Rafayel, Portrait of a God
Author's note: This is my first post about Love And Deepspace and also the very first analysis of one of the LI I have ever written. It is quite long and very detailed. The shorter version can be found on my Instagram. Feel free to have a look and let me know what you think of it (especially regarding the theories mentioned) and if you want other analysis :)
Because of his eccentricity and unapologetically flamboyant, diva-like flair, Infold arguably makes Rafayel the most amusing âlove interestâ in LADS. However, his humor isnât mere comic reliefâit evokes the personalities of Greco-Roman gods. This analysis will delve into the parallels between Rafayel and ancient gods, in order to unravel the complexity of his character and possibly speculate on the future direction of LADS.Â
1/ The archetype of an Olympian
Despite their differences, the Olympian gods share some core personality traits: huge pride and ego (hubris), extreme passion and intensity, impulsivity, very creative vindictiveness and long-lasting grudges and of course their tendency to get involved in human affairs often using deception.
Those traits can be found in Rafayelâs personality.Â
a) The consequence of the divine pedestal : pride and loneliness.Â
Rafayelâs personality is marked by arrogance, self-confidence, and narcissism. He frequently boasts about his âdashingly good looksâ and seems to carry a god complexâor at the very least, a deep sense of superiority. He despises being laughed at, readily critiques human behavior, and is quick to point out othersâ flaws, including MCâs. Notably, he consistently refers to others as âhumansâ rather than âpeople,â subtly rejecting any sense of shared identity with them, even though he lives among them.
Although he is Lemurian and expresses affection for his homeland and people, Rafayel never quite fits in. After meeting MC, he begins to view the deep sea as âa prisonâ (cf: Night Stroll), and his aunt Talia observes that he tends to âdrift in and out of peopleâs lives,â always ready âto disappear without a traceâ (cf: Video Call - My Anchor). This sense of detachment may stem from the way Lemurians revere himâas a deity. Their idolatry has always isolated him, creating in him a deep sense of loneliness. Rafayel often confesses to feeling lonely, underscoring the isolation that comes with the pedestal heâs been placed on. He views his divine status as a burden and never really embraces it. He even rejects it by refusing to sacrifice MC in Forgotten Sea and even denies the existence of gods in Ivory Nightfall. Itâs as if he wishes to be just Rafayel (the way MC sees him, hence why he feels good in her presence). He perfectly embodies the expression âitâs lonely at the topâ, the top being where the gods resides.       Â
b) Deceptive nature: a tool to get involved in human affairs.
Despite his disdain for humans, Rafayel frequently involves himself in human affairsâwhether out of curiosity or for personal benefit. As a child, he left the ocean in search of something less monotonous than the deep sea, only to end up stranded on a beach due to his reckless curiosity. Later, echoing the Olympian gods who often used metamorphosis to walk among mortalsâand sometimes to seduce themâRafayel adopted various disguises. For instance, he wore a mask to attend the Sea God ceremony in the surface world in Forgotten Sea, pretended to be an illegitmate nephew / opera singer at a masquerade ball in Land of Secret Flames and eventually found a way to pose as a university professor at the university where the MC studied (cf: his anecdotes).          Plus, like the gods of myth, Rafayel keeps a watchful eye on the MC, observing from a distance much like the divine beings who monitored the lives of mortals.
Furthermore, Rafayel exhibits a distinctly deceptive and manipulative streak. He lies with ease, finds joy in pretending and acting, and remains a deeply enigmatic figureâitâs difficult to tell where the performance ends and the truth begins. In Omnipotent Perception, he declares, âShe (MC) doesnât understand me. She thinks she does but âŚââa statement that creates doubt about the authenticity of the persona he presents to MC. It suggests that much of what he reveals might be carefully constructed, a mask concealing his true self and blurring the line between illusion and reality.      Flamboyant and theatrical, Rafayel often reacts with exaggerated drama to trivial events, portraying himself as fragile, helpless, and in distressâwhen in truth, he is anything but. Beneath the performance lies a being who can be cold, calculating, and extremely dangerous. His Evol is fireâone of the most destructive forces on Earth. He doesn't need a âmiss bodyguardâ to save him; on the contrary, heâs fully capable of unleashing devastating power on his own.
c) The embodiment of divine retribution
This brings us to Rafayelâs darker, more vengeful side. Like any Olympian god, he can be merciless and creative in his pursuit of retribution, with a form of revenge so intricate and almost supernatural that it could be described as âdivine retribution.â As the God of the Lemurians, he feels entitled to their protection. As he says in Ivory Nightfall, âIf there really are gods in this world⌠they should help people live happier lives.â When his people are in need, he is there for them; when they are persecutedâor worse, killedâhe uses every ounce of his power to make those responsible suffer.          In the current timeline, Rafayel goes so far as to murder Raymond by using his own art after discovering that Raymond owns a Lemurian skeleton in a tank. In the Sea of Golden Sand myth, Rafayel vows to bring back Lemuria and schemes to get MCâs heart to achieve his goal (hopefully for her, he changes his plan).       Rafayel also holds onto long grudges. He has never truly forgiven MC for forgetting him and failing to return to him as promised when they were young. His resentment is also encapsulated in the infamous line, âItâs been 800 years⌠and finally, you remembered me!â
d) I shall do what I want!
