ㅤㅤㅤㅤㅤㅤㅤIMAGINED BY EURYDICE.
ㅤㅤㅤㅤINDEPENDENT. | SELECTIVE. | PRIVATE.
ㅤㅤㅤㅤ ㅤALWAYS WATCHING.
ㅤㅤㅤㅤ ─────────────────
ㅤㅤㅤㅤㅤㅤTHIS ACCOUNT IS 21+, DUE TO MATURE THEMES PRESENT.
ㅤㅤㅤㅤㅤㅤSUCH THEMES, WILL INCLUDE ; BLOOD, GORE, DEATH, BODY
ㅤㅤㅤㅤㅤㅤHORROR, LIMINAL HORROR, && MORE. AS THESE THEMES
ㅤㅤㅤㅤㅤㅤARE ADULT, WILL BE TAGGED ACCORDINGLY. IT IS ADVISED
ㅤㅤㅤㅤㅤㅤㅤㅤ YOU INTERACT AT YOUR OWN DISCRETION.
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ㅤㅤㅤㅤㅤㅤBefore the yawning arch, to THAT PLACE, does it linger.
ㅤㅤㅤㅤㅤㅤOh, how it would come to DETEST waters, and what lingered
ㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤwithin them.
It finds them, there ; but dares not to tead 'pon dampened tile grounds. No, water was to Isaak as acid was to FLESH. The only difference, is it did not corrode flesh, it was not DEADLY ... at least, not that it's come to realize. It was not eager, to find out.
Eyes lock upon their visage, narrowing only slightly. When did they get here. HOW ? And why, oh why, did they visit the WATERPARK, of all places in the Maw ?
Isaak emerges from the dark, scaling the escalator with ease. Lumbering shouldn't look so graceful. Isaak really is an odd collection of opposites.
Closer and closer, Isaak almost near enough to grab.
Ichigo sets his jaw, plants a foot on a step, prepares to lunge the last of that distance—
Except everything stops when he’s lifted.
“Uh.”
Ichigo’s limbs flail briefly then go limp as all need for running is thwarted in an instant. He blinks. Let’s out a bewildered breath.
He doesn’t even know what to do. Hold on? Climb up?
One moment he’s lifted, the next he’s pressed to Isaak like his entire weight isn’t substantial. Which is backasswards since that’s more how Isaak feels. Solid enough, cool to the touch, but somehow absent in a way that makes Ichigo’s brain hurt.
Ichigo would ponder it more if his bag wasn’t still tangible. It follows him a second later, crashing into the front of Isaak even as Ichigo inhales a mouthful of white hair and chokes.
“Ack—”
Coughing, he shoves the strands from his face and watches Isaak descend the escalator like the impossible length and incline aren’t even worth mentioning.
Figures.
Ichigo presses his lips and flips the ceiling a finger, but the gesture loses traction when Isaak speaks.
Leaning back, he tries to get a proper look.
“Yeah. You really need a phone.” Though Isaak isn’t full of typical conversation on the best days, Ichigo’s betting they could master reaction gifs in a heartbeat. “What’ve you been doing with yourself?”
ㅤ
ㅤㅤㅤㅤㅤㅤㅤCollision, with something heavy, does not deter it.
You really need a phone, he says, though ISAAK is not sure if it's meant in jest. It can recall, those days, of the telephone being used ; darling mother, twirling spiraling chord 'round her finger, speaking to a friend from the past.
ㅤㅤㅤㅤㅤㅤㅤㅤㅤFather, most loathed, screaming into receiver.
ㅤㅤㅤㅤㅤㅤㅤㅤㅤ How different, the two of them were. A perfect,
ㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤanthesis to one another.
Gingerly, is human - hybrid set down, Isaak's head craning up as it near COOS, something to soothe The Maw as the building almost shivers. Exhales. Frustrated, near, but complacent enough. Lower set of eyes darts downward, and he ASKS, what it's been doing. Head would cant, cascade of somehow - still pristine hair jostling only slightly with the motion.
ㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤHow does one answer NOTHING,
ㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤwhen NOTHING was all there had been
ㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤ to be done ?
ㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤ It merely SHRUGS.
Not in any particularly vain effort, to seem aloof, but TRULY because time - as a concept - tended to escape it. What one could do for mere minutes, Isaak could be doing for DAYS and not notice the passage of it.
ㅤㅤㅤㅤㅤㅤㅤㅤ❝ WAIT. WAIT. WAIT. WAIT. ❞
Easily, does it echo the crosswalks' hail : Wait, it did. For food. For company. For anything, and for nothing at all. To exist in a way that meant NOTHING, was not entirely tiring ... but, it was lonely. Bereft of purpose, Isaak could do NOTHING but wait.
a hand rests, uneasy and unsure, against the front of his throat. he runs a calloused hand up to the underside of his jaw where soon-to-crack skin grazes against stubs of dirty blond. somewhere far off, music plays. some part of him recognizes it as a song befitting of any stock commercial or cheesy insurance advertisement. he only recognizes that he’s laying down when his body begins to stand, hands finding their rightful place in his pockets and gaze finding the liminal horizon once more. the question which follows is quiet, breathed out, so that the devil inside may be the only one which hears it.
