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This stemmed from my desire to see a Leon and Jill team up in Requiem. 'Coz Jill deserves to be kicking butt with Leon (along with Claire, but I'm too in a rush to add more characters in this comic). I headcanon that Leon and Jill have a sibling dynamic with Jill lightly bullying him at times lol.
Special thanks to @theycallmedarling for the proofread and to @loveiscosmicsin for the support! Also I made this more Jarlos for you guys hehe.
This is set sometime after RE2. And since the remakes never really gave remake scenes of this part of the lore, I made my own spin of the "deal" part and made it... harsher. I imagined Leon tried to visit Sherry as often as he could but couldn't visit more often in later years and kinda lost contact (just my headcanon). But I think he reconnected with Sherry after the events of RE6 and then we get their dynamic in RE9 where he can be a dad to her again.
He's sad in the last panel because he thinks he'll never be free.
Special thanks to @loveiscosmicsin for making sure my English is alright.
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Special thanks to @theycallmedarling for proofreading and for fixing my awful English and for @loveiscosmicsin for the support and suggestions. Was inspired by @cryran88 's fic.
Ok. So I’m rereading the quiet DSO reader fic, cause I wanted to read it in its full glory, and I just got to the part where we see Chris.
Curiosity killed the cat (the cat be me), I wonder if we could get his perspective saving the young reader. Or just that mission in general.
I’m just very curious about that whole thing, and want me details.
Assuming you’re up for it
Lol had to break out the ol' Quiet Reader taglist for this! Hope you like it! (Yes, this is also me soft launching trying to write for Chris cuz I'm less familiar with him and I'm not sure if I'm writing this right lol)
Summary: Set the evening after Chapter 27, Chris recounts on the past.
Masterlist | Playlist | AO3 Link
Rays of Sunlight - Quiet Reader Extra Content #1
Chris tries not to think about past missions too often.
It’s generally not a good idea to dwell on them for more than he has to. There’s been too many people he’s lost. Too many horrors he’s seen. The only times he can truly think back to it all clearly is when he’s lost in a bottle or too tired to stop himself.
But, still, even then, the mission he’s currently thinking about is one that he borderline forgot.
Not that it was forgettable, not at all. None of them were. But this one was part of a string of deployments that tended to all blur together into a mix of trauma and regrets.
This particular mission came back to haunt him today.
He thinks back to the hospital quarantine room, following Leon inside and expecting to see a broken husk of a woman. Someone barely functioning, held together only by scar tissue and spite. But reality often differed from expectations. Today was no exception.
He remembers that girl from 20 years ago. He remembers typing up the report and sending it in. He can recall the clinical language he used to explain to his superiors what he had seen.
Recovered juvenile female. Non-verbal at time of extraction. Severe malnutrition. Extensive scarring. Multiple viral exposures.
The words didn’t do justice to what he had really seen.
A child. A little girl. Thin, barely holding herself together in a blanket too small to mean anything. Eyes hollow, in a way that didn’t even come from fear anymore. Just hollow like someone who didn’t expect anything else. No tears. No screaming. Just existing like any alternative to her current situation was impossible.
He can feel something cold settle into his ribs at the memory.
.
.
.
“Captain.” One of his men is beside him, gesturing towards the room they had just searched. “We found something.”
Chris isn’t sure what he was expecting, but it wasn’t this.
The smell hits first.
Antiseptic, blood, something chemical and burned into the tile like it’s been there too long to ever come out again. The lighting is too bright. Surgical. Intentional. Designed to make everything visible and still somehow hide what it’s doing.
Then he sees the table. Metal. Bolted down. Clean in the way that only means it wasn’t clean for long. Then, the corner. Something small. Still. A figure, half shrouded under a scrap of fabric. Chris doesn’t lower his weapon at first. He moves in slowly, boots careful against tile.
The figure doesn’t react.
Fuck. It’s a child.
She’s small enough that the room feels too large around her. Curled slightly into herself like she’s trying to take up less space than her body allows. A thin blanket is draped over her shoulders, clenched in both hands. It’s not for warmth, not really. For something closer to certainty, probably. Her arms are wrapped in bandages, but they're sloppy. Some are too tight. Some are practically falling off of her.
He feels his jaw tighten before he even fully processes what he’s seeing.
She doesn’t look up. That’s the second wrong detail. Most people look up when a door opens. Even trained subjects. Even hostile ones. But she doesn’t. Like she already decided a long time ago that whatever comes through that door is not worth acknowledging.
