Mathieu Simoneau by Cho Giseok for Numéro France Magazine April 2023
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@6sleft
Mathieu Simoneau by Cho Giseok for Numéro France Magazine April 2023

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I Am Not Your Asian American Doll: a comic for AAPI Heritage Month 2023
I usually spend a lot of time editing and fine-tuning my comics so that they come across as polite and inoffensive. But honestly, I’m really tired of the way Asian cultures and countries are treated / talked about while Asian people themselves are excluded, and thought it was about time I really let my rage out lol.
id in alt
bumping one last time before AAPI month ends!
I was very nervous posting this because of my decision to not restrain/limit my tone in writing this comic, but I don’t regret it one bit. Thank you for your support 💖🇵🇭🇰🇷
“I Am Not Your Asian American Doll” turns one year old today! To honor its anniversary and this year’s Maysia I’ll share some of the artistic choices behind the comic.
My main inspiration was the work of feminist artist Barbara Kruger, who you may know from “your gaze hits the side of my face” and “you construct intricate rituals which allow you to touch the skin of other men.” I wanted to pair really shocking, striking words with high-contrast monochrome images as she did.
I chose eyes (and lack thereof) as a central motif. In conversations about art and media history, the “gaze” of the audience is a way to exert power. Who is made into the passive subject, and who gets to be the all-seeing viewer? Who is the subject being portrayed for? Hiding the Asian figures’ eyes demonstrates their lack of agency and establishes them as the subject rather than the viewer.
The skyline on page 5 includes Namsan Tower, as some readers pointed out. (You may have also been clued in from the page’s respective alt text, which describes this as the Seoul skyline.) Though numerous Asian countries have been victims of imperialism several times over, Korea was specifically in mind here. It was Western powers who Korea was split into the North and South, and their colonization and exploitation has led to extreme poverty even today, despite the country’s glamorous facade and rising international stardom.
As many guessed, pink was chosen for its association with sexualization and femininity, although of course fetishization of Asian cultures affects all genders. I also wanted to pick a dark, shocking pink that reminded the viewer of blood; in fact, it is used to color blood here on page 6. I was really happy that the color palette was limited but still legible. (But drawing the large food spread on page 4 with only three shades of pink was definitely a huge challenge.)
Here are some thumbnail sketches I made when planning the comic. You can probably recognize some of the final pages — and see how others evolved!
I want to thank everyone for their overwhelming support for this comic. I never could have dreamed of such an amazing response. To my Asian siblings across the world, you made me feel less alone. To non-Asian allies who lent me their ear, thank you so much for standing with us and listening to our struggles.
Usually I’m extremely careful to write my comics in a palatable tone, but for this piece I decided to not restrain my anger. I understood that by making this decision I would be sacrificing readership, and that many people would be much less willing to listen to me because of my tone. Nevertheless, I truly believe that any and all of the harassment I received was a small price to pay for such an honest piece to be seen.
Thank you all, again! Please consider supporting my most recent fundraising project, an Inumaki Toge themed fundraiser for aid in Gaza.
Final note: THIS COMIC IS NOT FOR TERFS 🏳️⚧️
The beginning of the end for every digital artist
the vivid sensory-memory of sucking water out of a washcloth as a child
me: 🧍🏽♂️
my nervous system: we are going to get in so much trouble seriously

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dubiously friendly reminder that you need to own a first aid kit. yes even you.
and a fire extinguisher yeah.
Hot tip: these are excellent housewarming gifts. Doubly so if you're invited to the welcome party of a newly opened squat.
[ms paint] it just wants to be seen
i'm always saying this
top 3 hobbies for young adults:
1. borrowing misery from future
2. carrying grief of the past
3. agonizing over the present
i hate the way fat antagonists have their weight moralized and used as a metaphor for greed and corruption and i hate the way it's overcorrected into fat people being "soft squishy friend-shaped cupcakes who look like they give incredible hugs" and i long for the day we have nuanced, interesting, and complicated fat characters and most of all i long for the day people are normal about fatness

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me seeing a mutual's happy post: "hell yeah buddy :)" *hits like*
me seeing a mutual's sad/vent post: "aww no buddy :(" *hits like*
The like button is heart shaped for a reason and the reason is that it means I love you
Genuinely disoriented by this one
Reblog to give the person you reblogged this from a Croissant (🥐).
you don’t realize how important lunch is until you’re wandering around thinking about how unloveable and untalented and uniquely cursed you are and then it’s 4pm and you finally eat lunch and you go Oh. oh right.
lot of people commenting on this post like "who eats lunch at 4pm that's a terrible time to eat lunch" yes. that is the point. 4pm lunch is inadvisable. 4pm lunch is not the ideal. 4pm lunch makes the mind demons real.
More characters ending disabled and happy NOW

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so called "free thinkers" watching a game of tennis
A panel of residential school survivors provided witness testimony on Tuesday to the Permanent Peoples Tribunal, an international independen
WARNING: This story contains details of experiences at residential schools (and SA if you click read more).
Roberta Hill remembers being sent to the Mohawk Institute Indian Residential School in Brantford, Ont., when she was six years old. Although she attended with five of her siblings, including her youngest sister, they were separated upon arrival. "I never saw her again for years after," Hill said. "She was my favourite little sister. So that was the start of the separation and the trauma." Hill, who is from Six Nations of the Grand River near Hamilton, was part of a group of residential school survivors who gave witness testimony to the Permanent Peoples Tribunal in Montreal on Tuesday.
Read more.
Tagging: @newsfromstolenland
A national 24-hour Indian Residential School Crisis Line is available at 1-866-925-4419 for emotional and crisis referral services for survivors and those affected.
Mental health counseling and crisis support are also available 24 hours a day, seven days a week through the Hope for Wellness hotline at 1-855-242-3310 or by online chat .