Silhouette
will byers stan first human second
KIROKAZE
Claire Keane

#extradirty
Peter Solarz
cherry valley forever

tumblr dot com
dirt enthusiast

@theartofmadeline
sheepfilms

祝日 / Permanent Vacation
he wasn't even looking at me and he found me
almost home
Cosimo Galluzzi
styofa doing anything
art blog(derogatory)
ojovivo
h
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@abalonegray
Silhouette

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777
David Beckham
Branded to Kill (1967) dir. Seijun Suzuki
Cinematography by Kazue Nagatsuka
Pinhole fun

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Pinhole fun
â–“â–“ Â Synthetic Neural Nightmares â–“â–“ â–ş Codex II
www.chymer.com
chemigrams #1
Made by using light sensitive black and white paper which had been exposed to light, then in different orders applying stop, developer and fix for different amounts of time and in different ways.Â
The most effective method I found was to paint on the stop first and then quickly add developer, thats when the purple occurred and the most marbled effects happened. Although, the developer, despite trying to keep it the fix and stop out of it, did get contaminated throughout. So I can’t be 100% sure that some fix or stop in the developer didn’t also add another reaction which made the paper react this way.
These were chemigrams done without any other resist, next time I’m going to introduce oil and maybe butter before applying the other chemicals. In research I have found that oil creates more colours and more detailed patterns on the page.Â
My old chemigrams
The Hunger (1983); dir. Tony Scott

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“Oh” (1968) by Stan Vanderbeek
stan vanderbeek, fluids (1964)
“A La Mode” (1959) by Stan Vanderbeek
“Oh” (1968) by Stan Vanderbeek
Il conformista (1970) dir. Bernardo Bertolucci

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“The Devils” (1971) dir. Ken Russell
Akiyoshi Terashima, from Photographers Index 1 (1985)