TheoLizzy + Season 2 Episode 4 Text Posts
Misplaced Lens Cap
AnasAbdin
dirt enthusiast

tannertan36

"I'm Dorothy Gale from Kansas"

Kaledo Art
wallacepolsom
hello vonnie

ellievsbear

titsay

#extradirty
Claire Keane
Today's Document
Peter Solarz
Keni

blake kathryn


Love Begins
seen from T1
seen from Sweden
seen from Chile

seen from Italy
seen from Canada

seen from United States

seen from United States
seen from Ecuador

seen from United States

seen from United States
seen from United States
seen from United States
seen from United States
seen from United States

seen from United States
seen from United States

seen from United States
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@apairofcracked-lips
TheoLizzy + Season 2 Episode 4 Text Posts

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TheoLizzy + Season 2 Episode 4 Text Posts
THE BUCCANEERS 2.03 — Get Her Out
SEVERANCE 1x04 / 2x02
"I think its a very complicated moment for her because she sees innies as subhuman, yet Helly is appreciated and respected and loved in a way that Helena never has been. And realizing that this character that you saw as, like, a servant might actually be living a richer life than you, I think that that really effects her." - Dan Erickson, Writer/Executive Producer

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SEVERANCE (2022 - )
mark getting his chip flooded to see his dead wife and instead the first memory is of him fucking helena eagan.. she flooding on my severance chip till i hemorrhage
SEVERANCE 2.04 Woes Hollow / 2.10 Cold Harbor
Hey, never let your wife stop you from finding soul mate
if adam scott does not mention how deeply irrevocably mark is in love with helly he'll explode
It isn't until that moment that he pushes her through the door and is looking at her and realizing he has no feelings for this person. And then Helly calls his name. And then it's like, "Oh my God, if we just stay here, maybe we can be together another ten minutes?" Who knows? I don't think they're thinking more than ten seconds into the future. But it was going into the unknown and never existing again, or going with Helly. — Adam Scott, Severance Inside the Episode 2.10 "Cold Harbor"

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the world of living and loving in parallel with one another.
@bakwaaas / Tamino, “My Dearest Friend And Enemy” / journal entries of a twentysomething year old, Mia (Mimi) Garcia / Hozier, “Like Real People Do”/ James Fenton, “The Ideal”/ Sally Rooney, Beautiful World, Where Are You / comic strip found here: x
A GIFSET FOR EVERY TAYLOR SWIFT SONG The Alcott [4/212]
come, sit here by my side a while. I’ll get you lemonade and a slice of cheesecake. tell me, what have you been going through? do you still hate being in the same room as your father? do you still ignore it when tears roll down your face at the thought of your seventh birthday? wait, let me wipe your face, you’ve got a bit of cheesecake on the upper right side of your smile. yes, I’ve been fine. the nights are easier when you actually lay your head on the pillow and close your eyes and sleep allows you in. no, it wasn’t the medication that helped me, it was sitting through the discomfort and difficult feelings. yes, they still visit from time to time but now I know how to manage them better. do you want a smoke? no, I won’t lecture you on the ill effects of smoking. yes, I smoke too now. when did that happen? oh, just something my mid twenties demanded of me, I suppose. go on, take that call, I can wait. is everything fine? tell your mum I say hi. no, I don’t have to rush. yes, we can take a walk in the park. what’s that? oh, you want to hold my hand? no, I’d rather you not. it took me three years after you left my hand the last time to be okay with the lack of warmth. I don’t have three more years to re-teach my body to be comfortable in its inherent state of isolation. but we can walk side by side and talk about life until you catch your flight. how does that sound? yes, I’ll let you buy me flowers.
CONVERSATIONS WITH FRIENDS | 1.12

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i think we are all forgetting something when we talk about how toxic patrick, tashi, and art are — or when we decide one is “worse” than the other. they all have moments of seeing right through it, seeing each other’s toxic behavior for what it is, and STILL want and need each other in this possessive, envious, visceral way.
1. in the way beginning, tashi is clearly flirting more with art than patrick, and patrick is visibly annoyed. art sees right through it and even challenges him like “okay, let’s leave”, and has this little smirk on his face because he knows patrick won’t give up on tashi.
2. tashi immediately sees the visible tension and love between art and patrick, and literally orchestrates their first kiss. she sees right through their repression, and even calls herself a “home-wrecker” but still entangles herself with them, especially patrick because he’s clearly the better tennis player at that point and that is tash’s ONLY true love. tennis. that’s what she desires most in him, and patrick knows that. he even calls her out on it in the dorm room scene. but they have this mirroring fire in each other that neither of them can give up, not until patrick breaks the balance and bails — tashi’s injury is literally a metaphor for the balance shattering between all three of them when patrick leaves her.
3. before this, patrick sees right through art trying to break them up, and even admires that quality — maybe even feels smug and flattered because art is jealous and feels left out from both tashi and patrick. patrick has known this all along, we saw it in the “tick-serve” scene, where he even swears to tashi he won’t tell anyone but he still tells art, who is desperate to feel a part of them and patrick wants that, too — even keeps that close intimacy with art that we see in the churro scene (swoon swoon swoon).
4. haven’t you noticed that arts desire to be great is only ever tied up in patrick and tashi? how he needs to beat patrick to win tashis affection, how he needs to win in tennis so that tashi can live through him, how he lives up to his potential in the ending only because tashi and patrick push him to it, in their little fucked up ways? he knows this — he even admits that he’s playing for tashi, that he knows she’s living through him. he even admits he’s playing a fucked up little game with patrick when they’re in the sauna. yet he still does it. again, he knows what’s happening, sees right through them — still does it, still loves them.
5. when tashi calls patrick to come pick her up he knows it’s not just to tell him to throw the match — and despite how she battles him about it, they still have sex in the car, because he already knows. he’s so fully aware of her and her game and he’s so willing to be caught up in it, the same as art.
just some examples of how they all have moments of clarity and agency and yet they still choose to be entangled in one another because they’re all fucked up in their own, individual ways, and they’re all living through each other for their own specific needs. arts is to be seen as worthy, as great, but only through their gaze. tashis is to have the career that was stolen from her. patricks is truly to be in love and in lust with both of them, because we even see that from the beginning that tashis love alone will never satiate him; it has to be arts love, too. that scene in the sauna when he thinks he’s lost it from art is the most sad and fucked up we ever even see patrick. on top of tashi asking him to throw the game — he’s so defensive of arts feelings.
in short this is an actual love triangle (and i would go as far as to see it as a polyship). you can’t erase one without the whole thing unraveling, and you can’t say one character was the “worst” without picking apart the motivations and pointing to the fact that their bad behavior was never a secret or left unchecked.
even at the end, patrick signals to art that he slept with tashi — art knows and they still have that intimate completion at the end, all three of them. art living up to his potential and embracing patrick fully (id argue this could even be a metaphor for embracing his bisexuality), patrick having both tashi and arts affection again, and tashi playing a phenomenal tennis match through her little white boys — in such a visceral, emotional way that she cries out like she did in the beginning and the last frame is her smiling.
in a fucked up way, they all get what they wanted out of each other.
Taylor would be so fucking disappointed in some of you. Harassing people, sending threats, commenting snake emojis, and now making fun of his appearance. One thing's for sure, no matter what happened between them, these are not the morals of the woman you're "defending" and she would never stoop this low. You're not showing up for her, you're just being terrible people.