Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
âś“ Live Streamingâś“ Interactive Chatâś“ Private Showsâś“ HD Qualityâś“ Free Actions
Free to watch • No registration required • HD streaming
As a kid I hated Ryu/ryo and his introduction to tamers because he did come across as a a Marty sue instantly better and cooler than all of the characters we have been following esp rika and then I got older and learned he was from a video game series and I realized it kinda made sense on how he was so experienced and knowledgeable but I still dislike him.
They couldn't have given us the taichi from the zero one adventure manga instead?
Yeah, that seems to be a lot of people's impressions of him. And mine! So I feel that.
Personally i don't hate him(except the shipping with Ruki, in which case he can die in a ditch) it's more like eye-rolling apathy and a belief the show would be better off without him, if that makes any sense?
'this story is a tragedy because along the way we got just enough glimpses of alternate timelines and barely-averted prophecies to know that somehow, the way it turned out is the best it could have gone'
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
âś“ Live Streamingâś“ Interactive Chatâś“ Private Showsâś“ HD Qualityâś“ Free Actions
Free to watch • No registration required • HD streaming
It's amazing that the credits theme of OnK's first season has that sequence with Aqua and the red strings of fate where it looks like they're pulling him into a watery landscape, considering it was released a full year before the manga ended.
Summary: "You're not a ghost, are you? Or an esper?"
"No," Asuka says, small smile playing about her lips, "I'm not." Then her smile spreads into a grin. "Wait, does that mean you're something?" She hums pleasantly to herself. "What are you?"
"Suzumiya Haruhi, and I'm only interested in--"
"Siren." Asuka drums her fingers on her upper thigh, gaze shifting away. "I'm a siren."
OR: Starting college is a beast, but having new roommates can make it better! ...or worse, honestly, you really should screen these things, Asuka-senpai!
Brought to you (in part) by a discussion @tobiasdrake and I had about what it would look like if Junko and Haruhi ever met.
Fic Rating: T.
Chapter Rating: T.
AO3
previous chapter
It isn’t as though Asuka can’t afford her own apartment.
Her father has given her more than enough to more than cover the cost – not just of her apartment, but also her chosen school as well. Call it atonement: she may not know the man outside of his famous books and CDs, and she may have only seen him once since her parents divorced (Nationals, and she’s not sure that brief glimpse of the judges’ table counts), but he has more wealth than her mom does, and in his absence, he’s provided this, at least. It isn’t the same as having him physically here, but she’ll take it.
Having her own apartment would be easier, too. She could practice without fear of annoying a potential roommate, although not likely without annoying her neighbors. And there’d be less questions about her disappearances to practice elsewhere, about why she would feel so insistent on continuing to play euphonium even though she hasn’t gone to a music school. She’s already spent far too much time arguing with her mother about this; she doesn’t want to go through it all again with a new roommate – with a stranger.
And yet.
~
“Matsuda Ryoko,” the redhead says, holding a hand out to Asuka with a bright grin. “You must be Tanaka-san!”
Over the past several weeks, Asuka has been exchanging emails with this girl, who was looking for another roommate in her three room apartment. It’s extravagantly large for something in the middle of the city, more than any one of them could afford on their own – even Asuka with her father’s money, even if she decided to forgo college entirely and put that entire funding towards an apartment. (She wouldn’t. Her mother would kill her.) A three person living situation might feel a little packed, but as long as she has a room entirely to herself (and she will), Asuka is tentatively excited at the idea. If she’d decided to go to a college nearer to them (or if she hadn’t decided to reach out and meet new people), she could have lived with Kaori and Haruka and reached the same result, but if she’s honest with herself….
Sharing a single room apartment would be much better for Kaori or Haruka’s wallets, and while they could stretch for something bigger, Asuka would have been paying the bulk of the rent. In the end, this would only lead to resentment. Fighting. Bitterness. Maybe not, but it’s most likely, and she doesn’t want to put her friends in a situation that could only result in a split.
No, no. This is better.
(Maybe, in the future, she’ll change her mind. For now, though, this is her decision.)
