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I seen a lot of Japanese media have that kind of "Normal person points out what the wacky characcter just did" aspect to their comedy. Like the reaction is supposed to be the punchline.
With the right bit, it can be. The Straight Man and Wise Guy is a classic comedy duo. It's just that when you have a crowd of 15 Wise Guys surrounding a Straight Man, it doesn't work as well.
The Straight Man is supposed to set the tone for how the audience perceives the Wise Guy. He's supposed to be the normal baseline. But when he's outnumbered like that, the Wise Guys become the normal baseline. It's the Straight Man who ends up standing out as weird and abnormal for being such a boring killjoy.
If there is one wacky person in the room, having a normal guy go "Uhhhhh what," reinforces how weird and wacky the one wacky person is. But in a room full of wacky people, the one normal guy rolling his eyes at everything that everybody says or does just ends up being irritating.
This has long been a beef I've had with Kodaka because it's just. Like. Danganronpa and its successors do not have the right tone for "Hey audience, did you hear what THIS WEIRDO just said?" It's a game about weirdos. Everybody's weird here. What's your problem, protagonist boy?
A lot of action manga has this problem. They have a normal Everyman mc surrounded by an ever expanding cast of weirdos that makes the becomes increasingly bizarre and makes the mc clash with everything around them. Raildex really suffers from this.
Something I wish I could drill into the heads of every writer is this: Because your protagonist is a character we are going to spend 95% of the story with, they should be the kind of character we would want to spend 95% of the story with.
The protagonist should be the most interesting and the most entertaining character in the cast. They should have the richest inner life, because their inner life is the one we're meant to explore. They should be fun to see onscreen, because we are always going to see them onscreen. They should wake up every morning and go "What am I going to do today that makes my audience scream FUCK YEAH I LOVE THIS CHARACTER".
In a world where genies are commonplace and delight in granting wishes in the most inconvenient way possible, you are a defense attorney who must defend your client, a well-meaning genie who is charged with felonious wish-granting.
It wasnât the first time Iâd had to defend Jimmy, and it wouldnât be the last. Heâs got to be one of the most-litigated genies whoâs ever lived, which is a little unfair, since heâs also actually one of the most genuinely benign. He just gets things wrong a lot.Â
Like, a *lot*.Â
So wrong.
So often.Â
See, all genies will, to some extent, screw with wishes. Itâs their nature. With some of them, if you wish for âa horseâ, they give you a heavily insured and very identifiable race-horse and watch the catastrophe unfold. Others will just mess with the wish a little bit, say, by giving you a foal instead of a currently rideable horse or something. But everyone knows they need to be careful with their wording, these days, so itâs not usually too bad. (Unless you violate the three rules. Wish to raise the dead, to kill someone, or to make someone fall in love with you, and they will get *very* unpleasant.)Â
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For all that the 1800s etiquette guides are--obviously--derangedly sexist from a modern perspective? They're also mindblowing in how casually they will assert things that MODERN DAY CONSERVATIVES would scream and cry and shit their pants about.
"People back then always married young it's natural!!!" Every single 1800s guide I've ever met casually mentions that, of course, you really shouldn't get married before you're at least 20, and waiting until 25 is usually better.
Or, like. Okay here's a long segment:
Just firmly going "it is crazy sexist to blame The Wife for overspending when thirty seconds of asking questions will immediately establish that her husband was outright lying to her about how much money they had. Talk to your wife like a normal person."
Or--okay, here. A section on being honest and not writing love letters in secret, because that's usually a good sign that there's something untoward going on....
....except that he then immediately acknowledges that sometimes, the reason you're hiding this from your parents is that your parents suck. That there are parents who frankly have not earned the right to approve or disapprove of your partner.
(I realize the phrasing there sounds a lot less strong than my summary, but--trust me on this. When you're familiar with the narrative voice of these kinds of books, this passage is downright radical. The mere acknowledgement that if you treat your kids badly, it's your own damn fault when they don't talk to you? I've genuinely never seen that before in this genre.
Don't freak out over "properly trained", either. It's just a linguistic shift--at the time, "training" was used the way we would say "raising" a child today. )
me, going through the series page for DR Haruhi Crossover on AO3, and thinking to myself wait, I thought I was going to list these on the page chronologically and then realizing that I absolutely did not do that.
Chronologically speaking, (Am I) More Than You Bargained For (Yet) comes after In Your Head (In Your Head) but it was written second in the series.
