by Takeuchi Seiho

blake kathryn

Product Placement
RMH

roma★
let's talk about Bridgerton tea, my ask is open
noise dept.

shark vs the universe
wallacepolsom

TVSTRANGERTHINGS

PR's Tumblrdome
AnasAbdin
Monterey Bay Aquarium
we're not kids anymore.

JVL
2025 on Tumblr: Trends That Defined the Year
NASA

Discoholic 🪩
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@antitenture
by Takeuchi Seiho

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Gold brooch, Langobardic, circa 600 AD
from The MET
Robert Morris. Blind Time I, 1973

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
The book is complete! It's too long to include every page (let alone show all the many, many flaps) so here's some highlights :)
Chung Chang-Sup, ‘Untitled’, 1992,
Tak fibre on canvas, 260 x 390 cm.
Image courtesy Galerie Perrotin.
Chung Chang-Sup, Return One-G, 1977
A Stockholm apartment color-drenched in pink, green, and blue tones | subscribe for weekly home tours
colorwork knitting | Kaffe Fassett

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
two terrible comics! why not even
Autumn Leaves Fluttering in the Breeze (1973). Alma Thomas.
Koujak-Jaber Building Beirut, Lebanon
Architect: Victor Bisharat, 1967
Philips Exeter Academy Library (1965-71) in Exeter, NH, USA, by Louis Kahn
Sunflower mosaic, Tokyo Metro, 2006

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Birds by KIKI SMITH (b. 1954, Germany)
Kiki Smith was raised Catholic and draws heavily on traditional bird symbolism. She uses birds—particularly doves, which represent peace, the Holy Ghost, and freedom—to examine spirituality and mortality.
She kept birds as a child for over a decade. This lifelong affection evolved into a desire to incorporate animals into her art to represent our shared instincts, movement, and vulnerability.
Her process is deeply tactile. She often creates bird reliefs and sculptures using materials like bronze, aluminum, and silver. She views the natural behavior of birds as its own form of environmental "technology"—using the things around them to flourish and build architecture.
https://www.pacegallery.com/.../a-bird-is-technology-in.../
Talking about touch (2024 2025
SteveLovett Cutbacks.
Hand cut paper collage, found magazine images, photocopies, and reworked screen print