#alltriphop

Moloko — I Am Not a Doctor (1998)

A fascinating late-’90s blend of electronic pop, house, drum’n’bass and trip hop.

The album features the original version of “Sing It Back”, long before Boris Dlugosch’s remix transformed it into a worldwide club classic.

But I Am Not a Doctor deserves to be heard as a whole — quirky, experimental and unmistakably Moloko.

Aloan — Better In Springtime (2007)

Dreamy, atmospheric and quietly melancholic, Better In Springtime finds Swiss group Aloan blending trip hop, electronic pop and indie electronica into something wonderfully understated.

Soft beats, delicate electronic textures and an intimate vocal presence make this a fascinating entry in the softer side of the trip hop spectrum.

DJ-Kicks #04 — Four Tet (2006)

Four Tet’s entry in the legendary DJ-Kicks series is a fascinating blend of electronic rhythms, organic textures, samples and unexpected genre connections.

Rather than simply presenting a collection of tracks, Four Tet builds a fluid sonic journey that reflects the experimental spirit of mid-2000s electronic music.

Thievery Corporation — The Temple Of I & I (2017)

A warm, hypnotic journey through dub, reggae, trip-hop, dancehall, jazz and downtempo. Recorded in Jamaica, the album captures Thievery Corporation’s love of global sounds while maintaining their signature atmospheric electronic style.

A deep, immersive listen from one of the defining acts of the downtempo scene.

Hooverphonic — Blue Wonder Power Milk (1998)

Dreamy, cinematic and beautifully melancholic.

Released in 1998, Blue Wonder Power Milk found Hooverphonic blending trip hop, electronic music, synth-pop and orchestral textures into a sound that still feels effortlessly atmospheric.

A perfect record for late-night listening.

Afterlife — Simplicity Two Thousand (1999)

A smooth late-’90s blend of trip hop, downtempo and chillout. Warm synths, deep bass and laid-back rhythms create an atmospheric, cinematic mood that still feels perfect for late-night listening.

🎧 Hugo Kant — Another Point of Mix I (2012)

What happens when Hugo Kant’s music is handed over to a new group of producers?

Another Point of Mix I explores nine different interpretations of tracks from his debut album, moving between trip-hop, nu jazz, downtempo and electronic music.

A fascinating look at how the same musical ideas can take on completely different forms.

Baxter — Baxter (1998)

A dark, atmospheric journey through trip-hop, electronica and drum’n’bass. Nina Ramsby’s distinctive vocals give this Scandinavian late-90s gem a character all its own.