Asuka sets her euphonium case to one side, giving her a free hand to take Ryoko’s in her own. “Yes!”
Ryoko’s hand is warm, but not uncomfortably so. They hadn’t sent each other pictures, so this is the first time Asuka is seeing her, and she’d be lying if she didn’t say there was something familiar about Ryoko’s face. Her hair’s darker and longer than Kumiko’s – she’s certain she’s never met anyone with hair quite this red, certainly not with the white seeded throughout it – and if she’d seen those blood red eyes anywhere before, surely she would remember them. Or her freckles, which are rare enough on their own without being combined with everything else.
It strikes Asuka that Ryoko, like their third roommate, must have money of some kind. She’d assumed familial, like her own, and Ryoko never said anything to dissuade that notion. But looking at her now, Asuka thinks: model. Not that she’s ever been interested in those sorts of magazines, just that she might have seen her in passing. Or maybe she just isn’t famous.
Still, Asuka catches herself staring. “You know, you look—”
“You must have an awful lot to carry!” Ryoko interrupts, dropping Asuka’s hand. She grabs Asuka’s euphonium case before Asuka has a chance to stop her and lifts it, her cheeks puffing out. She hefts it and grunts with the effort. “It’s so heavy, Tanaka-san!”
It isn’t, not to Asuka.
(Or it is, but not with a weight that Ryoko could feel.)
“If you’re having trouble with it, Matsuda-san,” Asuka says, reaching out for her euphonium, “I can—”
“No, no, I’ve got it!” Ryoko hefts her euphonium case with both hands, her face reddening with feigned effort.
And it is feigned – Asuka knows when a member of her band family truly struggles with carrying a new instrument, and Ryoko isn’t struggling. Only pretending. If she was struggling, Ryoko wouldn’t avoid the walls or corners as easily as she is; if there was true fear that Ryoko would bump the case into anything, Asuka would take it from her in a heartbeat. As it is, she follows Ryoko wordlessly, one of her luggage bags rolling behind her, keeping a careful eye on her case.
“This,” Ryoko says, turning a corner and setting Asuka’s case down in a spacious room, “is your room!” She props her hands on her hips and flashes her a brilliant grin. “I’m at the end of the hall, and Haru-chan’s right next door!” Her face falls then, and her lips purse to one side before she whispers, “I wanted the room next to yours, but Haru-chan gets super jealous.” She crosses her arms. “After so long, you’d think she’d be over that.”
Asuka’s eyes light up. She slaps both of her hands to her own cheeks and dances in place. “Romance problems? Drama in our apartment?”
“No, no, no, nothing like that.” Ryoko bats a hand playfully, but her eyes darken. “I’m not interested in that stuff, and Haru-chan isn’t either.” She laughs. “Romance, anyway. But drama….” Her voice trails off, then she laughs again, not finishing the sentence. “Let’s go get your stuff!” Her grin returns. “I want to see what your room’ll look like when you’ve got it all set up!”
Asuka sets her luggage bag in one corner of her room – the same size as her room at home had been, maybe a little smaller, but still plenty of room for all of her things – and then offers Ryoko a small bow. “Thank you, Matsuda-san.”
Ryoko waves a hand at her. “No thanks necessary. And there’s no need to be so formal!” She winks. “Call me Ryo-chan. We’re going to be roommates, after all!”
A HANDY CHART FOR THOSE OF YOU WONDERING WHAT THE FUCK IS UP WITH THESE. NOTE THAT THESE ARE ALL THE INFORMAL AND YOU IS THE FORMAL SO LIKE YOU WOULD ALWAYS ADDRESS YOUR SUPERIOR/ OLDER PERSON/ SOCIAL BETTER WITH YOU BUT WITH YOUR BUDS YOU CAN USE THESE.Â
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
âś“ Live Streamingâś“ Interactive Chatâś“ Private Showsâś“ HD Qualityâś“ Free Actions
Free to watch • No registration required • HD streaming
started a new dr/haruhi crossover fic. it's set past what i considered the end of that series to be. which is fine. this one gets a new character because she's shiny and brand new and i wanted to play with her. and then i remembered that all of the fics in this series have lyrics as titles and had to think what would go best with this. and thought about a bunch of concert band songs that don't have lyrics first and then realized. i know the right title for this fic.
i'm so excited to share it here with y'all - as i said before, even though i don't post fic here on tumblr anymore, i will continue to post fics from this particular series here as they're written/posted.
