𝔦'𝔪 𝔨𝔦𝔰𝔰𝔦𝔫𝔤 𝔱𝔥𝔢 𝔟𝔩𝔞𝔡𝔢, 𝔪𝔶 𝔩𝔦𝔭𝔰 𝔰𝔱𝔞𝔯𝔱 𝔱𝔬 𝔞𝔠𝔥𝔢 𝔞𝔯𝔬𝔲𝔫𝔡 𝔶𝔬𝔲
➳ ꜱᴀɪɴᴛ | 31 ➳ ᴍᴀꜱᴛᴇʀʟɪꜱᴛ ➳ 18+ | ᴍᴅɴɪ
d e v o n

Discoholic 🪩
ojovivo
todays bird
Stranger Things
PUT YOUR BEARD IN MY MOUTH
sheepfilms
art blog(derogatory)

Jar Jar Binks Fan Club
RMH
𓃗

pixel skylines
Xuebing Du

roma★
untitled

Origami Around
noise dept.
Aqua Utopia|海の底で記憶を紡ぐ
Cosimo Galluzzi
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@allsaiint
𝔦'𝔪 𝔨𝔦𝔰𝔰𝔦𝔫𝔤 𝔱𝔥𝔢 𝔟𝔩𝔞𝔡𝔢, 𝔪𝔶 𝔩𝔦𝔭𝔰 𝔰𝔱𝔞𝔯𝔱 𝔱𝔬 𝔞𝔠𝔥𝔢 𝔞𝔯𝔬𝔲𝔫𝔡 𝔶𝔬𝔲
➳ ꜱᴀɪɴᴛ | 31 ➳ ᴍᴀꜱᴛᴇʀʟɪꜱᴛ ➳ 18+ | ᴍᴅɴɪ

