what are sunsets over the sea made of (zoom in on a sunset over the sea and you start noticing the clouds, the strata and the different hues form dark green to deep orange)

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what are sunsets over the sea made of (zoom in on a sunset over the sea and you start noticing the clouds, the strata and the different hues form dark green to deep orange)

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Running Still (series) — Glimpse 002
Part of the series "Running Still" (see full Flickr album for more), contributed to Metabox metabox.zone/running-still-glimpse-003-ale-di-gangi/ The soundtrack for this post is "Tirer la nuit sur les étoiles" by Etienne Daho & Vanessa Paradis: https://music.apple.com/it/album/tirer-la-nuit-sur-les-%C3%A9toiles/1712885528?i=1712885535
Running Still (series) — Glimpse 002
Part of the series "Running Still" (see full Flickr album for more), contributed to Metabox metabox.zone/running-still-glimpse-002-ale-di-gangi/ The soundtrack for this post: "Hopelessly At Ease" Brian Eno & Beatie Wolfe
Brian Eno, Beatie Wolfe · Luminal · Song · 2025
"Running Still" is the portrait of the moment when awareness becomes image, and image becomes testimony. An invitation to look — not to find answers, but to recognize the precise point where we stand: suspended between motion and paralysis, between vision and the impossibility of change.
Running Still (series) — Glimpse 001
Part of the series "Running Still" (see full Flickr album for more), contributed to Metabox metabox.zone/running-still-glimpse-001-ale-di-gangi/
"Running Still" is the portrait of the moment when awareness becomes image, and image becomes testimony. An invitation to look — not to find answers, but to recognize the precise point where we stand: suspended between motion and paralysis, between vision and the impossibility of change.
This is beachporn, baby!
(set 1) Film: expired Konica 110 Camera: Agfa Tramp 110 Recovered from the vaults — June/July 2015
Enjoy the full album at https://www.lomography.com/homes/ale2000/albums/2494998-konica-110-agfa-tramp

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Into the golden light (bathing)
La solitudine dei numeri 1
Film: Kodak Ektar 100 Camera: Holga GN
From the vaults — August 2015
Der Sinn des Lebens
It (all) flows
Camera: Cosina CX2 Film: Agfa RSXII (1) - Agfa CT Precisa (2 & 3)
Leftovers from the vaults — 2007 From my latest post for metabox
Bloated cornerstones
Camera: Olympus XA-2 Film: BW bleached film Lomography BW Earl Grey 100 film
From the vaults — April 2016

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Licht, Schatten und Paranoia bei Stasis
#stasismuseum #Berlin #candid #interiordesign
The mind blurred
Film: Agfa CT Precisa (crossprocessed) Camera: Lomography Lc-a
From the vaults — September 2007
Seeing pleasant places
Camera: Lc-a Film: Kodak E100 VS Leftover from the vaults — 2003(?)
Prescience of the future
Camera: Holga Film: Rollei CR200
From the vaults — August 13th 2017
A roll of Rollei CR200 35mm slide film, shot with a modified Holga 120, was to be cross-processed but was misprocessed as BW by the lab — due to "a distraction of the operator", they wrote in a letter of excuses.
Happy accidents can happen.
What goes down must then go up (again)
Camera: Canon QL19
Film: expired Kodak Tri-X 400
From the vaults — Firenze, inside the Santa Maria Novella train station, February 12th, 2017.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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We travel fast - we go nowhere
Camera: Cosina CX-2
Film: Fuji 64T
From the vaults — Barcelona L4 Passeig de Gràcia, Aug. 21st, 2007
PERDUTO AMOR D’ISTANTE
Of the pain that a dead technology leaves behind. From the vaults — various years
Camera: Polaroid Colorpack 100 Film: expired & manipulated Fuji FP100C silk