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âïž” pairing đ đ đ mike wheeler x reader
ê° đČ ê± synopsis đ đ đ you and mike get in a fight, kiss about it, pretend it never happened, and then avoid each other for two months like mature, well-adjusted people. prom forces a reunion, and mike learns that ignoring someone does not make them stop matteringâespecially when they bring a date.
MIKE DECIDES, VERY MATURELY, THAT IF HE KEEPS STARING AT THE BACK OF YOUR HEAD LONG ENOUGH MAYBE YOUâLL FEEL IT AND TURN AROUND AND APOLOGIZE.
this is a flawed plan for several reasons, chief among them being:
1. you are extremely stubborn.
2. mike is also extremely stubborn.
3. the back of your head is currently doing absolutely nothing wrong.
the back of your head, for the record, actually looks exactly the same as it always does. same stupidly neat part. same little flyaway near your crown. same hoodie hood bunched awkwardly against the plastic back of the chair. there is nothing visually new here. the back of your head, unfortunately, is being extremely smug about it.
mike knows this makes no sense. heads cannot be smug. hair cannot be smug. posture, however, can absolutely be smug, and yours is doing that thing where youâre sitting a little straighter than necessary, shoulders squared like youâve just made a decision and are standing by it. which, frankly, feels hostile. you are three seats to his right now. three. you were supposed to be directly next to him. that was the plan. the agreed-upon, verbally confirmed, nodded-at plan. mrs. smith had clapped her hands and said, âsame partners as last time.â which is teacher-speak for donât make this my problem.
you had already turned halfway toward him, prepared, bag half-unzipped, notebook sliding off your desk. ready. normal. mike had even pulled his chair a few inches closer, which he now recognizes as a mistake of optimism. then heâd said calmly, reasonably, âwe should probably split the sections this time instead of doing it your way again.â
your eyebrows had gone up a little. warning eyebrows. âmy way?â youâd asked.
âyeah,â heâd said. âyou know. where you redo everything at the end.â
which, okay. maybe not phrased perfectly. but still true. mostly.
youâd stared at him for a second like you were deciding whether to laugh or set something on fire. âi redo it because you overcomplicate it.â
âi donât overcomplicate it!â mike had shot back immediately. reflexively.
it had gone downhill from there fast. words piling up, tones sharpening, that horrible awareness creeping in that everyone around you was absolutely listening. someone had actually said âyikesâ under their breath. mike is choosing not to remember who. then, this is the part that keeps looping, you had closed your notebook. stood up. said, âfine. then iâll work with someone else.â and you had moved, just like that. chair scraping, backpack swinging onto your shoulder. mikeâs stomach had dropped somewhere near his shoes.
okay. okay. that was dramatic. he tells himself this now, again, because itâs important that someone in this situation be reasonable. and since you clearly werenâtâ
you lean toward the guy youâre sitting next to now. mark? matt? something with an m. he has a soft-looking face and one of those mechanical pencils that clicks too loud. mike hates him already. mrs. smith is passing out the assignment sheets, one lands on mikeâs desk. he barely looks at it. his leg is bouncing now, aggressive, like itâs trying to kick the desk out from under him.
he knows logically that you are allowed to work with other people. he knows that. he is not insane. this is not about ownership or control or whatever accusation is trying to form at the back of his mind. this is about fairness. you were a team. a unit. you fight a lot, sure, but thatâs because you actually talk to each other. argue. care. heâs pretty sure most people donât bother. most people donât bother, and thatâs the thing, because you bother. you always have. you argue back. you push. you donât just nod along and let things slide, which is, objectively, better. healthier. probably. mike read something about that once. or maybe will said it. same difference.
you didnât have to switch. you chose to. which means you were making a point. which means the fight earlier mattered more to you than the project. which means you escalated it. there. logic.
you and mike always partner together. this is not a rule written down anywhere, but it might as well be. itâs been like that since forever. since the science fair volcano that almost set the gym on fire. since the history presentation where youâd forgotten your note cards and mike had filled in without even looking at you and youâd mouthed thank you. you fight, sure. constantly. about everything. font sizes. directions. whether something needs more explanation. whether something needs less explanation. you once didnât talk for half a day because you disagreed about whether posters should be portrait or landscape. but you always circle back. always end up on the same side of the table, papers overlapping, shoulders knocking together. thatâs just how it works.
except apparently not today.
the guyâmark. matt. mason. mike decides his name is mason because it feels annoyingâlaughs. what is so funny. wheeler tries to tell himself itâs fine, that youâre just being dramatic. that you stood up because you wanted to make a point, not because you actually wanted to switch partners. a power move. a statement. you do those sometimes. so does he. itâs basically communication at this point. youâll come back after class. or tomorrow. youâll say something like, âokay, that got out of hand.â and mike will say, âyeah, but you started it.â and youâll roll your eyes and then youâll be fine.
he doesnât even know why heâs this mad, he just is. itâs physical at this point. probably just stress. or something. but come on, itâs mason (whoever that is) of all people.
the partner heâs been forced to accept today, unfortunate stand-in for you, asks him a question. mike snaps. âuh⊠yeah. that. sure, whatever.â tone dismissive. he doesnât even read the words correctly, he doesnât care. the answer is irrelevant. he doesnât want to be partnered with him. he wants you. this is ridiculous. everyone can see itâs ridiculous. he can see it. he can feel it. thatâs why his face is hot, a little vein in his temple ticking like a moron. but itâs okay because historically every time this kind of thing happens you always come back to him so he can sit there and be mad for now. itâs a perfectly logical plan. he leans forward and jabs his pen down, leaving a hole in the paper.
this is normal.
thisâfighting, snapping, sulking, refusing to look at each other for an entire class period while aggressively pretending you donât careâis basically your thing. has been for years. practically tradition, like d&d nights or bike rides or arguing over which movie to rent until family video closes and someone (usually him) storms out dramatically. this is not new. this is not a problem. this is just how you interact.
he stares down at the hole in his paper, exhales through his nose, and adjusts the notebook so itâs covering it. no reason to draw attention. heâs not angry-angry, heâs just firmly displeased. thereâs a difference. a very adult difference. someone behind him keeps tapping their foot, the clock ticks too loudly, the teacher is explaining the assignment again even though she already explained it and mike already knows it because he read the board and also because he always knows what the assignment is. he just doesnât want to do it with this guy.
he glances at his emphasis-on-replacement partner. the kid, nameless, probably wrong too, has his worksheet tilted at a dumb angle, like he doesnât even understand basic desk geometry. mike sighs and straightens the paper, looking for any small petty reason to get upset over. you would never place it like that, he thinks. you like things neat when youâre trying to make a point, which you were. earlier. when you stood up and moved. his jaw tightens at the memory. you didnât even look at him when you did it, just gathered your things, chair scraping against the floor, backpack strap sliding off your shoulder because you were annoyed and didnât fix it.
he writes his name on the worksheet, presses a little too hard, then forces himself to lighten up before he sneaks another look at you. youâre leaned toward mason, your elbow on the desk, chin resting on your hand like youâre actually invested in what heâs saying. which is ridiculous, because mason is not interesting. mike knows this for sure, definitely. heâs known mason-type people his whole life. they exist to fill chairs.
he looks back down, flips the worksheet over, and scans the questions. itâs a group project aboutâsomething. it honestly doesnât matter. what matters is that you were supposed to be doing this together, because you always do. his partner clears his throat. âso⊠question two?â
mike blinks, dragged back to the present. âyeah. sure.â he reads the question this time, answers it curtly. heâs good at this. being competent when he wants to prove a point.
out of the corner of his eye he sees you gesture with your pen. he remembers another time last year when youâd argued with him with the same expression. youâd been right then, too, which heâd admitted after three hours and one apology pizza. youâll come back, he reassures himself. you always do. you get mad, you storm off, you make a show of it. then later you circle back like nothing happened, or like something happened but youâve both decided not to talk about it because thatâs easier. thatâs friendship. real friendship. not whatever mason is offering.
he sits up straighter, posture screaming i am fine, because he is. this totally doesnât bother him. itâs just a fight. fights mean you care enough to have them. he glances at you again. your laugh this time is softer, different. something twists unpleasantly in his chest. he ignores it. probably indigestion. he focuses harder on the paper, scribbling notes, answers, bullet points. his handwriting is messier than usual. whatever. heâll clean it up later.
five minutes later mike is pretty sure the clock is ticking slower on purpose, just to mess with him. the second hand drags like itâs trudging through mud. he stares at it for a solid ten seconds, decides that was a mistake, and looks back down at his paper instead. heâs alert. engaged. a scholar. definitely not counting down the seconds until he can stand up and reestablish the natural order of things. youâre bent over masonâs desk now, whispering something. whispering. okay. sure. totally necessary. the class is allowed to discuss out loud, but yeah, lean in closer.
ten more minutes, he estimates. maybe eight. the teacher is droning on about expectations and due dates and âcollaboration.â mike knows how to collaborate. heâs excellent at it. you just have to follow the rules. the obvious ones, like if you always work together you donât suddenly stop because of one argument!
he tries to remember a time when you didnât circle back. there isnât one. even the bad onesâlike that fight sophomore year about the campaign notes, or the one where you accused him of âalways needing to be rightâ (unfair, and also incorrect)âyouâd still waited for him after class. arms crossed, foot tapping, face set in that stubborn way that meant iâm mad but iâm not leaving. heâd apologized eventually. or half-apologized. or explained his side until you sighed and said, âokay, whatever.â same difference.
he clings to that. youâll wait. you always do.
the bell rings, too loud. seriously, who decided that volume. mike startles, then immediately stands like heâs been coiled up and waiting. he doesnât rushâheâs not obviousâbut heâs efficient. notebook closed, pen capped, backpack open, closed, slung over one shoulder. he looks up. youâre already out of your seat.
okay, fine. no big deal. youâre just eager. you always get like that when youâre annoyed. restless. he watches you shove your chair in with more force than necessary. yeah. youâre still mad. good. that means this is still a normal fight. he steps into the aisle, timing it so heâll catch up with you near the door. thatâs the move. thatâs how this goes. youâll slow down just enough, heâll fall into step beside you, and there will be a tense but familiar silence as you walk to your next class together. maybe heâll say something neutral. maybe you wonât answer. progress.
except; you donât slow down. you donât look back. you walk straight out, turn, and keep going like youâve got somewhere important to be that does not include him. mike stops short like his brain has to buffer. he stares after you, watching the back of your head disappear into the hallway traffic. thereâs a flicker of confusion first followed immediately by indignation.
oh.
so thatâs how it is.
his jaw tightens while heat crawls up his neck and settles behind his ears. wow. okay. wow. now this isnât just dramatic, now itâs rude. he swings his backpack higher on his shoulder and strides into the hall, eyes locked on your retreating figure. he still expects youâll glance back, even now. even at the last second. you donât. you turn the corner and youâre gone. something twists in his chest. indigestion, probably. maybe he shouldnât have had that second slice of pizza.
he slows his pace. no reason to chase, heâs not chasing. heâs reassessing, because clearly youâve escalated. clearly youâre making a point, and fine. two can do that. he was still going to walk you to class, he thinks, irritation flaring hotter now. he was being nice. he was being mature. he was willing to reset without making a big deal out of it and you didnât even give him the chance. unbelievable!
if you think you can just walk off and pretend he doesnât exist? fine.
he can play that game too.
he lasts fourteen minutes.
just kidding, itâs more like forty. he does sit through the rest of the day (which consists of: one class. congrats michael!) he answers when the teacher calls on him, he does not storm out or dramatically brood in a bathroom stall like a psycho. he behaves. which is impressive honestly. mike walks through one hallway, sits through a lesson without sleeping, takes two pages of notes he does not remember writing, and maintains a perfectly respectable level of not-caring. his foot only taps a little. his eyes only drift to the clock every twenty seconds, which is normal.
when the final bell rings obviously he leaves immediately, because you always go home together too, and because biking home together is not a favor or a gesture or some kind of emotional olive branch. itâs a routine. you live in the same direction, youâve been doing it since sophomore year. deviating from that would be stupid and impractical and also a waste of perfectly good momentum. so heâs outside your classroom before you are.
he leans against the wall, arms crossed casually. approachable. the picture of someone who did not sprint down the hallway with his heart thumping like heâd missed a step on the stairs. students pour out of the room in clusters. laughter, lockers slamming, someone shouting about homework. mike scans faces without meaning to and spots you. there it is again, that small, stupid, annoying lift in his chest. relief probably. relief that the day can resume its normal programming. he straightens without realizing heâd slouched, uncrosses his arms, then crosses them again because that looked weird.
you slow just enough that he can catch up without it looking like either of you planned this, which is good. thatâs important. mike immediately clocks this as you folding first, which feels correct and earned. when he falls into step beside you thereâs a beat of silence. then another. mike stares straight ahead, expression neutral in a way that is meant to read calm but probably reads like heâs thinking about revenge. which he is not. heâs thinking about how normal this is, the post-fight truce walk. the ceasefire before negotiations break down again. âso,â he says, because someone has to. his voice comes out even, casual. generous. âguess masonâs pretty funny, huh.â
okay. maybe not generous. but still conversational.
you donât answer right away. thatâs fine. you never do when he opens with something stupid. youâre consistent like that. mike takes your silence as confirmation that the comment landed. âor matt,â he adds magnanimously. âmark. frank. whatever his name is.â
you give him that familiar look, half warning, half challenge. heâs seen it in hallways, in basements, in the middle of arguments that start about homework and end about everything else. itâs practically nostalgic. âhowâs your project going?â you deflect.
right, okay. thatâs what weâre doing. selective amnesia. aggressive topic pivot. he recognizes it immediately and absolutely takes it personally. âuh,â he pauses, because he has to reroute his entire thought process. âfine.â which is true. objectively. fine. âweâre outlining. research stuff.â
this is generous phrasing. his partnerâs nameâsomething with a j, maybeâmostly stared at the worksheet like it had his entire family held captive at home. mike filled in most of it himself, fueled by spite and a need to prove he can function without you. which he can. obviously. heâs doing it right now.
you nod like that answers everything, like you didnât just sidestep the entire issue and leave him standing there holding it. whatever. he can do normal. heâs excellent at normal. you start walking toward the bike racks and he falls into step beside you, because thatâs also normal. the late afternoon air outside smells like grass thatâs been trampled all day.. âso,â you start, lighter now. âweâre doing the renewable energy thing. solar panels. matthew found this articleââ
so thatâs his name. well, fuck matthew. why would he give a shit about matthew? âmatthew.â he repeats neutrally, inquisitive. a scientist examining a specimen.
you glance at him, probably sensing something. good. he wants you to sense something. âyeah,â you reply, unfazed. âheâs actually not dumb.â
âwow. high praise.â
you shoot him a look. âdonât.â
âdonât what,â he says immediately. itâs like his mouth is on autopilot. âagree?â
you shake your head, lips twitching despite yourself. âass.â
there it is, rhythm restored. banter re-engaged. proof that everythingâs fine. they reach the bike racks. mike leans his bike out of its slot and rests one foot on the curb. he tells himself very clearly that this is the part where he shuts up. that he lets it go, that he proves heâs mature. he lasts maybe twelve seconds. âi just think itâs funny,â he continues, casual as anything, eyes on his handlebars, because mike wheeler can never stop himself from pushing buttons, âhow you suddenly care about other peopleâs opinions when you didnât even let me finish my sentence earlier.â
you freeze mid-unlock to slowly look at him. âi did let you finish. you just kept talking.â
âbecause you were wrong.â he replies automatically. your eyebrows lift. there it is again, that look. the one that says oh, so thatâs the hill youâre dying on. mike clocks it and, instead of reassessing like a reasonable person, he doubles down because retreating now would imply regret, and regret implies fault, and fault is not on the table. âi mean, you didnât have to storm off. it was dramatic.â
âyou werenât listening!â
thatâsâokay. thatâs unfair. mike always listens. he just doesnât always agree, which is different and more honest. âi was listening,â he insists, offended. âi just didnât agree with you.â
âyou never agree with me.â
âthatâs not true.â
âmike.â
he stops walking. the bikes roll to a halt, tires scraping against the pavement. people pass around you, voices and footsteps blurring into background noise, but the space between you feels suddenly very loud. âthatâs not true.â he repeats, firmer. âi agree with you all the time.â
you cross your arms. âname one.â
he opens his mouth. pauses. okay, bad question right now. his brain scrambles, rifling through memories like a disorganized file cabinet. last week? no. those ended in debates. the month before? also fights. there was that time with the movieâno, he argued about that too. okay, maybe he doesnât have an exact point in time right now, but he knows itâs happened. âthatâs not the point.
