⛅️ you are my favorite "what if"
you are my best "i'll never know"
🐎 daisuke bucklesby
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based on that moment from Cloudward Ho episode 8!
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@artforbagels
⛅️ you are my favorite "what if"
you are my best "i'll never know"
🐎 daisuke bucklesby
---
based on that moment from Cloudward Ho episode 8!

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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old fig sketch i never got to post 🎸
just boochan things🍊🦦
IT. WAS. A. BANKSY.
filled with lust for Some Guy™

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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how is Seungkwan so stunningly gorgeous as a girl, like why is my heart fluttering?!??
i just keep on fallin' in your blue
fallin' in your blue 💧
Autistic Advice #9
In a piece for The New Inquiry from back in 2017, George Dust states that when queer people complain about there being a top shortage, what they really mean is “nobody is fucking me the way I want, and I have no agency in that.” Alongside co-authors Billy-Ray Belcourt and Kay Gabriel, Dust suggests that many queer people align themselves with a passive or “bottom” position because they believe that role will absolve them of the guilt of really wanting things. They present themselves as what they believe to be the sexual party with zero power; the receiver, the accepter of action rather than its cause.
This position is drawn in contrast to the bottom-identified person’s idea of a top: the one who approaches, the person with hungers and desires, the person who decides which sexual activities will happen and how intense they will get. The top, from this perspective, is the stronger, more capable, more dangerous person. They’re the only one who can ever be guilty of intruding or harming somebody else. This power is scary, but it’s also compelling.
Dust calls this fantastical version of a top a “brute” — and they are the most cartoonish stereotype of what it means in society to be a man. Because it’s a cartoonish stereotype, no human actually lives up to it — and we’d probably revile a person even if they could.
Though queer people know we are harmed by the gender binary and heteronormativity and all the social scripts those things force upon us, its biases are still embossed on our brains. Without meaning to, we reproduce tired gender stereotypes in our relationships. And so we see expressing a sexual want as masculine, and being masculine as being more capable of violence and coercive control, and thus bad. We see failing to communicate one’s desires openly as desirably feminine, as well as a sign of blamelessness and purity — because on some level we still feel it is wrong to have desires.
But this entire worldview is a complete lie. Desire is not evil. Expressing attraction is not a violation. Failing to express oneself can be just as dangerous as not listening to someone else’s limits. Women can be abusive. Bottoms can sexually assault. No matter our gender, presentation, or sexual role, we are each capable of harm. And the only way to make a safe, mutually pleasurable sexual encounter happen is by going after it, actively, and communicating from a position of inner strength.
So how do you do that, if society’s been telling you all your life that you’re meant to date by acting like a deer passively snapping twigs in the woods, waiting for some hunter to hear you, and pursue you? (That really is dating advice that Evangelical Christian counselors give to women, if you can believe it).
By not fixating so much on what you’re doing or not doing to draw other people toward you, and instead thinking in terms of what you want and what you observe beyond yourself.
thanks for these additions !
great candidate for the most offputting they've ever been #needthat
anyway. here's the final shot of the host from the recent trailer, featuring an ominous-as-hell play on a more typical trailer message (it's giving evil "we'll be seeing you [for season 3]").
obvious questions, of course, being "who is We" and "who is You" -- my initial reading was the show being 'we', and the viewers being 'you'. we-as-audience and show-as-content will be reunited again. etc etc.
but uhhh. this is a mirrored shot. see how the hair is parted on the wrong side and the brooch is on the opposite lapel and their face looks slightly Off? yup. vertical reflection.
there's an interpretation here where they're pointing into a mirror, pointing at themself. we see You. you is the host. self-recognition, after two seasons of on-air identity crisis.
be yourself, unless you'd rather be someone else.
who are you, vic?
what do you see in the mirror?

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Sky-eyed
Main lesson of cloudward ho: the most powerful force in the universe is women in stem
when Ludmila said "I know it is true that I would have waited a thousand years, because I know that you were on your way" to Marya, it made me realize that because of the time travel and time weirdness, Marya had been on her way the whole time. every moment of that thousand years, Marya was fighting her way to Ludmila, pushing through spacetime to get to her. yes, there's a world where Marya didn't make it in time and Ludmila was turned into the Queen of Zern -- we lived in that world -- but there's not a world where Marya never made it to Ludmila. she was on her way since before Ludmila even landed in Zern.
Marya has been trying to die since day fucking one of this adventure and how beautiful it is that the story and the characters within it allowed for her to live

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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pappy, i'm livin'
Imagine you're lobbying in favor of some environmentally harmful scheme and someone's like "Monty Lamontgommery is here to make a rebuttal" and you're like "the children's author?" And then he bursts in the room on the back of a fucking tyrannosaurus rex