Bård/Faust in Descent #2, 1995.
"I'm Dorothy Gale from Kansas"

if i look back, i am lost

🩵 avery cochrane 🩵
Xuebing Du
I'd rather be in outer space 🛸

Kaledo Art
Claire Keane

Discoholic 🪩
untitled
YOU ARE THE REASON


Product Placement
art blog(derogatory)
Cosmic Funnies

titsay
we're not kids anymore.

shark vs the universe
TVSTRANGERTHINGS

Andulka
seen from United States
seen from Japan

seen from Peru
seen from United States

seen from Poland
seen from United States
seen from United States

seen from India

seen from Germany

seen from United Kingdom
seen from Costa Rica
seen from India

seen from United States

seen from Ukraine
seen from United States

seen from United States
seen from United States
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seen from United States
seen from Tunisia
@alicedelarge
Bård/Faust in Descent #2, 1995.

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“For Maniac, it was that or dying. Getting kicked out of Mayhem was the necessary wake up call to get his shit together and live. Because if he had stayed in Mayhem, he would be dead now.”
Michael Berberian (Season of Mist) about Maniac in Born for Burning - The History of Black Metal, by Matías Gallardo, 2026
Note: the date 2026 is in reference to the original source I got it from, the interview itself is older.
Emotional and historic game against Argentina. Really well done.
We will never stop dreaming.
شكرا

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Vivian Maier, Chicago, 1959
via Debi Babiak
“I think the biggest, at least most lasting, contribution was to bring De Mysteriis…to the black metal fans and artists of that day, because the riffs and general musical quality on that album was so highly influential to the rest of us, that it made us try harder as well. Not to mention that the guitar riffs on that record laid the foundation for a sound that a lot of other artists would be very influenced by. If you think Emperor was influential, where do you think we got it from?”
Mortiis for Born for Burning - The History of Black Metal, by Matías Gallardo, 2026
Note: the date 2026 is in reference to the original source I got it from, the interview itself is older.
“Time destroys the fictions of error and opinion, while it confirms the determinations of nature and of truth.”
— Cicero, De Natura Deorum
Just here to say I fucking love Satyricon
Jumy-M Kasa-obake / 初夏の怪談

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Fixed Signs - Taurus, Leo, Scorpio, and Aquarius: Typically doing work on something secret at any point in time. The trouble is becoming ‘fixated’ on something or someone that ruminates in the mind like a hole in the head. Practices with techniques that release attachments benefit them well, because it can be so hard for them to let go. They internalise, turn inward into their own world and seem to shut off completely from the outside one.
Cherry
“Euro was driven. He was always there with diehard ideas. In times of much distraction, he was always there. He was always encouraging people to listen to anything extreme of any genre. I think it was sad to see all the people coming into black metal after he died. I think many of them thought that only black metal was real and didn’t have much perspective and shunned other styles. It was very bad for black metal, actually, that a lot of copy bands without any backbone came out of those people.”
Fenriz for Born for Burning - The History of Black Metal, by Matías Gallardo, 2026
Note: the date 2026 is in reference to the original source I got it from, the interview itself is older.
Katatonia - JulyFrom The Album: The Great Cold Distance (Released 2006)Genre: Alternative Metal/Doom MetalCountry Of Origin: SwedenLyrics (E
Angus Og, God of Love and Courtesy, Putting a Spell of Summer Calm on the Sea by John Duncan, 1908.

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Roman Ruin at Twilight (Ferdinand Knab, 1894)
“Me and Attila had a really exceptional connection, and for me that was the roughest thing, because I really, really admired his talent. But the others…we were not a unity anymore. When we were on tour, I was always drinking wine with the supports instead of sitting around talking to the other guys in the band. There was already a rift, something that separated us. There were some uncomfortable moments and I’m not really sure of what Hellhammer and Necro thought, but for sure it was a blow. But at the same time, we didn’t really get that well along, especially with Hellhammer in the end. When I look back at it, I feel like everybody kind of felt we had all this coming. The unity started to break already back in 2003 and never really got back. Too many things happened between people and we were not really respecting each other. I think it was a great feeling to have Attila in the band. Also, he motivated us, because there was not much motivation during the Chimera period. But for Ordo ad Chao me and Attila were on fire all the time. We had a lot of fun and a lot of serious talks. For me that was the saddest thing of leaving: my relationship with him and the chemistry we had. It could have gone really, really far because we had the same fucked up mentality. But the last tour I was drunk all the time, in a really miserable way, just partying with the support acts and creating a bigger space or vacuum between me and the band. And suddenly I just popped out. Everything was a bit strange. Even after the last show I didn’t shake anybody’s hand except for Attila. We got out of the plane and we separated.”
Blasphemer/Rune for Born for Burning - The History of Black Metal, by Matías Gallardo, 2026
Note: the date 2026 is in reference to the original source I got it from, the interview itself is older.