AllTooWell

I actually did grow up on a Christmas tree farm. In a gingerbread house, deep within the yummy gummy gumdrop forest. Where, funnily enough, this song is their national anthem. #ChristmasTreeFarm song and video out now 🎄

Dancer

Prancer

Vixen

Magic

Madness

Heaven

I call this one:

The lyrics don’t talk about one linear story but moments when those feelings are evoked

The first part introduces those feelings (sharing gloves, playing video games, passing notes)

The second part finds them again much later in the beginnings of love (the nerve to touch my hand which ties back to the gloves, twenty questions which ties back to video games, conversation which ties back to notes), this person stirs feelings just as pure and true as the ones found in the innocent discoveries of childhood

The change from snow to a clear light pink sky shows the change in time and both literal and metaphorical season

The third part realizes these feelings in true love (sidewalk chalk covered in snow and rice on the ground looks like snow)

True love brings back the whimsy and sweetness we thought could only be found in childhood :’)

Guys - It’s been announced recently that the American Music Awards will be honoring me with the Artist of the Decade Award at this year’s ceremony. I’ve been planning to perform a medley of my hits throughout the decade on the show. Scott Borchetta and Scooter Braun have now said that I’m not allowed to perform my old songs on television because they claim that would be re-recording my music before I’m allowed to next year. Additionally - and this isn’t the way I had planned on telling you this news - Netflix has created a documentary about my life for the past few years. Scott and Scooter have declined the use of my older music or performance footage for this project, even though there is no mention of either of them or Big Machine Records anywhere in the film.

Scott Borchetta told my team that they’ll allow me to use my music only if I do these things: If I agree to not re-record copycat versions of my songs next year (which is something I’m both legally allowed to do and looking forward to) and also told my team that I need to stop talking about him and Scooter Braun.

I feel very strongly that sharing what is happening to me could change the awareness level for other artists and potentially help them avoid a similar fate. The message being sent to me is very clear. Basically, be a good little girl and shut up. Or you’ll be punished.

This is WRONG. Neither of these men had a hand in the writing of those songs. They did nothing to create the relationship I have with my fans. So this is where I’m asking for your help.

Please let Scott Borchetta and Scooter Braun know how you feel about this. Scooter also manages several artists who I really believe care about other artists and their work. Please ask them for help with this - I’m hoping that maybe they can talk some sense into the men who are exercising tyrannical control over someone who just wants to play the music she wrote. I’m especially asking for help from The Carlyle Group, who put up money for the sale of my music to these two men.

I just want to be able to perform MY OWN music. That’s it. I’ve tried to work this out privately through my team but have not been able to resolve anything. Right now my performance at the AMA’s, the Netflix documentary and any other recorded events I am planning to play until November of 2020 are a question mark.

I love you guys and I thought you should know what’s been going on.