Which is fun to think about in terms of this following the Haruhi light novels (which had Sigh as the second book and then did stuff that happens between Melancholy and Sigh in the next book), but is also interesting to think about in terms of the anime, which on initial release I think wasn't chronological order at all, but was rearranged to chronological order with subsequent DVD/streaming releases.
So re: the fic series, you can read it in whatever order you want - putting it second or putting it chronological, because you can definitely follow Haruhi's train of thought through the Endless Eight rewrite (and the Mukuro Zombie fic) to its conclusion in (AI)MTYBF(Y) (because that was intentional) - but it's also fun to see the result of Haruhi's train of thought and backtrack a bit.
But, like, I put the current fic with Asuka at the end because chronologically it goes at the end and also is kind of its own separate thing/new post-canon story. (Like how the Santa Claus fic was definitely written earlier than the Mukuro Zombie fic, but it's still set later in the series on AO3 because it's its own thing that can go anywhere in the series and isn't really connected to the overarching plot. I mean, you can make the argument it's pre-Hope's Peak complications. Hm.)
In Heaven There Is No (Dada DA Dada) - Asuka Introduction
You Better Watch Out - Christmas Special
To Fit A Square Into A Circle (I Defy) - Endless Eight Pt. 2
In Your Head (In Your Head) - Mukuro Zombie Fic
I still want to use Change Me At All Costs (Starlight, Starcrossed) for something but I'm not sure what yet. Maybe the final fic (which isn't necessarily the final fic - it certainly isn't chronologically, because the Asuka Introduction comes after that, and honestly I think the Canada stuff might, too - it's more like...the final piece in what I would consider the overarching plot, and the rest are fun excursions/stories, like the Santa Claus one-shot, which isn't part of the overarching plot, but is still there and still fun)â
You know what, I think that's actually a really good title for the final fic, considering that's kind of the theme of Junko and Haruhi's relationship as a whole.
Hm.
Anyway - changing the Melancholy pt. 2 title to Hey Now (Hey Now) is hilarious and I look forward to writing it just to use the title. XD
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Say you break your ankle. You could know everything there is to know intellectually about the injury. Even with this vast knowledge, you will still experience physical pain.
Now take this logic and apply it to things like ADHD, autism, clinical depression, and other less visible/divergent disabilities. You cannot think your way out of feeling.
That is to say: you are not a bad, lazy, or selfish person for struggling, even if you know why you are struggling.
This short story by Junji Ito is about a fault that appears in Amigara mountain after an earthquake. The earthquake exposes countless human-shaped holes in the mountain which seem to have been made about a thousand years ago. People, intrigued by these silhouettes, gather at the site and thatâs when things get creepy.
Itâs about a 15-20 min read, but if you havenât read this before, youâre in for a treat. Link above.
i mean itâs not like i can just NOT reblog amigara fault. what if one of my followers is one of the lucky ten thousand who HASNâT been unutturably altered for life by it yet? go read it! itâs creepy, but trust me, it was made for you.
Summary: "You're not a ghost, are you? Or an esper?"
"No," Asuka says, small smile playing about her lips, "I'm not." Then her smile spreads into a grin. "Wait, does that mean you're something?" She hums pleasantly to herself. "What are you?"
"Suzumiya Haruhi, and I'm only interested in--"
"Siren." Asuka drums her fingers on her upper thigh, gaze shifting away. "I'm a siren."
OR: Starting college is a beast, but having new roommates can make it better! ...or worse, honestly, you really should screen these things, Asuka-senpai!
Brought to you (in part) by a discussion @tobiasdrake and I had about what it would look like if Junko and Haruhi ever met.
Fic Rating: T.
Chapter Rating: T.
AO3
previous chapter
The nice thing to do (Asuka knows) would be to spend time with Ryoko as soon as all of her things are brought up, to flop down on the couch in the common area and laugh about everything, to swipe a cup of cool water and chug it down in one gulp while they get to know each other better. But she looks at the small stack of boxes lined up against her wall and the furniture that Ryoko helped her situate just so and decides that should be her priority instead.
Before Asuka can suggest that, however, she overhears the door opening, then slamming shut, and someone â likely their other roommate â crying out, âRyo-chan!â
Ryoko reddens again at the sound of her name spoken so affectionately. âHaru-chan,â she murmurs, then offers Asuka a little bow. âExcuse me.â
Perhaps itâs rude to shut her door as soon as Ryoko leaves, but itâs all too easy for Asuka to actually do. Then she flops backward on her bed and stares blankly up at her ceiling. Too many flights of stairs, too many boxes, too many books and CDs of euphonium music that she couldnât afford to leave behind. (If she had, who knows what her mother would have done with them? She likes to think her bedroom will be left just as she left it, but Asuka has no assurances that will be the case.)
