Philip Guston
Open Window, 1969
Oil on Panel, 81.3cm x 101.6cm
Keni
will byers stan first human second
Claire Keane
TVSTRANGERTHINGS
Mike Driver
d e v o n
Cosimo Galluzzi
Peter Solarz
todays bird
macklin celebrini has autism
Show & Tell
art blog(derogatory)

⁂
we're not kids anymore.
trying on a metaphor

titsay
AnasAbdin
let's talk about Bridgerton tea, my ask is open
cherry valley forever
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@antimeros
Philip Guston
Open Window, 1969
Oil on Panel, 81.3cm x 101.6cm

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Meredith McKinney on Sei Shonagon's Masterpiece
"The Assassination of Khusrau Parviz", Folio 742v from the Shahnama (Book of Kings) of Shah Tahmasp
Abu'l Qasim Firdausi, c. 1535
Met Museum
Shahzia Sikander
Mirrat I, 1989–1990
Hilary Balu
Voyage Vers Mars 9 / 2020

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Raoul Dufy
Still Life / 1928
The Ideal City
Attributed to Fra Carnevale circa 1480 - circa 1484 Oil and tempera on panel 77.4 cm × 220. cm (30.5 in × 86.6 in) The Walters Art Museum, Baltimore
Extrait de Chandi Mangal de Meena Chitrakar
Clare Grill, “Gull” (2021), oil on linen, 74 x 56 inches
A cat with a fish, about 1890, Kolkata, India
Kalighat School
“This image is connected with a legend in the Mahabharata epic, in which a cat pretends to live the life of an ascetic, but secretly continues its habit of eating mice. The theme came to represent the falseness of certain Brahmin priests, who continued to eat meat and fish despite their religion forbidding them.”

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Vishnu sleeping on the serpent Ananta [Infinity], about 1880s, Kolkata, India
Kalighat School
If we are the only rational beings in the Universe, as some recent evidence suggests, it matters even more whether we shall have descendants or successors during the billions of years in which that would be possible. Some of our successors might live lives and create worlds that, though failing to justify past suffering, would give us all, including some of those who have suffered, reasons to be glad that the Universe exists.
Derek Parfit
on WFMU around midnight
S.E. view of St. John's College Annapolis, Md.
John Warner Barber (1798-1885)

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Shahzia Sikander
The Scroll (1988-1990)
Vegetable color, dry pigment, watercolor, and tea on hand-prepared wasli paper
13 1/2 x 63 7/8 inches
Sara Cwynar
Corinthian Column (Plastic Cups), 2014