Chris lowers himself slowly. Not fully kneeling. Not yet. Just enough to bring himself closer to her level.
“Hey.”
No response. Her eyes stay down. Fixed somewhere near the floor. Not focused. Not unfocused. Just… absent in a way that feels practiced.
His hand shifts slightly. A small movement. Just barely inching towards her.
Her head finally lifts, though her eyes don’t meet his. As if on cue, her arm raises, wrist pointing towards him, inner arm exposed.
His breath catches.
What exposed skin there is is littered in pinpricks. Dozens, if he had to guess. Each one is swollen and bruised, droplets of blood dried onto the surface. Still, she holds out her arm like she’s fully prepared to receive another one.
He glances past her for half a second, then back to her arms. The room tells him the rest of the story in fragments.
Restraint marks. Old. Repeated. Injection sites layered over injection sites. Medical equipment arranged too neatly to be anything but routine. Paperwork scattered like someone stopped mid-thought and never came back to finish it.
He’s seen this before. Too many times. Test subjects that have been reduced to scraps of who they used to be. People who are more experiments than living beings. But not like this. Not this… quiet.
One of his men speaks behind him, low. “Captain…?”
Chris doesn’t answer. He’s watching her breathing instead. Too controlled. Too shallow. Like she’s learned exactly how much air she’s allowed to take without attracting attention.
He shifts his stance slightly, angling himself so the doorway behind her is visible. Giving her a clear exit path, so she knows she’s not trapped. Not cornered. It’s the smallest adjustment he can offer without words.
“I’m going to get you out of here,” he murmurs.
Her fingers tighten around the blanket, arm finally dropping back to her side. That’s all. She makes no other movements, just still staring blankly towards the floor.
He gestures towards one of his men. “Go request medical support.”
A nod. “What do I tell them?”
He thinks for a moment. “Juvenile female. Malnourished. Dehydrated. Possible infected wounds.”
The man nods again, and disappears.
Chris returns his attention to the girl.
“What’s your name?”
Her head tilts inquisitively, like she’s not used to being asked things directly. Instead of answering, she just gives a small hum.
Chris waits. Not because he expects an answer. More because he doesn't know what else to do.
The hum hangs in the air between them. It isn't really a response. Just noise. The kind people make when words don't come naturally anymore. His stomach twists.
"Your name," he repeats, softer this time. "What do people call you?"
Her brow furrows. Like it's a difficult question. Like she's sorting through possible answers and none of them feel correct. For a second, he wonders if she even remembers.
He speaks again. “... That’s okay. We can figure that out later. Can you stand?”
Again, her brow furrows. One of her legs moves, uncurling from her chest, but the movement is sloppy and uncoordinated. He can see the way her muscles tremble at the use.
“... I’ll take that as a no.”
From behind him, there’s footsteps.
“Captain,” The soldier is back, “I got that medic.”
Chris nods, stepping aside. He doesn’t miss the way the girl stiffens again, legs drawing a little closer to her chest. The medic slows as soon as he enters the room.
He has worked with enough field medics to recognize the look. The quick assessment. The mental checklist. The immediate calculation of how bad things are. This one takes a single glance at the girl and goes still.
"...Jesus."
The curse slips out before he can stop it. The girl's shoulders immediately draw tighter. The medic notices too.
"Sorry." His voice softens considerably as he crouches a few feet away. "Sorry. Didn't mean that."
No response. He reaches for his bag instead, moving deliberately. Slow enough that every motion is visible.
The girl watches his hands. Her eyes briefly look over the tools he pulls out, the medications, the bandages, but she almost exclusively watches the way his fingers move over items.
He hates what that might imply.
"Can you tell me what happened here?" the medic asks gently.
Nothing. The girl continues staring.
The medic tries again. "Do you know where you're hurt?"
Silence.
"Do you know your name?"
Another hum.
Chris sees the medic glance toward him. A silent exchange. This is worse than they thought.
The medic inches closer. "I'm going to look at your arm, alright?"
No acknowledgement. No resistance either. The girl's arm lifts automatically. As if she doesn’t have a choice but to comply. Her arm flips to where her wrist is presented upwards, just like earlier.
The medic freezes, hands stuck hovering over her skin. Even through his black facial coverings, Chris can see the man’s eyes widening.