Without the stairs, Asuka would feel much the same as she did the first few days of her first year marching. Carrying boxes â even heavy boxes full of books â is a lot like carrying her euphonium as she marches, instead of resting it on her thigh during concerts. But the stairs add an extra layer. Her legs quiver, muscles flexing and unflexing, as she lays still. Tomorrow, sheâll be sore. Good thing she moved out here early enough to have some free time before her classes begin. Free time that she intended to use getting to know her new roommates â their schedules, their personalities â as she learns to adapt to living with them.
Asukaâs eyes glance over her pile of boxes again, over the luggage bag she first brought in, and finally over to the last box she brought in, one thatâs significantly smaller and more flimsy. She pushes herself up onto her elbows. The box sits on her new desk, testing her. She moves to get upâ
Her door slams open.
Asuka reaches for bedsheets that arenât there, then pulls her hands up to her chest. âDonât look!â She lifts one hand to her forehead and shuts her eyes, turning away. âHide your eyes from thisââ
âWhat are you talking about?â
Not Ryoko. Asuka sighs. She drops her hand to her mattress and opens her eyes, pouting reflectively. âNothing.â Her head tilts to one side. âTanaka Asuka,â she says by way of introduction, pushing herself from the mattress and holding out her hand. âYou must beââ
(It doesnât strike her that she words her introduction almost identically to Ryokoâs.)
âYouâre not a ghost, are you?â
Asuka blinks. She stares at the other girl. This one doesnât have the same familiar air to her that Ryoko has â and doesnât have the same air to her beauty that Ryoko has either, although between her earnest, honey-colored eyes and the way her copper hair frames her face, she could have a stint in modeling, too, for a certain set of viewers. (Maybe theyâre both models, and Asuka got roped in because their third decided to go in a different direction. Maybe theyâre scouting for a new third model. Probably not. Even if they are, she already knows her answer.)
âOr an esper?â
âWhat is this, one of those Tag Yourself memes?â
It would be appropriate for Asuka to laugh, to cover her mouth, to do something that eases whatever is happening here, but she doesnât. Instead, she sits back and meets the other girlâs intensity with the smallest of smiles. âI donât think Ryoko-chan would let meââ
The girlâs eyes narrow. Probably the familiarity with which she uses Ryokoâs name, after only having known her in person for a few hours (at most).
Asuka continues as if she doesnât notice that. ââlive with you if I were a ghost. Youâd have noticed me by now, right? And would a ghost have all this stuff?â
âSo youâre an esper.â
Very matter of fact. As though espers actually exist, as though Asuka has to be one or the other and nothing in-between, as though human is a bad word. And maybe it is â Asuka only sent messages to Ryoko before moving in; sheâs never talked to this girl, only heard about her from Ryoko.
SheâsâŚintense.
Asuka thought that meant in a hobbies kind of way, not a Fox Mulder kind of way. (Not that sheâs ever seen that show.) âNo,â she says, that small smile still playing about her lips, âIâm not.â Her gaze shifts to the door, where she catches sight of Ryokoâs shadow but not Ryoko herself. Her smile spreads into a grin. âWait, does that mean youâre something, too? Or Ryoko?â She leans back against her bed and slaps her legs. âWhich is she? Is Ryoko an esper? Or aââ
âRyokoâs a ghost. Duh.â
Asuka stays focused on Ryokoâs shadow, which doesnât flinch, and hums pleasantly to herself. Her gaze returns to the other girl. âAnd what are you?â
âSuzumiya Haruhi,â the girl finally says, introducing herself, âand Iâm only interested inââ
âSiren.â Asuka drums her fingers on her upper thigh, gaze shifting away. âSince youâre Suzumiya-san, I feel obligated to tell you.â
Haruhi keeps her arms crossed. âSing something for me,â she demands.