ㅤ
ㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤ It waits.
ㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤWonders.
ㅤㅤㅤㅤㅤㅤ By the ankle, was he SEIZED ; together, did they vanish.
It looks on, from the side, silent - smiling. It'd no plans, to spare the life found, but intrigue had gripped it FAST, and it was that CHILD- LIKE CURIOSITY, that saved. Body begins to rise, and single query comes. Head turns, and to its' left, the ENTRANCE to The Maw. To the heart, of it. To the right, the expanse of the AMUSEMENT PARK. Carnival - like, in too many ways, the sweetest smell of fried foods and popped corn wafts past. A memory, given life.
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very serious very spooky, slow activity, canon compliant roleplay blog for 𝙆𝙀𝙉𝙅𝘼𝙆𝙐 , from the series 𝙅𝙐𝙅𝙐𝙏𝙎𝙐 𝙆𝘼𝙄𝙎𝙀𝙉. penned by kero. 21+ . multi verse. ship selective. 100% oc friendly. 𝑫𝑨𝑹𝑲 𝑪𝑶𝑵𝑻𝑬𝑵𝑻 will be present, so be sure to read my rules before you follow me or interact.
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Free to watch • No registration required • HD streaming
ㅤ
ㅤㅤㅤㅤㅤㅤㅤㅤㅤFingers, one by one, curl 'round windowsill.
ㅤㅤㅤㅤㅤㅤㅤㅤㅤ It's easy enough, to lift itself inside. Too easy.
ㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤALWAYS, TOO EASY !
With a muffled thmp, does its' body collapse to the floor, for a mere MOMENT. And, like a corpse, stiff, DOES IT RISE ! The home is warmly lit - dim, in its' way, lacking the fluorescent sort of GLOW that Isaak had long - since become adjusted to. In a sense, change was welcome.
ㅤㅤㅤㅤㅤㅤㅤㅤㅤTHE CREATURE, WAS WELCOME, TOO.
In the darkest corner, does it exist, does it MANIFEST, smile soft ; its most relaxed form. Eyes, four, follow a busy body that darts 'round the kitchen, corners of its' mouth lifting. IT WAS STARVING.
ㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤTHE CREATURE, WAS STARVING.
ㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤIt waits.
ㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤ It calls.
ㅤ
ㅤㅤ❝ HE - HE - HELLO , FRI - RI - RIEND - END ... ❞
ㅤㅤ︶ ꒷꒦˚ ╯˚ ࣭⚝ ⭑ ꒷꒦︶ ๋ SECRECY is of utmost importance, yet he sacrifices certainty to pleasure STRONG interest. His mind wandered amid gruesome imagery that heightened anticipation. ( Icor-drenched ) tentacles protrude from the undead spine as naturally as one could reach a hand. With it, a narrowly breathing individual who is lightly veiled in eldridge rot. The other was kept inside Alucard's VOID-like body for transactual purposes ; he's a sacrifice to the other, free of charge ; displayed like bait for a fish. Vampire Bats in nature are known to spit up blood for the starving..
ㅤㅤ❛ I hope you're not SHY. ❜ That dead gaze is intense, unwavering, and filled with elation. The other treated like the cure for boredom : a circus performance or even that of an animal in a zoo. ❛ I like to WATCH.❜
ㅤ
ㅤㅤㅤㅤㅤㅤㅤㅤㅤINTO REALITY, is poor mortal spit.
ㅤㅤㅤㅤㅤㅤㅤㅤㅤ Naught, but a PRIZE, for the unreal.
ㅤㅤㅤㅤㅤ I LIKE TO WATCH.
It was not a ring - bound thing. It did not live, behind glass, behind CAGE BARS, it was not whipped to perform. Never then, and never, now. It merely remains, primary set of eyes lingering 'pon MONSTER before it, while lower set watches human writhe and wriggle, a worm on a hook. Saliva, tainted and discolored, dribbles from slavering maw, but Isaak does not move. STATUESQUE, does it remain, digits twitching at its' side.
ㅤㅤㅤㅤㅤㅤㅤ ㅤ❝ ... NO - O - O .... ❞
Fingers wrap, at last, round leg, human left to yelp, to scream and cry. Nails scrabble, REACH for some sort of purchase, some salvation, but none would be found. Not here. Not between creatures of vast and callous indifference.
ㅤㅤㅤㅤㅤㅤㅤㅤㅤIt laughs, ears WIGGLING in abject delight.
ㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤIt does not yet feast. It had manners.
ㅤㅤㅤㅤㅤㅤㅤㅤLike wet PAPER, does leg sound as it's torn in twain.
ㅤㅤㅤㅤㅤㅤㅤㅤㅤ Screams would deafen something normal.
ㅤㅤㅤㅤㅤㅤㅤㅤㅤHalf, tossed to host.
ㅤㅤㅤㅤㅤㅤㅤㅤㅤ Feast with friends.
THE MAW, ( called too, THE MALL, ) is a relatively expansive structure. While its' origins are almost entirely unknown, it has existed for a great deal of time ─ LONGER, than Isaak itself has. There are SELECT, NOTABLE AREAS, TO THE MAW : The Public Levels ( Main Floor / Upstairs Floor ) , The Concourse ( Underground ), The Amusement Park ( "Outside" ), The Waterpark & ████ 's room. ONE BY ONE, WE WILL VISIT THESE PLACES, AND DETAIL THEM FURTHER.
ㅤㅤㅤㅤㅤㅤAll examples of these locations, are pulled from PINTEREST.
ㅤㅤㅤㅤㅤ──────────────────────
ㅤㅤㅤ THE MAW : PUBLIC LEVELS.
LOCATED, AT THE END OF A LONG STAIRCASE, there are TWO, PUBLIC LEVELS TO THE MAW : The MAIN FLOOR, and UPSTAIRS, called too, the First and Second Floors. Within the first floor, lies the FOUNTAIN at the center of the structure, the FOOD COURT, the CHILDRENS' PLAY AREA, and the escalators to and from the UNDERGROUND CONCOURSE. There are a variety of stores on this level, more generally low - cost to medium cost locations ( Think Carter's for children, GAP, Spencer's, Hot - Topic, and various food places such as Auntie Anne's, Cinnabon, etc. ) while UPSTAIRS WILL HOUSE MORE EXPENSIVE STORES ( such as Apple, Coach, and Swarovski ). These two locations are the most normal seeming areas of THE MAW, despite being empty. They look as if a Mall is pre - opening, or freshly closed. There are mannequins in windows and product in stores ; including food, though often the food itself is unprepared. At the NORTH END OF THE MALL, lies a SEARS, the South, a MACY'S, and to the west, is THE WATER PARK. Larger department stores also have two levels, that are divided into sections such as clothing and appliances at the bottom, while housewares and furnishings will be on the top floor. It is because of the appearance to the Public Eye, The Maw is called THE MALL. A snapshot, of an earlier time, almost entirely untouched by time. It can either be very brightly lit, with music softly playing ( also concurrent with the time ) or rather dark and foreboding ; silent.
ㅤㅤㅤTHE MAW : THE CONCOURSE
ㅤㅤㅤㅤㅤㅤ& THE ROOM.
To the EAST, of the public levels, near the doors to the 'outside' are ESCALATORS INTO PITCH DARKNESS : These are the escalators ( to and from ) that carry one to The Concourse. In general terms, the Concourse is where larger places lie ; such as The Mall's move theatre, and staffing and sanitation areas. While the theater is rather large, is is INORDINATE to the size of The Concourse. This area, with meandering, winding hallways, is closest to a BACKROOMS LOCATION, and once lost within it, is nearly impossible to escape. However, if one is UNLUCKY ENOUGH, within The Concourse, THEY WILL STUMBLE UPON A ROOM.
THIS, IS █████'S ROOM, OR, THE CHILD'S ROOM. This room, which is extremely difficult to find, is an exact reflection & replica, of the room of the child that CREATED ISAAK : as such, the creature is not only incredibly avoidant of it, but EXTREMELY TERRITORIAL. This room, is every pure and innocent memory it has left; everything it no longer is. When entering, even if Isaak was JUST SEEN or escaped, it is not uncommon to find it here, when crossing the threshold. It will often emerge from UNDER THE BED, or from WITHIN THE CLOSET, and swiftly dispatch those that enter this place. THIS ROOM IS NOT A SAFE HAVEN : IT IS A DEATH SENTENCE.
ㅤTHE MAW : THE AMUSEMENT PARK.
THE LARGEST LOCATION BY FAR, The Amusement Park, is located outside, to the EAST of The Maw. One, seeing doors, would think it is an escape, but it merely an elongated LIMINAL ZONE, that is just as confusing as The Concourse : However, it is infinitely more dangerous. Despite the flicker of neon light, and the smell of freshly popped popcorn, this location HOUSES OTHER CREATURES. Similar to " Shadow - People, " These creatures, called REMAINS, will linger in the corner of ones' vision. Much like Isaak, the usage of fear to wear prey down is the primary means of hunting. REMAINS, ARE NOT MASSIVE IN NUMBER, however, and are more common near rides and stands. Games, are too loud, and something of a detest to them. The rides, will include things like THE ZIPPER, THE COMET, THE CAROUSEL, SWINGS, AND THE TILT - A - WHIRL, along with much more. Food included, will be objects like FRIED BUTTER, FUNNEL CAKE, CORN AND HOT DOGS, and other Fair - Friendly foods. The rides, here, can be climbed and utilized ; however, without a body to start and stop them, it IS NOT ADVISED. Once on, it may be difficult to get off of them. THIS ZONE IS THE SECOND - MOST DIFFICULT TO LEAVE, DUE TO ITS' SIZE.