you let out a breath, frustrated. âthen what is the point, mike.â
he grips his handlebars tighter. this is where it starts to feel slippery, like heâs standing on the verge of something and doesnât know how he got there, only that backing up would look bad. âthe point is that you didnât have my back.â
âare you serious right now.â
âyeah,â he says, because apparently he is. âi am. i just thought we were a team.â
âwe are not a team,â you snap. âweâre friends.â
âexactly,â he shoots back, relief flaring because yes. âfriends donât just ditch each other.â
âi didnât ditch you!â
âyou did! in the middle of class!â
âbecause you wouldnât stop.â
âbecause you were wrong!â
he hates this part. the part where the argument shifts, where it stops being about the project or the class or mason-whatever and starts being about this. about him. about you. âiâm just saying,â he pushes, voice defensive, âyou didnât have to go partner up with some random guy to prove a point.â
âyou mean matthew,â you say coldly. âwho you refuse to call by his actual name.â
âbecause he doesnât matter.â mike snaps.
you stare at him. âwow.â
âi didnât meanââ he starts, then stops because, no, he did mean it. he just didnât mean for it to sound like that. âi mean, he matters, obviously, as a person, but notââ he cuts himself off. that sentence is a dead end and he can see it now, stretching out in front of him like a pothole heâs already fallen into once. finishing it would only make it worse, and worse is not something he can handle right now. ânever mind.â he mumbles, a classic mike wheeler maneuver and has literally never fixed anything, but whatever. consistency is important.
he swings his leg over his bike abruptly. he doesnât look at you when he pushes off. looking would mean dealing, and dealing would mean emotions, and emotions are⊠optional. avoidable. manageable if you just donât poke at them. this is fine, this is what people do. you leave. you cool off. you think things through in a normal, rational way. his parents are very good at this method. silence until everything goes away on its own. extremely effective and definitely healthy.
he pedals hard, faster than necessary, the chain rattling as he turns out of the lot and onto the street. houses blur pastâfamiliar lawns, mailboxes heâs known forever, the crack in the sidewalk near the hendersonsâ place that he always avoids. his brain unhelpfully keeps replaying the last thirty seconds on a loop, editing it in real time.
you shouldnât have said that.
you didnât say anything that bad.
okay, maybe a little bad.
but youâre right, though.
he grips the handlebars tighter. this is why he leaves. staying just leads to saying things that get misinterpreted. people taking stuff personally. him having to explain himself when he already knows what he meant.
he turns down a side street, heading toward his house, already planning the rest of the evening: bike in the garage, door shut, room, headphones. maybe a game. solid plan. then â- tires behind him. mike stiffens, shoulders tightening as he glances back before he can stop himself. itâs you. youâre pedaling fast, hair tugged loose by the wind, expression set in that determined way he recognizes immediately. the iâm not done face. the one that has historically ruined his entire plan to be alone. his first reaction is irritation. seriously? he speeds up, because obviously the solution here is to outrun the problem.
you keep pace. he pedals harder, lungs burning a little now, annoyance spiking because this was supposed to be his exit. his cool-down. his emotionally responsible retreat. you are not respecting the system. âmike!â you call. he pretends he doesnât hear you. which is difficult, because he definitely does. âmike, slow down!â
nope. not doing that. slowing down implies engagement. exceptâannoyinglyâyouâre stubborn. and fast. and suddenly youâre right there, riding alongside him. âare you serious right now?â you demand.
he exhales sharply, finally braking because you slow to a stop in the middle of the street, forcing him to do the same unless he wants to look like a total jerk. whichâfine. he does want that. a little. âwhat.â
âyou canât just leave.â
âwatch me.â
you roll your eyes. âgod, youâre such aââ
âwhat do you want?â
âyouâre running.â
he bristles. âiâm not.â
âyou are.â
âiâm going home.â he states, like that settles it.
âokay⊠but why are you so upset right now? seriously, this is ridiculous.â
âthis is not ridiculous. itâs⊠itâs⊠you know.â
no. you donât know. he doesnât explain, of course. explaining would be admitting. admitting is weakness. weakness is for mason/mark/matt or something, probably. a car comes barreling down the street. mike reacts, jerking both of your bikes toward the sidewalk with one hand on yours, the other on his. âhey! whatââ you start, but he cuts you off with a glance that says not today, get on the sidewalk.
he marches you both a few feet onto the concrete, rigid, as if the universe might judge him if he lets either of you wobble an inch closer to danger. after heâs sure youâre safe is when he can continue the argument, of course. he canât just let it go. he shouldnât let it go. loyalty is important. partnerships are sacred. and you, apparently, just switched sides. âiâm upset because you didnât care about loyalty.â he continues.
you blink at him. âloyalty?â
âyes. loyalty. if you were loyal, youâd have stayed. youâd have stayed because itâs what we do. what we always do. and suddenly youâre over there with markâmattâwhatever his name isâand iâm left to â- to clean up! after your rebellion!â
âitâs .. a project, itâs notââ
âit is exactly like that!â he cuts in, voice rising despite himself. his hands gesture wildly for a second before he remembers heâs still holding the handlebars. âyou canât just change teams. not without warning. not without consideration. not without, i donât know, thinking about me! thatâs loyalty. protocol. history, rules, whatever.â he takes a deep breath and tries to center himself. fails. irritation bubbles into something more. âi just think that if we were really partners, really friends, reallyâ you know, then you wouldnât have abandoned your post. your new lab partnerâheâs fine, iâm sure, but heâs not us.â he explains, throwing his hands up because now heâs desperate to justify it. âi didnât meanâlikeâitâs not likeâiâm not like jealous or anything! itâs just⊠youâre mine! i mean, youâre my partner! my project partner! myââ he freezes mid-word because yes, that sounded like a confession. maybe an insult to matthew. definitely too much. âlook, what i mean is you should be loyal. to me. for the project! and⊠stop stopping in the middle of the road!â
youâre staring at him now, waiting. âwhat are you trying to say mike?â
there it is. the moment. the question. the very clear opening for him to explain himself like a normal person with functional emotional processing. he does not do that. ânothing,â he backtracks too fast, defensive the moment he feels pressure on him. âiâm not trying to say anything.â
you tilt your head. that tiny movement, the one that means you donât believe him and are deciding whether to call him on it or let him dig his own grave. historically, you usually let him dig. great. he feels heat crawl up his neck. his mouth opens. closes. opens again. âi justâthis is stupid. this whole thing is stupid. you switching partners was stupid. mason is stupid. this argument is stupid. youâre beingââ he gestures vaguely.
âbeing what?â
âstupid!â he snaps, then winces internally because, okay, maybe that one hit a nerve. maybe his own. so he does the thing he always does when heâs cornered: doubles down. âiâm just saying that you donât just walk away from your partneâ- your friend. from me. not without talking about it. not withoutâwithout something!â he doesnât know what the something is. acknowledgment. reassurance. him. probably him.
youâre still quiet, watching him. thatâs when it hits him. the look on your face. hurt, yeahâbut something else. resolve, like youâre about to turn around. like this time, you might actually leave. his stomach drops.
youâre making things worse! quick! do something!
he steps forward too close. definitely too close. he barely registers it until your breath catches, and suddenly youâre right there, eyes wide. âmikeââ
he doesnât let you finish. he kisses you. itâs not smooth. itâs not planned. itâs panic-driven and messy and absolutely not thought through. itâs quick, almost desperate, like if he doesnât do it now he never will. for exactly one second the world stops. then his brain comes roaring back online.
he pulls back abruptly, breathing a little too fast. âiââ he starts, then stops, because there is no sentence that fixes this. âthat wasâi didnâtââ youâre staring at him, stunned, lips parted, not pulling away. his heart is pounding so hard it feels like he could die. âi justââ he swallows, trying to sound casual. anything but terrified. âyou werenât listening.â
objectively the worst possible explanation.
youâre still staring at him, not angry, not storming off, just blinking at him like your brain is buffering, like whatever just happened hasnât finished loading yet. which is, honestly, fair, because his own brain is doing the exact same thing. he can practically see the question marks floating over your head. excellent. this is going so well. âyouââ you start, then stop, like youâre checking your surroundings to make sure this is the right reality. âwhat?â
his face feels hot. his ears definitely are. this is not subtle. you can probably tell. âi mean,â he says, because apparently heâs committed to digging, âyou werenât listening. likeâbefore. when i was explaining. the⊠loyalty thing.â he nods to himself like that helps, like this is a coherent continuation of a thought and not a mad-lib assembled under duress.
you just look at him. ââŠi was listening,â you say slowly, carefully, like youâre talking to someone who might spook. âthatâs why iâm confused about why you kissed me.â
right. yes. that.
âokay, when you say it like thatââ he starts, then stops again because no, there is no version of this where it sounds better. âiâm notâthis wasnât a strategy. you were looking at me like you were about to walk away again. and iââ his voice drops a notch before he can stop it. ââi didnât want that.â too honest. he stiffens immediately, defensive instincts kicking in late but loud. ânot because i need you to, like, stay. you can go wherever you want. obviously. it was justâimpulse. bad impulse. i have that sometimes. clearly.â
youâre still quiet, your expression has shifted now, less stunned, more searching, like youâre trying to find the logic in his mess.
good luck with that.
âso,â you try carefully, âyour explanation is⊠i wasnât listening. so you kissed me.â
âwhen you summarize it like that it sounds worse.â he mumbles with attitude.
âmike, it sounds bad no matter how you say it.â
he rubs the back of his neck stiffly, like maybe that will fix the situation. âlook, it just .. happened. sometimes impulses are stupid. itâs fine. youâve done stuff without thinking too, right?â
you blink at him. probably shouldâve been an eye-roll. instead itâs that moment where everything feels⊠suspended. youâre both looking at each other like your brains hit pause at the exact same time. âmikeââ you begin, but your voice falters because heâs staring at your lips. no, not intentionally, he thinks, because that would be weird, but also, kind of⊠he canât look away.
heâs aware of how ridiculous this is. âyeah?â thereâs a pause. hovering. the mutual, unspoken, oh-god-what-do-we-do-now. and somehow, because michael wheeler has zero control over these things, his face is too close to yours. not on purpose. okay, maybe a little on purpose. but rationally, heâs just trying to make sense of the fact that impulses are stupid. you swallow. he swallows. eyes flick down, then back up, then to lips again. his brain is screaming do something!
so he does the only thing he can think of. he leans in. your lips meet, awkward and choppy at first, itâs fast. frantic. heâs embarrassed but also⊠too invested to stop. heâs thinking too much and not enough at the same time. itâs supposed to stop there. something you both laugh off later with a wow, that was weird and a mutual agreement to never speak of it again. instead, you make a small soundâbarely anything, reallyâand mikeâs brain short-circuits completely.
oh.
oh.
his hand comes up automatically, like muscle memory he didnât know he had, fingers curling at the back of your neck. the kiss shifts, deepens. heâs aware that heâs leaning in. like, a lot. gravity seems to be helping. or betraying him. your lips part and he follows the opening without thinking, because thinking has proven wildly unhelpful so far. your hand slides up, fingers tangling in his hair, tugging just a little, and there is a full second where he forgets how to stand upright.
he makes a sound. hates that he makes a sound. immediately makes another one because you do it again and wow, okay, noted, apparently he likes that. a lot. his grip tightens without permission, pulling you closer, closer, closer, like proximity might explain whatâs happening. he kisses you harder, less tentative, less apologetic. all that pent-up irritation, all the logic heâs been stockpiling, it just dissolves, replaced by this overwhelming need to stay here. he backs you both into something. a fence, he realizes, because suddenly thereâs metal at your back and nowhere else to go, and he should probably stopâ
he does not stop.
your bikes are⊠somewhere. behind you? beside you? irrelevant. his knee presses between yours by accident and he freezes for half a second â- then decides that if this is wrong, itâs been wrong for a while, actually, and keeps going.
he finally pulls back just enough to see your face, and wow. thatâs definitely a face. your cheeks are flushed, lips still parted, eyes wide andâheâs never been more aware of eyes in his life. his brain is a blender full of why did i do that and oh god what now and this is terrible all mixed together with a small hint of but also not terrible. heâs panting. so are you. that makes everything worse because itâs proof that yes, that just happened, and yes, he was the one who did it. totally, 100% responsible.
his hands fall awkwardly to his sides. he looks down because looking at you directly is apparently lethal to his brain. blinking. too fast. okay mike. plan. exit. now. leave. leave like nothing happened. thatâs his plan. genius.
âuhâŠokay.â he mutters, voice cracking because why wouldnât it, and suddenly heâs backing up toward his bike. âiâŠi gottaâŠuhâŠride. ride home. bike. alone. um. homework. stuff.â he grabs the handlebars like heâs holding the last lifeboat on earth, leans down, shoves one foot onto the pedal, and basically hurls himself away without looking back.
you call something, words that probably start with âmikeââ and fade into general noise, but he doesnât process it. canât. all he can register is movement, pedaling, escape. the sweet illusion of normalcy. his brain is firmly locked in âignore and exitâ mode.
he doesnât look back. he cannot. he will survive this. he will process it tomorrow. or next week. maybe never. thatâs fine.
monday happens anyway.
by thursday itâs officially been four days, three hallways, two almost-eye-contacts, and one very deliberate detour around the water fountain near the science wing because that is your fountain now, apparently, and mike is nothing if not adaptable when under emotional duress. he tells himself this is fine. strategic, even. space is healthy. people take space all the time. mature people. adults. people who do not accidentally kiss their best friend against a fence and then flee like a cartoon character whose feet spin before taking off.
he has not spoken to you since.
this is not because he is avoiding you. itâs just that circumstances keep lining up in a way that makes talking⊠inconvenient, like how you turn left and he turns right. or how youâre suddenly always surrounded by people when he walks into a room. or how, one time, you looked like you were about to say something and his brain short-circuited and he pretended to be deeply invested in a poster about safe lab practices. very normal behavior.
heâs fine, by the way. heâs been excellent, actually. sleeping mostly normal. eating fine. thinking about the kiss only a reasonable amount, which is to say constantly but in a very analytical, non-emotional way, like a scientist. a scientist who keeps replaying the exact moment your hand tugged his hair. he tells himself the kiss was a fluke. an impulse. a misunderstanding. a stress response, like when you touch a hot stove except the stove is your friend and the burn is⊠not unpleasant? okay, bad analogy. scrap that. the point is: it didnât mean anything. people kiss friends sometimes. probably. in europe. or in movies. or in situations where no one is thinking clearly and emotions are high and â- he stops that train of thought entirely by staring very hard at his locker combination.
he hasnât biked with you since either, which is weird because thatâs been a thing for years now. rain, snow, demodogs, governmentâdoesnât matter. you bike home together. except now he leaves earlier. or later. or goes a longer route âfor exercise,â which is a lie he feels only mildly bad about. lucas asks once if somethingâs up. mike says no. the worst part, and he hates that this is the worst part, is that you havenât chased him down! no confrontation, no cornering him after class. no âwhat the hell was that?â speech. which, logically, means youâre being mature. respecting boundaries, doing the healthy thing. to mike, it feels like abandonment.
you didnât do anything wrong, you just kissed. that happens. not a big deal. youâre just friends. friends who fight. friends who accidentally kiss and then never talk about it again, apparently.
which is fine. honestly, ideal, if you think about it. mike thinks about it. a lot. silence is clean. silence doesnât demand explanations or eye contact or that awful moment where someone asks so what was that? avoidance, on the other hand, is practical. mature. practically a coping strategy. he perfects it. he adjusts his route between classes by half a hallway so he doesnât pass your locker. if he ducks into the library for six minutes after third period, youâll already be gone. if he leaves math early, he wonât have to make that weird almost-eye-contact at the doors.
he tells himself that if you wanted to talk about it, you would. evidence supports this theory. you are not subtle. you never have been. you slam doors when youâre mad, you confront, you argue. you do not wait for people to figure things out. therefore, your silence must mean you agree with him: it didnât mean anything. case closed. except sometimes he catches himself scanning the bike racks out of habit, then getting annoyed when youâre not there, like youâre the one breaking routine. he reframes this irritation immediately. heâs allowed to be annoyed. you disrupted the system. you always bike together. thatâs a thing. people know itâs a thing. itâs practically tradition. so yeah, itâs inconvenient that youâre not there. that doesnât mean he misses you. it means he dislikes inefficiency.
thatâs all this is. mike wheeler, famously logical. heâs not running from anything. this is more like⊠strategic withdrawal. heâs choosing not to engage with a situation that offers no clear solution, which is smart. thatâs what adults do. his parents avoid things all the time and they seem fine. functional. so this is learned behavior, actually. very well-adjusted if you think about it.
the wheeler boy keeps circling back to the same point because it matters: he has never thought about kissing you before. not seriously, not in a this-means-something way. sure, heâs noticed your mouth. everyone notices mouths. theyâre right there. people talk with them. sometimes you stand too close. sometimes you lick your lips when youâre thinking. the kiss had to be an anomaly, stress plus proximity plus his terrible impulse control equals poor decision-making. end of story. there is no hidden subtext. if there were, he would have noticed. heâs observant. he would know if he had feelings. this, on the other hand, is just .. confusion. something he can ignore if he keeps busy.
he keeps busy.
he stays late at school under the excuse of homework. he bikes home alone faster than usual, legs burning like heâs outrunning something, which is stupid because nothing is chasing him. he rearranges his desk. reorganizes his notes. he rewrites a paper he already got an a on just to have something to focus on. his thoughts still drift but he corrals them back with irritation. every time your name pops up in his head he swats it away like a mosquito. except at night, when heâs lying in bed and the house is quiet and his brain has nothing better to do, it sneaks back in. the way you looked stunned, the way you didnât pull away. the way his body reacted like this was something it had been waiting for, which is not true and also not something he plans to think about ever again.
he does, in fact, plan to think about it ever again. just later. future mikeâs problem. current mike is busy. a week passes. then two. then enough time that it stops feeling like a fluke and starts feeling like a pattern, which he pretends not to notice. you donât talk. he doesnât reach out. neither of you explodes, but he interprets it generously: mutual maturity. growth. personal development. definitely not two stubborn people in a staring contest where no one wants to blink first.
he starts making plans without you. movie nights get scheduled before he remembers to check if youâre free. d&d sessions you never know about. he bikes with the others home again now instead. this is fine, friendships evolve. people grow apart. thatâs a thing that happens. a couple months pass. winter thaws into spring and suddenly prom flyers start appearing on lockers like a disease. pink paper, glittery fonts, a crime against dignity. mike hates it on principle. hates the idea of tuxes and loud music and pretending any of this matters. he hates dances. he hates slow songs. he hates the concept of asking someone to something that already comes with expectations attached. he especially hates the way your name still shows up in his head when people talk about dates.
