“𝘐𝘵'𝘴 𝘵𝘰𝘰 𝘩𝘢𝘳𝘥. 𝘐 𝘤𝘰𝘶𝘭𝘥 𝘯𝘦𝘷𝘦𝘳 𝘸𝘢𝘵𝘤𝘩 𝘰𝘶𝘳 𝘧𝘪𝘭𝘮𝘴 𝘢𝘨𝘢𝘪𝘯. 𝘛𝘩𝘢𝘵 𝘸𝘰𝘶𝘭𝘥 𝘣𝘦 𝘪𝘮𝘱𝘰𝘴𝘴𝘪𝘣𝘭𝘦. 𝘛𝘰 𝘩𝘦𝘢𝘳 𝘙𝘰𝘮𝘺 𝘴𝘢𝘺 '𝘐 𝘭𝘰𝘷𝘦 𝘺𝘰𝘶', 𝘸𝘩𝘦𝘯 𝘴𝘩𝘦 𝘪𝘴 𝘯𝘰 𝘭𝘰𝘯𝘨𝘦𝘳 𝘩𝘦𝘳𝘦, 𝘐 𝘫𝘶𝘴𝘵 𝘤𝘢𝘯'𝘵 𝘣𝘦𝘢𝘳 𝘪𝘵. 𝘚𝘩𝘦 𝘪𝘴 𝘵𝘩𝘦 𝘭𝘰𝘷𝘦 𝘰𝘧 𝘮𝘺 𝘭𝘪𝘧𝘦.”
Alain Delon & Romy Schneider, Paris, 1960.

Origami Around
Show & Tell
he wasn't even looking at me and he found me
i don't do bad sauce passes
Monterey Bay Aquarium

ellievsbear
we're not kids anymore.
h
Mike Driver
hello vonnie
AnasAbdin
Xuebing Du

Kaledo Art
Lint Roller? I Barely Know Her
occasionally subtle
Claire Keane

⁂
RMH
Sade Olutola

pixel skylines

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@aboutaesthetic
“𝘐𝘵'𝘴 𝘵𝘰𝘰 𝘩𝘢𝘳𝘥. 𝘐 𝘤𝘰𝘶𝘭𝘥 𝘯𝘦𝘷𝘦𝘳 𝘸𝘢𝘵𝘤𝘩 𝘰𝘶𝘳 𝘧𝘪𝘭𝘮𝘴 𝘢𝘨𝘢𝘪𝘯. 𝘛𝘩𝘢𝘵 𝘸𝘰𝘶𝘭𝘥 𝘣𝘦 𝘪𝘮𝘱𝘰𝘴𝘴𝘪𝘣𝘭𝘦. 𝘛𝘰 𝘩𝘦𝘢𝘳 𝘙𝘰𝘮𝘺 𝘴𝘢𝘺 '𝘐 𝘭𝘰𝘷𝘦 𝘺𝘰𝘶', 𝘸𝘩𝘦𝘯 𝘴𝘩𝘦 𝘪𝘴 𝘯𝘰 𝘭𝘰𝘯𝘨𝘦𝘳 𝘩𝘦𝘳𝘦, 𝘐 𝘫𝘶𝘴𝘵 𝘤𝘢𝘯'𝘵 𝘣𝘦𝘢𝘳 𝘪𝘵. 𝘚𝘩𝘦 𝘪𝘴 𝘵𝘩𝘦 𝘭𝘰𝘷𝘦 𝘰𝘧 𝘮𝘺 𝘭𝘪𝘧𝘦.”
Alain Delon & Romy Schneider, Paris, 1960.

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The Darjeeling Limited matching icons
rb/like if you love/use this
The Darjeeling Limited headers
rb/like if u love/use this
Peter & Jack Whitman matching icons
rb/like if u love/use this
George Harrison smile appreciation post (gif set)
make my day🌸

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the most legendary songwriting partnership of all time
Я шагаю по Москве/ Walking the Streets of Moscow (1963) dir. Georgiy Daneliya
Moonrise Kingdom (2012)
Director: Wes Anderson
Cinematographer: Robert Yeoman
@by-way-of-wes-anderson
@pyvs
Midnight in Paris (2011) ‧ Romance/Fantasy ‧ 1h 34m ‧ dir. Woody Allen

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It doesn't matter at all. I love to talk about it. Because yes. I love it. I love with real love.
My. Absolutely. Favourite. Film. Ever.
amazing Kinks plays on a background :)))
📸. lucca
i have a framing theory for the darjeeling limited 🤞‼️
the three brothers represent core elements of the story; confrontation, control, and emotion, and wes manages to wonderfully to show this visually by framing them in important moments of the film
when francis is centre frame, the plot mirrors his sense of control, leadership and guiding role he takes on for the group, giving him authority and direction:
“from now on, if you wanna talk to her, or check her messages, you speak to us first, day or night, any time. can you agree to that?”
“i guess i’ve still got some more healing to do.”
when peter is centre frame, the plot reflects the confrontation and conflict of the brothers clashing with themselves and others (namely their mother):
“is that my belt?” “can i borrow it?” “well, no, not right now. i was looking for that earlier. ask first, next time.”
“you should have been at dad’s funeral.”
and when jack is centre frame, the plot is often illustrating emotional periods of the narrative, or introspective moments that force them all to think about their actions more deeply:
*strangers by the kinks playing at the boy’s funeral*
“well i think you’re all equally grief-stricken.”
— We did it?
— Yes, we did it!
~I love this happy photos. I love this people. I love Wes!
Ralph Fiennes “Two women”, Russia (2014)
based on the play "A Month in the Country" by Turgenev

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The French Dispatch character posters.
it’s my favourite film