unknown photographer. Trains at Paddington Station. London. 1900s
noise dept.
wallacepolsom

#extradirty
RMH
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roma★
Mike Driver
i don't do bad sauce passes
"I'm Dorothy Gale from Kansas"
Alisa U Zemlji Chuda
2025 on Tumblr: Trends That Defined the Year
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Jules of Nature

❣ Chile in a Photography ❣
Cosimo Galluzzi
Sweet Seals For You, Always

pixel skylines

祝日 / Permanent Vacation

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@anothereview
unknown photographer. Trains at Paddington Station. London. 1900s

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Kees Scherer. Paris. 1953-1958
thanks to marckald
Sabine Weiss, Sortie de Metro, Paris, 1955
Jacques Boulas. La rue Valette mène au Panthéon et son dôme imposant, Paris, 1957.
Albarrán Cabrera. The Mouth of Krishna. #360. Palladium print tea toned.
thanks to yama-bato and albarrán cabrera

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Frank Herfort, Imperial Pomp
Fred Herzog
Joel Meyerowitz. from “Cape Light”, 1979
Kei Nomiyama, behold the magic of the japanese firefly
Helen Levitt
New York, circa 1945

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Fox Photos/Hulton Archive
Rainy Day. Two women, holding raised umbrellas, are silhoutted at the end of an arched passage-way on a rainy day. 1930’s
Sarah Moon, colors
Angel Albarrán and Anna Cabrera
"The Mouth of Krishna" #243
Bernard F. Eilers, Amsterdam 1930′s
© Marc Erwin Babej, ca. late 2000s, Bounty of the Beach, Burma (Myanmar)
Q: “Bounty of the Beach” is a really amazing picture. The shape of the woman is almost calligraphic. She is slim and bent over, wearing a hat. It’s beyond symbolism. It stands for a way of life and an orientation to the world. It has a transcendent character.
A: You hit the main points right there. The image is related to the picture of the fisherman on Inle Lake. This lady lives in the fishing village and is collecting seashells to craft into jewelry. It was taken around 4:30 PM when the sun was starting to set.
Read the full interview with Marc Erwin Babej here.
thanks to burnedshoes

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Jaroslav Kysela, Untitled. 1942
thanks to largerloves
Erwin Blumenfeld
Untitled, 1940