âare you going?â lucas asks one afternoon.
mike looks disgusted. âno. promâs stupid.â
he wouldnât go even if everything were normal. he didnât go last time. he didnât miss it. the pictures looked awkward. he hasnât been to a dance since middle school. why would he voluntarily do that to himself?
yet he hears through the grapevineâdustin probably, who is terrible at subtletyâthat you might be going. maybe with friends. maybe with someone. maybe just to spite the institution itself. who knows. mike tells himself he doesnât care, this information changes nothing. his life continues exactly the same.
he still hates high school. he hates the way it pretends these four years are supposed to matter forever, like the lockers and pep rallies and awkward assemblies arenât just something you survive and then forget. he hates the social math of itâwho sits where, who dates who, whoâs allowed to reinvent themselves and whoâs stuck being âthat guyâ until graduation. mike plans to leave hawkins high the second it lets him.
prom, therefore, is stupid. itâs a performance. an overpriced ritual where everyone agrees to dress up and pretend theyâre having the time of their lives because thatâs what youâre supposed to do. pictures that will be shoved into drawers and never looked at again. he doesnât need it, heâs fine without it. he is deeply committed to this opinion.
which is why it is particularly offensive when, on a friday afternoon by the lockers, he hears your name followed by matthew and prom in the same sentence. he doesnât mean to eavesdrop, heâs just there. existing, grabbing his book, minding his business. then he hears, ââyeah, theyâre going with matthew,â someone says. âi think he asked last week.â
thereâs a pause. someone says something else he doesnât hear because his brain has stalled out entirely. matthew. of course itâs matthew. the guy who laughs too loud and doesnât know your history and gets to swoop in like this hasnât been years in the making. mike feels something cold settle in his stomach. not jealousy. jealousy would imply entitlement. this is concern. concern that you are going to prom, an objectively terrible event, with someone who probably thinks itâs fun. irresponsible, really.
also, itâs weird. you donât do this. you donât go to dances with random guys. you donât pair off like that. good for you but why him. he spends the rest of the day pretending this didnât happen. failing. by fourth period heâs restless, leg bouncing, pen clicking until someone kicks his chair. by the time lunch rolls around heâs made a decision.
heâs not going because of you. heâs going because this situation requires observation. closure. confirmation. he needs to see it with his own eyes. thatâs all. so he stands in line at the office after last period, irritated by the fact that this is even a thing heâs doing. the secretary asks for his name. he gives it. she asks how many tickets. he hesitates for half a second. âone.â he answers firmly. he hands over the money, takes the stupid little paper ticket, and shoves it into his backpack like itâs evidence of a crime.
this proves nothing. it doesnât mean anything. he just wants to see you, thatâs allowed. thatâs normal. besides. if mason gets to go?
then mike wheeler is absolutely not missing it.
the day arrives like a threat. mike wakes up already irritated, which feels appropriate. prom day should not feel different from any other day. it is, at its core, a saturday. the sun comes up. birds exist. nothing about this warrants nerves. he tells himself this repeatedly while lying in bed staring at the ceiling, aware of a tight, buzzing feeling under his ribs. he has not spoken to you in almost two months. this is a statistic. an interesting one maybe, but not alarming. people go longer without talking all the time. pen pals. astronauts. married couples, probably. the fact that heâs been thinking about you more during this time is unrelated.
he showers too long. gets out and realizes his hands are shaking a little while he towels off. he pauses, frowns at them like theyâve betrayed him, then decides itâs probably just caffeine withdrawal. or dehydration. or the psychological pressure of formalwear, which everyone knows is a thing. downstairs his mom has laid out the suit. itâs his dadâs. navy. a little boxy in the shoulders, a little long in the sleeves, like it remembers another decade. the fabric smells like closet and aftershave and something comforting he doesnât want to unpack. his mom beams at him when he comes down, which he immediately resents. âmichael! big day today.â
âitâs not a big day,â he snaps automatically, because his mouth is faster than his brain and his brain is committed to this stance. âitâs just⊠a day.â
his mom just hums and holds the suit out like itâs an offering. mike takes it with the kind of care usually reserved for fragile artifacts, not because he respects it, but because if he wrinkles it he knows sheâll notice and then there will be commentary. âtry it on upstairs,â she says. âdonât rush.â
âiâm not rushing.â he is absolutely rushing.
he retreats up the stairs two at a time, suit draped over his arm, irritation trailing behind him. he can hear his mom calling something about pictures later. he does not respond. pictures are another crime entirely. in his room he drops the suit on his bed and just⊠looks at it for a second. navy fabric spread over his comforter like it belongs there. it doesnât. nothing about this belongs here. his posters, his books, the smell of dust and pencil shavingsâthis is his environment. tuxes invade environments. they impose expectations. he strips off his t-shirt and jeans, yanks on the dress shirt with more force than necessary. the buttons fight him. traitors. he buttons them anyway, then shrugs into the jacket. it fits better than he wants it to. the sleeves are a little long, but the shoulders settle like they remember how to sit. he catches his reflection again and grimaces. he looks⊠fine. he loosens the tie. tightens it. loosens it again. leaves it slightly crooked on purpose, just to reclaim some autonomy. his dadâs tie too, which he notices and then immediately tells himself not to think about. nostalgia is a trap.
he looks at himself like heâs trying to identify the person staring back. heâs taller. 5â11 and still growing into it, like his body forgot to check in with the rest of him before stretching itself out. his shoulders are broader now, even under the borrowed jacket. his face has sharpened. jaw more defined, cheekbones doing something new. he looks older. not adult exactly, but definitely not the kid he was last year either. itâs like catching your reflection in a store window and not recognizing it for half a second. his hair is fluffier now too. fuller. doing that thing where it actually cooperates if he lets it. he didnât even realize it until recentlyânancy did, though. she actually helped with his wardrobe remodel too, took him shopping a few months ago and said things like âtrust meâ and âstop wearing that, mikeâ and somehow now he owns clothes that fit and donât brand him as fourteen. âmichael!â his mom calls from downstairs. âtheyâre here!â
they can only mean one thing.
he exhales through his nose, smooths the jacket one last time, grabs his shoes, and heads back downstairs with the same defensive energy heâs been carrying for months now. if anyone thinks this means somethingâif anyone thinks this is a milestone or a moment orâ whatever â- theyâre wrong. theyâre wrong.
lucas and dustin are in the living room, standing awkwardly like they donât know what to do with their arms. lucas looks⊠put together. clean lines, dark suit, calm expression like he was born knowing how to wear formal clothes. dustin looks like he got dressed in a hurry and then someone interfered. his hair is styled in a way that is suspiciously familiar. mike looks puzzled immediately. âdid steve touch your head again.â
âhe offered guidance.â
his mom beams at all three of them like this is exactly how she imagined the night going. mike shifts under the attention. âyou look nice.â she says to him, soft.
âthanks.â he mumbles.
dustin gestures. âyou look prom-y.â
mike grimaces. âdonât say that.â
lucas smirks a little. âno, really dude, you clean up.â
rolling his eyes, mike wishes he could crawl back into bed and die. âletâs just go before she gets a camera.â
too late. the camera appears anyway. he stands stiff for exactly three photos, expression neutral, then he bolts for the door like the house might trap him otherwise.
outside, salvation takes the form of steve harringtonâs car idling at the curb. steve is leaning against it like this is the most natural thing in the world, like he didnât agree to chauffeur three teenagers to prom under intense pressure from dustin henderson. heâs dressed nicer than usual, jacket, decent shoes, hair doing its thing as usual. âgentlemen,â steve greets. âwow. look at you guys.â
mike squints. âwhy are you dressed so nice.â
âbecause,â steve says easily, getting in the car, âiâm a responsible adult.â
no one believes him.
dustin is vibrating. he hops into the front seat without asking, as usual. dustin always gets front seat privilege with steve. steve pulls away from the curb, glancing at dustin out of the corner of his eye. his expression softens. âhigh school prom,â steve nods to himself. âman. thatâs huge.â
âdonât.â mike mumbles, still in a sour mood about having to go at all even though it was and still is entirely his decision.
steve ignores him. âi remember my prom. feels like yesterday. you blink and suddenlyââ he gestures at dustin. âyouâre all grown up.â
dustin beams. âi know, right?â
lucas groans. âplease stop.â
mike slouches lower in his seat. âheâs not grown up.â
âthatâs not what your mom told me last night mike.â
steve chuckles, then gets that look. the one that means heâs about to get emotional. mike braces. âjustââ steve clears his throat. âdonât forget to have fun, okay? these nights matter. you donât get them back.â
the school comes into view, lights glowing brightly, music already thumping through the walls. cars line the street. people in suits and dresses cluster outside like itâs some kind of ritual gathering. mikeâs chest tightens. he tells himself itâs secondhand embarrassment. steve pulls to the curb. âweâre getting out.â mike says immediately.
dustin scrambles out, lucas follows, mike last. steve leans out the window. âpictures?â he asks hopefully.
âno.â all three say at once.
they start toward the entrance. mike doesnât look back. he can feel steve watching them anyway, proud in that annoying, earnest way. dustin throws an arm around lucasâs shoulders. lucas shoves him off. mike walks half a step behind them, hands in his pockets. inside the music hits harder. lights flash. okay. heâs here. now all he has to do is survive it.
this is immediately harder than expected. the gym has been transformed into something unrecognizable, twinkle lights, streamers, a balloon arch that looks one good elbow away from collapse. thereâs a banner that says a night to remember which feels vaguely threatening. the three losers drift, naturally, to the food table. of course they do, itâs where people without plans end up. the island of neutrality. no expectations. just questionable punch and cookies that taste like the cafeteria gave up halfway through. dustin grabs a cup, sniffs it, and grimaces. âthis smells like cough syrup.â
lucas takes one anyway. âeverything smells like cough syrup in here.â
mike doesnât take anything. he scans the room without meaning to. orâfineâmeaning to, but not for anything. just observational awareness, basic situational assessment. very normal. he sees couples. too many couples. people he vaguely recognizes but doesnât care about. a guy from math class. someone slow dancing already even though the dj is playing something aggressively upbeat, like theyâre trying to force joy through volume. âthis is bad.â mike speaks.
lucas shrugs. âcould be worse.â
âhow.â
âcould be middle school.â
mike concedes that point immediately. they stand there, three guys in suits, no dates. no plan, just existing. this is fine. this is actually ideal. no pressure, no awkward small talk, no pretending to enjoy himself. he leans back against the table, and then there you are. he doesnât mean to notice you instantly. he really doesnât. but his brain does that thing where it zeroes in before he can stop it. youâre across the gym, laughing at something someone saysâmatthew, his brain notices immediatelyâand the sound doesnât reach him but the sight of it does. thereâs that stupid, annoying lift in his chest again. irritation. obviously. of course youâd be having a good time. of course mason is there. of course you lookâ
fine. you look fine.
mike looks away immediately.
he focuses on the table, the cookies. one of them has frosting smeared slightly off-center. âyou good?â lucas asks.
âyeah,â mike answers too fast. âwhy wouldnât i be.â he risks another glance accidentally. youâre moving now, weaving through people. mason follows, causing mikeâs irritation too flare. not jealousy, this is about patterns. about disruption. about the fact that you and mike usually arrive together, stand together, complain together. this is wrong. the system is off. âi hate this.â
dustin nods. âyeah. we know.â
lucas sighs. âwe could leave.â
mikeâs head snaps up. âno.â
they both look at him.
he recovers badly. âi meanâno, like. we just got here.â
âyou said you hated it.â lucas points out.
âi hate prom,â mike corrects. âthat doesnât mean iâm leaving.â
if he leaves now, that means â- nothing. it means nothing. it would just be⊠inconvenient.
an hour passes. maybe a little more. mike has stopped pretending heâs casually surveying the room, heâs locked in. eyes trained on you and matthew like radar. dustin keeps trying to insert himself into conversationsâmostly with other people who clearly have no interest in small-town nerdsâbut mike doesnât intervene. not because heâs magnanimous, he just doesnât care. mike glares at you instead. matthew laughs at something dumb. mike doesnât know why itâs bothering him, except that it is. âmaybe we should get punch.â dustin suggests.
mike ignores him. he does not want to be caught sipping punch while you and matthew exist in the same space. dustin sighs and wanders off again. lucas is completely absorbed in his own orbit, surrounded by basketball friends, teasing someone about a missed free throw in a past game. mike envies him. maybe. no. not envy.
mike canât even look at you anymore. the sight of you laughing at something matthew said, the sound of it, itâs too much. so he turns. literally, pivots 180 degrees and plants himself in front of the snacks table like some sort of defensive linebacker. hovering. guarding. no one is allowed near the cookies or the punch except him. not that heâs taking any.
hes fuming, and then, because, of course, you appear. mike doesnât see you at first. heâs hyper-focused on a suspiciously large group of junior girls eyeing the cookies. you lean on the table just enough for him to notice, and deadpan: âwow mike, guarding half the table like itâs fort knox. really committing to your post, huh?â
he says nothing, because saying anything mightâhe doesnât even knowâacknowledge why heâs standing there in the first place. so he just stands, rigid, still utterly, pathetically, spectacularly fuming, glaring at the cookies like itâs your fault they exist and that you exist, and also maybe that matthew exists, and also why and how are you talking to him like the last two months didnât happen?
mike feels it immediately, the snap. the irritation. the defensive spike in his chest thatâs basically a built-in alarm that says you are too close, emotionally, physically, temporally. he can feel it radiating down his arms to his fingers. âi⊠uhâŠâ he starts, and immediately regrets opening his mouth. words are dangerous apparently, especially around you. âyes,â he snaps. âsomeoneâsomeone has to do it orâyou know.â
what is it with mike and making no sense when he rambles? you raise an eyebrow, looking like you know exactly how ridiculous that sounds. mikeâs jaw ticks. two months. two months of radio silence. and now youâ ⊠he doesnât even know why he wants to kill you or kiss you or scream, all at the same time. he is hyper-aware of the fact that youâre here with matthew, talking, smiling, looking like nothing between you two ever happened.
mike breaks first with a sharp pivot, a decisive step back, the kind that says i am removing myself from this situation because you are making me feel things and that is unacceptable. âiâmââ he starts, then aborts the sentence entirely because there is no version of it that doesnât sound insane. âi need air.â which is true. technically. the gym is hot. loud. full of lights and bodies and you laughing at someone who is not him. that last part might also be relevant.
he leaves the gym and storms down the hallway, paces. turns a corner. counts tiles on the floor. looks at lockers like they might have answers. they donât. five minutes pass. ten. heâs probably going in circles. maybe heâs been on this hallway loop beforeâhe doesnât know. doesnât care.
then, like the world has a vendetta against mike himself, there you are. sitting on the floor against the lockers, your head is tipped back against the metal, eyes unfocused. immediately mikes head jumps to the worst conclusion. where is matthew. âwhere is he?â he demands, already mad.
you blink, startled, then look up at him. âwho?â
he scoffs. âdonâtâhim. your date.â
you shrug casually. âinside.â
mikeâs hands curl into fists at his sides. if i were your dateâ
which is a stupid thought. irrelevant. hypothetical. he does not finish it. except he does.
if i were your date, i wouldnât have left you alone.
he swallows it down and replaces it with irritation. much safer. âhe just left you?â
âi told him i was fine.â
that does nothing to help. somehow it makes it worse. mike lets out a breath through his nose. âwow. great guy.â
âyouâre mad at him now?â
âyes. i mean no. iâm just saying. itâs rude. i mean, promâs stupid, but if youâre going to bring someone, you should at leastâi donât knowâstick together?â silence stretches. you watch him with that look again, the one that sees too much. mike feels the ground slipping and retreats into offense. âwhat. iâm right.â
you donât answer right away. you do scoot over on the floor, making space beside you. an invitation. a trap. mike hesitates, then tells himself itâs about principle. about making sure youâre not abandoned in a hallway by some idiot who doesnât know how things work. he sits. âi needed a break.â you explain.
