andrew

september tends to be so cruel </3

📸 : @andrewpoertner

it was chill! the hours were long and i spent them in a room with no windows so that was a little stir-crazy but i was very good at it so i would zone out and work on my stories and ideas in my head the whole time. a lot of preachers daughter was conceptualized while staring at toenails.

@andrewpoertner

📷: Beth Garrabrant

Watching Kendrick Lamar create and record his verses on the Bad Blood remix was one of the most inspiring experiences of my life. I still look back on this collaboration with so much pride and gratitude, for the ways Kendrick elevated the song and the way he treats everyone around him. Every time the crowds on The Eras Tour would chant his line ‘you forgive, you forget, but you never let it… go!’, I smiled. The reality that Kendrick would go back in and re-record Bad Blood so that I could reclaim and own this work I’m so proud of is surreal and bewildering to me. I’m overjoyed to say that the Bad Blood Remix (featuring Kendrick Lamar) is available everywhere on the 1989 Deluxe Edition. 🫶🩵 http://taylor.lnk.to/1989TaylorsVersion

one more show and i get to go home

i'd kill myself immediately, i'm so lazy

i don’t know if i’ve ever posted about this before but this is the actual house i wrote house in nebraska about. it’s called the wasden house, it’s by the highway just south of quitman, georgia. a man killed his sister and her husband in 1937 there because they threatened to commit him to an asylum. an old friend of mine used to live down the road, we would drive by it all the time right after high school and i’d daydream about it constantly. i hope it goes up for sale every day. 

“swinging by my neck from the family tree” has always encapsulated the entire trilogy for me so i’m very fond of it