A HANDY CHART FOR THOSE OF YOU WONDERING WHAT THE FUCK IS UP WITH THESE. NOTE THAT THESE ARE ALL THE INFORMAL AND YOU IS THE FORMAL SO LIKE YOU WOULD ALWAYS ADDRESS YOUR SUPERIOR/ OLDER PERSON/ SOCIAL BETTER WITH YOU BUT WITH YOUR BUDS YOU CAN USE THESE.Â
Children near a magical wood catching bugs and their family are like. Please do not catch pixies and small fae and bring them into our home. They are sentient and they are intelligent
And the kids are like "but they get into our bug traps" and "we didn't catch him he followed us home"
And their parents are like. Please i do not believe that 6 fucking pixies smuggled themselves into our garage on the underside of your bicycle saddle and then set up shop in the old dolls house. These are living beings they're not toys it's not kind to treat them like this
And the kids are like we are NOT treating them like anything you said we're not allowed to trap them and they always get into our traps so we always run away when they see us and then they follow us and get inside our backpacks and stuff
And the parents are like
Stop lying!!!
And then they set up wildlife cams and not only can pixies apparently do all of that and are very desperate to hang out with these human kids (who have fun life-sized toys and are covered in wonderful things like glitter and are a free source of fresh bugs and pop tart crumbs)
But they can also like. Fully just pick locks and shit.
Setting up little cameras and having to come to terms with the fact that not only are these small fae initiating every interaction with the kids but have also taken their cat's side in the war against pigeons and keep riding it into battle
The fae quickly realise the camera is a camera, and just as quickly invent silent movies
Each intertitle card has been crafted from words cut out of other writing, so a piece of paper looking like a ransom demand states "BuT Hoo wil SAVE the Dams3l?" is pulled away to reveal a doll tied to train tracks
“Because the truth is, tech doesn’t have an image problem. It doesn’t have a message problem. It has an intention problem. What’s wrong with the axe murderer who broke into my house is not that he hasn’t successfully persuaded me to buy into his narrative. What’s wrong is that he’s trying to kill me with an axe. Similarly, when you launch a product that’s designed to put millions of people out of work, block access to sources of verifiable truth, replace human creativity with slop, and lower the barriers to every sort of atrocity, the problem isn’t that you haven’t told the public a good story about those things. The problem is that you are trying to do them.”
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
âś“ Live Streamingâś“ Interactive Chatâś“ Private Showsâś“ HD Qualityâś“ Free Actions
Free to watch • No registration required • HD streaming
“Because the truth is, tech doesn’t have an image problem. It doesn’t have a message problem. It has an intention problem. What’s wrong with the axe murderer who broke into my house is not that he hasn’t successfully persuaded me to buy into his narrative. What’s wrong is that he’s trying to kill me with an axe. Similarly, when you launch a product that’s designed to put millions of people out of work, block access to sources of verifiable truth, replace human creativity with slop, and lower the barriers to every sort of atrocity, the problem isn’t that you haven’t told the public a good story about those things. The problem is that you are trying to do them.”
“Because the truth is, tech doesn’t have an image problem. It doesn’t have a message problem. It has an intention problem. What’s wrong with the axe murderer who broke into my house is not that he hasn’t successfully persuaded me to buy into his narrative. What’s wrong is that he’s trying to kill me with an axe. Similarly, when you launch a product that’s designed to put millions of people out of work, block access to sources of verifiable truth, replace human creativity with slop, and lower the barriers to every sort of atrocity, the problem isn’t that you haven’t told the public a good story about those things. The problem is that you are trying to do them.”