âfrom⊠prom?â he questions, trying to sound neutral but failing, which is basically his default. âfrom him?â he pushes, trying not to sound hopeful.
âhm. both, i guess.â you pause as if deciding whether this was worth speaking on. â.. someone i really like hurt me.â
oh, okay. right. matthew hurt you. who else could it be? not himâheâs fine. the rest of the world? plausible. he narrows it down. prompt evidence: prom date. obvious candidate: matthew. âdid he⊠like⊠say something dumb?â mike asks, carefully casual. this is okay. itâs emotional triage. someone has to protect you from idiocy, expensive social mistakes, basic conversational failures. thatâs what friends do. thatâs what mike does, for you. he glances at you. your shoulders slump slightly. someone really did hurt you. unacceptable. if heâd been there he wouldnât have let it happen.
ânot really.â
ânot really?â
âhe did something.â
âhe did something?â he repeats, cautious, his voice climbing an octave without realizing it. defensive, protective, vaguely panicked.
âhe⊠kissed me.â
why are you telling him this? why is this a sentence? did his brain just betray him? mike freezes. the world tilts , probably just perspective, probably just adrenaline, definitely definitely bad timing. mike laughs once, the kind of sound that escapes when your brain is buying time. âheââ he starts, then stops, because his mouth has apparently decided to freelance. âhe kissed you.â a pause. âyou kissed him?â he corrects, because obviously this needs clarification. blame allocation matters. accountability.
your silence answers him anyway.
something hot and electric spikes up his spine. jealousy is not the wordâhe doesnât use that word. itâs outrage. itâs concern. itâs what the hell were you thinking. mike sits up straighter, agitation snapping into place like a switch. âno. thatâsâno.â he gestures down the hallway as if matthew might materialize if summoned by anger. âyou just met him. like two months ago! you canât justâkiss people like that! you donât even know him. you donât know if heâsâif heâs weird. or irresponsible. or doesnât return library books.â he looks at you, incredulous. hurt masquerading as logic. âi mean what if he does that with everyone? what if youâre justâanother prom checkbox? did you think about that?â
this is all wrong. wrong that matthew touched you at all, let alone kissed you. wrong that you let him. wrong that mike wasnât there.
you stare at him for a second, letting the words settle. âyeah. he kissed me. and now he wonât talk about it. we⊠havenât really addressed it.â
âwell, maybe you shouldnât talk about it. ignoring it is technically an option. actually, probably the best option. because, i meanâif you bring it up, itâs awkward. which it already is. i mean, you donât want to make it worse, right? so⊠donât.â heâs helping. giving you advice. heâs just⊠a little fired up about the circumstances.
âi tried ignoring it. i even tried to move on. itâs not helping.â
ignoring it? moving on? who are you even talking about right now. he thinks, because there is clearly one obvious culpritâmatthewâand now suddenly youâre talking about moving on like⊠like thereâs a second person? no. impossible. âwait,â he blurts. âmoving on? you meanâanother guy?â
he can feel his jaw tighten, not in a âthis is concerningâ way, a âthis is infuriatingâ way. because what the hell, you just kissed him, then matthew, and now youâre talking about⊠another, like heâs somehow not enough to even hold your attention for two months? ridiculous.
âmike.â you interrupt, looking painfully over his stupidity. âwhy did you kiss me.â
direct hit! mike freezes, the conversation shifting. itâs not about matthew anymore. itâs about him. suddenly, terrifyingly about him. âiâi didnâtââ he stammers, every possible sentence sounds wrong. every single one. âi mean, itâs notâlike, i wasnâtâI didnâtâi justâŠâ words fail spectacularly. his hands flail in that graceless way of someone who simultaneously wants to defend himself and also disappear entirely. air leaves his lungs. panic spikes. his stomach flips. he wants to run, hide, explain, and deny, but mostly he just wants you to stop looking at him like that. âi donât know, it just happened.â
âit just happened?â you repeat. âdo you kiss all your friends?â
mike blanches like youâve personally insulted the very concept of decency. âwhatâno! of course not!â his voice wavers between indignation and panic.
âso why did you kiss me?â
he freezes.âi â- donât know! maybe⊠maybe because you ⊠were right there. and⊠and iâi donât know!â words tumble out, faster than thought, âi didnât mean â i didnât plan it. itâs notâitâs not like aââ he stops himself, realizing the sentence is collapsing under its own absurdity. âhey! you were the one who ignored me for months!â
you stare at him. âi didnât ignore you.â
he glares, because clearly, everything is always someone elseâs fault. âyou did. you did! you couldâve reached out! you werenât there! you didnâtââ
âyou were the one ignoring me!â you fire back. âyou disappeared, avoided me at school, stopped inviting me to hang out, acted like none of this ever happened. i tried! i waited! and youââ
mikeâs face screws up, mortified and furious. âthat was⊠i was⊠iâi had to⊠itâs complicated! you donât understand!â he doesnât understand either, if heâs honest. he doesnât understand why he ran, why he kissed, why his chest feels like itâs going to explode when you just stand there glaring at him, demanding answers. his hands clench into fists at his sides, the absurdity of it all physically manifesting. âyou canât expect me to explainâeverything!â why is my chest on fire? why am i sweating like this? this is ridiculous. cuffs of his dadâs jacket brush against his wrists. âi wasnât thinking, okay? itâs not like i do this normally! besides, you seem to like kissing a lot of guys.â
âwhat is that supposed to mean?â
ânothing.â
âoh my god, mike, you idiot! i havenât kissed anyone besides you! i liked you!â
âwhat? i thought youâ-â
ââyeah.â you cut in sharply, not letting him finish whatever half-formed assumption he was about to embarrass himself with. âyou thought. i know. you always do that. you decide things in your head.â
mike stops, itâs like his brain blue-screens mid-argument. the music from the gym fades into a distant thrum. all he can hear is the word like, echoing obnoxiously loud in his skull. liked. past tense? present tense? both? why didnât he clarify. why didnât he ask. why is he like this. âyouââ he starts, then immediately halts. nothing comes out.
you like me.
no. that canât be right. his chest tightens again, but this time itâs not anger. itâs not outrage. itâs not righteous, morally justified fury at matthew-or-mark-or-whoever. itâs lighter. âokay,â he says, immediately lying, because he is not okay. âokay, butââ there is no but. he knows thereâs no but. his brain is scrambling anyway, flipping through excuses, escape routes, alternate timelines where he handled this like a normal human being. âyou didnâtâ you never said anything!â because if you had, obviously, this all wouldâve gone differently. obviously. he wouldâve been calm. totally normal about it. sure. âI thoughtâ I mean, you were with him, and then you werenât talking to me, and I justââ he clears his throat like he can intimidate it back into submission. âI didnât think youââ
liked me.
there it is again. that word. the most dangerous one in the english language, apparently. his face feels hot. âso you⊠like me.â
this is not a question. itâs an existential crisis.
you sigh, long and tired, like this is the fifth time youâve had to say it tonight even though itâs the first. âyes, mike. i like you.â
no qualifiers, no jokes, no backing out. just there, sitting between the scuffed linoleum and the bad pop music leaking through the gym doors. he doesnât hate this information. it doesnât feel wrong. it doesnât feel shocking. it feels⊠explanatory. best friends since sophomore year, tuesdays at the wheelersâ basement, shared notes. shared rides. shared everything except apparently this. of course itâs you. of course it always has been. he realizes now that the kiss didnât feel weird so much as overdue.
oh no.
prom is happening twenty feet away. people are dancing, people are kissing, people are being normal about this. meanwhile heâs sitting in a hallway in his dadâs jacket realizing something fundamental about himself at seventeen years old and absolutely not enjoying the timing. he has no script for this. no manual. no dungeon master to ask what the correct move is. âcool. great.â he looks at you again. your face is open in a way that makes his chest ache. hopeful, maybe. guarded, like youâre braced for him to screw this up, which feels⊠fair, historically. âiâm an idiot.â
he sits there, hands planted on the linoleum, fingers brushing against yours accidentally, except not really. not accidental in the way his life ever lets things be accidental. âso,â he tries, voice tight, because why does everything sound tight? everything is tight. heart, lungs, shoes maybe. âdo you maybe⊠uhâŠâ he falters. the words disassemble themselves like they have a better social life than he does. âdo you⊠want toâlike⊠go out then? with me. like⊠date. me. date me.â
your eyebrows lift. one, then the other, which is the signal for please clarify your nonsense. âmike, not today. iâm still here with⊠you know, my date. prom. remember?â your lips twitch in a half-smile thatâs half amused, half exasperated.
âoh.â that is literally all he manages. oh. air leaves him like heâs deflating. why is liking someone the most aggressive form of torture?
âbutâŠâ you lean closer, dangerously close to leaning over into him, âwhy donât you ask me tomorrow?â
âtomorrow,â he echoes, voice somewhere between a question and a declaration. he keeps his hand where it is. doesnât move. feels ridiculous. feels alive. this is not a normal prom experience. why am i sitting on the floor. âokay. tomorrow.â
you stand and mike stumbles to his feet a little slower than you, like gravity just got stricter since he realized you liked him. he looks at you like heâs calculating trajectory, probabilities, and whether youâre allowed to leave him alone in this hallway without him being furious. âwhere are you going?â he asks, voice pitched like someone whoâs simultaneously curious, indignant, and slightly panicked. his posture slouches a little, like heâs preparing for the emotional fallout of⊠you walking away.
âiâm gonna go back with matthew.â you say, the words casual but careful.
mikeâs face immediately folds into that ridiculous pout that makes him look small and vulnerable, but also like he might throw a chair at a wall in frustration. âwhat? why? do you like him?â he literally does not care about what matthew feels, whether matthew notices youâre gone, or even that this is⊠a prom.
you raise an eyebrow. âmike, iâm not leaving him alone. iâm his prom date. itâs⊠thatâs how it works. iâm not a jerk.â
he scowls. âfine. whatever. sure. go.â his voice drops lower, and he mutters under his breath like heâs cursing the very concept of social norms until he trails off, realizing that yes, he has no right. heâs acting purely on instinct, and every instinct says if youâre with anyone he needs to be better. heâs realized that he does like you. likes you a lot, actually. like, dangerously, now-what-do-i-do likes you. the problem is that realization does not make mike wheeler noble. it does not make him graceful. it makes him worse. he stands there for half a second after. prom music thumps through the gym doors behind youâsomething slow and overproduced, all violins and sincerity. âi know how prom works.â
he does not, actually. he knows how movies say prom works, which is already suspicious, and he knows how it feels to watch you adjust your outfit like youâre about to walk back into a room where someone else gets to stand next to you. someone else gets your arm. someone else gets to be seen with you. matthew. mikeâs brain supplies the name like an insult. âi just donât get why it had to be him,â he says, like this is a normal, reasonable question. âlike. of all the guys.â
âmike.â
âiâm just saying! i havenât talked to you in months, okay? and now i have to watch youââ he gestures toward the gym doors, toward the concept of matthew. âwith him.â he does not care about being fair. unfortunately, he cares about you more. you shift your weight, clearly ready to go back inside, and something in his chest tightens, panicked and possessive and deeply inconvenient. âwait,â he stops you, too quick. you look at him. there it isâthat attention, that focus, that look you havenât given him in weeks. months. âyou donât have to, like⊠rush back in,â he says. âheâll survive. promise.â
âmike.â
âi mean, itâs loud in there,â he adds. âand he has friends. right?â
he does not care if matthew has friends. he does not care if matthew is standing alone under a disco ball, abandoned, bewildered, checking his watch. mike wheeler would watch that happen with interest. what he wants is absurdly simple and catastrophically impossible: he wants you to stay right here. with him. in the hallway that smells like floor cleaner and cologne and missed chances.
because you know him you recognize the signs immediately. the stiff shoulders. the pout heâs trying very hard to swallow but keeps resurfacing anyway, petulant and wounded and unfairly endearing. he looks at you like heâs already lost something. âyouâre doing the eyes.â you comment.
âiâm not.â mike replies instantly, which is how you know he is.
you step closer before he can spiral any further. before he can say something else he canât take back. before he talks himself into believing youâre already gone. âmike.â you urge quietly.
his expression softens and sharpens at the same time, like relief immediately tripping over jealousy. âyouâre gonna go back in there,â he says, resigned now. sulky. âand heâs gonnaââ he stops himself, lips pressing together. âwhatever.â
you donât explain. you just reach up, grab the front of his suit jacket, and kiss him. itâs quick. decisive. just enough for him to freeze completely, every thought evaporating mid-pout. your lips brush his, warm, brief, and for one perfect second mike wheeler forgets about matthew, prom, social norms, and the concept of time. when you pull back his face is stunned. âthat,â you say calmly, âis for reassurance. not permission. iâm still going back in there.â
ââŠokay.â he nods, dazed. âright. okay. cool. yeah. go have fun. with⊠him.â
the jealousy tries to crawl back in, but itâs weaker now. confused. muzzled. you give him one last lookâfond, knowingâthen you turn, because of course you do. because youâre a good person. because social norms exist. because prom dates are apparently sacred vows. the gym doors swing open and swallow you whole. mike stands there as the music floods the hallway, louder now, bass rattling in his ribs. colored lights spill outâblue, pink, goldâwashing over your clothes as you step back inside, scanning the room until you spot matthew near the refreshments table.
he spends the rest of the night pretending heâs not watching you. he fails spectacularly. from the moment you step back onto the dance floor mikeâs eyes track you while he leans against the wall. then matthew offers you his arm.
thatâs it. thatâs the chair-throwing urge.
mike watches you dance. watches you smile. watches you exist without him. heâs going to talk to you again. soon. heâs going to corner you by the punch bowl or outside or radio you at an ungodly hour with something dumb like are you still mad.
you look beautiful. you look happy. you look like someone he could have had sooner if he werenât so stubborn.
the jealousy is evident to him now but the clinginess is worse, this aching, needy pull that makes him want to walk in there, grab your hand, and say something wildly inappropriate like actually, theyâre with me and deal with the fallout later. he imagines it briefly. he doesnât do it, because underneath the jealousy, the pout, the two months of silence and the painfully obvious crush, mike knows something now that he didnât before.
tomorrow exists.
tomorrow he can radio you. tomorrow he can hang out with you again. tomorrow he can ask you out properly and argue about it later and sit too close to you and complain about how much prom sucked except for one very specific hallway.
so he stays put. watches. waits. suffers quietly.
when prom ends and people start filtering out he doesnât intercept. just lingers by the wall with dustin and lucas while waiting for steve, pretending heâs very interested in the exit sign. you pass him on your way out. your fingers brush his, just barely. his heart does something stupid. he exhales, smiling despite himself, already planning what heâs going to say tomorrow. something casual. something cool. something that absolutely will not sound casual or cool at all, but thatâs fine.
because mike wheeler can wait one more night.
heâs already decided heâs not waiting forever.
based off these two requests !
A/N: guys i had so much fun writing this this has been by far my fav mike fic to make yet⊠the brainrot is festering so bad i fear im living inside his head
đđđđđđ đđđđđđ â Û¶à§ m. wheeler
Ű the snow is starting to fall đ
synopsis â michael wheeler hates the cold, but maybe, he doesn't mind it as long as he's with you. gn!reader (you)
word count â 1.6k
michael wheeler hates the cold. 'since he was a little boy, he's hated the way his hands appear a purple-ish shade after biking to school, and how every time he steps outside his shoes become soaked with snow. he's hated how his face burns with the chill of the winter air, hated how no one's there to hold it.
but most of all, he hates how the winter months make him feel smaller than before. he would never say this out loud, not ever, but seeing the grey ice on his driveway and the brittle branches of the dying maple tree outside of his bedroom window make him feel lifeless.
he's well aware that he's not the most athletic or popular boy in hawkins, not even close. and the hum of the radiator seems to whisper these reminders quietly into the thick air, finding their way right into mike's amygdala.
michael wheeler is trying to tune out the world, sitting on the floor of his bedroom, staring at the dust settled on his comic book collection. he gave those up a couple weeks ago after hearing one too many times how he's a freak who reads story books meant for six-year-olds from faceless figures in the hallway of hawkins high. he's learned to not look too close at them anymore.
his broken window lets in too much cold air, drafting in specks of snow and melting on the half-working heater, causing a chill to run down his spine.
in an attempt to drown out the radiator's malicious hum, mike puts on his walkman, inserting his REO speedwagon cassette and tiredly placing the headphones upon his head.
the melody of "can't fight this feeling" can't seem to fight off the radiator, however, and it just makes mike feel even more weary.
frustrated, he rips off the headphones and throws them at his bed. he sighs and drags a frigid hand up his face onto his head, carelessly tangling his black hair.
as if he had an epiphany, mike suddenly stands up, legs buzzing and numb from sitting for so long. he runs downstairs with a limp in his step, desperate to leave his house.