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modern!au mihawk
i just really really really like the idea of mihawk slowly realising that even though he never asks you anything about yourself because he tells himself he doesn’t care, you don’t take offence to it. worse still is the moment he realises that tou have been doing so many small, tiny little things for him without any sense of expectation of reciprocation. he’s so used to people doing things just so he “owes them” that he overlooked your small acts.
he lets you into his space purely due to the fact that he doesn’t care enough to make you go away. mistake number one.
mistake number two is when he realises that you’ve sort of gotten under his skin and he still chooses not to act. he really believes that you’ll vanish when you realise that he isn’t going to give you anything, but you don’t.
instead, you bring flowers for the empty vases he can’t be bothered to replace. you go out and get lunch for both of you if it rolls around to one in the afternoon and he hasn’t noticed. when the store technically closes and he’s behind on the restoration list, you restock the books, take inventory, and leave him a neat list beside the register for the morning.
he doesn’t even know what you do that you have so much time to spare at his shop with nothing in return, and he still doesn’t ask even when it finally strikes him. it’s through long practice that he tells himself he doesn’t care, reminds himself that he’s had so many people betray him just as he settled that he can’t afford to care about you.
even when you bring what his favorite stress food exactly when he needs it, and even when you bring him a single cupcake for his birthday because you obviously know he doesn’t want attention paid to it but that’s just who you are, caring in your own ways while still minding who he is.
the breaking point is so small it seems stupid to notice after everything else. he has a preferred brand of paint brushes, rather hard to get ahold of on their own but god forbid you need a specialty brush and don’t preorder it.
mihawk is meticulous in keeping his supplies up. he hates having to scramble for anything, especially due to negligence. yet when one of his brushes snaps in the middle of a piece, he’s immediately vexed to find that he’s somehow forgotten to order a replacement. naturally it’s one he can’t just pick up off the shelf, and while he can make do until a new one comes in, it’s the principle of the thing.
when you wander in following a curse, he just tosses the broken pieces on the table before pinching the bridge of his nose. he’s developing a headache now, and doesn’t have time for whatever nonsense you’ve conjured up when your little gasp reaches him.
something is set on the table in front of him before you say, “i have an extra. i always keep one on me when i’m working away from home. you can keep it.”
he just stares at it by his elbow, still in its package with no sign of wear, like you haven’t even had it very long. wary, he asks, “just like that?”
“just like what?” you reply, head cocked. “you need it, don’t you? i love mine. i’d be lost without it, but ill just order another one. unless something catastrophic happens it’ll be fine. if not i’ll steal it back. obviously.”
you flash him a pretty, mischievous smirk before making your way back out to the front; the bell had rang, and he vaguely hears you discussing— something with a customer. how you had taken over that, let alone why he had let you, was just another small act he had overlooked, but the paintbrush—
he picks it up just to look at it, and it takes awhile before he’s finished cataloguing everything you had been doing, such small things that to a normal person would seem like normal kindnesses. to mihawk, they’re traps— though maybe not, not if it’s you. it hasn’t been from you yet, not after the months you’ve been coming around, slipping through a crack he’s fairly certain you made yourself before settling inside without him ever even noticing.
like a parasite, he muses because he can’t help himself. at least you hadn’t made a nuisance of yourself.
the next day when you show up, you stop short at the single flower laying on the counter beside the register. there’s nothing with it, just the snowdrop lying where there would be no mistaking it was meant for you or where it came from.
when mihawk comes out with a book someone is coming to pick up, he finds you’ve given it a place of honor on the counter in its own vase. neither of you comment on it, because you understand mihawk better than anyone else has ever tried, and he’s ready to start trusting what you’ve been showing him all this time.
greek!au— fem!reader + third person references at the beginning
hades!mihawk who gladly keeps to himself down in the underworld, more than content with the souls of the dead for company versus his rowdy brethren up in olympus. he has his wine and his books and his demons to do his bidding. the only one who really bothers him is dionysus; the latter he puts up with if only for the wine.
then one day one of his demons comes up and informs him of a visitor, only they haven’t come to his dark palace. it’s a goddess who stopped at the barrier to the elysian fields and his minions are hardly the brightest, so they have no idea which one it is or why she’s come down. she’s not causing problems and, for a moment, mihawk thinks to leave it be. so long as she avoids the entry to tartarus—
and that right there causes him to get up with a long suffering sigh and follow his demons out into the plains that surround his rocky castle. he knows the way perfectly well to the fields but they insist on accompanying him, and they’ve hardly started out when one of the others comes to him in a panic.
“she found the tree,” it hisses like it’s a blasphemous thing to say. “she ate the seeds.”
mihawk freezes for a moment— how had she found the tree? he had kept it hidden amongst the death and decay so well that none of the souls would ever have a chance. if not for the indestructible quality of the infernal thing he would have destroyed it a millennia ago. the gods— not his, but some far older than him most likely— knew how hard he had tried.
where mihawk had she would gone before he ever made it there, he snapped his fingers now and appeared behind her, still with the fruit in hand.
“what have you done, you fool?”
he’s glad to watch you startle, a quiet shriek your first response. he towers over you, and unlike his demons, he’s cognizant of who stands before him.
mihawk isn’t terribly well liked up above. the olympian gods think him cold and vicious; they fear death the same way the mortals do. some, he suspects, would even give any reason to be rid of him, to replace him with someone more congenial if not easier to control.
so when he realizes that before him stands persephone— pride and joy of demeter, literal spring incarnate and far too bright a spot in the bleakness of the underworld around them— it occurs to him immediately that someone would come looking. someone likely already was; your mother could be a thorn to anyone at the best of times, and she kept you under lock and key.
“what have you done?” he repeats, taking a step forward.
many a god had bowed under the weight of the god of death’s presence, but not many goddesses had ever been able to keep his eye like you did when you replied, “i wanted to see the fields, then i heard the tree.”
“you heard the tree?” mihawk sighs, pinching the bridge of his nose as thought it would make this whole situation a dream. “what did it tell you then?”
