Zhangye Danxia National Park, China by Tatiana Runova
Claire Keane
sheepfilms

pixel skylines
Lint Roller? I Barely Know Her

JBB: An Artblog!

⁂
TVSTRANGERTHINGS
Misplaced Lens Cap
will byers stan first human second

if i look back, i am lost
tumblr dot com
🪼
Acquired Stardust

PR's Tumblrdome

Discoholic 🪩
let's talk about Bridgerton tea, my ask is open
Aqua Utopia|海の底で記憶を紡ぐ
wallacepolsom
seen from Australia

seen from Japan
seen from United States
seen from Australia

seen from Singapore
seen from Austria

seen from Spain
seen from Malaysia
seen from United States

seen from United States

seen from Malaysia

seen from Peru
seen from United States
seen from Singapore

seen from United States

seen from Türkiye
seen from United States

seen from United States
seen from Netherlands
seen from Japan
@alexandrawinters
Zhangye Danxia National Park, China by Tatiana Runova

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
seaside
La Chinoise (Jean-Luc Godard, 1967)
Jean-Pierre Léaud in La Chinoise
Cast: Anne Wiazemsky, Jean-Pierre Léaud, Juliet Berto, Michel Semeniako, Lex DeBruijn, Omar Diop, Francis Jeanson, Blandine Jeanson, Eliane Giovagnoli. Screenplay: Jean-Luc Godard. Cinematography: Raoul Coutard. Film editing: Delphine Desfons, Agnès Guillemot. Music: Michel Legrand, Karlheinz Stockhausen.
Jean-Luc Godard’s La Chinoise is a helpful way of remembering how crazy the late 1960s were. It might be worth putting together a double feature of Godard’s film along with Haskell Wexler’s 1969 film Medium Cool. Together, they bracket that annus horribilis 1968, the year of riots and assassinations. Godard’s film is about what he called in his 1966 film Masculin Féminin “the Children of Marx and Coca-Cola,” a generation of French young people striving to make sense of a world they don’t control. In that movie, which also starred Jean-Pierre Léaud, they find no ready outlet for their revolutionary energies. But by the time of La Chinoise they have discovered it in Maoism and the Cultural Revolution that began in 1966. The five or six young would-be revolutionaries of La Chinoise have come together to form a cell, in which they endlessly discuss the tenets of Marxist-Leninism and fetishize Mao’s Little Red Book. It’s a film that’s alternately funny and scary, especially as the talk finally finds an outlet in action – suicide and political assassination. It’s also a film that will test the patience of anyone who wants to see things happen rather than listen to people talk about ideas that might make them happen.
Andy Warhol, Hirmam Keller (Polaroid), 1973

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Southampton House, Hamptons, USA - Timothy Gobold
Full service Interior Design & Architectural Studio
Digital artist and programmer Josh Begley discusses his artistic practice, which maps systems of surveillance and incarceration vis-a-vis data visualizations, digital archives, ...
A new book chronicles how leftist directors of the 1960s and '70s used the essay film as an activist tool.
Doğan was imprisoned for propaganda after she depicted a predominately Kurdish city destroyed by Turkish military forces in a digital painting.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Kaushik Sunder Rajan
Anthropologist and professor at UIC
Concerned with a political response to the way bio medicine is structured and the appropriation of health by capital. He approached this topic through distilling down the basic concepts of Karl Max’s labor theory of value - surplus labor. And approached big pharma applying the same idea and arriving at surplus health. You can still today read Marx and conclude that capitalism is not evil. But it is when capital starts consolidating that the system becomes broken as it leads to Corporatization, monopolization and financialization. The basic structure of big pharma.
The exploitative nature of capitalism looks like the bodily demand on the laborer to give more than capitalism gives back. Capitalism is not sustainable because it relies on the exploitation of bodily potential, and to another important extent environmental potential.
So then the idea of “Surplus health” - looks like those who have potential to require drugs in the future - this value of health is completely alienated from ideas of healthiness, and is about growing markets. Big pharma does not exist to create drugs that actually work and cause your patient or consumer to stop taking them. The whole system is predisposed to enable “surplus health”. For example there are no clinical trials to tell us when it’s ok to STOP taking drugs. All clinical trials are testing when it’s ok to START taking drugs, this is capital’s appropriation of health.
He speaks about the US society being therapeutically saturated, forcing drug testing to go offshore, notably to countries in the global south. These tests are conducted on what he referred to as “Marked bodies” namely coloured, post colonial, and or female bodies.
“We have a system where everyone is screwed” including the pharmaceutical industry as capital values growth, but there are varying levels of inequities amongst those involved at every level, including the state. If you look at Public health in the sense of a welfare state model exemplified in “democratic socialist countries” the courts play a more active role in regulating access. However even this model of stare regulation and access is insufficient as global capital overrides any state sanctioned ruling and benchmarking because of “free trade”. And then you have the gendered and radicalized inequities of the tested bodies.
And so how do we imagine a collective action that can engage with this system?
******
‘Pressure building’ for Congress to act, but current political environment may splinter any bipartisan efforts.
The Ford Foundation announced today that it will open an art gallery next month at its Midtown east headquarters in New York. Lisa Kim will serve as the director of the gallery, which will be free and open to the public and feature artists who explore issues of social change and justice in their work. Kim comes from Two Trees Management, a real estate company where she served as curatorial affairs director. She previously worked at Gagosian and New York’s Department of Cultural Affairs. Darren Walker, the foundation’s president, said in a statement: “Arts and creative expression have played an
Technology can make it look as if anyone has said or done anything. Is it the next wave of (mis)information warfare?

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Experts are split on whether the coming years will see less misinformation online. Those who foresee improvement hope for technological and societal solutions. Others say bad actors using technology can exploit human vulnerabilities.
"Why do you need our money? We have 63,000 people who are sleeping in homeless shelters," council speaker Corey Johnson told Amazon reps. "Don't you think there's a better way for us to spend $3 billion?"