"mike, where are you going?" karen wheeler's voice echoed uselessly from the kitchen as mike hastily grabbed his coat. "michael!"
he slams the door shut without a word and briskly walks past his icy driveway, not knowing where he's going, just knowing that he needs to get as far away from his freezing house as possible.
after five minutes or so in the dreadful 26° degree weather, mike finds himself turning to walk down your street. it wasn't even on purpose, he tells himself. it's just muscle memory.
"hey, mike!" you shout, causing his head to snap in your direction, barely seeing you at first from the fog.
he didn't expect you to be taking out the recycling at the exact same time he turned onto your road. he really didn't.
"what're you doing here?" you question, your voice curious and sweet.
he slowly steps closer to your figure, shrugging with his hands in his pockets and breathes, "i dunno, just taking a walk."
you close the recycling bin and brush off your hands, turning to him with a small laugh, "it's freezing out, what do you mean 'taking a walk'?"
mike cracks a smile and shrugs again, his cheeks red from the frost biting at them and his hair blowing softly as the wind begins to pick up.
"come inside, i jus' made some hot chocolate. there's plenty if you want to warm up a little bit!" you walk closer to him, patting him on the shoulder, shining a bright smile at him.
mike really didn't understand why you'd been so nice to him through the years. your families were friends, so at first he thought you were just being polite so that it wouldn't be awkward at shared dinners.
although, eventually the two families distanced. naturally, of course, as life happens. after that, you continued to hang around with mike and treat him with authentic human decency, something he wasn't quite used to.
he'd always thought you were the most welcoming person that hawkins had to offer. not to mention, the kindest, and the smartest girl that he'd ever met. the prettiest even â
snapping back to reality, mike nods quickly, "sure." and he lets you guide him inside, your hand on his back as you hurry him through your front door.
the warmth hits him like a truck.
his senses become soothed with crackling from the fireplace and the smell of your freshly-made hot cocoa sitting in the kitchen. your house is familiar to him, almost like a second home. mike kicks off his shoes and rushes towards the fire to warm his hands. the purple tint of his hands slowly fades as the heat consumes his nerves, visibly melting his chilled demeanor. he's entranced with the way that the flames reflect on his skin, as if it's healing him.
silently, you join him near the fire and watch him as he moves his gaze from the fireplace to you.
you quietly admire acknowledge the way his brows soften, and the way his eyes scrunch with a smile as he gently takes the mug that you're holding out for him. you stare watch as he wraps his large hands around the dish, hooking his fingers through the handle and holding the mug close to his face, letting the steam spread into his lungs and warming his system. he thanks you, you appreciate him. you haven't stopped appreciating michael wheeler since the very first day you met him. never once have you met someone so loving, so giving, so devoted to the people in his life.
when you noticed that the wheeler's slowly stopped coming over for dinner, it was devastating. you thought mike was never going to talk to you again, thinking he was relieved to finally not be forced to hang out with you anymore. you didn't understand why he continued to come 'round, but you were happy nonetheless. he seems to give you a breath of fresh air. fresh, cold air. to you, he's like a popsicle on a hot summer day.
you force your eyes away from mike, joining him in watching the fire while taking slow sips from the mugs that your mother had made when she was young. the uneven ceramic touches your lips as the warm liquid flows down your throat, wincing as it burns your tongue. you never really liked the heat.
"so," mike says, breaking the comfortable silence and taking his eyes off the fire. "what're you guys having for dinner?"
á¶» đ đ° .á
"yes, karen, don't worry," your mother spoke into the phone. "michael is here, we just finished eating. i can't believe he didn't call you! kids these days are so..." her voice faded out as you and mike walked out of the dining room into the hallway.
not wanting to return back to his chilled abode, mike had requested to stay at your house for dinner. of course, your mother accepted. she is quite fond of him, actually, always telling you how sweet of a boy he was. how good of a man he was going to turn out to be.
mike felt himself standing a little taller after dinner at your house, glad to have had the opportunity to reminisce on all the memories that he had from that same dining table. games swirled around on the wood, laughing and joking around with you and your family.
"thanks for having me, it was such a wonderful dinner," mike says to you, giving you a smile while adjusting his arms through the sleeves of his winter coat and shuffling his boots back on.
you smile back at him but your brows furrow. "oh, mike, at least let me walk you back home," you offer. "you walked all this way by yourself, and i'm sure you could use some company."
he bites his lip quickly, still smiling, and nods, "i could."
the pair of you leave your home, walking in a melodic pattern, hands tucked shyly into your respected pockets and hooded coats giving you warmth in the chilly night breeze. the frost bites at mike's cheekbones once again, and his teeth begin to chatter. although this time, he doesn't seem to care as much. he glances at you briefly, as if he's scared, just to catch a glimpse of you. the moonlight shines gracefully in the reflection of your eyes as you reach up to brush off a speck of snow that landed on the center of your nose. mike wishes it would be acceptable to look at you longer than a second, but he knows he can't.
he isn't thinking when he takes his hand out of his pocket, allowing for the winter to take back control of him. he can't help but think back to earlier, reminding himself of all the things that make him feel lifeless. he feels like he can't breathe. he starts to put his pale hand back into his pocket, but you stop him. you grab onto his hand with your gloved fingers and wrap both of your hands around his.
it's as if you understand what he's thinking. it's as if you understand him. maybe it's an attempt to warm the poor boy's obviously freezing body. maybe it's not. all that matters is how important you make him feel. just by showing him a bit of kindness and friendship, you rid him of his plaguing thoughts. to him, you're the fire in the cold.
with your hand in his, mike notices the world surrounding him. the owl cooing in the distant forest, the crunching of fresh snow under his boots, the sweet smell of the winter berries.
you don't say so much as a word as you continue down the sidewalk, keeping your steps synchronized and rhythmic, like a winter hymn.
he'd never think he would say this, but he might be starting to like the cold.
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Ë i prefer to write for a fem! reader simply because it reflects myself and i feel more comfortable in correctly portraying the experience of the reader to the best of my ability!
Ë but i would love to be challenged, so feel free to request it anyway, it just might take a little longer or have less of a chance of being posted.
Ë i tend to write for whatever i'm into at the moment, such as stranger things.. harry potter.. etc. but i will have a list of characters down below that i am up to write for, whenever!
Ë normally don't write super inappropriate content since i just don't personally feel comfortable writing that kinda stuff, but i can push myself as much as i can for requests.
Ë please no hateful comments anywhere, you will be blocked.
â⯠. / characters. !
đđ m. wheeler - stranger things
đđ h. potter - harry potter
đđ r. lupin - harry potter
đđ p. mellark - the hunger games
đđ d. larusso - the karate kid
đđăăif there's a character not here but from one of the movies/shows that is listed, please go ahead and request anyway! i might be able to cook something up for u <3
summary â you and remus lupin have become really good at stealing each other away from parties.
or but if you're too drunk to drive and the music is right, she might let you stay but just for the night....she might want a kiss before the end of this song.
note â this is inspired by lovers rock by tv girl!!! i think this is the longest thing i've ever written. I do very much like it as of right now. that'll probably change in a week.
word count â 12.4k
âThank Godric, youâre here,â Mary groans from her position on the front porch, Marlene leaning into her side. Both are clearly enjoying a cigarette away from the din of the party. You can tell what type of night itâs going to be already. Not that youâve arrived two hours late anyway.
âIâve never seen you so happy to see me, Mary,â you giggle, crossing the threshold of Siriusâs front lawn, careful not to trip on his collection of stolen garden gnomes.
âIâm always happy to see you, lovely.â She extends her hand, the cigarette between her lovely red nails on offer.Â
âYou know whoâs going to be even happier?â Marlene coughs, as you take the smoke thankfully, taking a few calming puffs.Â
You pretend like you have any idea who sheâs referring to, âJamie? Havenât seen him in a while. Miss that boy,â you laugh, voice strained through the thick smoke you exhale.Â
âNo, you idiot.â Mary pipes up and you hand the smoke back, âRemus. He hasnât shut up about you all night.â
âThatâs if heâs sober enough to even notice youâre here,â Marlene laughs and so does Mary. You smile, small enough to not show how happy you actually are that you get to see him. Itâs been too long.Â
âHeâs drinking?âÂ
âAbsolutely hammered. We were hoping youâd get here earlier so he wouldnât drink too much. Please go look after him.â Mary throws her arm around Marlene and she snuggles in closer. They both look content enough to fall asleep right there in the cool summer breeze.Â
âIâm sure heâs doing okay.âÂ
âIâm sure he will be when you get inside.âÂ
You move to toe your shoes off at the front mat, kicking them away so theyâre not a tripping hazard.Â
âWhen has Sirius ever done that at your house, Y/N?â Mary laughs, looking down at your socked feet
âOh, no. This is for me. Donât want to get my shoes dirty.â You laugh when you grab the handle of the flyscreen, swinging the door open.Â
The girlsâ laughter becomes a distant murmur when you enter the kitchen, met with mostly everyone sitting around the dining table. A deal of cards in everyoneâs hands, and piles of coins and sweets sat in the middle.Â
James and Lily laughing and glowing under the downcast of the orange lighting, appearing to seemingly be winning. Sirius and Frank having their own side bets, throwing coins around before both calling tails. Then, there's Remus. You try to ignore the hitch in your breath when your eyes land on the sandy-haired boy.
He really does look drunk, eyes droopy but still bright when he hiccups a laugh at something James says. A quiet, airy chuckle that has his mouth creasing and eyelashes kissing his cheeks. A smile so pretty, you have to fight your own.
His head is propped up on the table by an elbow that looks like itâs about to slip off the edge, so you sneak up behind him and place your hand against his arm to stop him from falling face-first into the wood.
He looks up at you, a little startled for a second, and you can see the moment it clicks in his head when he realises who heâs looking at. He smiles, all surprised but content and you melt. The last time you had seen him was only for the third time ever at another one of Siriusâs parties. You hate to admit that the only thing you look forward to now is when you receive an invite from your workmate and you have another excuse to see his lanky best friend.
âY/N! When did you get here?â Sirius chants, flicking his last remaining coin at Frank. He shoots him a well-deserved glare.
âAbout thirty seconds ago,â you smile.
Sirius looks down at your socked feet and frowns, âYou took your shoes off again. How many times do I have to tell you, you donât have to do that.â
You roll your eyes, âYouâre gross, Sirius.â
Remus looks down too, the top of his head pressing into your side, a crush of his curls tickling the bare skin of your arm and you almost shiver. âCool socks.â Is the first thing he says to you. You giggle.
Theyâre a dark cornflower shade, moons scattered across the material at random. They crease when you wriggle your toes, âThanks. Got them from mum for my birthday.â
âShe has good taste.â He moves off of you, slouching down in his chair until his knees are pressing Lilyâs legs.Â
His head lolls backwards, neck bared under the warm light. You think you feel dizzier than he does. Even when he squeezes his eyes shut.Â
âWhat have you done to him?â you laugh, hand flat against his forehead to brush away his loose hair. He keens, sighing deeply under a hiccup.Â
âHeâs very awful at poker,â James laughs, flicking a pastille across the table. You look at his high pile, and then Sirius and Franksâ which are almost of equal height. Then you look in front of Remus, the table almost bare. You laugh.Â
âWe like to play a little differently,â Franks states over the rim of his bottle.Â
âBasically, you take a shot every time you lose,â James says, sober as ever. You think maybe he hasnât lost yet.Â
âAnd Remus has lost every hand,â Sirius adds to the chime of details.Â
âHave not!â Remus finally pipes up, finger pointed at James instead of Sirius, too distracted staring at the ceiling. âFrank lost the first.âÂ
âAnyways, Moons. You just lost and I think you owe us another.âÂ
Remus groans, but sits up to reach for the bottle of Sambuca sitting in the middle of the table. You gently swat his hand and push him back into his chair.Â
âI think youâve had enough,â you say, turning to place the bottle on the kitchen bench, along with the empty bottles.Â
âCâmon, one more,â Remus giggles, making hands for the bottle in the air. A child, you think.Â
âYeah, Y/N! One more!â Sirius agrees, smiling boyishly.Â
âYouâll make yourself sick,â you chide with a small frown. Remus slumps against you, much defeated. He might fall asleep on you if you stand there any longer. You poke his cheek where itâs pressed into your clothes.Â
âHe already is sick.â Sirius is smug when he speaks and you fret about what else heâs about to say, âSick in love.âÂ
You laugh. Couldâve been worse. But it still has your heart skipping in your chest. You really do hope Remus shares the feelings you hold for him. But then again, Remus is drunk and Sirius, is well, heâs Sirius. Despite the name, he hardly ever is.Â
âBoo. Awful.â You frown in faux offence, ignoring him when he winks at you. Sickening, really.Â
You lean down so your mouth is in line with Remusâs ear, âYou wanna go lay down?â You realise youâre in quite a predicament. Coming over to parties to see Siriusâs best friend. Looking after him when heâs drunk. Youâd hoped he would do the same.Â
âPlease, no sex in my house,â Sirius states, standing to grab another drink. James guffaws.Â
You roll your eyes, âHeâs drunk.â
âSo, you do want to have sex with him?â he adds.Â
You almost choke on your tongue, âNo, itâs just. He- Stop it.â You have to stop yourself from saying something wrong. It wasnât a lie, you did want to. But you wanted much more than that.Â
âLeave her alone,â Remus chides, leaning back off your stomach. âYouâll scare her off and Iâll never see her again,âÂ
He was right, his friends did intimidate you. But youâd hoped it would take more than not yet warming up to them to get you to never see Remus again.Â
Remus stands and youâre surprised he doesnât stumble when he takes your hand to lead you away from the table and out into the lounge room. You poke your tongue out over your shoulder when you hear James make some sort of crude comment to Frank. Lily smiles warmly at you as an apology.Â
He sits down with all the gracefulness of a baby elephant and you have to bite back a laugh. He looks up at you, pretty eyes all droopy and a lopsided smile, and you feel like youâll never come back from these feelings ever.Â
Before you can overly admire him for too long, heâs patting the space next to him with a floppy hand. âCâmon.âÂ
You oblige probably too willingly, flopping yourself down next to him with a small oomph, your thigh pressing into his. He shuffles down the lounge to rest his head atop your shoulder, neck craned a little to reach it. You canât find it in yourself to mind. His face is warm and it presses into your collarbone thatâs peeking from out the top of your shirt. His light stubble tickles your skin and itâs weirdly soothing. God, you know youâre in deep.Â
âYou smell good.âÂ
You breathe in subconsciously, âYou do, too.âÂ
Under the strong scent of stale beer and sambuca, you can think you can discern a hint of his cologne. Woody and something like cinnamon. Mixed in with the light scent of his laundry detergent, like fresh linen and lavender. He's dizzying.Â
âI smell like beer,â he groans, hand finding its way between both of your thighs, your skirt tangled in his fingers.Â
âYou smell nice,â you laugh.Â
You watch the doorway where James gets up to turn the dial on the vinyl player. The current song now loud enough to be heard where youâre sitting.
Remus having the exact same favourite song as you makes your head spin. âNo way.â
âYes way.â he smiles. If he were soberer, youâd gush to him over this. Itâd have to wait.
He shifts his head from your shoulder and startles for a moment, eyebrows raised, âI didnât even ask if you wanted a drink.â You get whiplash from the change of subject.Â
You sigh, very amused at his intent to be nice to you, despite being half-cut, âIâm okay. I wasnât really planning on drinking tonight.âÂ
He frowns, wrinkles his nose and you want to kiss it. God. âWhy did you come, then?â The fact he thinks you came to get drunk and not just to see him makes you want to laugh.Â
The smile youâre still trying to fight every time he speaks makes your cheeks ache, âTo see Sirius.âÂ
He frowns even more and you think he wants to shift away from you. He roughly scratches at his face and you almost regret messing with him.Â
âSirius?â He hiccups.Â
âIâm kidding.â You poke his bicep, âI came to see you.âÂ
Thereâs a silence and then Remus is breaking out into one of the biggest grins youâd ever seen. Youâd have the decency in you to blame it on being drunk. Nothing else.Â
âMe?â He hiccups, again. You place your hand atop his thigh and trace the thick seam of his pants.Â
âYes, you.â
His smile dials back but doesnât fade and his face relaxes. He leans down to place his head back against your shoulder, cheek all smooshed. Â
âOh.âÂ
âOh?âÂ
âThank you.â he hums, hooking his elbow behind yours, completely squished against you. He thinks you must be cold in a skirt and a small T-shirt. âI like it when youâre here. You make it bearable.âÂ
You want to accept his compliment, but when he hiccups for the third time, you remember heâs drunk. âThatâs a bit mean, Remus. Will I tell your friends you canât bear them?âÂ
Remus stiffens and you stop rubbing his leg. Drunk Remus is very gullible. Sweet, but gullible all the same.Â
âStop it. You know what I mean.â He pushes further into your shoulder and you feel yourself dip down against him, head almost falling against his. You wouldnât mind if it did, but it wouldnât be very comfortable, you assume.Â
âI donât think I do,â you tease and Remus pinches your side, which results in a stifled yelp.Â
âDonât be cruel.â He strains.