The arm is covered in bruising. Fresh puncture marks layered over older ones. Some yellowing with age, others angry and red.
The medic carefully turns her wrist, observing the patterns of scars. The girl doesn't react. Not even when he presses against skin that should hurt.
"How long has she been here?" he asks quietly.
Chris looks around the room. The table. The restraints. The stacks of paperwork. The discarded syringes. He gives the only answer he has.
"I don't know."
The answer feels inadequate. The medic exhales slowly through his nose.
"She needs a hospital."
"No argument there."
"No, Captain." The medic's expression hardens. "A real hospital."
Chris understands immediately. Not a field tent. Not a temporary treatment station. Not somewhere they stabilize her and move on. No, she needs full medical custody. Somewhere with specialists. Psychologists. Long-term care. Somewhere that has people that can handle all of this.
The girl shifts.
The movement is so small Chris almost misses it.
Her eyes have drifted from the floor, toward the open doorway. Toward the sunlight filtering in from the hall. Her eyes widen ever so slightly, staring at the light. Like she's trying to remember what it is. He follows her gaze.
The light looks ordinary enough. A patch of afternoon sun across cracked concrete. Nothing special. Yet she watches it with quiet concentration. After several seconds, the girl slowly extends a hand toward the brightness.
Chris exhales a heavy breath. “... Do you want to go out there?”
Finally, finally, the girl meets his eyes. The motion looks unsure, like she’s not convinced that looking at him is safe yet.
Slowly, her head bows into a nod.
He offers a small smile. “We can do that.” He turns his head towards the medic, “Do you think she’s stable to be transported?”
The man thinks for a moment, before nodding.
“Okay,” Chris starts reaching out his hands, “Let’s go.”
The girl stays still. For a moment, he studies her posture the way he would a battlefield; weight distribution, tension points, where she might flinch if he moved wrong. She doesn’t move at all.
“Alright,” he says quietly. “I’m going to pick you up.”
A pause. No reaction.
He tries again, softer. “Is that okay?”
The girl tilts her head slightly. It’s not confusion exactly. More like she’s trying to locate the meaning of the words in a place she hasn’t used in a long time.For a moment, it reminds him of Claire, when they were little. The way she would tilt her head when she was working on something, tongue peeking out from between her lips in frustration.
The realization makes his body feel heavy.
The girl gives a small, uncertain nod. Chris exhales once through his nose.
“Okay.”
One arm slides behind her shoulders first, the other under her knees, giving her time to pull away if she wants to. She doesn’t. But the moment his hands make contact, she goes rigid. Like she’s waiting for something to follow. Pain. Punishment. A correction that never comes.
He notices the way her breath catches and then holds. It makes him adjust his grip immediately, looser than instinct tells him to.
“Hey,” he murmurs, barely audible. “You’re fine.”
Then, he lifts her. She’s lighter than he expects. That thought hits him harder than it should.
For a second, the room tilts; not physically, just in his perception of it. Too small. Too sterile. Too many things in it that explain too much without saying anything at all. Behind him, the medic shifts but doesn’t speak.
He turns toward the doorway. The sunlight is still there. Waiting.
He carries her toward it slowly, deliberately, letting her see it approach instead of suddenly placing her in it. Her head turns slightly in his arms, towards the golden light.
The closer they get, the more her grip tightens on the edge of the thin blanket still clutched against her chest.
He tries to keep his voice low and steady as he speaks again, ignoring the way her body starts to shake in his arms.
“It’s over now, okay? We’re taking you somewhere safe.”
She looks up towards his face. His eyes meet hers. For a second, he can almost see one corner of her lips twitch upwards into a relieved smile.
The light finally hits her face. For a moment, it makes his heart sink. The light is highlighting her sunken cheeks, hollow face looking pale in the glow. But, even then, her eyes close, basking in the warmth of it.
His mind flashes to Claire again. When she was about 12, and he had carried her home after she had snuck out to go to the arcade with her friends. It was in the early hours of the morning, the sun just barely peeking up from the horizon. She had been just starting to close her eyes, drifting off as the sun shined down onto them both.
He smiles faintly, releasing a breath he didn’t know he’d been holding.
“...It’s over now.”
.
.
.
You are not the woman he’d been expecting, no. Not at all.
But, when he thinks back to today, in that cold quarantine room, he knows you’re the same person as that little girl he saved all those years ago. You have the same eyes, even if there’s more light in them than he remembers. You have the same hair, even if it’s fuller and more maintained. It’s still you, even if you’re bigger and better and happier than that test subject that he only ever met once before.
