Roberto Ferri

Love Begins
Cosimo Galluzzi
dirt enthusiast
Keni
Cosmic Funnies
he wasn't even looking at me and he found me
we're not kids anymore.

⁂
TVSTRANGERTHINGS
todays bird

Origami Around

oozey mess

pixel skylines
noise dept.

★
Show & Tell

tannertan36
Aqua Utopia|海の底で記憶を紡ぐ

祝日 / Permanent Vacation


seen from Malaysia

seen from Brazil
seen from Brazil
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seen from United Kingdom

seen from Malaysia

seen from United States
seen from Germany
seen from United States
seen from United States

seen from United States
seen from United States

seen from United States
seen from United Kingdom
seen from United States
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@artformyself51
Roberto Ferri

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She from Above - Kenne Gregoire
Dutch b.1951-
Charles Henri Joseph Cordier (French, 1827-1905) - African Woman - bronze - 1851
Pietro Calvi (Italian, 1833-1884) - Aida - marble and bronze with gilding
Constantin Brâncuși (Romanian, 1876-1957) - Sleeping Muse - bronze - 1910
Francisco dos Santos (Portuguese, 1878-1930) - Invocação (Invocation) - marble - 1916
Henryk Kuna (Polish, 1879-1945) - Głowa świętej (Holy head, two views) - bronze - 1926
Pedro de Torre-Isunza (Spanish, 1892-1982) - bronze
Arturo Dazzi (Italian, 1881-1966) - Serafina - marble - 1920
Augusta Savage (American,1892-1962) - Gwendolyn Knight - bronze - 1934-35
Bruno Walpoth (Italian, b.1959) - Lontane speranze - nut wood, paint - 2015
Damien Hirst (British, b.1965) - Aspect of Katie Ishtar ¥o-landi - from Treasures from the Wreck of the Unbelievable - partially gilt bronze - 2016-2017
Christian Zucconi (Italian, b.1978) - Testa (Head) - Persian travertine - 2017
Deni Ponty
Study for the Edge of the West, 1992
🎨 by Daniel Barkley

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The Bound man
Erich Wolfeld
hope gangloff
Shane Wolf
Rene Vincent - Mon Amour (1913) [1200 x 1442]
Kamille Corry - Scorched Wing (2013) [500 x 616]

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Beautiful Cartography and Portraiture from Ed Fairburn
“Paper maps are essential to portrait artist Ed Fairburn, who uses them as the canvas for his detailed work. His thoughtful integration of human portrait and topography make it appear as though the two have always belonged together” (Rocky Mountain PBS)
My work is a direct combination of cartography and portraiture. Using traditional materials such as ink and pencil, I intervene with a range of original maps, making gradual changes to contours, roads and other patterns. These changes allow me to tease out the human form, resulting in a comfortable coexistence of figure and landscape. I aim to preserve the functionality of each map by feeding the composition instead of fighting it – I often spend hours studying each map before I begin any physical processes. I’m interested in the subtlety of each synchronisation, and the way in which each completed map behaves more like a portrait when viewed from further away – it’s almost paradoxical that a portrait should lose detail when examined closely.
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Posted by Andrew
by Paul Cadmus 1966
David Hockney, ‘Mr and Mrs Clark and Percy’, acrylic on canvas, collection Tate, 1970-1
On the Steps
Michael Leonard, 1980
David Hockney, British, 1937-2026. Man In Shower in Beverly Hills, 1964, acrylic on canvas, 65 x 65 in.
https://www.thedavidhockneyfoundation.org/artwork/3645
@w94

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David Hockney, British, 1937-2026. Sunbather, 1966, acrylic on canvas, 72 x 72.
https://www.thedavidhockneyfoundation.org/artwork/3657
@gayartists
David Hockney, British, 1937-2026. Christopher Isherwood and Don Bachardy David, 1968, acrylic on canvas, 83 ½ x 119 ½.
https://www.thedavidhockneyfoundation.org/chronology/1968