your answer is a shifty lift of just one shoulder; your eyes avert for the first time, so he takes another step and says, “tell me what it said.”
instead, you tell him, “my mother never lets me leave olympus, hardly our home. i’m not meant to be locked up in a cage because she fears what might become of me. this tree gives me freedom—“
“it traps you here,” he snarls, but quickly collects himself. “how many did you eat?”
“four,” you answer.
“good. it means you have only four months here before you’re allowed to return to olympus. you can tell your mother how this happened—“
he cuts off abruptly when, as though you hadn’t listened to a word, you picked the discard fruit up and slipped two more seeds past your lips. too baffled to be furious, he just asks, “why?”
“i want my freedom,” is your answer, and in it mihawk recognizes something he often saw in himself.
“this is place isn’t freedom,” he says, softer now. “it’s cold and barren, no place for the goddess of rebirth.”
“it’s the one place my mother can’t drag me away from. that’s enough.”
“i hope so because it’s too late to change your mind now. you have to—“
again, mihawk cuts off, but this time it’s due to a tremendous scream from somewhere overhead. the earth beneath his feet begins to shake; he can hear the water of the cocytus washing up over the shore even some distance away, the force is so great.
you’re looking up as though expecting to see anything aside from the vast, empty darkness that makes up a the underworld.
“that’s all you’ll find here,” mihawk says. “you won’t be able to leave, you won’t be able to see the sun or your mother, or any of the others—“
instead of dawning horror, your head drops and cocks; again, you stump him when your response is, “up there, every aspect of my life is controlled. i can only see the sun when my mother deems it. if im trading one cell for another, it may as well be my choice, which one i rot in.”
unlike you, with your hopeful optimism, mihawk knows it won’t be as easy as that. still, you’ve made your bed and now he’s being forced to lie in it with you. somehow he doubts you’ve given much thought to his feelings on the matter, though hardly anyone ever does.
“fine then,” he says, but his eyes are turned towards the entrance to olympus. “it will have to wait, however— unless your mother concedes to coming down.”
“she’ll never suspect i’ve come down here anyway,” you say with far too much relief. even the look he casts you does nothing; you’ve already moved past him towards the path down to the fields. when you turn back, you wear a smile he’s never felt, and it rocks him when you ask, “would you show me your home?”
“it’s your home now too,” he reminds her, softer than he wants the barb to be.
“all the more reason for me to know my way around. where do we start, my lord?”
i’m always torn about what i want to do with modern!beckman because he’s so versatile in my head. like this man could either own a flower shop or run a mechanic shop (or anything in between really). he could also help run mihawk’s bookstore i feel like going the polyamory route (and im always on the polyamory path just so we’re all clear here). we’ll start with flower shop because i read something and it put me in A Mood™️ so:
flower shop owner!beck who used to run in a gang so he’s got some pretty vicious scars and out in public people tend to avoid him. his knuckles bear the brunt of them but my god this man is so gentle when he handles the delicate flowers he brings in. people see the sign over his store and go in expecting soft and pretty and out of the back comes this mountain of a man with a cigarette in his mouth and an easy enough smile. they assume that someone else makes the arrangements and are stumped when they’re informed no one else works in the shop.
he’s pretty well used to the assumptions by now, but sometimes the way parents usher their kids across the street like he’s going to haul off still stings a bit. on the other hand, his rugged good looks do fine work drawing in women, but he tends to keep most of them at arms length after a string of failed attempts at a serious relationship.
then in you walk in your too pretty pastels, while behind you saunters mihawk, looking for all the world like he would rather be anywhere else. it doesn’t take long to see what about you drew the withdrawn man in; he can see the paint on your fingers and the way your smile never falters even when mihawk defaults to sarcasm at your questions about what you should get.
the way your lips press thin before your nose turns up at him makes beck snicker, which draws mihawk’s immediate ire.
“i don’t need either of you getting any ideas,” mihawk drawls, but beck can already see it’s too late.
the way mihawk sighs indicates he’s also realized it, and that’s before you ask how they know one another. you have no idea who shanks is (not that beck is all that surprised), but you cover a laugh at the duality in their explanations— beck all exasperated fondness and mihawk with the vague sense he wants to strangle the man for breathing wrong.
there’s an air of almost— petulance from mihawk when you and beck become absorbed in a conversation about the shop and how it came to be, especially so close to mihawk’s own store. you have a knack, though, for recognizing it. you’re also unafraid because beck has certainly seen people nearly lose a hand for less than the way you take mihawk’s and pull until he’s is close enough that your fingers lace.
it piques beck’s interest because anyone who can draw the reclusive artist in and actually keep him is interesting on its own. even more rare is someone willing to stick around, who’s capable of overlooking mihawk’s natural reluctance to engage with anything even remotely emotional let alone draw it out of him.
it shifts beck’s perspective of his longtime friend as well, and he’s never been the type to shy away when he wants something. it’s directed at mihawk as much as you when he asks about dinner together; you had walked in at closing anyway, and the worst either of you can do is say no.
mihawk might have, based on the look he casts when you agree for both of them with an air of mischief that beck can’t help but tease mihawk about, as though he didn’t know you were like that. he had to know damn near everything about you, if he had let you so close.
beck’s mission that evening, he decided as he watched you tease mihawk like he was an ornery cat, was to find out exactly how you had managed to slip beneath his armor. maybe, he decided as he watched mihawk huff and roll his eyes and snap to hide the fact that you had him wrapped around your finger, he would find a way to use it himself if he could win you over first.
—
i may fill in some gaps since this makes a leap from the other stuff i posted. i have a whole Thing™️ already built for them and these are just blurbs from that basically. do what you want with it and tag me if you do.
modern!au benn beckman wears a flannel and paint splattered boots i don’t make the rules. he’s always worn them, but he’s never been more glad for it than the first time you run up and fit yourself under it, nosing at his side with your arms around him.
it quickly becomes a habit, so much so that he recognizes the specific look you get when you’re about to do it, and has the timing down perfectly to lift his arm and drape it around you. it’s always with a quiet chuckle and a sigh, and he obviously has to tease you about it, but he’d never tell you to stop.

