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Viral Interventions: Final Index
Viral Interventions: Source
Viral Interventions: Identify
Viral Interventions: Compose
Viral Interventions: Present
Viral Interventions: Propose
Viral Interventions: Final Proposal
Viral Interventions: Tasks
Viral Interventions: Timeline
Viral Interventions: Budget
Viral Interventions: Process
Viral Interventions: Final Documentation
Viral Interventions: Final Artifact
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Viral Interventions: Present
Viral Interventions: Propose
Viral Interventions: Final Artifact
Untitled, Fabric & Paper/Cardstock, 35 Square ft. of fabric
When hanging up this artifact we placed it and hung it up in a very intentional way, our goal was to place it so as to be as imposing and present to someone entering the room as possible. For this we located the fabric very close to the door and purposefully placed it where people would normally walk, to ensure that people cant easily ignore it. We wanted this imposing nature so that it could grab peoples attention, and give them time to hook in and contemplate what this work is actually about, we thought this was necessary since the nature of the work is inherently abstract and not very direct.
Viral Interventions: Final Documentation
Untitled, Fabric & Paper, 35 square feet of fabric
When working on this project I believe we were all thinking of a variety of different subjects and themes; but chief among them was the violence and blood being shed in the Israel-Palestine conflict. Our main idea was thinking about the silencing of voices and censorship of messages occurring in the conflict, but another idea that emerged when creating the work were loss of innocence thanks to the childish nature of the paper planes. I find that I'm satisfied with the work being more vague and open to a variety of different interpretations, and although we were originally thinking of the Israel-Palestine conflict, we wanted the work to express ideas of violence in general, and speak to the tragedy of war in all forms.
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Viral interventions: Process
Viral Interventions: Compose
Remembrance for the victims. Raise your voice: to remain silent about war crimes is to side with the oppressors
Final Proposal
Viral Intervention: Timeline
Viral Intervention: Task List
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Viral Intervention: Budget
IDENTIFY
SOURCE
In less than two months, more than twice as many women and children have been reported killed in Gaza than in Ukraine after two years of war
MID-TERM 3D TUMBLR PORTFOLIO
1. DO IT!
2. THE BODY AS MATERIAL IN SPACE
3. WEIGHT OF A BODY: SOURCE
4. WEIGHT OF A BODY: STRUCTUREÂ
5. WEIGHT OF A BODY: SUPPORT
6. THE FOREST: PROCESS
7. THE FOREST: FINAL
9. FRAMING THE BODY: RESEARCH
10. FRAMING THE BODY: PROCESS
11. FRAMING THE BODY: FINAL
FRAMING THE BODY: FINAL
The core of what I was thinking when making this piece was a feeling of sacrifice, of giving myself entirely towards people and have that be physically represented. I also wanted to invoke feelings of discomfort within the audience; I chose to do so by having the scene set up as professional and clean as possible, I didn't want to make it too "hammy" with over the top elements like fake blood. I believed that that would break the immersion and feelings of plausibility; by making the scene as well crafted as possible I was hoping for the audience to buy into the fantasy the most they could.
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
FRAMING THE BODY: PROCESS
Medium: Wood So the process of this was quite tiring and took a great deal of effort; this was my first time ever building a table, and to say I made a couple mistakes would be an understatement. Getting the joints and stopping the table from being incredibly wobbly was the hardest part, and the table was less strong than I would have liked thanks to the limitations in materials. However, in the end the unstable table I think added a bit towards the final result. All the materials for the final product that werent the table itself were purchased at the Dollar Tree.
FRAMING THE BODY: RESEARCH
When sketching out ideas following the verbs I was most interested in exploring the ideas in "To Open", I was thinking a lot about what that could mean, how it could both mean to open yourself up emotionally, or a more literal interpretation going through a route of opening up your physical body. I eventually settled on the first sketch I made in the "To Open" section, which involved a dinner table serving myself up as food. My head was in a space of giving myself up in full, how the physicality of eating my flesh could be a reflection of emotional sacrifice and commitment.