Conscience Doth Make Cowards Of Us All...

A sculpture titled ‘Boxing Hares (Bronze Mad March garden statues)’ by sculptor Stephen Charlton. In a medium of Bronze and in an edition of 3/9.

Toshinobu Onosato

— Marcus Aurelius, Meditations: A New Translation (6:13)

Carlos Cruz-Diez, Physichromie No. 657, 1973.  Acrylic and laminated plastic on board, 71 by 79cm.; 28 by 31 1/8 in.

Bernard Buffet (1928-1999) - Don Quichotte

Victor Vasarely, Untitled Composition, n.d., Color silkscreen

Virginia Palomeque  -  Union   (oil on canvas, 2008)

From lynching photography to bodycam and cell phone footage, violence against African Americans has been historically well documented. In the wake of the election of Donald J. Trump, and the subsequent promotion of acceptable white supremacy sweeping the nation; as a young African American, I became interested in creating tools to protect myself from those charged with my protection.

59 x 36 x 3 inches

Gift of J. Pierpont Morgan, 1917 Metropolitan Museum of Art, New York, NY Medium: Ivory, gilt copper alloy, wood core

Miguel Ángel Vigo, Sons of Fóbetor series, mixed media ‘18 [716x899]

Console Radio Zenith 12-5-267 - 1938 - source Art Deco.

Gerardo Dottori, Il Trittico della Velocitá- Il Corsa, 1927 (via)

Miloš Urbásek (Czech, 1932–1988), Kompozícia [composition], 1968–71.

Achille Perilli (Italian, b. 1927), Entità alterata e dissoluta, 1990. Oil on canvas, 100 × 100 cm. via

Jack Butler Yeats (Irish, 1871-1957), Sunday Evening in September, 1949. Oil on board, 14 x 18 in.