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the ability to say "i dont have a tiktok" in social situations makes me feel so powerful. like the general reaction is "shock, confusion, then this weird 'thats probably a good thing' response" its so fun
Sexualizing that old man is a full time job
more modern!au—
mihawk’s pet name for you comes out of nowhere— he’s really not the type to use them, but it slips in a moment of vulnerability. he freezes because that type of comfort has always been out of his reach, if he ever tried to grasp it in the first place.
he expects it to slip through his fingers now and though you’ve done nothing special, somehow you’ve cracked open the armor he wears and slipped inside to make a home for yourself without having to carve and hollow out pieces of him. he’s never had anyone fit to him instead of trying to make him into something that benefitted them.
it’s why it feels so fitting. that single word softens at the edges when it slips out against your skin under the cover of darkness; you smell like him, feel like home in his arms. he rarely sleeps and when he does, it’s poorly. it was an aggravation before he had you to occupy him, and where he used to always get up to paint because it was the only way to purge the ire or whatever dream had woken him up, now he only does sometimes.
only when he’s certain you’re deeply enough asleep that you won’t come looking for a little while. he hates making you get out of bed to search, though there’s always a bit of selfish warmth when you do inevitably knock. sometimes you lure him back to bed, and sometimes you sit in his studio with him. sometimes he has to carry you back to bed even though you insist otherwise.
those moments, where he does for you in such small ways, are how he best expresses himself. it’s why he carries you, why every painting he produces now has your faint traces of influence— why he lets you climb all over him like a godforsaken tree and lets you love on him like he an angry cat. you had said that yourself enough times.
it’s also why angel feels so natural when it finally comes out on one of his especially sleepless nights. your soft sound when he tried to escape had folded him instantly, your gentle pull around his neck coaxing him back down and into your embrace.
the brush of his lips over the shell of your ear elicited a shiver that made him do it again before he murmured, “go back to sleep, angel.”
you had stilled, as had he. it had come out with so little provocation that he almost wanted to take it back— until you lifted her hand to your lips. against his knuckles, like you knew he needed it, you just said, “i can’t sleep without you. you know that.”
as you settled again, he shifted up to kiss your temple and said, “i suppose i’ll stay then, if it means so much to you. now go to sleep.”
you did after what he suspected was a snicker, but he did, in fact, not get up at all that night.
about to make out with you and your new theme so fast spencer omg !!! it’s so sexy just like YOU
that meme is the worst thing i’ve been subjected to you since that one pennywise thing you sent into adb
modern!au where dracule mihawk runs a quiet little out of the way used bookstore that hardly seems open half the time but it’s still fairly popular. he does book restorations with hand crafted covers if someone is willing to dole out the money for it.
everyone can tell that the store is just a hobby because how else is this recluse of a man able to afford the high end luxury car he drives? he claims good investments and yes, that’s partially true.
only a select handful of people know that mihawk a renowned artist known for his dark and melancholy pieces, always presented under an alias he keeps under tight, tight wraps to avoid the nuisance of publicity. it’s a good, cathartic way to express himself without having to bare himself to a therapist and he supposes if it brings in enough money to live comfortably then it’s a bonus. it’s not the major reason he does it though.
he’s content with his life and solitude. he has people he can call up and chat if he so desires— it’s laughably rare that he does though— but for the most part he spends his days quietly doing what he loves.
then you wander into the store with paint smudges on your fingers, dressed in soft pastels with a shy smile as you present mihawk with two rare first edition books that you want to gift to people. they’re in awful condition— some dimwit shoved them onto a shelf and left them to rot— and you ask him if they can even be salvaged.
he agrees, but it’s going to take time and care and if you want a new cover it’s going to cost—
— nothing, because you lay two covers you painted yourself beside the other two and ask if he would be willing to use them. it’s only that this friend is very special to you and to give them someone else’s work feels wrong and mihawk finds himself agreeing because you sound so hopeful and when is the last time anyone put that much work into something for him?
it fractures something, and he shakes himself free of the sudden, unwanted thought even as he tells you he’ll call if and when he’s finished. he won’t charge if he can’t complete the work, but you don’t even bat an eye before you tell him you don’t expect perfection, just for him to do his best.
that thought flickers through his mind a second time, and it sinks its hooks in before he can rid himself of it like a pesky fly.

