Lisa Richards - AD7803 - Research and development
Please view online for best quality: https://ad7803.tumblr.com

Origami Around
DEAR READER
he wasn't even looking at me and he found me

PR's Tumblrdome
I'd rather be in outer space 🛸
YOU ARE THE REASON

shark vs the universe

if i look back, i am lost
NASA
Claire Keane

taylor price
wallacepolsom
sheepfilms

blake kathryn

JVL
almost home

tannertan36
One Nice Bug Per Day
seen from Greece
seen from South Africa

seen from Malaysia
seen from Canada
seen from Romania

seen from Türkiye

seen from United Kingdom

seen from Malaysia

seen from United States

seen from United States

seen from France
seen from United States
seen from Czechia
seen from United States
seen from Germany
seen from Bulgaria

seen from United States
seen from Sri Lanka
seen from Canada
seen from Philippines
@ad7803
Lisa Richards - AD7803 - Research and development
Please view online for best quality: https://ad7803.tumblr.com

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Evaluation
Have I met the brief? looking back at my first post where i copied the most important parts of the brief and parts which i felt i needed to remember and work on most throughout this module:
Students will be asked to challenge themselves to reconfigure their practical outcomes so far and to further explore and interrogate the form and content of their output/work. Students will continue to develop own practice and themes alongside exploration of new materials and mediums. Students will be asked to explore other mediums/formats and presentations of ideas as a means of extending potential and exploring new avenues. Tutorial support will be provided to help students. Students should make use of existing skills based workshops to extend their technical and aesthetical grasp of visual ideas and communication. The module will conclude with students using temporary and alternative mediums and spaces to display and publicise their own work to date. There will be a series of in-progress group discussions, critiques with peers. Learning outcomes
A student passing this module should be able to:
1 Demonstrate originality in their creative practice and communication using a range of media.
2 Understand and engage with technical and aesthetical presentation and meanings within chosen media.
3 Act autonomously in planning a body of work and demonstrate ability to systematically resolve technical and creative issues to successfully communicate with specialist and non specialist audience.
4 Demonstrate the ability to critically evaluate their own work and those of others in relationship to contemporary practice across different media.
5 Contribute to peer critique and engage with dialogues across a range of practices
This module provides students with the opportunity to propose and produce a coherent body of photographic work in an alternative/new medium as specified by student. It will provide the bas.is for identifying current experience and the scope for developing practice
submission for Assignment - Checklist: In addition to the above and in order to meet professional portfolio requirements, students will have to produce: Proposal - As submitted on 15th February 2017. Sketchbook/blog clearly showing the development of ideas as either blog or written form (stated above). This can be saved to disk with appropriate links. An evaluation; of the work, of the intended method of audience engagement, and the effectiveness of the choices made with regard to subject material, production and method of dissemination. The evaluation must reflect on development of ideas and work and also consider the objectives laid out in the original proposal.
Either (or a combination of): Final ‘gallery ready’ example piece/s to correct size and mounting and /or framing style/s as specified in research and reflective evaluation. Installation work example/s, suitable for recording and submitting to portfolio review, competition, residency or similar as specified in research and reflective evaluation. Portfolio of printed and sleeved photographs or video stills (printed and presented to professional standards) as edited and specified in research and reflective evaluation 3-10 minute (maximum time can be negotiated with course team in advance of hand-in) fully edited HD-video piece (submitted as .Mpg format), complete with correctly balanced and edited sound/dialogue with titles/captions in a format ready for both large screen and web projection.
Evaluation
To evaluate, I think i have gone above and beyond the necessary requirements of this brief. I am extremely happy with the final outcome of this project, I think I put a lot more time into the research and development of this project than i normally would and have looked at a lot of different sources for inspiration than I usually would, such as literature, poetry, paintings, and other forms of narrative. I’ve also tried to keep my research of photographic narrative fairly broad, looking at everything from how text is used in different ways to how images of clouds are used, and family photography. Since this project is essentially a lot of elements coming together, i thought the research I did managed to successfully inform each part of the project. For this project, i also gave a lot of consideration to