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@alanhunt

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This might be the most awkward episode of Definition I've seen! Canadian TV 😗🤌
North Bay representing with a bonus definition:
60 seconds · Clipped by kamandi10 · Original video "Definition Game Show | Season 8 Episode 65 (1981)" by BonusRoundCanada
And I'm pretty sure Jim Perry just insulted his guests?:
23 seconds · Clipped by kamandi10 · Original video "Definition Game Show | Season 8 Episode 65 (1981)" by BonusRoundCanada
And finally:
42 seconds · Clipped by kamandi10 · Original video "Definition Game Show | Season 8 Episode 65 (1981)" by BonusRoundCanada
🇨🇦📺❤️
In fact, any appearance in Image of an entity claiming to be an Archangel or God should be regarded with deep suspicion. Even if it is 'true' as a 'message', it should be realised that the Image is only a 'representation' and therefore imperfect. The more proper appearance of an Archangel is not a clearly defined image, but a shifting and hazy one more like an attempted image of my 'time-plated sky tomatoes' or the 'square root of minus one'. The appearance of a God is more marked by a sensation of great awe, or numinosity, rather than any describable image.
These terms are given as examples only: although these are common meanings, some writers may use the words in a different sense. The book Words Made Flesh contains an interesting analogy between this angelic hierarchy and the hierarchy of programs which might be needed to create a virtual reality. It considers a virtual field of grass each individual grass plant in the virtual reality has its own software representation (its 'spirit'); all those plant spirits are derivatives of a program which identifies that particular grass species (the 'angel' of that species) and it in turn is a derivative of a program which defines grasses (the 'archangel' of grasses).
The New Yorker, January 9, 1943. Cover by Ajalov

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My automatic reaction to this sequence from Al Hartley's 'Archie's Family Album' was to feel simultaneously furious and sick to my stomach, I disagree with it so much. I read these comics because I like Hartley's art and can enjoy the stories ironically... but at times, I get these flashes of realization of what his actual goals were with using these characters as vehicles to get across his fucked up ideas and I feel horrified at myself for taking them so lightly, (and at Hartley for choosing them for exactly that reason. )
Gray Morrow 70s B-Movie tie-in comic based on a movie based on real-life 'super cops'(who were subsequently busted for corruption). I think this cover does its job very well; the comic itself is a series of brief, very unsatisfying stories, with some flashes of nice art.
(The first Microwave Oven)
From the New Yorker, Feb 5, 1949
THE Raytheon Manufacturing Company, of Waltham, Massachusetts, an old hand at turning out radio tubes and radar equipment, has now produced the Radarange, which, as its name implies, cooks food by radar. The most astonishing aspect of this spooky invention is the speed with which it operates. A large pan of gingerbread can be baked in twenty-nine seconds, and water comes to a boil faster than you can say "instantaneously." At the moment, the Raytheon Company is still experimenting with Radaranges and, instead of selling them, rents them to hotels and restaurants, at a charge of five dollars a day. The only local hotel equipped with Radaranges is the Roosevelt, which has two and is delighted with them. We stopped in there the other day to try a few samples of radar cooking, and we're delighted, too.
Corey Feldman, Chicago, July 2024

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Bimbo the Birthday Clown on the Uncle Bobby Show wishes you and you, a very happy birthday!!!
CLUB LIFE IN AMERICA
Saturday Afternoons at the Tennis Courts Split the Neighborhood Club Wide Open
By Gluyas Williams, The New Yorker, June 1935
Constantin Ajalov, The New Yorker, June 23, 1929
Constantin Ajalov, The New Yorker, Nov 11, 1933
From the The New Yorker, June 22, 1935:
A la Belle Étoile
WE went up to Central Park last Tuesday night, to see the dancing on the Mall. Just as we had expected, it turned out to be a fine, cheerful occasion, not in the least like that gloomy little number in the Theatre Guild's revue which shows tenement girls dancing with despair in their hearts. The orchestra was tuning up when we arrived: twenty-five work-relief musicians, stripped to their shirts and ready for action. The tentative squeaks and moans of their instruments had kept the starlings awake past their bedtime; you could hear restless chirps and flutterings in the trees. The benches surrounding the cement dance floor were filled with girls who hadn't any boys, boys who hadn't any girls, men who would probably sleep in the Park that night, and elderly folk who had, like us, come to see the fun. The dance floor was sprinkled with powdered wax, and was unoccupied except by Park employees and playground instructresses, who were to act as chaperons. The rules they had to enforce were simple and few: persons of the same sex were not to dance together; the boys had to wear coats, and couldn't wear hats; no cutting in; no smoking; no dancing in one place.

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Leave It To Beaver (Places 'The Beave' thought of running away to)
Weeki-Wachi Spring "The City of Mermaids", Florida park guide pamphlet, 1991