@unpossession SAID:  a funeral home parlor arranged too perfectly. - and hear me out. this is a much younger willow pre or post one of her random relatives funerals. walk with me toward the pastâŠÂ  +  a crowded subway platform just before the last train. - again could be set during willows time in ny before she came to la⊠if u want..  +  a library corner no one ever uses.   â¶Â   random settings prompts    â¶Â   say a PRAYER?
He takes shelter from the London rain in the nearest building. The sweet-rot scent of lilies is the first thing he notices. The next thing is the open casket, a grand, cathedral-like box that looms prominently in the mourning chapel. Surrounding it are people with pale faces and dark clothes, their heads bowed as if grief is a physical weight in their skulls.Â
Yato makes a conscious effort to value life, the war-god in recovery. He will not turn away from this strangerâs funeral. He approaches the casketâa stark contrast to the other mourners with his unkempt hair and tracksuit, but he is unconcerned with making a good impression. Nobody will notice him. In foreign lands he exists even less.Â
Six coins is a large sacrifice for him, but he makes it anyway. One by one, he places them in the casket, the toll to cross the river to elsewhere.Â
Excuse me. What are you doing?Â
It startles him to be addressed. He hasnât made himself known to anyone; he should be effectively invisible. He jumps, tenses like a cat.
The girl looks at him with owlish eyes. Who are you?
He stammers. What he says isnât even an answer:Â Â Â Â Â âYouâyou see me?â
Of course I see you. She could be a spirit herself, an immovable ghost. Sheâs human, but touched by something, connected to other shores. Wise and perceptive beyond her years, but too young and naive to put any of it to use, or even to fully understand it. What were you doing just now?
Other mourners notice the girl talking to nothing, to no one, and begin to murmur amongst themselves. Yato glances around the room, then holds a finger to his lips.     âIf you meet me outside, Iâll tell you.â
It takes her ten minutes to find him outside. She seems relieved to find him there, that he didnât leave. She tells him her cousin was reprimanding her for acting strangely. Why canât they see you?
          âMost people canât see me unless I blatantly call attention to myself. Even if they do, theyâll quickly forget me. You must see me because youâre special somehow.â
Are you a ghost? No. What are you? A god! A god? Like in church? A different kind of god. What kind of god? The good kind. People always say âGod is good.â Well, I aim to be better than that. Will I forget about you when you leave? Most likely. I donât want to. That makes me soâŠ, and then she starts to cry.Â
Inside, in the aftermath of the service, her eyes were dry. She looked sad, but her eyes were dry. Yato doesnât understand why sheâd cry now. He doesnât know what to do. For all his divinity, he feels quite useless.Â
In an hour, Willowâs mother will find her in the nearby meadow, curled up like a fox with twigs in her hair. She will not remember falling asleep, or what she was doing out there in the first place. She will not remember playing hide-and-seek with a god from the east, who told her that they can make a game out of remembering.Â
For a split second, when she is slapped, she will remember blue light and a boy. In the next instant it will be gone.
With all the people, all the jostling, it would look like an accident, she thinks. And itâs a far enough fall that sheâd probably knock herself out before the train crushed her like meat.Â
In New York it is important to be apathetic. Take no notice of the person beside you unless absolutely necessary, and even then you may get barked at like a dog. She doesnât know what she expected disappearing into a city like this. Itâs only made her more lonely. If she died in front of these people they would care less about the loss of life than the fact the subway would be delayed. They have places to be. In New York it is very important that you have a place to be.
It would be humiliating to be an inconvenience. But really nobody would be to blame if she pushed a little closer to the edge, craning her neck in anticipation for the train. In fact she can hear it; in just a few moments it will be upon them. Sheâs feeling a little dizzy. Itâs late. She drank too much. But she really does want to make sure itâs the right trainâisnât it the last train?âand that sheâs granted passage, so she pushes through the other waiting bodies, twisting this way and that, the world spinning, her ankles about to giveâ
Somebody grabs her and pulls her backward. She falls face-first into a bony chest with a pleasant scent. Bright red, she steps back. IâmâIâmâIâm sorry, Iâ
          âYou were about to fall.âÂ
Dark, unkempt hair, a tracksuit, an ethereal air. Something about him is familiar, but she isnât sure how. Itâs been a long time since her great auntâs funeral.
They stare at each other. Yato is the one who asks first:     âDo I know you?â     Then, immediately:     âOh, never mind, thatâs not important. Are you okay?â
Noânobody knows me. I mean, noâI donâtâyou look familiar, butâum, yes, I mean, Iâm okay. Thank you.
Yato laughs, giving her shoulders a squeeze. The laugh is unlike the callous, mean-spirited laughs sheâs grown accustomed to; itâs warm, a cozy spring breeze.     âGood. You know, I was worried you were a suicide case there for a second.â
She hopes she isnât turning any more red.
          âTell you what, if you give me a nickel Iâll escort you home. Maybe you should walk for a while in the fresh air.â     Yato is grinning, boyish, playful, like he hasnât just saved a life.
She knows better than to wander off with strange men, but sheâs buzzed and wanted to die anyway, so why not? Besides, somehowâshe isnât sure how exactly, but somehowâshe can tell he means no harm. She gives him a nickel. He flips it in the air before pocketing it, saying something silly about her wish being heard loud and clear.
He takes her arm and guides her away, back out into the city. They make their way through the park, which has always terrified her after dark, but now seems uncharacteristically tranquil and friendly. The boy chatters at her, cheerful and mindless. He doesnât relent, regardless of how sluggish and morose she is. After a while he even gets her to laugh.Â
At her doorstep, sheâs finally brave enough to say, You really do seem familiar to me.
          âYeah, I think I remember nowâwe played hide-and-seek once.âÂ
It hits her suddenly, a memory she didnât know she had. She bursts into tears and throws her arms around his shoulders. No, no, no, I donât want to forget this.
By the next morning, she has.
Yato is curled up in the space between two dusty bookshelves, dreaming of prosperity that will never be his. When he wakes, he sees a familiar face half-obscured by dark hair, scanning the shelf beside him.Â
The girl is different now. Her soul has been incurably infected. Time has taken its toll on her yet again. The melancholy in her eyes has ripened into something even darker. His breath catches in his throat.Â
Itâs his turn to cry this time.Â
She looks at him without recognition, slipping a book back onto the shelf. Are you okay? And then, of course, Do I know you?
He sniffles and wipes his nose on his sleeve, feeling so very old and beaten down.     âWe played hide-and-seek once.â