the edit of the book. Since I haven’t produced a book like this before, I tried to base my design off of my existing skills in creating phonebooks but incorporate a lot of different ideas revolving around text. Whilst i have made quite a few books before, I have never made one with such detailed and extensive text, nor a portrait styled book, and rarely mixing elements. For me, deigning this book was about finding an equilibrium between text, photographs, scans, and negative space. I made a greater effort in deigning this book to really pay attention to why i was deigning everything how i was and challenging myself to try something a bit outside of my comfort zone, and i replay think it paid off as I think my book that i’ve ended up producing is nothing like the other ones i’ve made but equally, if not more, successful. I also enjoyed the collaborative part of this project as i had to work with my mother a lot to get the right kind of audio for the text and it was really interesting having an outsiders input, i think having her keep up to date with he progress of the book really made it more catered to a wider audience because where i got professional advice from parties who did not know the stories she was telling at university, i also got a non-photographers perspective. One of the biggest problems i’ve had in this project, and one which i am still struggling with, is explaining the book. I’ve tried to design the book in a way which now by beginning to read it, it would require no future explanation, so in part i think thats why the afterword works so well. It serves as a means of explanation without bluntly pointing it out at the beginning. Some other psychical issues which have been an issue through this project is that i don’t have a laptop or design software, so all of the book design work has had to been completed at uni which is a bit of a struggle as i don’t live nearby and the opening hours don’t coordinate well with my schedule. I’ve also had some issues with finding time to use the scanner, but in the end i’ve managed to achieve what i intended with the book. Earlier on in the module i struggled a lot with ordering the pages and trying out new things, i tried turning the images black and white, using images and colours as backgrounds for pages, and experimenting with pairing different sized images. I would say none of those things worked very well and in the end i managed to come up with an order which worked well for both the text and images, but as you can see by the volume of edit’s i’ve made there was a lot of tweaking about with the design. I had always intended that if i made a book for this model it would be physical and with the intent to exhibit and sell. However, at the beginning of the module i had also thought about producing a video instead of a book which would have been exhibited. I quickly abandoned this idea as i really just thought a book would work so much better. I am happy with my choice, and i think it makes a really nice addition to my portfolio of books but i think the next step in my work would be to produce collections of books, and set up to sell or distribute my books.
The physical book has arrived!
I’m really happy with the paper quality and the cover, I think the size works really well especially with the size of the text and images. I’m happy that I wen with this cover rather than an alternative as i think it looks really good in print and I had troubling aligning the photograph for the original cover, so using this cover was a much better option, i also really like the idea of isolating the spine. I really like how the text and images work together and especially the afterword. I ordered two copies and in one of the copies there is a slightly noticeable what line at the top of the pages where the paper was cut wrong, but i’ve double checked the pdf and there was no issues with the bleed, so this is the fault of blurb (who i have contacted about it). Other than that the images are a little dark as I didn’t lighten them enough for print but in the case of this book i think it still works really well.
“I came with the idea of a lonely hermit who ran away from the world because of some heavy drama, but it wasn’t true. He doesn’t get lonely at all. He kind of disappears into tundra, into the snowstorms. He doesn’t have a sense of self the way most people do. It’s as if he were the wind, or the weather itself.”
Evgenia Arbugaeva
full story
[thanx to lameladiodessa]
Although the photographs and photographic narrative of this series of image sis vastly different to mine, it is this summery of the series which has struck me most. It is what I had intended to capture though my series, these images are poetic and i feel like the narrative of my book follows a poetic structure. Here, the images themselves show everything which this statement alludes to. In the case of my project, i think it is not the images as such which do this but the combination of elements coming together and flowing which make a very similar construction of visual poetry. I was a fan of Arbugaeva’s work before bringing the project, yet only part way through had it occurred to me that I could make sense of her work based on it’s themes rather than the photographs alone.
Print out to check size of elements and mark up