His brain flashes to Leon. The genuine smile on his face, unlike anything Chris has ever seen before. The way you held his hand like you were more than happy to bring that smile to his face. How you had looked at him like he had hung the stars in your sky, and you his.
Flesh & Blood Epilogue: Every Beautiful Day After Part 2
word count: 10.3k
POV: Reader
Summary
After everything, healing does not arrive all at once.
It comes in pieces: in memory, recovery, forgiveness, laughter, family, and the slow rebuilding of a life that finally belongs to you.
Minors DNI
18+ only. minors do not interact. this is a dark fic containing mature themes, trauma aftermath, forced marriage context, coercive dynamics, grief, recovery, and emotionally intense intimacy.
⚠️ epilogue content warnings ⚠️
trauma aftermath
PTSD / nightmare references
gun violence references
blood / injury references
medical trauma / surgery recovery
hospital recovery
complicated forgiveness
grief / fear of loss
pregnancy references
childbirth references
postpartum emotions
explicit sexual content
emotional intimacy
healing after trauma
strong language
An Archive of Our Own, a project of the Organization for Transformative Works
part 1 of epilogue
Morning arrives loudly.
Not gently.
Not with soft sunlight and quiet breathing and the peaceful sort of domesticity people write about when they have never lived with two infants, one dramatic German shepherd, and a husband who wakes at the slightest noise like the house itself has personally challenged him.
It starts with warmth.
Leon’s arm heavy around your waist. His chest against your back. His breath warm at the nape of your neck. The sheets tangled around both of you, the room no longer blue with moonlight but pale gold at the edges, sunlight beginning to slip through the curtains in thin, gentle lines.
For half a second, before the day begins demanding things from you, there is only this.
His hand resting over your stomach.
Your rings catching morning light where your fingers are curled against the pillow.
His body solid behind yours.
Alive.
Here.
You are not fully awake when his mouth touches your shoulder.
One soft kiss.
Then another.
Then your neck.
Your jaw.
The corner of your mouth when you make the mistake of turning toward him.
“Leon,” you mumble, voice thick with sleep.
He hums like he has no idea why you are saying his name, even though his lips are already trailing across your cheek with increasing purpose.
“You awake?” he asks.
“No.”
“That’s unfortunate.”
You crack one eye open.
He is propped over you, hair messy, face sleep-soft, mouth curved in a way that is almost too handsome to tolerate this early. The nightmare is gone from his eyes. Not erased forever. Never that. But gone for now, replaced by something warmer, lighter, wicked at the edges.
You narrow your eyes. “You are dangerously cheerful.”
“I slept.”
“For what, two hours?”
“Continuous hours.”
“Congratulations.”
“Thank you.”
He kisses the bridge of your nose.
Then your cheek.
Then your other cheek.
Then your forehead.
You sigh dramatically but do not stop him.
He knows you will not stop him.
That is why he keeps going, pressing slow, ridiculous kisses all over your face while you try very hard not to smile. It does not work. Your mouth betrays you halfway through, curving despite every attempt to remain unimpressed.
Leon notices instantly.
“There it is,” he murmurs.
“Don’t.”
“You’re smiling.”
“I’m grimacing.”
“You’re terrible at lying.”
“I learned from you.”
His laugh is quiet and warm against your skin.
Then his mouth finds yours.
This kiss is different from the night before. Softer. Sleepier. Less haunted, but no less full. It carries the tenderness of everything you survived and the strange miracle of waking up still tangled together after years of almosts and endings that never quite took.
You lift one hand into his hair and kiss him back.
For a few seconds, the world narrows to warmth and sheets and his mouth moving over yours like a promise he gets to keep again this morning.
Then Ethan screams.
Not cries.
Screams.
Sharp, offended, furious.
A second later, Lily answers him with equal outrage, as if deeply insulted that her brother has dared to begin the morning without consulting her.
Rook barks once from the hallway.
Leon freezes against your mouth.
You freeze under him.
Silence lasts exactly half a breath.
Then both babies start crying in stereo.
You close your eyes.
Leon drops his forehead to your shoulder.
“Your children are awake,” he says.
You shove weakly at his chest. “My children?”
“They have your temper.”
“They have your dramatic timing.”
Another furious wail comes from the nursery.
