All Trip-Hop

Leftfield — Pioneers of Electronic Music

A new journey on All Trip Hop.

We explore the history, sound and legacy of Leftfield — the influential electronic duo who pushed the boundaries between house, techno, dub and experimental music.

From the groundbreaking Leftism to their impact on generations of electronic artists, Leftfield proved that dance music could be deep, atmospheric and full of emotion.

🎧 Vono Box — El Vono (2013)

A journey through smooth downtempo, lounge, nu jazz and trip hop atmospheres.

El Vono combines warm electronic textures, relaxed grooves and cinematic moods, creating a soundtrack that feels timeless and immersive.

Moloko — I Am Not a Doctor (1998)

A fascinating late-’90s blend of electronic pop, house, drum’n’bass and trip hop.

The album features the original version of “Sing It Back”, long before Boris Dlugosch’s remix transformed it into a worldwide club classic.

But I Am Not a Doctor deserves to be heard as a whole — quirky, experimental and unmistakably Moloko.

Aloan — Better In Springtime (2007)

Dreamy, atmospheric and quietly melancholic, Better In Springtime finds Swiss group Aloan blending trip hop, electronic pop and indie electronica into something wonderfully understated.

Soft beats, delicate electronic textures and an intimate vocal presence make this a fascinating entry in the softer side of the trip hop spectrum.

DJ-Kicks #04 — Four Tet (2006)

Four Tet’s entry in the legendary DJ-Kicks series is a fascinating blend of electronic rhythms, organic textures, samples and unexpected genre connections.

Rather than simply presenting a collection of tracks, Four Tet builds a fluid sonic journey that reflects the experimental spirit of mid-2000s electronic music.

Thievery Corporation — The Temple Of I & I (2017)

A warm, hypnotic journey through dub, reggae, trip-hop, dancehall, jazz and downtempo. Recorded in Jamaica, the album captures Thievery Corporation’s love of global sounds while maintaining their signature atmospheric electronic style.

A deep, immersive listen from one of the defining acts of the downtempo scene.

Hooverphonic — Blue Wonder Power Milk (1998)

Dreamy, cinematic and beautifully melancholic.

Released in 1998, Blue Wonder Power Milk found Hooverphonic blending trip hop, electronic music, synth-pop and orchestral textures into a sound that still feels effortlessly atmospheric.

A perfect record for late-night listening.

Afterlife — Simplicity Two Thousand (1999)

A smooth late-’90s blend of trip hop, downtempo and chillout. Warm synths, deep bass and laid-back rhythms create an atmospheric, cinematic mood that still feels perfect for late-night listening.

🎧 Hugo Kant — Another Point of Mix I (2012)

What happens when Hugo Kant’s music is handed over to a new group of producers?

Another Point of Mix I explores nine different interpretations of tracks from his debut album, moving between trip-hop, nu jazz, downtempo and electronic music.

A fascinating look at how the same musical ideas can take on completely different forms.

Baxter — Baxter (1998)

A dark, atmospheric journey through trip-hop, electronica and drum’n’bass. Nina Ramsby’s distinctive vocals give this Scandinavian late-90s gem a character all its own.

Few albums have left a mark on trip-hop as deep as Massive Attack's Mezzanine (1998).

Dark textures, cinematic production, haunting vocals, and unforgettable tracks like Angel, Teardrop, Risingson, and Inertia Creeps made this record a defining moment in electronic music. More than two decades later, it remains as powerful and immersive as ever.

dZihan & Kamien – Freaks & Icons (2000): Where Trip Hop Meets the East

Few albums capture the elegance of early-2000s downtempo as beautifully as Freaks & Icons. dZihan & Kamien blended trip hop, acid jazz, lounge, and Middle Eastern melodies into a cinematic sound that still feels fresh today. From the unforgettable "Streets of Istanbul" to its richly textured instrumentals, the album remains a standout in the genre.

DJ-Kicks #03: Nightmares on Wax (2000)

Some DJ mixes capture a moment. Others become timeless. DJ-Kicks #03: Nightmares on Wax belongs firmly to the latter.

Released in 2000, George Evelyn assembled a beautifully paced selection of downtempo, trip hop, hip-hop, jazz, and soulful grooves. Featuring artists such as A Tribe Called Quest, Blackalicious, Kenny Dope, and exclusive Nightmares on Wax material, the mix remains one of the standout entries in the iconic DJ-Kicks series.

Obsqre & Susanna La Polla – Crossroads (2019) is one of those rare releases, blending downtempo beats, cinematic ambience, and subtle electronic textures into a deeply immersive journey. Perfect for quiet evenings, reflective moments, and anyone who loves atmospheric music beyond the mainstream.

Faithless's Sunday 8PM (1998) is more than an electronic album—it's an emotional journey through trip-hop, downtempo, house, and trance. With timeless tracks like God Is a DJ, the record helped define the sound of late-'90s electronic music and still feels fresh today.

Some albums don't chase trends—they create a mood that never fades.

Saint Privat – Riviera (2005) is one of those rare records. Blending downtempo, lounge, bossa nova, jazz, and French pop, it captures the elegance of Mediterranean evenings with effortless style. Smooth vocals, refined production, and timeless melodies make Riviera an essential listen for fans of sophisticated chillout music.

Danny Breaks' Outer Dimension (2005) is an overlooked electronic classic that goes far beyond traditional breakbeat. Rich with cinematic atmospheres, intricate rhythms, deep bass, and downtempo influences, the album showcases the producer's ability to blend energy with introspection.

Whether you're a longtime fan of UK breakbeat or simply exploring intelligent electronic music, Outer Dimension deserves another listen.