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Patrick Keiller
Keiller has been another big influence on this book. Mainly, which his book adaptions of his films ‘Robinson in Ruins’ and ‘Robinson in Space’, titled as books ‘The Possibility of Life’s Survival on the Plant’ and ‘Robinson in Space (Topographics)’. It is hard to explain how these books helped develop my idea of visual narrative, but they did and i think my style as far as narrative story telling is concerned is very obvious derived from these or similarly styled books. This, however, is the first time that I have considered these books for their placement of text and ways of transcribing a more monotone audio, rather than just the photographing pairing with narrative text. Both of which were incredibly helpful, but i found the books compared to the films incredibly telling. For example, where the narrator speak inquisitively, more commas are used in a sentence. Other such traits i have tried to incorporate too.
Another book that inspired my text somewhat was ‘The View from the Train’, as it’s much more autobiographical and i found it useful in constructing more informative sentences for my afterword.
Although i already had the text as it is an audio transcription, i found it difficult to edit into a coherent body of work and keiller has definitely provided me with examples of conveying tone and voice through text, since his books are adaptions of narrations.
E.E Cummings
https://www.poetryfoundation.org/poems-and-poets/poets/detail/e-e-cummings
One of he heaviest text influences fro this project has been the poems of E.E Cummings. I have taken from him many literacy techniques and i’m sure it is obvious in my writing style that I have been familiar with his work. The division and separations of lines of text as if to isolate them is something i picked up on in his work, and the way in which poetic text is structured. In my text I have tried to be minimal, alluding, and poetic whilst not being entirely bewildering. The most important part in my text to get right was the impact of certain words or lines. Something I like doing is isolating the word by returns or sometimes even splitting the story over more pages than necessary. From this i also cam up with the idea of taking a part of the text, in place, and moving it to the opposite page.
Obviously, my work is far less educated and more artsy and interpretative, but i draw from similar rules of text structure. One of his poems ‘since feeling is first’ goes like this:
“since feeling is first
who pays any attention
to the syntax of things
will never wholly kiss you;
wholly to be a fool
while Spring is in the world
my blood approves
and kisses are a better fate
than wisdom
lady i swear by all flowers. Don’t cry
—the best gesture of my brain is less than
your eyelids’ flutter which says
we are for each other: then
laugh, leaning back in my arms
for life’s not a paragraph
and death i think is no parenthesis”
This poem uses a lot of line breaks and a similar poetic structure, but he also has poems which follow a more traditional structure but use a line break towards the end, both of which are styles i’ve incorporated. ‘next to of course god america I’ is another following suit.
“next to of course god america i
love you land of the pilgrims’ and so forth oh
say can you see by the dawn’s early my
country ’tis of centuries come and go
and are no more. what of it we should worry
in every language even deafanddumb
thy sons acclaim your glorious name by gorry
by jingo by gee by gosh by gum
why talk of beauty what could be more beaut-
iful than these heroic happy dead
who rushed like lions to the roaring slaughter
they did not stop to think they died instead
then shall the voice of liberty be mute?”
He spoke. And drank rapidly a glass of water”
Other, more alternatively structured poems which i’ve drawn inspiration from include ‘Buffalo Bills’, ‘In Just’, and ‘Leaf’.
https://learnodo-newtonic.com/ee-cummings-famous-poems
Research: late uploads
Throughout this project I have had various influences, some which were documented on here and some which were only documentary roughly, over pages of an old notebook of bad quality phone camera image or scraps of paper, or even ridiculously the named screwed on a piece of scrap paper, the book or source looked and then never documented. I am going to be posting a lot of research which was done during the project and will have visibly influenced my work but has only just now made it onto my blog.
Audio 4 late upload (transcription already posted)
Ordering the book with final cover choice and checked to upload specifications

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
final version! page number made smaller and lighter, all text checked and aligned, res of images checked, bleed checked, text and image alignment redone, pretty much just lots of checks made before checking on the blurb uploader
Ellie Roberts (Past student)
Ellie Roberts used postcards and photographs with handwriting on them in the forma of a narrative which is an interesting was of integrating text, quotations and emotive writing, with documentary photographs
this is the real penultimate edit
a few more changes, lining up of text and resize mainly, double-checking page number and spacing
penultimate edit!
checking, checking and thrice checking all the small details. Pretty happy with the book at this stage but paranoid of small mistakes
Same faint title in small caps, image just clouds, i don't really like this edit

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
title higher.... still too faint
deleted white background..... very faint title. I like it but not sure it works in this context