âMy beauty isnât enough to convince you?â Asuka gestures to herself, but Haruhi doesnât seem to care. If anything, sheâs evaluating her. âI see, I see! I donât hold a candle to Ryoko-chan!â
Haruhi ignores this, instead insisting, âWhat, youâre not going to sing?â
At first, Asuka doesnât say anything. She lets the silence linger, allowing that to be an answer all on its own. Then, as Haruhi stands there, unmoving, staring directly at her with her arms crossed and her honey-colored eyes full of determination, Asuka sighs. âYou donât understand, Suzumiya-san. Monsters like Ryoko-chan and I, weâre not at our full power anymore. All that disbelief, it really gets to us!â She waits to see if thereâs a chip in Haruhiâs stance, but if there is, she doesnât notice it. âSome sirens still sing, sure, but Iâm not one of them.â
Something in Haruhiâs eyes shifts.
Good.
âAnd you donât really want to hear me anyway. Then youâd be under my spell, and I think you like being yourself an awful lot more.â Asuka winks. âSo donât worry! You wonât ever need to hear me sing!â
Haruhi stares at her. Her jaw tightens. Then she turns on one heel and storms out of the room.
A few seconds later, Ryokoâs shadow shifts, and she curls her fingers on Asukaâs doorframe and pokes her head in. âTold you,â she says. âHaru-chan is kind of intense.â
But Asuka doesnât care about any of that. Her eyes meet Ryokoâs, and her head tilts again. âYouâre a ghost?â
Ryoko shrugs, but doesnât deny it. âHaru-chan sees what she wants.â She twirls a strand of her white-streaked red hair around one finger and doesnât meet Asukaâs eyes. âI mean, itâs not like youâre a siren, right?â
âRight.â
Asukaâs gaze drifts from Ryoko, who isnât looking at her, to her euphonium case. A true siren would be a musical master, and she would be able to lead her band family not just to Nationals but to winning gold.  Of course, that would be cheating, but only if she knew thatâs what she was doing. Besides, a real siren would know that they were one. Theyâd be able toâ
What is she thinking? Sirens donât exist.
(She takes too long, looking at her euphonium case. She doesnât catch Ryokoâs glance flicking to her, then to the euphonium case, and then back again. By the time Asukaâs gaze returns to her, Ryokoâs already glancing away, averting her eyes and twirling that strand of hair around her finger like she already was. Like she wasnât paying attention to Asukaâs distraction at all.)
Even so, itâs Ryoko who breaks the silence between them first. âIâll go talk to Haru-chan. She always gets her hopes up when she meets someone new, and sheâs always disappointed. Sheâll get over it.â She offers Asuka a weak, but comforting, expression â not quite a smile, not quite not. âDonât worry, okay?â
Asuka wasnât worried to begin with, so she canât be less worried when Ryoko prances away. She pushes herself up from her mattress and closes her bedroom door once more, hoping that maybe this time she wonât be interrupted but not particularly expecting it. Then she pauses next to her desk, runs her fingers along the smaller and more fragile box sheâd set there, then rummages through it until she pulls out a single framed photograph.
Her band doesnât smile at her, not exactly, from their Nationals photo shoot, but she can see herself as she once was, surrounded by Kaori, Haruka, and Kumiko. They arenât happy, but she still was. Sheâd gotten what she wanted after all â not gold, maybe, which sheâd wanted the most, but her fatherâŚ.
Heâd seen her, and heâd made sure she heard him.
(Sirens donât exist.)
Asuka leans back on her bed, stares at the photo for a few more seconds, and then sets it down on her bedside table and stares at the ceiling.
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me holding a gun to a mushroom: tell me the name of god you fungal piece of shit
mushroom: can you feel your heart burning? can you feel the struggle within? the fear within me is beyond anything your soul can make. you cannot kill me in a way that matters
me cocking the gun, tears streaming down my face: IâM NOT FUCKING SCARED OF YOU
If you don't already know you have issues doing so, squat down real quick. Bend your knees all the way and touch the floor. Just make sure you can do it. Okay? For me? And then stand up all the way and make sure you can balance on one foot.
Like. You don't need to blow it into some huge thing. Just. Make sure all your bits and peices still work the way you think they do.
Can you turn your head to look behind you without twisting your shoulders? What about standing on your toes? If you sit down on the floor can you get back up without using your hands?
If there was ever a tumblr post worth sending to your mom, it's this one.
Just saying, bodies are a use it or lose it kinda thing.
okay so every time I see this post crop back up in queues and notifications I end up thinking about it. Because I made the post and even I'm still doing the thing where I read the post about maintaining range of motion in my delicate meatsuit and I nod and hmm and think yeah that's a good idea and then dont move from where I'm curled up shrimp style staring at the nightmare rectangle.
So like. Thinking real hard about moving doesn't count as moving. Major bummer. Anyways. Joints.