ㅤㅤㅤTHE MAW : THE WATER PARK.
Returning to THE PUBLIC AREA OF THE MAW, the western wing is ENTIRELY DEVOTED, to the WATER PARK. This place, is by far, the most self - explanatory, and simplistic. IT IS ALSO THE SAFEST PLACE IN THE MAW. Why, one may ask ? Simple : ISAAK, DETESTS WATER, AND IS IN FACT, HYDROPHOBIC. It cannot swim, and sinks like a stone - and though it does not need to breathe, as humans do, it does not like the pressure change. THE WATER PARK, will feature such things as : A SPLASH PAD, LAZY RIVER, AND SLIDES. One is able to utilize these attractions, and the water is ( surprisingly ) relatively clean : ONLY THE POOLS, WILL SUFFER STILLWATER, AND SHOULD NOT BE USED.
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ㅤㅤㅤㅤㅤㅤWhat it does not expect, is for the SCALP to split in two.
ㅤㅤㅤㅤㅤㅤ It does not expect to see an organ with TEETH. It wasn't
ㅤㅤㅤㅤㅤㅤ sure what it had expected : but smile only grows wider.
ㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤNot a human.
ㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤAt least, no normal one.
ㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤSomething vile.
ㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤHiding, in people skin.
Laughter turns into a fit of childish giggles, as hand draws away, joints groaning, popping, PROTESTING as it lowers itself just a touch, for lower eyes to garner a better look. Oh, yes ; those were certainly teeth. Clawed fingertip taps 'pon its' own terrifying set. It wonders, if this creature too, could be a product of The Maw. It had never PRODUCED anything, of itself, but that did not mean it couldn't. That location, that PLACE between realities, was a FICKLE THING.
It stands upright and moves, gripping long, luscious hair, and covering organic matter with cranium once more. Like a helmet, to protect itself. A hermit crabs' shell.
ㅤㅤ❝ BE - E - E - E CARE - ARE - AREFUL -UL ... ❞
For, it made so much sense ; if that brain came tumbling out, the body would hit the ground in NO TIME.
The escalator starts moving when Ichigo’s only halfway down. Which wouldn’t be a problem, except it’s moving up.
He catches the rail as the stairs lurch and carry him backward. “Are you kidding me? This thing was already too long.”
Ichigo huffs and picks up his pace. So do the stairs.
“What the hell?”
He speeds up. Then jogs. Then takes the steps three at a time. Then he’s trying not to eat shit as the stairs slide under his feet. His eyes flick toward the ceiling. “Oh, you’re fucking hilarious, aren’t you?”
It doesn’t even look like he’s getting any closer to the bottom no matter how much he runs.
“Isaak! Hey, Isaak! Your damn home is trying to throw me out!”
ㅤ
ㅤ
ㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤ At the base, does it WAIT.
ㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤ It's obvious, though ; THE
ㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤ MAW, WANTS NO VISITORS.
ㅤㅤㅤㅤㅤㅤ ㅤHere, one certainty lingered beyond all ELSE :
ㅤㅤㅤㅤㅤㅤㅤㅤ Isaak, was not in control of this place.
The Maw had, forever, been its' own ENTITY. It existed in a space beyond the reality of mortals, and their understanding, a space OUTSIDE of common perception. And it, had come to dwell within it, falling into this space and TRAPPED, as an insect under a jar. IT DIDN'T MIND. Now, though, it watches as the ONLY company craved, is seemingly denied entry. Perhaps, as a prank. Perhaps, with a stony seriousness that it could not understand.
Carefully, does it step 'pon escalator step, that JOLTS and jerks it upward, wiry digits grasping the railing that slides more smoothly upward. Gait is massive, as too - tall creature lumbers forward, hand reaching, reaching, reaching for Ichigo : AND, IT DOES AT LAST GRASP THE HEM OF HIS SHIRT.
ㅤㅤㅤ❝ G - G - GOT YOU, FRI - FRI - FRIEND ! ❞
The tug forward, into its' body is not VIOLENT, but as gentle as it's ever been able to be. As if handling a child, wild and awry. Warmer flesh collides with something chilly, pallid and almost NON-PHYSICAL. With shinigami in tow, does the entity take the escalator down once more, besting the MAW and its' ridiculous tricks.
