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Lint Roller? I Barely Know Her
Mike Driver
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Xuebing Du
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cherry valley forever

JBB: An Artblog!

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Show & Tell
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todays bird

Janaina Medeiros

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@andrealacyart

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I think Iâm obsessed with drawing these two anxiously holding each other.
Dress up time with Emmrich!
Wanted to add to the collection of Emmrich hands appreciation illustrations.
I needed something sweet

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Iâd be stealing this crow if my friend didnât call dibs :P
Hellooo Professor đâ¨
Really happy with how this two color palette turned out on emmrich
Iâm nearly 400 hours into this game and I will happily start another play-through next update to roleplay my babies again!
Itâs no surprise that the med. illustrator picked the necromancer romance
He always looks like a blueberry in my original scenes because Iâd always forget to clean off the blood.

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The moment I fell flat on my face in love
Hello tumblr, very long time no see, but its a personal tradition to share my yearly art review:
Despite everything that happened this year that resulted in lots of undesirable firsts, I also must look back fondly at 2020 as really my year to surround myself in medical illustration. As you may note all the work in this yearâs round up is class work done for my graduate program. I did very little personal work, just sketches here and there but especially with an additional summer semester of classes and six months working alone on projects during quarantine, I was completely immersed in medical illustration this year. And one of the best things about that experience is where last year if felt like I stepped through the threshold into the world of medical illustration, now I feel that I have lived in that room and its hard to see myself doing anything besides this.
Now onto the art. Each row roughly lines up with my semesters which is handy. Highlights this past spring were my first experiences with surgery which were rewarding but also very overwhelming experiences. Thereâs something very humbling about being in surgery and having the surgeon be concerned about whether or not youâre getting a good view of the action and if all your questions are answered. One surgeon this year even let me sit at the robotic surgery controls to see her work in stereoscopic view (no worries the safety lock was on, so I didnât bump anything). Something I also did back in spring was start learning my first 3D modelling program: Cinema 4D.
Over the summer I did a lot of work in animation and more 3D modeling with a good dose of surgery illustration work as well. This summer I feel that I switched from being rather scared of surgical illustration to being quite proud and even a bit comfortable with the process which is something that undergrad me would be shocked to hear. I also submitted work to the AMI for the first time with my pieces from June and July as my example of my skills. In August I did my first bit of 3D animation; a neutrophil engulfing some bacteria.
And finally, in Fall I was back to in-person classes and busier than I had ever been. I worked on a large-scale poster in September which was very rewarding, struggled so hard to achieve the look of âmed-legalâ in October, and managed to squeeze in my love for tarot card/ art deco symbolism in a mock journal cover. And I also created a fully 3D animation on the cell membrane. And that is only part of the work I did but some of the other work in kind of under NDA for the moment.
       Thank you all kindly for reading and being curious about this little journey of mine. I hope your holidays are pleasant and safe this year, and make sure to take some time for yourself to reward yourself for all the hard work this year.
Hi, I love your artwork! I was especially struck by your self portraits, that one from 2017 reminded me of Prudence Heward (one of my all-time fave artists!) and the colour temperature oil painting is really rad too!
Thank you so much!, self portraits are so fun and interesting to experiment with, and thanks that temperature painting was crazy haha, throw a colored light bulb on an object and everything you think you know about color is challenged haha.
Also I feel that I must say that Iâm not using my tumblr much anymore, Iâm most active on Instagram (same name) and Iâm expanding into twitter right now, also Iâm currently in school for medical illustration, if thats an interest to you, of course Iâll still continue illustration work in general.
And thank you again for the kind words!
A study of a panel from âHer Hairâ by Francesca Sanna: Her Instagram - This is my last post for my History of American illustration, it was really satisfying to go through this whole process and actually experience all these new techniques and styles. - - When we covered Francescaâs work we discussed her book âThe Journeyâ which tells the true life tale of immigrants that she interviewed herself. I wanted to try my hand at her line-less, curvy shaped style. As someone who really likes flow in their work, I resonated with the feel of her illustrations. I really enjoyed the pattern work with the leaves as well.
Study of âNight in Dayâ by Thomas Blackshear. - - - I really wanted to do a study on this particular piece after my professor had shown us this picture in my first illustration class. I love the dynamic lighting and the nouveau inspired composition. And as I was working on it I was particularly interested in the method to which he rendered the folds in the cloak, the colors and shadow shapes were so different than what I would have typically chosen. I also have to say that Iâm particularly happy with that right hand.

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Study of Leo and Diane Dillon in 1990 from the childrenâs book Aida. - - - Leo and Dianne were not friends when they first met, they were actually in fierce competition with each other for the first three years of their college education. It wasnât until their senior year when they concluded they actually caused each other to be better artists and if they worked together instead of against each other, they realized the strength of collaboration. They became a great working duo and worked together on each illustration. I really liked their combination of geometric shapes and fully rendered elements.
Study of a magazine illustration in 1955 by Lorraine Fox. - - Learning about Lorraine Fox, I admired her commitment to her own style throughout her life, but she also constantly strived towards redefining what that meant visually. Her work was unique to the industry when she was starting her career, emphasizing design and had cues of folk art, but as she got more popular she felt she needed to branch out because she started to feel cornered into a style by publishers. This piece was really fun to replicate, so different from my own. I really enjoyed the color pallet and working with all these bold shapes.