Georgia O'Keeffe - Pelvis with the distance (1943)
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Georgia O'Keeffe - Pelvis with the distance (1943)

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clay figures from Bab edh-Dhra, near the Dead Sea
les territoires et les gens sont une onde
qui se déplace dans l'alphabet de rive
en rive
Adonis, Adoniada, chant XX
Eugène Atget (1857–1927)
Cascade, Parc de St Cloud, circa 1900
a depiction of satan from a 1400s illustration of dante’s inferno.

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J'ai un corps étrange
qui ne sied pas à mes membres et qui néanmoins apprend à rester étrange.
Ne me demande pas, non la poésie n'a jamais été une réponse.
Adonis, Adoniada, chant XIV
Anubis, mural paiting from Isis temple at Pompeii
Comment puis-je oublier
que je suis une rose
qui s'épanouit dans une cage en fer ?
Comment puis-je oublier
que dans mes pas un ange
aime se déguiser en chaîne ?
Comment puis-je oublier
que les vents et moi avons
rendez-vous sur la route, et que la route s'est effacée ?
Comment puis-je oublier
que je vais oublier ?
Adonis, Adoniada, chant XIV
Fontanelle cemetery, Naples, Italy
Toyen (Marie Čermínová) 1909-1980

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John Pfahl - Altered landscapes, 1993
Je n'ai jamais réalisé qu'un seul rêve : demeurer aussi étrange qu'un rêve.
Je ne définis qu'un tout
infini - je dors tandis que mon corps - est une moitié de nuit
sans fin et une moitié de jour sans commencement
Adonis, Adoniada, chant XIV
Six-foot mandrake, fine roots all over, beatific Botticelli face
Manuscript description and digital images can be found here at OPenn, and you can download an ebook version here.
Fol. 36r, LJS 419 Title: Erbario [manuscript]. Origin: [Italy, 14–]
Roman frescoes of birds from Villa Poppaea (Torre Annunziata), Italy
Chen Ming-Shan(陳明善 Chinese, 1933-2019)
unknown via

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William Blake
Francis Bacon (détail d'un tableau inconnu)