Rook scratches once at the bedroom door, clearly reporting the emergency.
Leon sighs, long-suffering and entirely fake, then kisses your cheek one more time before rolling away.
“I’ll get Ethan.”
“You always get Ethan.”
“He respects me.”
You sit up, pushing your hair from your face. “He is four months old and screams when socks touch him.”
“Boundaries.”
“You are impossible.”
Leon pulls on a shirt from the chair and looks back at you, eyes warm. “You married me.”
“Twice, apparently. Bad judgment.”
He grins.
It still makes your chest ache sometimes, that grin. The one that used to appear so rarely it felt like a secret. Now it lives here. In this room. In the early morning. In the middle of chaos.
Rook barks again.
Leon opens the door.
The dog stands there like a military officer delivering urgent news from the front.
Leon looks down at him. “Yes, thank you. We heard.”
Rook turns and trots toward the nursery anyway, leading the operation.
You pull on your robe and follow, still half-asleep, still warm from Leon, still smiling despite yourself.
The nursery has become a battlefield.
Ethan is bright red with outrage, fists waving, face scrunched like the entire world has failed him personally. Lily is crying too, though less convincingly, mostly because Ethan is crying and she refuses to be left out of any household drama.
Leon reaches Ethan first.
“Hey, hey,” he murmurs, scooping him up with practiced ease. “I know. Life is very hard.”
Ethan screams louder into his shoulder.
Leon pats his back. “Agreed.”
You lift Lily from the crib, and she settles almost immediately against you, still sniffling for effect.
“Oh, sure,” Leon says, looking deeply offended. “She gets calm?”
You kiss Lily’s soft hair. “She likes me better.”
“She does not.”
“She absolutely does.”
Ethan lets out another outraged sound into Leon’s neck.
Leon glances down at him. “We’re not taking a vote.”
You laugh.
Rook sits between the two cribs, tail sweeping back and forth across the rug, looking pleased with the successful waking of the entire household.
The morning unfolds from there with no dignity at all.
Diapers.
Fresh sleepers.
A bottle warmed while Leon walks Ethan in slow circles around the kitchen because apparently your son has decided motion is a requirement for emotional stability. Lily watches from your arms with enormous, solemn eyes, as if she is judging everyone’s performance and finding it lacking.
Rook nearly trips Leon twice.
Leon threatens to demote him.
Rook ignores him.
By the time you make it downstairs, the mansion is fully awake.
Sunlight pours into the kitchen, bright and generous, catching along the marble counters and the warm wood floors. The room smells like coffee, baby lotion, toast, and whatever Leon has decided counts as breakfast while holding an infant in one arm.
You stand in the doorway for a moment with Lily against your chest and just look.
Leon is at the stove with Ethan tucked securely against him, moving around the kitchen like this is now completely normal. Shirt sleeves pushed up. Hair still messy. One hand expertly shifting a pan while the other supports your son. Rook is stationed directly below, pretending he has never been fed once in his entire tragic life.
There are bottles on the counter.
A burp cloth over Leon’s shoulder.
A stack of mail shoved aside to make room for pacifiers.
One of Marcus’s pastries from yesterday sits half-eaten on a plate.
The old mansion glows around all of it.
Not polished.
Not perfect.
Lived in.
Yours.
Leon glances over his shoulder and catches you staring.
His expression softens immediately.
“What?”
You shake your head. “Nothing.”
“That is never true.”
You smile. “I was just thinking.”
“That sounds dangerous.”
“It usually is.”
He turns the stove down and crosses to you, Ethan now quieter against his chest. Leon leans in and kisses Lily’s forehead first, then yours, then your mouth quickly, like it is instinct now. Like every path through the room inevitably leads back to you.
“You okay?” he asks softly.
You look around the kitchen.
The sunlight.
The babies.
The dog.
The man you chose.
“Yeah,” you say. “I’m okay.”
He holds your gaze for a second longer, believing you but still checking.
Always checking.
You let him.
Then the front door opens.
No knock.
Of course.
Rook bolts from the kitchen with a bark so joyful it is frankly embarrassing.
Leon closes his eyes. “He has a key now?”
“He has had a key for two years.”
“I hate that.”
“You gave it to him.”
“For emergencies.”
You lift a brow. “He considers breakfast an emergency.”
Voices drift from the foyer.
One low and familiar.
One bright, amused, and already scolding.