âI would never.â
When you shiver in your spot, Remus wonders what your answer would be if he offered you his jacket. He thinks he should test his theory.Â
âAre you cold?â he asks but doesnât move his head from your shoulder.
âA little,â you yawn. Which then causes Remus to yawn. You laugh animatedly.Â
âDo you,â Remus blinks slowly, eyelashes kissing his cheeks as he attempts to keep his eyes open. âdo you want my jacket?âÂ
Youâre glad Remusâ head is still propped on your shoulder lest he sees the blush creeping across your cheeks. Drunk Remus is gullible. But drunk Remus is still just as kind as he is when heâs sober.Â
âThen youâll be cold,â you reply, giving his thigh a squeeze. You crane your neck to look at him. He looks tired.Â
âBetter me than you.â He moves to take it off and before he can even get one arm out, you sit forward and place your hands on his chest. Fingers twisted in his cotton shirt, your turned knee pressing into his.Â
âRemus, Iâm okay.â You give him your most reassuring smile. Being cold is no oneâs fault but your own. You donât want to be an annoyance.Â
âYou sure?âÂ
âPositive.âÂ
Remus sits back, albeit begrudgingly, hands wrapped around the zipper of his jacket. The further he pushes back into the lounge, the more he looks like heâs about to fall asleep.Â
âRemus?â you murmur. Voice quiet under the din of the party. Sirius is a loud drunk, his laughter roaring at something stupid James is doing.Â
His head begins to dip into the edge of the cushion, headed for the arm of the chair. If he kept this up, heâd have a crick in his neck in no time.Â
He hums and you pat his cheek to encourage him to sit up. Itâs bemusing how quickly he can drift off. Youâre very envious. Maybe itâs just the alcohol.Â
âWhatâs up?â he murmurs in return, peeking from one eye, the other scrunched up. Heâs adorable and youâre in too deep.Â
âYou seem tired.â You poke his face this time and he beams, all warm and dozey under the mellow light of Siriusâs living room. A line of curls falling into his eyes and the apples of his cheeks a tinge of peach.Â
He hums again, much thicker than last. âMânot.âÂ
You hold out your hand, all five fingers spread. âHow many fingers am I holding up?âÂ
He struggles, but pulls his hand from his lap and holds it up to yours, tangling your fingers. Palm flush against yours and much warmer in comparison. âFeels like five.â He pulls your entwined hands back down and you laugh.Â
You try not to shy from his actions, pretending like it doesnât make your heart skip, and then almost stop completely when his thumb rubs circles into the top of your hand. You can feel the warmth seeping from his into your own and your fingertips tingle.Â
âDo you want to go home?â You twist so youâre completely on the edge of the lounge, hand still wrapped in his. You stop, âOr are you staying here tonight?âÂ
He brings his arm up - with yours still tangled - and rubs his face with the back of his hand. Dragging you up and down. You giggle at his tired actions before pouting.Â
âI think.'' You can tell heâs trying to stay alert enough to hold a conversation with you.
When he wakes up in the morning he wonât remember being so tired here and will think you both had the best conversation. Youâll be okay with this. âI think Sirius was supposed to take me home, but heâs too drunk now.âÂ
âYouâll sleep on the couch?â You frown and he blinks.Â
âI think I might have to.â He throws his head back and sighs. Strained and raspy.Â
You look at the size of Siriusâs two-seater and then Remusâs stupidly long legs. It wouldnât work, and heâd end up with either a sore back or a worse-off neck than whatever it was he was doing right now. You donât even really think before you say, âI can walk you home.âÂ
Remus looks a little more alert, âYou canât sleep on this.â You prod the squeaky leather and it bounces back with absolutely no recoil. Youâll be sure to scold Sirius next time for having a horrendous couch, though enough money to buy everyone in the room ten of them. You know he wonât appreciate the exaggeration. But itâs for the sake of his friendsâ backs.Â
âYou donât have to do that.â He sits up properly now and tries to situate himself to look convincingly comfortable. âIâll make do.âÂ
âItâs no big deal.â You shrug. âIâm walking home anyways.â
Now heâs sitting forward, his knees pushing into your leg and you almost stumble off the seat, grabbing his arm for purchase. âYou just got here.â He almost frets and then coughs to hide his worry. Heâs not very good at achieving a smooth, cool demeanour when half-cut. Not that he ever achieves it sober, he thinks.Â
âNo, but I think you need to go home and sleep.â You look out into the kitchen thatâs now surprisingly quieter. Lily looks like sheâs about to fall asleep, leaning on Jamesâs shoulder, whoâs trying to play a horrible game of go fish with Sirius and Frank. Absolute party animals.
âI live too far away, anyways,â he says, leaning down to tie his shoelaces. âYouâll have to walk me home and then walk back, youâll be walking for at least an hour and a half.â Why Remus is so afraid to suggest you can stay the night at his, he doesnât know.
You squeeze his shoulder as he struggles to loop his lace through his fingers. He decides to go for the simpler, bunny-ear option. âThatâs okay. You can stay at mine. I only live ten minutes away.â
When Remus sits back up after tying his laces too tight, his face is pink.
-
Remus Lupin has never been one for sitting comfortably, ever. With long, lanky limbs, he always has his legs sprawled out and his arms thrown over something. Anything he can take up comfortably, with enough space to spread, heâll sit willingly.Â
On one hand, heâs thankful you convinced him not to sleep on Siriusâs couch. He didnât need a repeat of New Yearâs. Though, on the other hand, he couldâve made do.Â
Nothing was like sitting in your bedroom. He wouldnât say he was uncomfortable, though deep down he was a little, a pit of anxiety creeping up his chest. He felt like he had little room to move - despite you owning a double bed - because he didnât want to look stupid. He could take up space and not notice it. Â
Remus has trouble not taking in every detail he can in your room. Like your little trinket dishes filled with miscellaneous items, signet rings and seashells. The stuffed rhino toy in the middle of your pillows that you had told him - shyly at that - was named Clarence. Not before giggling at the poster of Twilight that you swore had been there since you were young. Your current read splayed open on the end of your bed, along with the stack of records in a blue milk crate in the corner, were things he promised himself he would ask you about when he wasnât half tipsy and could hold a proper conversation.Â
In his admiration, one that was making his anxiety spread into warmth that seemed to be seeping from his bones. Heâs too busy pretending like he isnât taking in every small detail one shouldnât when theyâve only known someone for only a month, and doesnât notice that youâve changed.Â
He looks over at you, in a pair of shorts littered with tiny daisies and a shirt that almost eats said shorts. Your hair pulled back and your face still sort of wet from where you obviously washed off the day's grime, causing the hairs around your face to curl. He doesnât know if itâs the fading alcohol thatâs causing him to hiccup even more, or if itâs seeing you all fresh and content from being at home that has his breath catching.Â
Remus Lupin is still a little drunk but he is also quite clearly growing to like you even more. That doesnât change. He thinks he's done everything backwards. Meeting you, then seeing you now but too inebriated to say something redeeming, and then seeing you in the comfort of your own home before he even gets to ask you on a date. He also thinks he wouldnât have it any other way.Â
âRemus?â Your voice is as calm as you look when you speak and he melts.Â
âHm?â He blinks, shaking his head.Â
âYou okay?â Warm light washes over you and paints you amber as you patter across the room, the moon socks that are still on your feet pressing into the white fabric of your rug. âYouâre not feeling sick?â He thinks he should blame his daze on a fake sickness, but he doesnât want you to worry even more, so he decides against it.Â
When you press the back of your hand to his cheek, thatâs only warm because heâs a little overwhelmed, not because heâs feeling poorly, he canât find it in himself to hold your gaze. âIâm okay.âÂ
âI was saying I donât think I have any clothes for you to change into.â You remind him after it felt like you were talking to a brick wall a minute earlier.Â
Remus pushes his hands into the rough material of his black jeans. He doesnât see himself sleeping in anything else. âThatâs okay.âÂ
âYouâre not going to sleep in those are you?âÂ
What else would he sleep in if you have no other clothes? âUh.âÂ
âYou wear boxers?â you grin.Â
âYeah. Yeah, I do.â He wishes he was still a little drunker so he could blame his bumbling words on the effects of downing half a bottle of sambuca. Now heâs realising thatâs just how he sounds when heâs overwhelmed by you.Â
âSleep in those. I donât mind.âÂ
Your confidence, and your confidence only, is how he ends up pantless and under the covers of your bed. He doesnât feel uncomfortable at all. You have a lovely way of making him feel at ease. He thinks thatâs why he likes you so much.Â
You take off the last of your jewellery from the night and his breaths turn shallow when you lean across him and they clink into one of your many dishes.
You smell different than earlier in the night when your shirt tickles his arm. Like fresh face wash and night creams, and maybe even roses. Heâd hate to think of what he smelt like in comparison to you. Probably still like beer, and maybe like sweat. He shouldâve asked if he couldâve showered. That mightâve been too much, heâs definitely overthinking.Â
âYouâre very quiet,â you say into the dimness of your room. Heâs lucky your bedside lamp is so muted, lest you see the goosebumps raised over his skin and how his cheeks havenât returned to their normal colour since he crossed the threshold of your room.Â
âMâthinking,â he returns, just as quiet. It feels wrong to disturb the calmness blanketing the room.Â
âI can tell.â He can hear you grin, âWhat about?âÂ
He swallows and he wouldnât be surprised if you heard it, âYou.âÂ
You huff a small laugh and push down into the pillow behind you, âMe?â Your voice is a little strained, and not louder than before. Maybe even quieter.Â
âYeah. Thinking about the next time Iâll get to see you.âÂ
âYou havenât even left yet and youâre thinking ahead to the next time weâll see each other,â you tease, getting comfortable underneath your plush quilt and sheets. Probably too much for a summer night but thereâs still a chill in the air, flowing through your open window.Â
âIâm just hoping I wonât be so drunk,â he admits, hating how he still actually does sound drunk.Â
âHopefully,â you smile, âBut thatâs okay, we can blame it on James.âÂ
âIf only I wasnât so shit at poker,â he laughs in a strained and animated voice, trying to hold back a yawn.Â
He finally gets comfortable, hands fisting the sheets around his body and head balancing restfully against the plush of your ivory pillows.Â
You can see his eyes flutter in an attempt to stay awake. You think itâs endearing but you also think he needs to sleep. âRemus,â you say, firm but caring at once.Â
âHmm?â he mumbles, eyebrows pinched.Â
âYou should sleep.â You push itchy locks away from his forehead and he sighs at the caring touch of your fingers.Â
âDonât wanna.â He scrunches his nose, âI think Iâm finally sobering up. Wanna talk tâyou.âÂ
You smile at his absolute urgency and think heâs adorable. Truly. âPlease, sleep. Weâll talk in the morning.âÂ
âYouâll be here?â This, you actually laugh at.Â
âOf course, Remus. Youâre in my room.âÂ
He closes his eyes, eyelashes kissing the freckles of his cheeks and his tired, darkened skin, âMâkay.â
When you wake up in the morning, almost midday, Remus plagued by the effects of alcohol, you too content to wake whilst being next to him, you both have separate texts from Sirius.Â
Your own chat log reads, arenât U glad you came out? You donât reply, not wanting to encourage him in any way.Â
Remusâs phone, on the other hand, reads,Â
uncle pads has a ring to it donât you think? xxxx
He does in fact reply, too used to Sirius being a twat.Â
Nothing happened. Ur disgusting and I hate you.Â
what do U mean nothing happened?Â
I was drunk. She helped me basically stumble home.Â
U both stumbled. in her sheets.Â
Fuck off. Idiot.Â
Neither of you mention any of Siriusâs messages to each other the entire morning. Too busy enjoying each other's company.Â
-
The week spent after Remus had drunkenly stayed the night, you could pleasantly, though maybe even with a smidge of embarrassment, admit that he was all you thought about since.Â
It was a new feeling. Youâd never felt it before. The endearment, but also the nerves, of realising you actually like someone. Some days it made your cheeks ache from smiling, and filled your chest with warmth. On other days, the warmth cracked your chest open, an aching chasm pleading to be filled and a head clouded with apprehension.
You were eager and scared all at once. But you were happy either way because Remus made you feel things. Good things.Â
You had spent the morning, forcing him to eat something, telling him it would make his hangover feel much better. Heâd argued for no longer than two minutes before agreeing. Saying, who am I to argue with a girl like you?
âLike me?â youâd replied, mouth full of half-eaten pancake, pushing his own plate across the marble of your kitchen bar.Â
âSmart,â he smiled, picking at a blueberry, âPretty.âÂ
And after it was your turn to babble like a fool, heâd eased you open. Asked you about the record collection in your room (he was proud of himself for remembering). Youâd rambled off your favourite artists, a lot similar, and he knew heâd be an idiot if he didnât give you his number before he left.Â
And he did. Wrote his number on your hand as you stood at your doorway and he thanked you for breakfast. And for walking him home, drunk. You kissed his cheek and watched him press his fingers into his skin until he rounded the corner.Â
You wrote the number down on a piece of paper, magnetising it to your fridge as soon as you shut the door. Though your hands were sweaty - obviously because you were around Remus - and the last number had smudged. Was it a 3? Or an 8? Or a weird looking 5? You couldnât tell and told yourself that was a problem you could deal with later.
It was later. A whole week later and you still hadnât called him. If it was due to your nerves or the fact you had a missing number, that was your business only. You left the last space blank, the empty spot a blinding reminder of your stupidity. Youâd just have to try every number until you found Remus. It would take no more than ten attempts.
Numbers zero through four were all wrong numbers. You were only met with a piercing tone before the line went dead. When you got to five, you were met with, what sounded like, a grumpy old lady. You tried to hang up straight away, well aware it wasnât him, but she screeched and persisted that if she had a prank call one more time, she would phone the police!
Turns out, it was a 6 after all. The lovely tone of Remusâs voice rings down the line and you sigh in relief.
âItâs you.â Your voice is airy and Remus isn't sure he knows who it is.Â
There are only a handful of people who have his number. His friends, most of them called and checked in regularly, except Mary, who's always one to stop by instead. His parents and his neighbour had it too. But he seriously doubted the latter, unless his flat had been ransacked.Â
And then he remembers he'd given it to you and he laughs. All these thoughts happen within the span of two seconds. He hopes it's you, he's been anticipating a call all week. He was beginning to maybe think you didnât actually want to hear from him. That he'd embarrassed himself in his drunken stupor. But then he remembered how nice you were to him.
Youâll make yourself sick.
âIt is?â he laughs, still hoping it is in fact you. The image of his flat turned upside down, the spot on his mantle where his small TV is, now empty, flashes across his mind.
âRemus. Itâs me!â you chirp and he pushes his phone closer to his ear as if itâll make him hear your pretty voice even clearer.
âMe? I donât think I know any meâsâ he teases, fighting back an eager smile. Teasing you could be fun. Could become a constant. Heâs imagining the warmth of your cheeks, and hopefully a small smile.
âY/N,â you correct and he can almost hear the roll of your eyes.Â
âOh. I know an Y/N,â he smiles, leaning against the lip of his kitchen bench. âSheâs very pretty,â he pauses, wanting to drag it out, âand sheâs super-â
âRemus,â you plead. Half wanting him to continue, half wanting him to stop to save your phone splitting in half where youâre holding it too hard. âStop.â
Hearing your smile isnât enough for him, âSuper cool. Actually probably way too cool for me andâŠâ
Remus sighs, very happy with himself.
âYou done?â you ask.Â
âMaybe.â
âYouâre a nuisance.â
Remus decides to not argue, youâre half right anyways. âIâm sorry. Whatâs up?â
You pause, thinking. Youâve forgotten why you called him for a moment. Too happy with just listening to him talk. You think you could do it all day if he let you. âI was wondering if you were coming out tonight? Drinks?â You feel silly asking now. It was drinks for James, heâd gotten a promotion, but of course, Remus is coming, they're best friends.
âAre you?â
You grin, âYes. Yeah, I am.â
âGreat. Me too.â
The excitement you feel when you know youâll be seeing him again is palpable. Giddiness mixed with a number of nerves is always there whenever you think of him. He makes you feel like a schoolgirl again and you know heâll be the cause of your undoing.
âGreat.âÂ
A face-splitting smile erupts across Remusâs features. If only you could see each other.
-
The amount of time you spend getting ready in the afternoon for Jamesâs get-together is silly. After what's an almost stupid amount of time rustling through your closet to find something, the final thing you settle on you hope isnât stupid. A red skirt that ends mid-thigh, a white tee and a leather jacket. Boots that you hope actually do your legs justice, not just how they look in the mirror.
You know exactly why you're making such a fuss with your appearance. Spending an extra amount of time making sure loose hairs are sprayed down and a fresh coat of nail polish that's applied probably a little too late before you make your way out your front door.
You think that maybe if you didnât know if Remus was attending or not it'd be a lot easier on you. Or maybe worse. God, you're a mess. You just really want to make him like you.
Arriving at the pub a little early is probably a bad idea in the long run. You greet James and Lily with equal delight. You hadnât seen them since his shindig at least two weeks ago. Sirius, pint in hand, greets you loud enough to let the entire pub know of your arrival. Frank and Alice are absent. In-laws. You feel as though you had finally found the perfect group of friends.
