in the Church of the Holy Sepulchre in Jerusalem, Israel. (Photographer: unnamed - Associated Press)

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SZA’s rendition of PARTYNEXTDOOR’s Come and See Me
Carrie Mae Weems, May Flowers from May Days Long Forgotten, 2002. The J. Paul Getty Museum, Los Angeles. Copyright Carrie Mae Weems.
‘cotton fields in films’
Danny Fox 2014
oil and acrylic on canvas
Salvador Dalà (1904-1989) Le lit à la fontaine (The Bed at the Fountain) collage, gouache and graphite on rose paper 17.5 x 22.4 cm. (6 7/8 x 8¾ in.) executed 1935-36

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