butcher . (Simon, Iron Lung)

tannertan36
AnasAbdin

titsay
Cosmic Funnies
trying on a metaphor
Misplaced Lens Cap

romaā
will byers stan first human second
let's talk about Bridgerton tea, my ask is open

oozey mess
ojovivo

Love Begins

#extradirty

Product Placement
he wasn't even looking at me and he found me

Kaledo Art

shark vs the universe
One Nice Bug Per Day

ē„ę„ / Permanent Vacation
Xuebing Du
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@ad0rabubble
butcher . (Simon, Iron Lung)

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unevil v!Owen be like
anyways happy pride queers (me included)
omg i need to know EVERYTHING EVERYTHING EVERYTHING about the OCs from the animatic you just posted IMMEDIATELY please tell me there's somewhere where i can read every detail of this premise and characters and plot i am so intrigued
ok so first ask im answering because i can't not talk about my OCs.
so its a story i call TIME OUT! (under the tag #TIME OUT! in my blog) and the basics is that it's about a death game (a la squid game, danganronpa, 999, etc) in which the main character (Sandy, the yellow woman) dies like 1/3 of the way through and the mastermind (Maestro, the skeleton robot guy) gets amnesia and is trapped in the game with the rest of them.
i try not to give to many specific plot details or explicit spoilers because i do plan to make it into a real story and dont want spoilers just like. out on the internet, lol. but yeah i cant help myself so i post a lot of vague spoilers anyways
some of my favorite replies to this tweet. happy lesbian visibility week!
quick break from bloodymary to indulge in OC content, yaaaayyyy

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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somebody needs to add lyfrassir bifrost incident edda into bloodymary
Oooh myyy mean gills
i think about helen a lot
He do be ponderingā¦
Cards on the table
Look who's decided to show up! Thanks again for @hemi-demi for looking through the text for me <3
If you are new to this AU, or don't remember: It's called Gertrude is still around or GiSA
You can see my other posts for this au here: Gertrude is still around au on tumblr, or you can check out The AO3 if you want to read all the chapters in one place
I also have a kofi if you like what I do, or want me to draw something for you

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch ⢠No registration required ⢠HD streaming
Perhaps I loved him.
A/N: Here's a sister piece to this ficlet, based again on @vampostingtime 's autopilot au, this time giving Cleo a moment with Legs :)
.
The doctor's lucid moments are thinning.
At first, Owen's dead lover had only appeared sporadically. Erratically. Cleo had sensed the truth of the matter only in the aftermath; the sudden shift of breath, the halting of step. The lost moments where Legs' memory would falter, and it was easy enough to dismiss it to a mind stuttering with exhaustion. To human weakness.
It's rare, now, to find Legundo.
@mytoomanybookstoread yesss your tags are everything to me
Lord, grant me a character who allows themselves to be angry :) Cleo is one of my favourites, because she absolutely takes no bullshit, and this entire scenario is just cowpats as far as the eye can see. (They're so angry. But, like you said, there's so much to be angry about and especially when it's mixed up with grief.)
And casual platonic touch, my belovedddd <3 Given both their backstories and characterisations, I'd be wholly surprised if either are prone to contact. (Am I also personally touch-adverse, so casual contact is often used in my fics as a sign of quiet trust? maaaaybe)
Hello, Alex! The Flesh here (no relation lol)
Iāve been looking through some of the stuff the fandom does and thinks in regards to TMA, andācall me a snooty bastard if you wishāI think theyāre missing out on a lot in relation to how they interact with the show.
The two episodes that come to mind are MAG102: Nesting Instinct and MAG103: Cruelty Free. I find that a non-insignificant number of people undermine the horror in these episodes. Specifically, they mock 102 for what they believe to be an absurd premise of a man falling in love with a beetle, and they refer to 103ās Monster Pig as cute, in some regard, for its proclamation of Dylan Anderson as āFriend.ā I could speak at length about how this completely overlooks the nuance of both episodes, but youād know better than I, and I wouldnāt want to embarrass myself popping the hood of a car you helped to design.
I suppose what Iām asking is, how do I avoid this tonal dissonance between work and fandom when doing my own projects? It has been a persistent worry of mine, that whatever I make shall be undermined by an innate desire in many fandoms to sympathize or soften, especially when such things are deleterious to full enjoyment of the work.
I cannot state enough that I do not aim to be pompous or establish that I am better than anyone. I am not. That is why Iām asking a superior artistāyouāfor advice.
Hey, I got bad news for you. You can't avoid tonal dissonance between a work and it's fandom. If you try you will likely sabotage the work and alienate the fandom. Examples: 1) Spoonfeed your audience their opinions in the work? Your work becomes didactic and alienating. 2) "Correct" audience opinions outside the work? At best you're ignored, at worst you're now perceived as an asshole. 3) Double down on the negatives to deliberately alienate audience sympathy? Your work just became edgelord nonsense. At the risk of going all Buddhist on you... Your discomfort will fade when you stop trying to control people. You cannot make people do what you want. You can only make the path you desire for them to take as easy as possible. If people are taking an unexpected path, ask them why because there is clearly a need your path isn't providing. Then you can either a) continue and modify your path to better meet that need b) accept that you cannot cater to that need and continue as you were, losing those people in the process c) quit the path. It's all valid, even option C. I know that's not a satisfying answer. I suspect you probably wanted some practical advice on steering audience reception via the execution of the work itself but this is, I think, a more helpful response. Accepting other people's readings without being consumed by them is profoundly difficult, especially when people are harmfully projecting themselves onto you and your work but its the best advice I've got. TLDR: You cannot control how people engage with your work. All you can do is make the work as well as you can, learn a lesson then make the next thing different. Sometimes the lesson is "make the desired reading more obvious" sometimes it's "some people will always be contrarian" and sometimes its even realising that you were saying something you weren't aware of at the time. Either way, you have something to work with next time and if you give it the consideration it deserves your work will improve over time.
The Mechanisms Zine project has now officially begun!!
A community project, by Mechanisms fans for Mechanisms fans, in the form of a collection of art made by us listeners to celebrate our beloved space pirates and their music Are you an artist? Are you a Mechanisms fan? Would you like to participate in a few months-long project with other fans, combining your interest with art, and possibly even getting the end result recognised by The People themselves if we're lucky? Join The Mechanisms Zine!!
As of now, the project is in a very very verrrrrry early stage, so I am mostly looking for people to help organise the zine, which means that mod applications are open :} They will remain open until the end of the week, and I am simultaneously opening artist applications too, which will remain open for a little longer and will have a longer response time Link to the mod applications Link to the artist applications Once again, please share this as much as possible, I need a maximum of people to see this!!
tucked away in a corner of the archive of the starship aurora, thereās an old advert with a familiar face.
[image id: two versions of an illustrated advertisement for āKatabasian Computing,ā featuring ashes o'reilly from the mechanisms. they lounge on an ornate armchair, one foot coming down to rest on a tasseled pillow. they wear black-and-white oxfords and a dark 1920ās style suit with a black coat over top; the trim of the coat looks like circuitry. the symbol of the acheron, a simplified skull with circuitry coming out of its exposed brain, floats to the left and right of their head. above the border of the ad is the paper name, āThe Oracle,ā and the date June 18, 2022. underneath it is the name āKatabasian Computingā and their slogan; āThereās no processor more powerful.ā the second is the same drawing, just without the effect that it has been printed on a folded and stained piece of old paper. (without the acheron skulls).Ā end id.]

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Quick gem doodle
waiter! waiter! more characters grieving something they can't even remember please!