On the Red Danube - "Bless You, My Children!" by Thomas Nast, 1877
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On the Red Danube - "Bless You, My Children!" by Thomas Nast, 1877

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Things I wish people would say (and mean) more often:
Thank you
Sorry
I don't know
I was wrong
"I don't know" is something I almost never hear. "I was wrong" seems to be the hardest thing to say for many people
Yes.
People can have really strong convictions and opinions and leave no room for other perspectives, or sometimes the truth. The worst thing I know is people who publicly spread misinformation (sometimes to a rather large audience) and then either ignore corrections or get offended by them. Why even publish anything, then? Do they want to inform or do they need the world to agree with them? I don't understand it.
Things I wish people would say (and mean) more often:
Thank you
Sorry
I don't know
I was wrong
âIn 1991-92, Cadaver started making money. We never imagined that would happen. [âŚ] I remember a concert at the rock club in Holmestrand, on the other side of the Oslo fjord. There were 280 paying customers, people who went berserk in the streets, a real rock rebellion. In the middle of it all stood Ăystein. He stood there with corpse paint and a cape, selling merchandise. All kinds of people came up to him to buy stuff. He thought that was negative. Ăystein was poor, but when things started selling, he tried to make it less attractive to the masses. Black metal was supposed to be for the few.â
Anders Odden for 666 Shades of Black by Harald Fossberg, 2026

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No Lies
Veritasomniavincit by Complot
Blessed Henry Suso by Francisco de ZurbarĂĄn, 1636-38
How do you remember Ăystein some 25 years on?
"Brand Builder. RiffMaster. Tape Trader/Label Owner. Misanthrope. Megalomaniac. Totalitarian Communist. Evil Genius. Perhaps a bit of a âwanna-beâ Chemist/Scientist/Showman with some P.T. Barnum mixed in!?! Â He may have been strangely flattered by my descriptions here. He did have a wicked sense of humor too, after all.
To clarify, these shouldnât be read as insults to the dead.
I like to remember him as a friend and someone who was excited about the movement behind black metal. I knew him from the calls we did and the letters we shared. Thatâs one way of knowing someone, I suppose. Others have their own memories, Iâm sure. In other ways, I agree with what [Mayhem bassist] Necrobutcher has said lately in the way he treated Deadâs death. I have a conflicts about that for sure.
As I said before, I have a lot of letters from the people involved, and what the sentiments were at the time. Itâs interesting to read other interpretations or even people changing history, but thatâs what happens when thereâs a lot of obscure lore and legend to sift through.
How I like to think about Oystein is as the leader of the black metal movement in Norway. A man with big ideas who made a lot of them come true. He changed what people thought of black metal at the time and how dangerous it could be when done properly and at its most extreme. Most importantly for me, I liked the fact that he supported other scenesâand was in touch with so many different people across the worldâas long as the vision was shared. He supported the scene by tape trading, selling music and generally creating interest and didnât seem to care where the bands came from.
He left behind some pretty amazing music. De Mysteriis Dom Sathanas remains one of my favorite black metal albums of all time.
As far as the way I think about all the guys who are no longer here, they lived and died by the sword, and their own philosophy. Iâm not one to judge, but it was good to know them, share thoughts during a youthful time of my life (and theirs), and do what we were all able to do to contribute to the black metal scene together."
Typhon (Necropolis Records)

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âYĂźcel has an interesting memory with Necro. At that night his place, when everyone went to sleep, Necro called his girlfriend who is in Norway by the home phone and had a long call like 1-1.5 hours. Back then calling abroad cost like house rent. YĂźcel was a student. We figured out this one month after they went back to Norway when the bill came. YĂźcel told me that and we solved it between us. I also told what happened to Euronymous just to inform him. We did not demand any money for that, never. He felt ashamed too, asked if he could compensate. I said ânoâ. âWe managed between us.ââ
Arcan (organizer of the Turkey gig)
Detail of the god Pan and two satyrs, from an etching by Giovanni Benedetto Castiglione, called Il Grechetto. Italian, c. 1645. Metropolitan Museum of Art.
From the Met:
In the 1640s, Castiglione produced a group of etchings that bring to life the world of Theocritusâ Idylls and Virgilâs Eclogues, in which Pan is frequently invoked as lord of the flocks and patron of pastoral poetry. In this etching, the resting god, wearing his usual crown of pine, receives a second crown of grape leaves. The volcano must be Etna, for the rustic verse of both the Greek Theocritus (ca. 300â260 B.C.) and the Roman Virgil (70â19 B.C.) is set in Sicily.
âThe difference between death metal and black metal is most obvious when it comes to lyrics and themes. Death metal lyrics are a lot of nonsense, while black metal lyrics are more serious and darker. Ăystein once said: âVenom just wrote about it. The Norwegian wave meant it.ââ
Metalion for 666 Shades of Black by Harald Fossberg, 2026
SĂŠrĂŠnade au clair de lune (Venise) by Lucien LĂŠvy-Dhurmer
itâs never a normal temperature anymore itâs always some fucking bullshit

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âGuys came to Helvete from all over the country, plus Sweden - Dissection, Marduk and Abruptum. They partied and slept in the basement. When a Swedish car came up Schweigaards gate, we knew there was party time.â
BĂĽrd/Faust for 666 Shades of Black by Harald Fossberg, 2026
Tynemouth Priory, Northumberland (Thomas Girtin, c. 1793)