(via https://www.youtube.com/watch?v=TcWPiHjIExA)
untitled

Origami Around
Show & Tell
Mike Driver
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NASA

Kiana Khansmith
YOU ARE THE REASON
KIROKAZE
Cosimo Galluzzi
Misplaced Lens Cap
hello vonnie
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One Nice Bug Per Day

ellievsbear

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2025 on Tumblr: Trends That Defined the Year
todays bird

titsay
seen from Venezuela
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@algopop-sem
(via https://www.youtube.com/watch?v=TcWPiHjIExA)

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Play John Conway's Game of Life right now in your browser.
Game of Life zum Ausprobieren im Browser
(via https://www.youtube.com/watch?v=3OO4BNtXZQs)
Musikalische Improviation mit Game of Life und dem Glitch Sequencer
(via https://www.youtube.com/watch?v=VLtR-SI2lt0)
GlitchDS - Ein Game of Life Musikprogramm fĂźr den Nintendo DS
(via https://www.youtube.com/watch?v=C2vgICfQawE)

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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All Sid Meiers Civilization Games Trailers Starting With Civilization 2 Trailer Civilization 3 Trailer Civilization III: Play the World Trailer Civilization ...
About âWhat do machines sing of?â is a fully automated machine, which endlessly sings number-one ballads from the 1990s. As the computer program performs these emotionally loaded songs, it attempts... Read The Rest â
Versucht der Suchmaschinen-Gigant, ßber die Funktion zur Autovervollständigung der Sucheingabe die Anfragen zu manipulieren?
Believe (Cher), 1998

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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"Piece of Me" is a song recorded by American singer Britney Spears for her fifth studio album, Blackout (2007)
Auto-Tune
Notizen zu Autotune fĂźr die Sitzung
'Dot Net'. Â Directed by Ben Jones "An idealised vision of the interaction between man and technology."
This video is the first in a series of commissions by Warp Records for Channel 4âs Random Acts.
 Music is taken from the Battles album 'La Di Da Di'
A film by Jon Rafman and Daniel Lopatin Soundtrack by Oneohtrix Point Never
Dating app algorithms inspire a video for London chanteuse Emmy the Great. Read the feature on NOWNESS - http://bit.ly/1LO9LMI
âSinger-songwriter Emmy the Great talks about the concept behind her dating software-led collaboration with London-based artist Daniel Swan: âMy research for the video began with shopping and dating algorithms, then moved on to narrative softwareâsuch as Wordsmith and Narrative Scienceâwhich takes data and turns it into narratives for e-commerce and reporting. Artist Daniel Swan and I decided to 'ask' an algorithm to write the video for us. "With the help of Nicolas Seymour-Smith, a programmer and artist, we built a machine that generates music-video treatments using natural language processing algorithms. We taught the machine what a music video plot was by feeding it synopses of music videosâclassics like "Thriller" and "Scream", and modern favourites from Lady Gaga and Katy Perry. The machine began generating its own plots based on what it had learned, and 'Algorithm' was born.â

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Das Video âwurde in Partnerschaft mit Interlude und dem in LA ansässigen Think-Thank PRETTYBIRD kreiert. Interludeâs interaktive Videotechnologie ermĂśglicht Fans dabei zuzuschauen, wie der Songtext der Single in der Google Suchmaske eingetippt wird, während man gleichzeitig zwischen den verschiedenen Google Suchfunktionen aus Bildern, News und Videos switchen kann, um verschiedene Inhalte unter den Suchergebnissen zu entdecken.â
One of the challenges faced by a music streaming service is to figure out what music to play for the brand-new listener. The first listening experience of a new listener can be critical to gainingâŚ
âSummary
This study confirms what we expected â that there are differences in gender listening. For mainstream listening about 30% of the artists in a typical maleâs listening rotation wonât be found in a typical female listening rotation and vice versa. If we happen to know a listenerâs gender and nothing else, we can improve their listening experience somewhat by replacing artists that skew to the opposite gender with more neutral artists. Â We can even improve the listening experience for a listener that we know absolutely nothing about â not even their gender â by replacing gender-polarized artists with artists that are more accepted by both genders.
Of course when we talk about gender differences in listening, we are talking about probabilities and statistics averaged over a large number of people. Yes, the typical One Direction fan is female, but that doesnât mean that all One Direction fans are female. Â We can use gender to help us improve the listening experience for a brand new user, even if we donât know the gender of that new user. [...]â