Then Marcus appears in the kitchen doorway with Rook half-circling his legs in a fit of betrayal-level excitement.
“Morning,” Marcus says, as if he has not let himself into your house before nine on a Sunday.
Leon stares at him. “Do you know what knocking is?”
Marcus looks down at Rook, then back at Leon. “Your security let me in.”
“My security is a dog.”
“A very emotionally intelligent dog.”
“He’s a traitor.”
Rook leans against Marcus like this is true and he regrets nothing.
You are about to make some comment about boundaries when Mara steps into the kitchen behind him.
And everything shifts.
She is glowing.
Actually glowing, which is deeply annoying because you had once accused people of exaggerating that phrase until Mara apparently decided to prove it could be literal.
She wears a soft green dress and one hand rests over the unmistakable curve of her stomach.
Pregnant.
Very pregnant.
For one second, the room goes silent.
Your eyes drop to her belly.
Then back to her face.
Mara’s smile turns smug and emotional all at once.
“Well?” she says. “Are you going to stare or congratulate me?”
You make a sound that is not a word.
Lily startles slightly in your arms.
Leon’s eyes widen.
Marcus steps in behind Mara, one hand resting lightly at her lower back, and there is the ring on his finger. The same one you still sometimes look at with disbelief. Your brother. Married. Happy. Standing in your kitchen with his pregnant wife and looking terrified in a way that is so familiar you almost laugh and cry at the same time.
You stare at Marcus.
He points at you immediately. “Don’t.”
Your mouth opens.
He narrows his eyes. “Y/n.”
“Oh my God.”
“Don’t make it weird.”
“You’re going to be a dad.”
His face changes.
The words hit him before he can pretend they do not.
Mara’s expression softens as she looks up at him.
Marcus swallows.
“Yeah,” he says, and his voice is rougher now. “Apparently.”
Leon shifts Ethan higher against his shoulder, staring at Marcus with slow, dawning satisfaction.
“Oh,” Leon says.
Marcus points at him next. “Absolutely not.”
Leon’s mouth twitches. “I didn’t say anything.”
“You were going to.”
“I was not.”
“You have the face.”
Y/n looks at Leon. “He does have the face.”
Leon looks between you both, offended. “What face?”
“The smug one,” Mara says.
Leon glances at her. “Congratulations.”
“Thank you.”
Then his eyes slide back to Marcus.
The smug face returns.
Marcus groans. “I hate all of you.”
You cross the kitchen carefully and hug Mara with Lily still tucked between you, both of you laughing and trying not to crush the baby or the bump.
“Mara,” you whisper, emotion catching hard and fast. “Oh my God.”
“I know,” she says, and now she sounds close to tears too. “I know.”
You pull back and look at her properly.
She looks happy.
Not untouched by the world.
Not unscarred.
But happy in a way that sits deep beneath the surface, steady and warm.
You look at Marcus.
He is watching her like he still cannot believe she chose him.
You know that look.
You have seen it on Leon.
Your chest tightens.
Marcus catches your expression and rolls his eyes before you can say anything.
“Don’t cry.”
You immediately start crying.
“Y/n.”
“I’m postpartum and emotional. Shut up.”
“You’re four months postpartum.”
“And still emotional.”
Leon murmurs from behind you, “Valid.”
Marcus points at him. “Do not use my word against me.”
Ethan lets out a tiny squeak.
Marcus’s attention snaps immediately to him.
“Oh, hey, little man.”
Leon turns slightly away on instinct.
Marcus gives him a flat look. “Seriously?”
Leon looks completely unapologetic. “Wash your hands.”
“I am his uncle.”
“You touched the front door.”
Marcus stares at him.
Then at you.
Then at Mara.
“Was he like this before the children?”
“Yes,” you and Mara say at the same time.
Leon smiles faintly and kisses Ethan’s head.
Marcus washes his hands with theatrical annoyance, narrating the entire process like he is being persecuted.
When he returns, Leon finally passes Ethan over.
Marcus takes him carefully, all the teasing draining out of his face the second the baby settles against him. His hand supports Ethan’s head perfectly. His expression softens into something almost unbearably tender.
“Hey,” he murmurs. “Hey, buddy.”
Ethan, traitor that he is, immediately quiets.
Leon looks personally betrayed.
You smile into Lily’s hair.
Marcus notices and smirks without looking up. “He likes me better.”
Leon’s eyes narrow. “Do not start.”