James had told you that Remus was probably going to be late.
Which gives you too much time to down an inappropriate number of vodka-cranberries, much to Siriusâs delight. Pressed into a corner booth, settled next to James and Sirius who have now also transitioned to fruity drinks.
When Remus finally arrives, the sun now set, you're at least five cocktails deep. The pub is a little loud now, though youâd never struggle to hear any of your rambunctious friends. They're probably half the noise. You're a giggling mess, warm from the effects of alcohol. You feel ridiculously happy like you expected to, but you havenât even seen Remus yet.
When you sip back the last dregs of your drink, the rim pressed into your nose, determined not to waste a single drop, your eyes finally settle on Remus who's selfishly been admiring you from afar. Your eyes light up like a delighted puppy and he has to bite his tongue to stop himself from smiling like an idiot.
He walks to the edge of the table, wet and sticky wood pressing into his jeans and he grimaces. âFinally he arrives,â James cheers, mojito raised in the air.
âMoony! Looking as ravishing as ever, my boy!â Sirius cheers with equal flare.
Remus ignores both of them with a tiny smile, too used to their words itâs like second nature to ignore them. âSweetheart,â he smiles at you and you light up even more.
âRemus! Youâre here.â
Sirius gets up and slides along the wall to make room for Remus next to you, âHe looks ravishing, wouldnât you say, Y/N? Good enough to eat,â he repeats
âI am hungry,â you admit with a giggle as Remus settles down next to you, only enough room for a sheet of paper to fit between your thighs.
âHaving a good time, lovely?â Remus gestures to the empty glasses taking up the table in front of you. Your lips are stained red and he has to lick his own.
âAmazing!â You lean into his side and your hair tickles his neck. Your warmth seeps through Remusâs skin and he doesnât have a single problem with how close the two of you are sitting. Heâd be kidding himself if he said he did.
âIâm glad,â he says, hands settling atop the table.
âAre you?â You blink, eyes bright and welcoming. He has to avert his attention to your nose instead. Feeling as if youâd swallow him whole.
âI am now,â he grins.
Distracted, the half-empty glass in your hands spills when you twist its stem a little too quickly. A puddle of cosmo seeps into the half-polished tabletop and you cringe.
âOops.â Quick to act, despite how sapped you feel from the cocktails, you grab a too-big handful of napkins from the dispenser in front of you.
With little to no flare, you push the entire pile of paper into the split drink and probably make it worse. The napkins almost turn to pink sludge and you only spread the drink further. A cold, sticky mess.
Remus laughs and grabs your wrists, pulling them up from the mess, âWhat have you done, hmm?â He puts your hands in your lap and you slouch, defeated.
âAccident,â you huff. You watch Remusâs hands swipe across the table, much better at cleaning up your mess. Like it wasnât even there in the first place.Â
Upset that your drink is now empty, when Sirius isnât looking, too distracted talking quidditch with James, you reach forward and snatch his mojito. Cheering internally, too happy with yourself, you sip slowly.
âHe wonât be too happy with that,â Remus laughs, pushing the serviettes to the side.Â
You shrug, pushing further into the leather of the booth seat, âAccident.â you repeat.
Remus chuckles. You scull back the last of Siriusâs drink and Remus braces his hand on the skin between your shoulder blades, with a gentle âTake it easy,âÂ
You turn to him and wipe the line of drink from your chin with the back of your hand. Smiling before gently slamming the now-empty glass back to the table, a ring of condensation splashes across your palm.Â
You wipe it across Remusâs leg unthinkingly and he wrinkles his nose. A dark stripe up his thigh. He takes your hand by the wrist again and grabs another napkin. Dabbing your palm gently and you act unaffected by his attentions when you trace the water on the table with your free hand.
âAm I the one whoâs going to be doing the babysitting, tonight?â Remus counts the glasses that hadnât been collected yet. Five. Six, now counting the one you stole.
You nod, gleefully.
âSaves me, then.â Lily takes another swig from her Pimm's, very happy. James presses into her side and throws his head back.Â
âMerlin, Iâm tired.â he huffs.
âBoo. No fun,â you pout, eyeing only his third drink that he hadnât touched in way too long, âYou drink too slowly, thatâs your problem.âÂ
He snorts, âI donât have the drinking problems, lovely.âÂ
You gasp, hand to your chest, sticky fingers pressing into your skin, âJust because Iâm having fun!âÂ
You notice the beginnings of a frown across Siriusâs face, clocking the glass in front of you, green to your past pink drinks, âYou little sneak.â
You pout, âOkay, Iâm sorry, let me get the next round.â You move to stand and when youâre upright, the room spins. You grab Remusâs shoulder for purchase and he grabs your forearm. His grip is grounding, flesh between his slender fingers.
âOkay, let me get the drinks,â he says, standing. The love-hate relationship you have with his height hurts sometimes.
âNo, let me.â You rummage through the purse over your shoulder, through sickles and spare tampons, and pull out a measly fiver. You hold it up to him with a frown, paper crumpled in your hand.
Remus chuckles and places his hands on your shoulders, âSit.â
You do what he says and ignore the warmth in the pit of your belly.
As Remus stands at the bar to wait for the drinks, he turns to watch you with a content smile on his face and a warmth spreading up his chest until it begs to swatch his cheeks. He watches as you cover your face with your hands, giggling madly at something James is telling you.Â
He thinks his heart is messing with him when it skips in his chest. When you throw your head back, neck bared and your eyes squinted, your shoulders raise like itâs the funniest thing youâve ever heard (it could be but he doubts it), he thinks his heart has an actual fault. Almost halting completely when your eyes meet his and he thinks heâs been caught, but you smile contently and he has to look away before it jumps out his throat.Â
He knows heâs truly done for.
He returns with a tray of drinks, mojitoâs for his friends and a pint for himself, a packet of crisps pinched between his teeth. If he doesnât choose to drink cocktails with everyone else because he wants to be sober to keep his eye on you, thatâs completely his business.Â
He places the drinks down, a hum of thank yous and cheers follow, he opens his mouth to let the crisps fall into your lap. You startle and look up at him, bemused.
âYou said you were hungry.â He smiles.
You beam, hiccuping what he thinks is thanks.
âWhereâs my fuckin food?â Sirius calls, voice very clear above the din of the pub. He throws a cube of ice at Remus and misses.
âUp your ass.âÂ
Sirius goes to reach for a crisp and you clutch the foil bag close to your chest. He doesnât try again, thinking you might bite him. âFuck, I need a cig.âÂ
He stands and stops Remus from sitting as he climbs over you. Squeezing past with almost zero care. You laugh, he seems hangry.
When he almost steps on your toe, âLook out, you prat.â Remus scolds.
âCâmon. Outside.â Sirius drags him away before he can even protest.
-
âYou gonna ask her out, or what?â Sirus leans against the wall of the smoking area and flicks his ash.
Remus groans, âDonât say it like it's easy or some shit.â
âIs it not?â Sirius laughs like itâs obvious. Remus envies his natural charm some days. He wished it came easy to him.
âNo. She doesnât like me like that.â Remus toes the gravel beneath his boot with a crunch. Watches as it skips across the ground and to the firepit. A distraction from the scolding that heâs expecting heâs about to get from Sirius.
Sirius coughs on a thick exhale of smoke, pushes himself off the wall. âYouâre fucking with me, right?â
âWhat? No.â In some delusional, fucked up way, no, Remus is fucking with Sirius. Not since 7th year, anyways.
âShe's mad about you,â Sirius laughs around the filter of his cigarette, âItâs sickening really. I mean sheâs gotta be half dumb or something.â After another exhale he flicks more ash to the ground.
âFuck up.â
âWhatever.â
Thereâs a beat before Remus says, âShe doesnât feel that way about me.â His head rests against the red brick behind him and wishes it would swallow him up. He wishes this was easier.
âWhat, you think she wears her best red skirt for people she doesnât love?â
He lifts his head and glares at Sirius, âYou really are a fucking twat, you know?â He steals the cigarette from between Siriusâs fingers and ignores his grunt as he inhales deeply. As deep as he can until Sirius swats his hand.
âIâm fucking kidding.â He takes it back, grimacing at the butt of whatâs left.
âStill a twat,â Remus grunts.
Sirius flicks the orange filter to the ground and squashes it under his leather boot. âSeriously, Moons. Make a move already, itâs starting to get sad.â
He sighs, and Sirius almost wants to slap some sense into him. He doesnât, remembering how heâd reacted last time he did. âI canât. Iâm not ruining anything.â
He decides to pat his shoulder instead, a gentler approach, âYouâre a miserable sap.â He squeezes his sad friend, âShe likes you, a lot, and sheâs really good for you, yâknow?â
âShe is, isnât she?â Remus sighs, lovelorn and dizzy, âFuck, sheâs so amazing. I donât know what Iâm gonna do. Have you seen her when she laughs? Fuck sakes.â He has to stop himself before he rants too much.
The both of them start to make their way back into the pub. âAlright, put your fucking cock away.â
Remus opens the door to the bar, âGet inside,â he laughs.
âIf you donât make a move soon, fuck I might.â Remusâs face goes slack and he pushes his dickhead of a friend towards their table with a little too much force. He stumbles with a hearty chuckle.
Left alone in the middle of the bar, a little incensed, he turns to look around and spots what looks like your aforementioned red skirt, standing in front of the claw machine.Â
Bemused, but more intrigued, he beelines for you with slow strides. When he stands behind you he places his hand to your shoulder. You turn around and smile warmly. Youâre standing, more like swaying, with both hands inside your purse.
âWhat are you doing, dove?â he asks and squeezes your shoulder. You push back into him, probably for the stability you lack. He braces you with his thigh behind yours.
âYou smell like a chimney.â You wrinkle your nose and he laughs. It reverberates through your chest and you have to blink away the way it makes you feel. Sleepy.
âSirius is a horrible influence,â he says with an equally wrinkled nose.Â
âIâm looking for a coin,â you answer his question, looking back down into your purse. âWant to win you something.â Remusâs heart swells tenfold.
Before he can pull one from his pocket as an offering, you bend over and tip your entire purse to the paisley carpet, contents spilling everywhere. Wizard money, bright pink tampons, chapsticks and gum wrappers sit in a pile and Remus steps back with a disgruntled sigh.
You turn and crouch down to sort through everything, Remus looks down and gawps for a second. Half amused, half displeased. He bends down with you and helps as well.
âDo you think it'll take sickles?â you question, moving bandaids to the side. Itâs looking like a lost cause.
Remus shakes his head with a laugh, âI donât think so, honey.âÂ
You frown.Â
âHere,â He handles a few items and places them in your purse, âIâll help you clean this up and Iâll win you something, hm?â Remus thinks youâre a bit like Mary Poppins with how much stuff you have. Heâd say this to you because you probably would understand the muggle reference, but you seem too upset over your lack of coins.Â
âWas gonna win you some chocolate,â you laugh, picking up more stuff.Â
The last few items fall back in with little organisation and he stands. You take his outstretched hands and let him gently tug you back up with a ruffle of your hair.
He pulls a coin from his pocket and slots it into the machine. You stand around to the side with your hands pressed to the glass like a little kid. The flow of colours washes you fluorescent as you point to a cherry ripe in a perfect spot.
He grips the joystick and moves it to where he thinks it hovers right above it.
âMore to the left,â you say with your finger smooshed against the machine.
âYouâre drunk,â he says before he pushes the red button on top of the stick, not moving it to where youâd said.
You laugh as it doesnât even graze the chocolate. Claw coming back up with nothing. âWhatever.â He has two more chances at grabbing it and heâs determined.
The second time he does listen to you but still misses by the width of a hair. You both hold your breath as the claw gets lowered for the final time. You bend over to get a better view and watch as it gets picked up, not cheering until it gets dropped in the chute.
You clap as Remus cheers, taking the chocolate thankfully, opening it immediately with a crinkle of red foil. âThank you, Remus.â
âAnytime.â
You break the chocolate in half and offer him the bigger portion. You both stand there, chewing on cherry and coconut and chocolate. You look at your sticky fingers and the worst of the after-effects of six cocktails suddenly hits you in a wave of nausea. Not enough to make you want to throw up, but enough for you to groan and grab your stomach.
âI think I should go home,â you whine, placing your half of the chocolate back into the wrapper and into your purse, probably just to melt and make a mess. A later problem, you think.
âFeeling okay?â he asks, turning to check you over. Etebrows pinched in concern already.
âI think I had too many cocktails,â you laugh, weakly at that.
âHow are you getting home?â he asks.
You laugh, having flashbacks to your last encounter. âThatâs my line.âÂ
âItâs a good one.â
âI donât know how Iâm getting home,â you say.
âIâll call you a taxi.â
You sigh, âThatâd be lovely.â
-
After saying goodbye to the rest of the group, after theyâd moaned about your fifteen-minute disappearance with Remus, Thought youâd gotten stuck in the cubicle! James had laughed. Drunkenly, youâd missed the joke. Remus had smacked him up the back of the head. But now, the both of you were making your way to the front entrance.
Remus has to drag you out the door, holding you upright as you stammer and trip on things that aren't there.
âBe careful,â he tuts, holding you closer under his arm.Â
âThere was a frog!â you explain, very much exasperated.
âNo there wasnât,â he laughs.
âWas so!â you strain, fisting his shirt behind his back, sure to stretch the cotton.
âYou just want me to hold you tighter.â Heâs smug when he says it and canât really help it. He has Siriusâs words ringing in the back of his head.Â
You stop at the gutter and kick a stone with your boot, âMaybe.â
Your knees ache, wanting nothing more than to crouch down to the ground. You think it would probably be a bad idea. Though with sore knees and a spinning head, bad ideas turned to the best.Â
You pull yourself from Remus' hold and bend your legs to crouch in the gutter. Remusâs eyes blow wide and he looks down at you. Not again, he thinks.