Letâs not forget that Rafayel has little regard for rules. Heâs the only love interest who cheats during Kitty Cardsâa playful yet telling example of his disdain for structure. Rules are to discipline humans, not gods who are known to be impulsive. They do what they want regardless of the consequences. Rafayel is guided solely by his own whims. Impulsive and headstrong, he follows his heart rather than logic. In Ivory Nightfall, he initially refuses to repair the damaged statues, unmoved by the townspeopleâs desperate pleas. His swift dismissal mirrors a godâs indifference to unanswered prayersâhe hears you, but he doesnât care because and what he thinks should be will be.        Â
e) A figure of worship
Like a deity, Rafayel is worshippedâboth in his myth and in the current timeline. Whether as a god or an artist, he is constantly praised. In ancient stories, he is revered as a God; in the modern world, he is an extremely famous and admired artist followed by paparazzi and fans. His art is also worth millions.
f) A divine passion and intensity
Speaking of art, Rafayelâs creations are a direct reflection of his emotions. As he puts it in When Light Falls, âColors have emotions.â For him, âlove and art are intertwinedâ, and in Intertidal Zone, he reveals, âI thought only pain could bring me inspiration.â Therefore it is obvious that Rafayelâs art is born from the depths of his feelings, and when it comes to emotions, he always feels intensely and deeply. This is why his Evol is such a perfect representation of him. Like an Olympian god, he is driven by passion, with no emotional middle ground. He fully embraces his emotions, even when they threaten to consume him (cf: Intertidal Zone, âEven if (âŚ) they burn me instead, I still want them with every fiber of my being.â)     When Rafayel feels melancholic, itâs not a fleeting mood, he grieves; when he hates, his vengeance can be more brutalthan anyone could imagineâmaking your death a traumatic event. And when he loves, he does so with an intensity that could lead him to sacrifice everything, himself and even the fate of Lemuria, for the one he loves. He is a deeply devoted lover, and when his devotion isnât reciprocated in the way he expects, or when he feels he isnât his loverâs priority, his frustration becomes palpable.
2/ Resembling Poseidon ...
A major god in Ancient Greek mythology, Poseidon is best known as the god of the sea, but he also holds dominion over earthquakes and natural forces. His deep connection to the ocean makes him an evident mythological parallel for Rafayel, the god of the sea and tides in LADS.
a/ EthymologyÂ
Interestingly, the etymology of Poseidon's name âpotei meaning âhusbandâ and da meaning âearthââcan be interpreted as âHusband of the Earth,â a reference to his ability to shake the ground and stir natureâs most powerful elements. While this might seem like a stretch at first glance, LADS appears to intentionally weave this symbolism into its narrative. Rafayel is deeply in love with the MC, and they are portrayed as bound by an eternal connection like a husband and his âbeloved brideâ. Moreover, the MC was involved in the Gaia research project as a childâGaia being the personification of Earth in Greek mythology. This subtle link reinforces the idea of Rafayel as a Poseidon-like figure who is not only tied to the sea but also bound to the Earth through his connection to the MC.     We can now explore the more obvious parallels between Poseidon and Rafayel.
b) Poseidon v. Zeus / Rafayel v. Astra ?
In Greek mythology, Poseidon is the brother of Zeus. He was granted dominion over the seas while still subject to his brotherâs ultimate authority. A similar hierarchy appears to be at play in LADS, where we are introduced to two divine figures: Rafayel, the God of the Sea, and Astra. Though Astraâs exact domain remains unclear, his portrayal suggests an overwhelming powerâgreater even than Rafayelâs current power. He exudes a sense of omnipotence, with the ability to control fates and impose divine punishment on those who merely disobeys him without even appearing. Much like Zeus, Astra appears to occupy the highest position in the divine hierarchy, and his nameâderived from the Greek astron, meaning âcelestial bodyââfurther hints at his possible identity as the God of the Sky, Zeusâ domain. A rivalry between him and Rafayel is suggested by the ominous reference to âa fierce battle between the sky and the oceanâ in the climax of Land of the Secret Flames.    If we follow the theory that links Astra to Ever, this rivalry between the two gods is already present in the current timeline. Ever placed a bounty on Rafayel due to the fact he murdered members of the company. Plus, in Land of the Secret Flames, Everâs presence on an island that was once the place holding Lemuriaâs Temple provokes Rafayel. Heâs acutely aware that Ever (that he explicitly calls âhis enemiesâ) seeks something that does not belong to themâ an Aether Core (or perhaps the Tome of the Sea God?)â in a place where they should not be and he refuses to allow it. This confrontation is what drives Rafayel to fully awaken his divine power. In a chilling display of wrath, he enters âGod Modeâ by absorbing the power within the tome, and mercilessly drowns the intruders in the blue holeâdivine retribution carried out with unsettling ease. Lemuria is the Sea Godâs domain, and Rafayel makes it clear: Ever, or Astraâthe Sky Godâhas no place there. (Weâll return to Astra and his mythological implications in a separate analysis.)