Mara moves toward the counter, stealing a strawberry from the bowl Leon has set out.
“You two still doing this?”
“Yes,” you say.
“No,” Leon says at the same time.
Marcus grins.
The kitchen fills after that.
Completely.
Mara settles at the island, one hand over her stomach while you fuss over whether she wants coffee, tea, water, food, all of the above. She tells you to stop hovering, which makes Leon laugh under his breath until you turn your glare on him.
Marcus sits with Ethan in one arm and somehow manages to eat toast with the other. Rook plants himself beside Marcus because apparently loyalty means nothing.
Leon finishes breakfast with Lily now tucked against his chest, moving around the kitchen with the kind of quiet competence that makes your heart ache. Pancakes. Eggs. Fruit. Coffee. Too much food because he always cooks like someone might still need saving through a meal.
Mara makes fun of him for it.
Leon ignores her.
Marcus does not.
“You should see him when Y/n says she’s hungry. Man moves like someone hit an alarm.”
Leon sets a plate down harder than necessary. “Do you want breakfast or not?”
Marcus smiles. “See?”
You laugh despite yourself.
Leon catches the sound.
His eyes move to you across the kitchen.
And for a moment, everything else softens.
The noise stays.
The babies, the dog, Marcus talking with his mouth full, Mara laughing into her tea, the clatter of plates, the sunlight, the smell of coffee and warm food.
It all stays.
But beneath it, for one second, there is only Leon looking at you.
The same man who once stood at the end of an aisle built out of fear.
The same man who watched you bleed on gravel.
The same man who handed you a folder and offered you freedom even though it would have destroyed him.
The same man who stood barefoot in a beach house kitchen and asked for a different memory.
The same man now holding your daughter with one arm and feeding your family with the other.
His eyes are soft.
Older.
Still haunted in places.
But happy.
God.
Happy.
You feel it hit you all at once.
Not like lightning.
Like sunlight.
Slow and warm and everywhere.
This is the life.
Not perfect.
Not painless.
Not untouched by everything that came before.
But real.
Chosen.
Loud.
Yours.
Marcus says something that makes Mara smack his arm. Ethan kicks his feet in protest. Lily spits up on Leon’s shirt, and Leon looks down at it with the blank, tired resignation of a man who has survived bioweapons but not fatherhood.
You start laughing.
Really laughing.
The kind that fills your chest and spills into the room before you can stop it.
Leon looks at you again.
This time, his smile comes slowly.
Privately.
Like it belongs to you before anyone else.
Across the kitchen, through the chaos, through the life you never thought you would have, he holds your gaze.
You know what he is thinking.
Because you are thinking it too.
The house is not quiet.
Not anymore.
You look at Lily in his arms. Ethan with Marcus. Mara’s hand over the small life growing beneath her heart. Rook sprawled beneath the table. Morning light across the kitchen. Your ring catching against your coffee mug.
Then back to Leon.
He mouths it silently.
I love you.
Your throat tightens.
You mouth it back.
I know.
His smile widens, just enough.
Then you add, because you can see the old joke already forming in his eyes, because this is your language now, because you have survived every version of those words and made them soft:
I love you too.
Leon’s gaze warms.
Marcus groans from the island. “Are you two doing the silent married thing again?”
Mara nudges him. “Let them.”
“No, it’s weird.”
“You’re weird.”
“You married me.”
“I’m aware. I’m processing.”
You laugh again.
Leon crosses the kitchen, Lily tucked securely in one arm, and bends to kiss you once.
Soft.
Quick.
Certain.
The kind of kiss that says everything and still somehow feels like a beginning.
Around you, breakfast continues.
Messy.
Loud.
Alive.
And the house holds all of it.
The laughter.
The babies.
The dog.
The family.
The love that had once been forced into a shape it did not choose and somehow, impossibly, became something free.
Leon’s hand finds yours beneath the counter.
Your fingers lace together.
Ring against ring.
A promise remade in the morning light.
And this time, when you stay, it is because you choose to.
RIP Marjane Satrapi, author of the amazing graphic novels Persepolis about living during the fundamentalist revolution in Iran in the 70’s and 80’s. She also created the animated movie based on the graphic novels, which is where these gifs come from.
Reblogging in honor of Marjane Satrapi, one of THE great graphic novelists. Her comic Persepolis was a crucial text for shaping my belief that comics can deeply explore identity, culture, politics, and history.
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