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OU MY GOD WHERE DID YOU COME FROM ITS BEEN A DECADE LMAO
"I want molly" "I want percs" well you're getting leeches
Hope this is ok to ask, if not feel free to ignore. Do you know what happened to seita? Are they still around?
i totally forgot to answer this but they jumped to writing for cod awhile ago, and aren’t really writing rn. i think their most recent blog was @/rowarn but they haven’t posted in ages. kind of like me lol
↠ ʟᴜꜰꜰʏ/ꜰᴇᴍ!ᴏᴄ ↠ word count: 4,880 ↠ warnings: smut, angst, death mentions ↠ a/n: luffy is very much outside my wheelhouse, so i hope this reads well enough. in spite of the oc, i wasn't paid for this, but the details do help make it easier to make it longer. i will take more requests, even if it doesn't say anywhere.
— /// —
When it was announced the ship had arrived at Sabaody, Anneliese took a moment before going topside to study herself in the mirror. It had been a long trip from Dawn Island, months upon months of rough seas with the occasional, brief reprieve of resupplying. It showed in the paleness of her face and the dullness in her eyes, borne of sleepless nights and seasickness even just days before their arrival at the archipelago. Upon the announcement of Ace’s death, it had been agreed that someone should go to see Luffy, if only to let him know everyone still cared enough to try. Anneliese had both offered and been elected in equal parts, as the only one left from their childhood friend group.
She had been in contact with a woman named Shakky since the decision had been made, and she had in her possession directions to a bar with a rather foreboding name located in Grove Thirteen. The Archipelago, if it had tried, could never have been more different from her home island, with its bubble bikes and the large crowds swarming the dirt streets in search of something to spend their money on. The closest Anneliese had ever seen to it was in the town center, with its cobble streets and brick front shops. The massive trees that made up each section of the archipelago were the most jarring; the entire layout of the island seemed to have been built between the trees, rather than clearing the trees to make room for the buildings.
After a run-in involving a herd of ill-mannered children not paying attention on their bubble bikes, Anneliese made it to Grove Thirteen— relatively unscathed. She had lost the limp from having her foot run over, at least.
The bar, which announced its intentions to rip its patrons off very clearly with a large sign over the door, was empty so early in the day, save an elderly man on one side of the counter and an older woman on the other.
“Well well,” the woman drawled around a curl of cigarette smoke, “a customer so early. Why do you look so scared?”
A glance up at the sign over the woman’s shoulder was answer enough; both the man and the woman laughed before she said, “That’s my special price for troublemakers, but you don’t look much like one. What can we do for you?”
“I’m looking for Shakky,” Anneliese answered, letting the door fall closed behind herself. “Is it safe to assume that’s you?”
“If it’s safe to assume you’re Luffy’s friend. Anneliese, right?”
She nodded and at last took what felt like her first proper breath since she had learned of Ace’s death. “Is he here or—?”
“Well, he’s somewhere,” the man offered, followed by, “I’m Rayleigh, by the way. Ray.”
It clicked then, why his face was so familiar. Both he and Shakky laughed at the way her jaw dropped, but Shakky only said, “He should be back here shortly. We told him someone was supposed to be arriving. You can wait here—
“Or you might be able to follow the sounds of destruction to him,” Rayleigh finished. He raised a brow as a familiar, obnoxious whoop came from outside. “Maybe not. You should know we didn’t tell him—“
what are ur rules?
i haven’t bothered making a list bc i’m not really swimming w reqs. if there’s a specific reason you want to know, you can just ask.
i also haven’t forgotten yours, i’ve just been working at it as i have time. writer’s block is a bitch, and even harder to work around bc luffy is kind of outside my wheelhouse. i have it like, half written lol.

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hello! i already left a comment on ao3 but i just wanted to say that i really enjoyed "a test of faith" :) your work is amazing, so that you for sharing it
thank you so much ! it still surprises me how much people liked this story tbh lol
Are u accepting one piece request?
character dependent. i hate to be vague but i don’t want to list everything out for no real reason. mostly obnoxious characters like bartolomeo, sanji, and paulie are a no go. doflamingo is a hard pass too.
just send it and i’ll let you know !