Before he can ask what youâre doing, thinking you've passed out, you look up, âHead rush,â you giggle with a huff of air. He sits down next to you, knees almost pressed into his chin.Â
Remus tugs your knee so you turn towards him, legs pressed together. He keeps his large palm over your thigh because being crouched in a gutter leaves little to the imagination to the drunks walking past and heâs not going to ask you to get up if youâre dizzy.Â
âYou okay?â he murmurs.Â
You rest your head on his shoulder much like he had the last time you saw him. He hopes he had more care than you do with your cheek cruelly smooshed into his skin. âIâm just a little drunk.âÂ
Lucky for Remus, before he thinks youâre about to fall asleep on his shoulder, your taxi is pulling up. He helps you stand, opens the back door and ushers you in.Â
Listening to your murmur of thanks Remus before he clicks you in.Â
âWhatâs your address, dove? So I can tell the driver.â You give him your address and he passes it off.Â
Before he can close the door for you, you grab his wrist.Â
âWhen can I see you next?â you ask brightly. Hopefully.Â
âCall me when youâre not hungover,â he laughs, brushing his fingers across your arm. Your grip hardens.Â
âYouâll answer?â He almost laughs again at how drunk you sound. Of course, heâll answer.Â
âOf course, sweetheart.âÂ
You lean across your seat, seatbelt pulling taut as you press a kiss to his cheek. Warm and buttery-soft just like last time, but maybe even worse now that his feelings for you are stronger. It burns.Â
âThank you, Remus.âÂ
âThatâs okay, lovely.âÂ
-
You in fact did call Remus, a couple of days after your night out. Expected, you were hungover so you waited a day after to talk.Â
Remus hadnât really been expecting you to call him, despite how eager you seemed, he had talked himself out of believing you had any feelings for him. Like heâd imagined it or something.Â
So, when his phone rings, heâs not expecting it to be you at all. He answers with a sigh, thinking itâs James or Sirius.Â
âWhat do you want?â His voice is void of any excitement or joy youâd been selfishly expecting. You were also expecting a more welcoming greeting.Â
âRemus?â you say, and his hand stills in his cupboard where heâs distractedly putting clean dishes away.Â
He shuts the cupboardâs door a little too abruptly and cringes, clears his throat so he can speak, âY/N! Shit, sorry. Hey.â He cringes even more at his stupidity.Â
âExpecting someone else?â you laugh.Â
He nods like you can see him, âYeah, sorry.â He swallows and tries to fix himself, âHow are you?âÂ
âIâm good,â you say with a little sigh, âReally, really good.âÂ
âThatâs great!âÂ
âYeah, how are you?â you question.Â
Remusâs voice goes quieter, âAmazing.â Then thereâs a small beat like youâre both thinking, âSo, whatâs up? Everything okay?âÂ
In his mind, his stupid, paranoid mind, thereâs a possibility that all youâve done is pocket-dialled him. Or, accidentally pressed his name in your contacts, maybe mistaken the name Moony for Mum.Â
Is his name Moony in your phone? Or is it just Siriusâs friend? God, he wants his thoughts to shut up.Â
âI wanted to ask you something!â When it sounds like you actually want to talk to him, what almost feels like relief washes over him. Paints him bright as he settles on his sofa, beaming like a schoolboy when he says,Â
âOh, yeah?âÂ
âYeah!â Your excitement is dizzying. âAre you free this weekend?âÂ
He has to swallow before he speaks, eagerness bleeds through his skin. His foot taps and he picks at a loose thread on his battered shirt. âYeah, I am.âÂ
You chirp a happy noise, âAwesome! Cool. Um, thereâs that gig on at The Red Lion if you wanted to come?â
Remus doesnât see himself as a cool person and it definitely doesnât show when he says, âYeah! Iâd love to.â in a tone pitched higher than normal.Â
âGreat. I think Sirius is coming too, I told him about it the other day and said he should invite the others. I wasnât sure if he had asked you yet.âÂ
Oh.Â
Remus feels like the biggest idiot ever. You werenât asking him out, why would you?Â
He leans down between his legs until all the air is forced from his lungs, he covers the receiver with his hand and groans, long and suffering in self-pity.Â
Is coughing to clear your throat and hide your disappointment a good thing? Because his voice is a little squeaky when he replies. When he sits back up his head spins. âSounds great.âÂ
He hears some shuffling on the end of your line before you say, âAmazing. Iâll see you then. Sorry, gotta go. Bye Remus!âÂ
âBye, sweetheart.âÂ
Remus has about thirty seconds of wallowing in self-pity before his phone is ringing again. He wants to shove it in between his sofa cushions and forget about everything. But he sees Sirius' name flash up on the screen so he answers.Â
âMoony!â Siriusâs voice pierces the phone line and Remus cringes. âRemus, my good friend.â
âDid you just get lucky or something?â Remus gruffs.Â
âHuh?âÂ
âYouâre too happy. Calm it down.âÂ
Sirius groans, âYouâre so content with being miserable, Remus. Just because you canât get your dick wet.âÂ
Remus wished his stupid friend could see the displeasure on his face, âWhat do you want?âÂ
âYouâre free this weekend, arenât you?â He questions and Remus hums a yes, expecting to hear the exact same question you had just asked him only three minutes ago.Â
âWell, you, me, the gang, and a few pints at The Red Lion. Sounds like a plan?â Remus detests his friend's happiness. Or envies it. He feels miserable and doesnât think Sirius is deserving of his lack of enthusiasm just because you didnât ask him out.Â
âYeah, Y/N already asked me,â he replies.Â
âWell, donât get too excited.â Sirius huffs a laugh.Â
âNo, sorry. Itâs just I thought she- never mind. Sounds good.âÂ
âAwesome. Iâll send you the deets.âÂ
Remus almost laughs, âThe deets? Wait until I tell Marls you talk like that.âÂ
âShut up.âÂ
âBye, Sirius.âÂ
Sirius hangs up before he can.Â
-
Remus spots you before you do, again. Watches where you lean against the bar on your tip-toes, talking to the bartender about something. Heâs making you laugh and he feels the stupid need that it should be him instead.Â
He does what he always does; walks up behind you and presses his shoulder into your back. You chirp and turn around. Then, your eyes do that thing that they always do that makes him bite the inside of his cheek. They squint, confused, and then light up when you realise who youâre looking at. Remus could swear that they sparkle, but thatâs just something he imagines in his lovesick head.Â
âRemus!â You smile, mouth upturning until the apples of your cheeks swell. You wrap your fingers around his bicep and pull him into your side. He lets you, willingly.Â
âY/N,â he says probably a little too quietly for the setting. The pub is starting to fill quickly while the band does sound check, the general hubbub of the patrons mixes in with the strumming of guitars and the feedback from the mics.Â
âYouâre all wet,â you giggle, pressing your fingers into the underside of his arm.Â
âYeah, itâs starting to rain out there,â he says.Â
âYou walked?â You frown, pulling your hands from his arm. He can still feel where your fingers were wrapped. A burn against his wet skin.Â
âFrom the bus stop.âÂ
âYou know thereâs this thing wizards can do, Iâm not sure if you heard of it. Itâs called disapparition,â you quirk, mouth upturning into a teasing smile.
Amused, Remus says, âI donât usually like muggles to watch someone appear out of thin air.â
You reach forward to grab some napkins from the dispenser on the bar, probably too many. âI wouldâve picked you up,â you say matter-of-factly.
He doesnât reply, just stops still when you reach up to brush away the damp hair from his eyes. Thereâs water bunching in his hair and falling in tiny beads down his face, over his top lip. You laugh when he licks it away before you dab across his forehead and then his cheeks.Â
âI missed you,â you say, bunching the paper into a ball.Â
Remus smiles, too hard he thinks. âYou saw me last weekend.âÂ
You think he might be teasing you, though youâre not sure. You feel like youâve overstepped. Demure, your eyes widen at your error. âSorry,â you laugh, airy and quiet.Â
Remus pokes you in your side, âI missed you too,â he laughs.Â
You nod your head and bite your lip. You feel eased. But embarrassed in the first place. Scrunching the ball of damp napkins in your hands until it pinches. Still, youâre overjoyed.Â
âWhat are you drinking?â you ask, splaying your hands over the bar, leaning where it comes up to your chest. You try to ignore everything. The way Remus is making you feel, the busy pub thatâs teeming with rowdy people.Â
âNot sure,â he quirks, eyeing the taps at the end of the bar. âWhat about you?âÂ
âI think I might just stick to squash,â you laugh knowingly.Â
âYouâre on it tonight,â Remus laughs, splaying his fingers around your shoulder.Â
âIâm not having any repeats of last week.âÂ
âDamn,â he pouts, âDrunk Y/N is cute.âÂ
You warm, âDrunk Y/N is messy.âÂ
He squeezes you, a funny pinch. âI think you can be both.âÂ
You lean into his side while he orders your drinks. His hand doesnât move and you donât want it to. Itâs warm and grounding and feels too good to be true. How touchy he is and how you love it. You imagine a world where he doesnât just touch your shoulder. Imagining what heâd do if you were together. How ruining he would be.Â
Distracted by his grip on your arm, before you can even reach into your purse to grab your money, heâs paid.Â
âRemus,â you scold, pushing yourself off the bar.Â
âDove,â he smiles, placating. He grabs both of your drinks, in one hand, fingers twisting. The other snakes down to grab your hand to guide you through the crowd of people.Â
âStop paying for my drinks.â Someone bumps into you and Remus digs his elbow into your side to stop you from tripping. You smile thankfully.Â
You let him weave you through patrons, your hand flexing around his until you get to your table. Once you've sat down, he says, âSorry, didnât think a fiver would cover it.âÂ
Faux scolding, you shove his arm. âI have more money on me this time.âÂ
âGood,â Sirius pipes up, âyou can buy me that cocktail you owe me.âÂ
âIâm sorry, Sirius.â You act like it genuinely does upset you. Though the thought of how you acted when you were drunk last week, is worse. âIâm a really annoying drunk.â
âSirius is being dramatic,â Remus sighs, leaning back against the booth. He throws an arm behind you, pressing it up against the wall. You stay sitting forward, not sure if itâd be too much to lean into him. Despite him making the first move. âYou got your cocktail.â
âYeah, you bought it,â Sirius faux scoffs. Itâs hard to believe that he actually cares about a stolen mojito, easier to believe heâs determined to tease you until you die. âDoesnât count.â
âIâll buy you a cocktail if you really want me to, Sirius,â you lilt, happy to get him to shut up. It works when Remus shoots him a look you donât understand. Sirius bites his tongue and sits back in his seat.Â
By the time James and Lily get back from the bar, the band has started their set and youâve had enough time to think too much on whether or not you should lean into Remusâs side. His weight behind you feels like a magnet. The more you want to pull away the stronger the urge is to just give up and fall against him.Â
Much like everything is with Remus. The more you allow yourself to think you really do like him, the harder it is to keep to your regular ways. Youâve never allowed yourself to be so openly affectionate and loving towards someone without second-guessing every single thing you do.
Not that you donât. Every time you speak to him, touch his arm for too long or allow yourself to wrap your own arm around his back, thereâs that voice in the back of your head thatâs screaming at you. Telling you that youâve let your guard down too much for a boy youâre not even sure likes you as much as you do him and youâve embarrassed yourself.
Itâs totally overwhelming and constantly feels like a back-and-forth battle. Because, sure, it's no secret anymore to anyone who isn't Remus, that you like him. You just wished it were easier.
As if he can hear your head reeling, or heâs just noticed how quiet youâve suddenly become, he nudges your leg where itâs crossed with his own jean-clad one.
âYou okay?â he asks. His face is soft. Too soft for your dismissive and relentless thoughts to ebb. Itâs suddenly painful to even be looking at him and youâve only been around him for no less than twenty minutes. Heâs always had that ability.
The nod you give him is unconvincing and your smile is even worse. His eyes flicker and you open your mouth to speak before he can, âYeah, jusâ thinking.â
âI can tell.âÂ
âYou can?â
You chance another look back at him and regret it instantly when heâs smiling like he knows something you donât. âYeah.â He nods, âYouâre making that face you always do when somethingâs eating at you.â
Hating being read for filth, you turn to take a sip from your drink, filling your mouth with your straw lest you say something stupid. You drink it too quickly, and once itâs down to its last dregs, your head aches. Brain freeze. You squeeze your eyes shut and try to distract yourself when you say, âWhat face?â
âYour lips part and your eyebrows pinch. Sometimes I have to double-check youâre not crying.â Remus is a lovely, horribly attentive boy. And if he keeps saying things like that, things that let you know he does actually pay attention to you, youâre not going to last. When you said you wondered how ruining he would be, this isnât what you had in mind.
Remus says something to you again, but you donât catch it. The band transitions into a much louder song and his words fall on deaf ears. You do, however, catch the look he shares with Sirius again over your shoulder.Â
Confused, you suddenly think fresh air would be better than to pain yourself through whateverâs happening around you. âIâll go get that mojito,â you mumble.
You weave yourself over Remusâs lap, careful where your shoes and hands land, careful to also ignore where he stables you with his own hand on the back of your knee. You try to make it discrete as you beeline for the bar, taking a small turn to head for the back doors.
The warm air cast from the setting sun slowly dwindles away and you cross your arms over your body, leaning against the railing to the left of the smoking area. When the door shuts behind you, the music from inside slowly dies down and youâre grateful to be the only one out here.Â
The fear you have been feeling throughout your entire friendship with Remus does its best to claw its way up your throat. Makes your breathing staggered and your palms itch. You suspect if you spent any more time with him inside you wouldâve only embarrassed yourself more than you feel like you already have. Best you do it out here instead.
The muffled music slowly grows louder when you hear the door open and you pay it no mind. Not until thereâs a hand on your shoulder. You flinch and turn around, pushing yourself against the railing.
âShit, sorry. Just me,â Remus smiles, pulling his hand from your shoulder.
âRemus,â you breathe, hand to your chest, âYou scared me.â
âSorry,â he frowns.
You pause. Trust him to notice your departure. You hope he doesnât ask you any questions, you donât expect yourself to hold anything in anymore if he soothes you over.
âYou okay?â
Fuck sakes.
âUm, yeah.â You nod. Remus moves to your side, arm pressed up against the railing and you follow him. Turning so youâre face to face.
âYou sure? You just kind of up and left.â he laughs weakly, stopping when he notices you donât join in.
âSorry,â you apologise.
âWhat for?â he asks kindly. You once more detest his kindness and his ability to get you to open up.
âI donât know,â you sigh, leaning further into the railing and it rattles, âIâm being weird.â Youâre not opening up like youâd expected, though the words you want to say to him are at the back of your mind, where they were once pushed away, slowly crawling forward. If he keeps looking at you like that, they might spill.
âYouâre not.â
âI am. Iâm thinking too much and it,â you heave a calming breath. You want to tell him how you feel, not ramble, âit hurts.â
âHey,â He traces a line over the hinge of your elbow, âwhatâs going on in that head of yours, hm? Care to let me in?â
You swallow, âThatâs the problem. I canât find the words.â
âThatâs okay.â He squeezes your arm, âTake your time.â
His gaze is soft though it still burns where itâs settled over your face, his grip on your arm is worse. Still, itâs grounding. You blink and take a few calming breaths.
The door opens up again and the bandâs music spews back outside. Itâs the same song that was playing the night you sat on Sirius's couch and youâd freaked about how it was both your favourite. In some cheesy, cliche way, you take it as a sign.
âIâve never been one for showing, let alone telling someone how I feel about them,â you begin, âIâm not sure if thatâs the most obvious thing ever, or if Iâve gotten really good at hiding it butâŠâ
Remus is smiling widely, more smug than anything. It makes you nervous and you advert your gaze to the ground. Over the ash-strained brick tile under your sneakers, âStop looking at me like that or I wonât be able to finish what Iâm trying to tell you,â you sigh.
âLike what?â he asks like heâs oblivious. Like his mouth isnât now upturned into the slyest smile.
âThat!ââ Your face grows warm and you have to press the backs of your hands into them. You can feel the thrumming of your heart in your fingertips.
âSorry, you were saying,â he chuckles.Â
âGod, where did you get all this confidence from, Remus?â you ask, a little dazed. Maybe itâs the setting or the fact youâre both finally sober together that brings out a different side of him, though you canât be sure.
Remus shakes his head, âIâm sorry, you just look so cute when you get flustered.â
Your mouth parts, a shocked, demure gasp slips past them. Gawping, you say, âYouâre not drunk, are you?â Itâs not the first time heâs said it, but it's the first time it feels different.
âNot this time. For once,â he laughs knowingly.
âRight,â you pause. Taking in a shuddered breath. In what world you would ever expect this to be easy, youâre not sure. Youâre also not sure that doing this with Remus makes it easier. Easier, because he makes you feel secure and appropriately worked down to tell him anything; harder because itâs him you have to let your emotions go with. Itâs him you have to let know of your heartachingly, sore feelings you have. He canât just be there on the sidelines guiding you through it.
Remus watches you slip away into your shy, quiet self again. He can almost hear your thoughts reeling, âGod, youâre worse than me.â
You giggle nervously, all pitched up and light, âYou make me nervous,â
He steps forward and if your eyes werenât stuck on the ground, you wouldnât have noticed it. Heâs smooth. âDo I now?â He hooks a knuckle under your downwardly pointed chin and gives it a tap.
You look back up, catching his gaze, âI hate you,â
âNo you donât,â he says matter of factly. Like its the most obvious thing ever. Youâre sure it is.
âI donât?â You blink slowly.
He closes the gap between you some more and suddenly youâre overwhelmed by him. The smell of his laundry detergent, something familiar and heady, mixed in with the cologne that you swear follows you home. Where the toe of his boot almost touches your sneaker and where the sleeve of his sweater catches on your bracelet because heâs as close as possible. Though you still think heâs not close enough.Â
His voice mixes in with the same song thatâs playing inside and you can barely hear him when it builds to a crescendo and he says, âYou werenât about to go on some rant about how you love me?â
âRemusâŠâ you murmur, quieter than the thumping of your heart in your chest,
âNo?â
You bite your tongue, but it does nothing to stop you from saying, âGod, yes. Just- kiss me, please.â
âWhat?â he asks, more shocked than youâve been this entire interaction.
âKiss me, Remus. Before the song ends.â You lean into him, up on the balls of your feet and pull your hands between your bodies.
Face to face, lips hovering over yours, he murmurs, âYou sure?â
âCompletely,â
Itâs the last thing you say before Remus kisses you so hard, so deep, that you forget how it was even possible to form words in his presence before now. Snakes his arms around your back and holds you so close your shirt rides up until your skin presses into the soft material of his sweater.Â
He tastes of stout, a weird mixture against the lemon on your tongue. You canât find it in you to mind when he hums into your mouth. A desperate, pleading sound that has you squeezing the flesh of his hips. Compared to the reserved and diffident relationship youâve held with Remus up until now, the kiss you share is nothing alike. Itâs passionate and heated. Longing.
The song ends and with a final tug of your bottom lip, he pulls away panting. Eyes skipping over your face, a little glassy and bouncy. âFuck,â he murmurs.
Tugging on the hem of his sweater, you say, âWhat?â' with a light chuckle.
âIf IâŠâ Remus has to compose himself lest he says something embarrassing. Completely forward. âIf I knew kissing you wouldâve been like thatâŠI wouldâve done it ages ago.â
âI think Iâve wanted you to kiss me for a really long time,â you confess, giddily rocking back and forth on your feet. Canvas sneakers crushing into the ground.
âYeah?â he hums. Smugness still ever present.
âYeah.â
âThoughts on me kissing you again?â he asks, still not letting you go where youâre held against his torso.
You look over his shoulder, âI think if you kiss me again, Siriusâs jaw might fall to the floor.â
Remus turns and spots Sirius and James almost pressed to the glass window. James doesnât look as pleased, shoving a crumpled note into Sirius's palm. Turning back to face you, he rolls his eyes, âI think they had a bet going.â
âShould we give Sirius his moneyâs worth?â you giggle.
âIâm going to kiss you. But, not for Sirius.â Remus says, âOnly because you look insanely beautiful right now and if I donât do it again, my brain might go numb.â