my flaws burn @61cherry - Tumblr Blog

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gouged-doll

vintage nursing photobooks, 1981

lascitasdelashoras

Ján Cifra - Bratislava

gacougnol

Bruce Rae

Still Life

parkchanwoohoo

Once you start noticing how the incapacity to handle discomfort affects how people live their lives it's actually pretty shocking how it ruins pretty much every conceivable aspect of existence. Interpersonal relationships, romantic and platonic. Career and education opportunities. Your politics Your willingness to go anywhere. The kind of food you eat. The kind of art you expose yourself to and your ability to read it. It's never just one thing, it touches everything, and once you notice it it's like suddenly being able to see germs or something. Just this horrific catastrophe people look at you askance for screaming about. As I grow older and see what became of my friends and peers who could not learn to handle discomfort, the more I'm like. This is a genuine societal issue

#and there are a lot of ppl who like to appear to be boundary pushers #but on an emotional level they cant have any important conversation

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thomasmartinnutt

Hiroshi Sugimoto. Paramount, Oakland, 1992

arsvitaest-deactivated20260111

Rose Espinosa, Little Silver, 2018, oil on board

toyastales

René Lalique Serpent Pectoral Pendant designed around 1899.

miamaimania

“Canarina’s Gaze” by René Lalique, 1928.

mass-4-shut-ins

Pictures I took of a burning building at midnight years ago

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time-incantation

"I am your half”

Antique pendant of Adam and Eve

limitedmedicine

【Rippi/リッピ】

fuzzy bugs series

w140×h130xd90mm

@shiba0607

miamaimania

“Black Snake” (2002) ∿ William E. Nutt ◆ Polished marble, raw limestone

balzog

deathandmysticism

Radiography, x-ray therapeutics and radium therapy, 1916

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womansart

Sandrine Pelletier, White snake (2007), created using lace making techniques

all--hail--venus

Caryatid Mirror with Aphrodite

Greek (Artist)

ca. 460 BC (Classical)

bronze

(Ancient Greece)

A graceful female figure serves as a "caryatid," or human support, for a mirror. The figure's pose, demure gestures, and simple drapery characterize the quiet elegance of the Early Classical style. The presence of the winged Eros figures (representing the god of love) above suggests that the maiden is a bride or perhaps Aphrodite herself. The siren at the top of the disk recalls the irresistible allure of these mythical bird-women.

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