Almost everywhere, people chuckle in self-congratulation as they tell visitors, 'if you don't like the weather, just wait ten minutes,' as if it were a local peculiarity.
John Durham Peters, The Marvelous Clouds
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@alexhbush
Almost everywhere, people chuckle in self-congratulation as they tell visitors, 'if you don't like the weather, just wait ten minutes,' as if it were a local peculiarity.
John Durham Peters, The Marvelous Clouds

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Things I learned from watching Interstellar (in descending order of positivity)
1. Christopher Nolan is really good at world-building.
2. Christopher Nolan recognizes skilled actors when he sees them.
3. Christopher Nolan recognizes hot people when he sees them.
4. Thinking conservationally is basically a form of fascism that will crush our dreamers and explorers.
5. Men have ideas based on data; women have feelings based on...I don't know, some woo-woo bullshit.
6. Black people in space can't swim.
The young man who is searching for “the one” among the limited number of his few million compatriots, will be able to easily establish a connection with a young woman in Sydney, and she—ah, she—will blush softly on the glass screen as she nods in agreement, or not, for the eternal flickering of love will roll past technological achievements, and I almost fear that the telefilm would be more likely to increase the number of heartbreaks.
S. G. Bastian predicts Skype in 1925, OMG.
I just remembered this classic paean to friendship, an old favorite, particularly evocative of the long distance variety
For Friends Only
(for John and Teckla Clark) Ours yet not ours, being set apart As a shrine to friendship, Empty and silent most of the year, This room awaits from you What you alone, as visitor, can bring, A weekend of personal life. In a house backed by orderly woods, Facing a tractored sugar-beet country, Your working hosts engaged to their stint, You are unlike to encounter Dragons or romance: were drama a craving, You would not have come. Books we do have for almost any Literate mood, and notepaper, envelopes, For a writing one (to "borrow" stamps Is the mark of ill-breeding): Between lunch and tea, perhaps a drive; After dinner, music or gossip. Should you have troubles (pets will die Lovers are always behaving badly) And confession helps, we will hear it, Examine and give our counsel: If to mention them hurts too much, We shall not be nosey. Easy at first, the language of friendship Is, as we soon discover, Very difficult to speak well, a tongue With no cognates, no resemblance To the galimatias of nursery and bedroom, Court rhyme or shepherd's prose, And, unless spoken often, soon goes rusty. Distance and duties divide us, But absence will not seem an evil If it make our re-meeting A real occasion. Come when you can: Your room will be ready. In Tum-Tum's reign a tin of biscuits On the bedside table provided For nocturnal munching. Now weapons have changed, And the fashion of appetites: There, for sunbathers who count their calories, A bottle of mineral water. Felicissima notte! May you fall at once Into a cordial dream, assured That whoever slept in this bed before Was also someone we like, That within the circle of our affection Also you have no double.
--W.H. Auden, 1964
It turns out, we may be more social than we were 30 years ago, at least in public spaces.
This is a great read on a study of the use of public space that takes a historical view of a sociological question. Maybe I'm biased by my lifestyle, but I'm constantly aware of how technology--via video chatting platforms, collaborative crossword apps, or plain old phone calls--connect me to some of the most important people in my life. It's nice to see my anecdotal evidence brought together, by technology, with some other similar stories. "Sanguine optimist" seems like a stance I can get behind.

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Mairead sent this to me about one million years ago, and I finally dug it out of my own X-cage--the Starred folder in my gmail box. And boy oh boy am I glad I did.
"Many critics have noted that the girls, all from seemingly financially secure families, are members of a privileged class. A slightly different aspect of their privilege is the relative confidence we feel that they can seek sexual experience without being in physical danger, that any revelations they receive will be useful and interesting rather than damaging or crushing, and that the people in their world will not punish them for their curiosity or high spirits. The girls feel confident of this too. They have an air of extended innocence, a girlish exuberance (behind a scrim of polished good behavior) that is the characteristic bearing of American upper-middle-class young women."
I'm a big fan of Girls, which doesn't mean I think it's totally unproblematic. I've read a lot of the class-based critiques that Blair mentions, and they are valuable. That said, this spin on it--along with the rest of this excellent article--has a nuance and a sensitivity that I've missed from many critiques of the show.
Asta Nielsen’s eroticism is particularly valuable because it is thoroughly spiritual. Her eyes are the most important thing, not her flesh. Indeed, she has no flesh. Her abstract leanness is a single quivering nerve with a distorted mouth and two burning eyes. She is never undressed, she never shows her thighs like Anita Berber (whose face and rear can hardly be told apart), and yet this dancing vice could study under Asta Nielsen. With all her belly dancing, she is nothing but a lamb next to a fully dressed Asta Nielsen. For the latter can *look* obscene disrobement, and she can flash a smile that the police would have to impound as pornography. This spiritualized eroticism is dangerous and demonic, because it can penetrate through any layer of clothing.
Bela Balasz, "The Eroticism of Asta Nielsen," 1923
Everything went nowhere forever.
New drawings at Explodingdog.com from titles sent to me this morning on twitter.
we are not who we used to be.

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when i found you, i found myself i was gonna love you like nobody else but i never had a clue how to love a girl like you two true believers, we devised a temporary paradise now our future's in the past i should've known it wouldn't last i should've been a better man you could've been a better friend i'm alone, but that's okay i guess the dice just rolled that way
at the risk of being maudlin, i'm quoting the entire end credit song of family tree, because it pretty much makes me weep to even think about it
I could use a dog right about now.
control the weather #rainroom #moma (at MoMA Rain Room)
cooper union stands with istanbul #direngezi #newyork #cooperunion #occupygezipark (at Astor Place)
How to prevent rape. Seems obvious…
I definitely thought number 5 was ok

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fuck you, german
this is one sentence. that bolded word? it is the operative verb for the opening clauses of this beast.
“Zuerst ist auf das augenfälligste Merkmal hinzuweisen, daß das Bedürfnis der vom Tempo der Epoche mitgerissenen, von den allgemein Umständen des Daseins bedrängten, hastigen Menschen der neuesten Zeit jeder sozialen Rubrik nach Beruhigung, leicht zu beschaffender Ausspannung ihrer maltraitierten Sinne, vor allem nach der Lust des Schauens, vom Film oder dem Flimmerspiel, wie es neuerlichst zubenannt wurde, in einer Weise befriedigt wird, welche an Stärke des Endrucks von keiner anderen Darstellungsart, weder einer schriftlichen, bildlichen noch körperlichen, übertroffen zu werden scheint; denn das Gerede von einer absteigenden Frequenz in den Filmstätten ist eine lächerliche oder auch böswillige Erfindung."
uggggggggghhhhhhhhhhhh
my mom has cable tv
me: speaking of square jawed manly men, have you been keeping up with mad men?
mom: no! I can't find it!
...
mom: you have to help me.