c) Failure to protect cities
            Poseidon is also remembered for his repeated failures to become the protector of cities and, more significantly, for his role in the destruction of Atlantisâthe legendary sunken island that clearly inspired Lemuria in LADS. This mythological aspect aligns closely with Rafayelâs own story: he ultimately fails to protect Lemuria, becoming responsible for its downfall.      Poseidon also appears frequently in myths centered around vengeance, a trait weâve already identified in Rafayel. Like the sea god, Rafayelâs anger is poetic yet mercilessâhis retribution as devastating as it is symbolic.
d) Same places and methods of worship
Moreover, Poseidon was widely worshipped, with temples often built in remote, sea-facing locationsâon cliffs, islands, or near the shoreâreflecting his dominion over the ocean. This mirrors the worship depicted in the Forgotten Sea myth, where a temple perched on a cliff serves as the center of reverence for the Sea God. Coastal communities celebrate him with statues, festivals, offerings, and even sacrifices. In the present timeline, Rafayelâs Mo Studio echoes this sacred architecture: situated on the beach, crowned by a bell tower reminiscent of a chapel.
e) The true powers of a god of the sea
Now moving on to Poseidonâs powersâhe is famously known for commanding storms, causing earthquakes, and unleashing the full force of the sea. Interestingly, while this is only my theory, there are numerous instances throughout LADS that suggest Rafayelâs emotions may be directly tied to the weather, echoing Poseidonâs elemental influence. When Rafayelâs godhood awakens in Land of the Secret Flames, the sea grows restless and a storm starts to gatherânature itself responding to his divine presence.         Even in quieter, more emotional moments, weather shifts seem to mirror Rafayelâs internal state. For example, in Ocean at Night, the wind appears to behave almost as an extension of Rafayelâs mood. When he resists the idea of going to watch the lanterns with MC, the wind lashes out. But as his demeanor softens and he begins to feel joy, the wind mysteriously calms, as though attuned to his emotions.  In Myths and Omnipotent Perception, Rafayelâs connection to the rain becomes even more apparent. In Myths, rain begins to fall unexpectedly, and Rafayel casually remarks, âWhoops, didnât expect it to fall so quickly,â weirdly implying he may have inadvertently triggered it. He embraces the downpour with childlike delight, splashing through puddles and confessing heâd âalways wanted to do this.â         In Omnipotent Perception, the sky is initially clear and the forecast promises sunshineâyet when MC pushes Rafayel to open up about his pain and isolation, the weather abruptly turns. Rain begins to pour, thunder rolls overhead, and the storm intensifies with his emotional vulnerability. Later, when MC initiates a more intimate moment in the bathtub, the storm rages againâonly to gradually subside once their passion is spent, as if his volatile emotions have been soothed.        Finally, in Ivory Nightfall, Rafayelâs connection to natural disasters is brought to the forefront when he arrives in the aftermath of a tsunamiâa catastrophe born of the sea itselfâsuggesting not only his domain over the waters but a divine responsibility in moments of crisis. This elemental harmony between Rafayelâs emotions and nature reinforces his mythic parallel with Poseidon, portraying him as not just a god of water, but a force of nature whose heart can quite literally change the weather.
f) Marine attributes
In terms of attributes, Poseidon is famously described by Aristophanes as âthe mighty master of the trident, the fierce shaker of earth and sea.â He is often portrayed wielding a trident and surrounded by sea creaturesâdolphins, fish, sea monsters, and Nereidsâall symbolic of his absolute dominion over the ocean.
In LADS, while Rafayel doesnât physically wield a trident in the current timeline, it is referenced in Deep Sea Promise. The quote âCumbersome. I dislike it,â suggests that Rafayel once possessed a trident but rejected itâpossibly due to its symbolism or the burden of divine responsibility.Â
Much like Poseidon, Rafayel is constantly surrounded by marine life. These companions range from fantastical beings like the Lemurians (mermaids) to actual sea creatures such as fish, whales, sharks, and even sea monsters. In the Forgotten Sea myth, he parades with them during the ceremony like a sovereign god. He also actively interacts with them, ordering fishes to race alongside  MC or communicating with whales as though speaking to kin.
