wild is the wind

Pino Settanni : Diana Rabito, ''Fotoromanzo, un amore''

Série Oreiller suite. Janvier/Avril 424 numéros. Serge p. Monotypes 21X30cm.

J'ai vu un immeuble, et je me suis dit "Moi aussi je vais faire un immeuble...et puis un autre et un autre, presque une ville..."

Ça me fait penser à une vision que j'ai eu enfant, vers 8 ou 9 ans. Un certain alignement de bâtiments, tous les mêmes. Je vivais dans l'un d'eux sans penser en faire partie. J'en fis une petite peinture à l'huile sur un morceau de contreplaqué qui servait de cale pour mon lit. Je me souvient très bien de ce jour, j'avais découvert par hasard un tableau du Greco dans un magasine en noir et blanc ce qui m'a donné l'idée du ciel un peu dramatique et de cette lune qui j'en étais sûr était verte dans le tableau original.

kisses on your little paws.

Marina Abramovic wearing ABODI Transylvania embroidered black “Mourning of Kalotaszeg” artefact look. A double black vest lined with coarse, raw hemp fabric. The outer vest is made of velvet, richly embroidered with black beads and silk thread. The inner lining is crafted from a jacquard-woven fabric with a minimalist pattern, a glossy, silk-like material, also lavishly embroidered with silk thread and beads.

The lower skirt is a three-layered black matte skirt adorned with tassels, over which lie two layers: a pleated apron and an overskirt. These elements are likewise richly embroidered with silk thread and beads. The ensemble is paired with a white raw cotton shirt made from vintage fabric—simple and puritan in origin, derived from traditional mourning attire, yet through its embroidery it carries multiple layers of interpretation and meaning.

Marina Abramović @AbramovicInstitute By Photographer / Creative Director @SzilveszterMako

“Marina Abramović’s “Transforming Energy” concept explores the idea of energy exchange between the artist and the audience, using her body as a medium to tap into this transformative power.”

Wardrobe Stylist & Editor in Chief @M__milenio Sarah Gore Reeves @sarahgorereeves Art Director Sarah Bassett @sarahbassettt Set Designer Alice Martinelli @alicemartinellli@lalalandartists Hair Stylist Rolando Beauchamp @robeauhair Makeup Artist Rommy Najor @rommynajor Nail Artist Leanne Woodley @she.nails.it@seemanagement

Production Company Dirty Pretty Productions @dirtyprettyproductions EP Mateen Mortazavi @mateenmortazavi Producer Katya Varzar @katyavarzar

Photography management Siyan Chen @babysiyan Curator: Ina Johannesen Dibley @inajohannesendibley

#aboditransylvania #marinaabramovic #marinaabramovicinstitute #szilvesztermako #transylvania

Marc Adrian Go (1964)

Go is the axis of FILMBLOCK I: the precise aleatoric narration. Chance and the will to form are perfectly balanced out, everything is change. The elements are further reduced in Go: the legs of a man and woman, moving closer and farther away, still, this all reproduced as a negative, with an atonal aggression on the soundtrack – one could see it as the story of an unsettled relationship. Adrian for his part might be dissatisfied with the fact that people almost compulsively would interpret it in this way, but if he didn´t want that to happen then he should have used more abstract material. (Hans Petersen)