Cinema without people: Raging Bull (1980, Martin Scorsese, dir.)

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Aqua Utopia|海の底で記憶を紡ぐ
hello vonnie
dirt enthusiast
h
NASA
trying on a metaphor
Jules of Nature
cherry valley forever

Kaledo Art
will byers stan first human second
almost home
I'd rather be in outer space 🛸

pixel skylines

oozey mess
Lint Roller? I Barely Know Her
noise dept.
he wasn't even looking at me and he found me
Alisa U Zemlji Chuda
occasionally subtle
seen from United Kingdom
seen from Argentina

seen from United States
seen from Netherlands

seen from United States
seen from United States
seen from United States

seen from United States
seen from United States
seen from United States
seen from United States

seen from United Kingdom
seen from Türkiye

seen from Singapore

seen from Italy

seen from Canada
seen from Germany
seen from China
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seen from Belgium
@abesgirlf
Cinema without people: Raging Bull (1980, Martin Scorsese, dir.)

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The Blackcoat’s Daughter (Osgood Perkins, 2015).
To kill a monster, sometimes you have to get in bed with other monsters. Narcos (3x01)

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-Narcos, (2015- ) dir. Chris Brancato
Pedro Pascal as Jay Castillo in Red Widow (s01e03 - The Consignment)
Pedro Pascal in Kingsman: The Golden Circle (2017) dir. Matthew Vaughn

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The Dreamers - Bernardo Bertolucci
CHUNG HING SAM LAM (Chungking Express) 1994, dir. Kar-Wai Wong.
Happy Together (Wong Kar-Wai, 1997)
“Turns out that lonely people are all the same.”
Happy Together (1997) dir. Wong Kar Wai
Total Eclipse of the Heart by Bonnie Tyler except it’s playing from a radio in your neighbor’s room. Their window is open to let the north country summer air in, and you’re sitting on your roof mouthing along, thinking about how much you secretly love them.The year is 1983 and you’re so fucked.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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“Will God forgive us for what we’re doing to his creation?”
First Reformed (2017) dir. Paul Schrader
The seventh seal (Ingmar Bergman, 1957)