Additionally, Rafayelâs ability to manifest fish illusions further illustrates his mystical connection to marine life. These illusions are not just playful tricks; they carry emotional weight, particularly the fish that represents his long-standing promise to the MC. And then, of course, thereâs Reddie, his and MCâs small yet meaningful fish companion.
3/ âŚÂ while being very Apollo
a) Ethymology and epithets ; the image of the Sun
By studying the etymology of names and Apolloâs epithets, we can trace compelling parallels between the Greek God and Rafayel. The name Rafayel clearly draws from the Hebrew רְפָ×Öľ× (Rafaâel), meaning âGod healsâ (refa â âto heal,â and El â âGodâ). Healing is one of Apolloâs central divine functions. But this god can also bring destructionwhen angered. This destructive aspect is symbolized through Rafayelâs evol, fire, which he references repeatedly in battle with lines like: âCreation and destruction go hand in hand,â and âEverything will turn to ashes.â  Furthermore, Apolloâs epithet  ĎÎżáżĎοϠ(Phoibos) â from which his Latin name Phoebus derives â means âbrightâ or âradiant.â It was often used by poets as a synonym for the sun.   The sun plays an important role in the Forgotten Sea myth. Not only it is the theme of conversation the Templeâs Sunsetmemory but it is also the âsymbolic of Lemuria as a wholeâ.  Known as the Sun Below the Waves, this sun is a divine flame, creation of the Sea God and it is the source of Lemuriaâs prosperity and protection. As revealed in the Tome of the Sea God, this âancient flame has burned in Whalefall Cityâs temple for thousands of yearsâ and is tightly linked to the Sea Godâs life. If the flame dies, so does the Sea God (and vice versa)âand with him, Lemuria. The bond is cyclical, sacred, and irrevocably divine.       This solar flame, much like Apolloâs radiant presence, represents not just light and fire, but knowledge, vitality, and divine illuminationâall elements necessary to sustain civilization and consciousness. And who are the two gods that represent them: Appolo in Greek Mythology and Rafayel in LADS.Â
b) An artist god
Apollo is also known as the god of the arts, particularly of music, a divine function that finds clear echoes in Rafayelâs character. Renowned for his talent in painting, photography, and music, Rafayel mirrors Apolloâs artistic brilliance and creativity.           In classical depictions, Apollo is often shown surrounded by the Nine Muses, daughters of Zeus and goddesses who preside over the liberal arts and inspire artistic creation. In LADS, this role of muse is embodied by MC, who frequently inspires Rafayel. Whether itâs a painting sparked by a shared moment or a song, MC consistently fuels Rafayelâs creativity.     Additionally, Apollo is traditionally represented holding a lyre. While Rafayel is never directly seen with a lyre in LADS, we see him play various musical instrumentsâa flute, a harmonicaâwhich reinforces his connection to the divine realm of music. Interestingly, the lyre itself is mentioned in the Forgotten Sea myth as the instrument played during the surface-world festival honoring the Sea God. Though subtle, this reference places the lyre within Rafayelâs mythos, further deepening the parallel between him and Apollo.
c) Similar personality and tragic love stories
Personality-wise, Rafayel and Apollo share striking similarities. Both are proud, confident, intelligent, and capable of deep vengeance when wronged. In appearance, too, they reflect the archetype of idealized male beautyâyouthful, slender yet athletic, adorned with delicate features and a luminous presence.Â
Another poignant parallel between them lies in their tragic experiences with love. Despite his charm, Apollo is notoriously unlucky in romance. Many of his relationships end in heartbreak or death, and he frequently falls in love with mortals or nymphs rather than fellow deities. This mirrors Rafayelâs doomed yet passionate bond with MCâa star-crossed love story between a Lemurian god and a human.
d) The role of prophecies
Moreover, Apollo is the god of prophecy, associated with the Oracle of Delphi and the sacred Pythia who channeled his divine foresight. Prophecy plays a central role in Rafayelâs myths and his relationship with MC. The Tome of the SeaGod, an ancient divine artifact, contains visions of Lemuriaâs fall and potential rebirth. A new prophecy appears after each reincarnation of the Sea God. For instance, it stated that Rafayel would be the last god of the sea. But, not only the tome foretells events but it also contains the power of the Sea God. After absorbing the power within the tome and thus inherited the Sea Godâs full powers in Land of Secret Flames, we can wonder if Rafayel has inherited the gift of prophecy.  If so, this would place him on equal footing with Astraâor any other god-like 6th love interestâshaping him not just as a god of sea and art, but one of divine knowledge and fate.











