Taken from The Los Angeles Times California Home Book, 1982
Sade Olutola
Cosmic Funnies
Not today Justin
KIROKAZE
I'd rather be in outer space 🛸

shark vs the universe

art blog(derogatory)
2025 on Tumblr: Trends That Defined the Year
d e v o n

Origami Around
PUT YOUR BEARD IN MY MOUTH
Show & Tell

pixel skylines

bliss lane
Noah Kahan
Monterey Bay Aquarium
untitled
seen from Malaysia
seen from United States
seen from United States
seen from United States
seen from Brazil

seen from United States

seen from United States

seen from Singapore

seen from France

seen from United Kingdom

seen from Japan

seen from United States

seen from Malaysia
seen from Brazil

seen from Netherlands
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seen from United States
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seen from United Kingdom
seen from United States
@3fruitloops
Taken from The Los Angeles Times California Home Book, 1982

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Jennifer’s Body (2009)
And now, I’m eating your boyfriend. See? At least I’m consistent.Â
Benjamin Matthew Victor / The Angel / Bronze (2017)
Art by Japanese artist Ryo Takemasa for his series, “A year long journey”.
Sleepless Night  -  Hanno Karlhuber
German, b.1946-
Oil tempera on wood ,70 x 80 cm.

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by Marcin GĂłrski http://flic.kr/p/bPkoWX
Nothing is more fragile than the surface.
Deleuze (via journalofanobody)
The simulacrum is not a degraded copy. It harbors a positive power which denies the original and the copy, the model and the reproduction.
Gilles Deleuze, The Simulacrum and Ancient Philosophy (via p13rr0ts)
“A rhizome ceaselessly establishes connections between semiotic chains, organizations of power, and circumstances relative to the arts, sciences, and social struggles. A semiotic chain is like a tuber agglomerating very diverse acts, not only linguistic, but also perceptive, mimetic, gestural, and cognitive: there is no language in itself, nor are there any linguistic universals, only a throng of dialects, patois, slangs, and specialized languages. There is no ideal speaker-listener, any more than there is a homogeneous linguistic community… There is no mother tongue, only a power takeover by a dominant language within a political multiplicity. Language stabilizes around a parish, a bishopric, a capital. It forms a bulb. It evolves by subterranean stems and flows, along river valleys or train tracks; it spreads like a patch of oil … Thought is not arborescent, and the brain is not a rooted or ramified matter. … unlike trees or their roots, the rhizome connects any point to any other point … A rhizome has no beginning or end; it is always in the middle, between things, interbeing, intermezzo.”

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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My favourite gif of Deleuze.
The truth is that sexuality is everywhere: the way a bureaucrat fondles his records, the judge and ministers justice, a businessman causes money to circulate; the way the bourgeoisie fucks the proletariat; and so on… Flags, nations, armies, banks get a lot of people aroused.
Gilles Deleuze and Félix Guattari, Anti-Oedipus (p. 293)
ÂżQuĂ© rostro no ha convocado los paisajes que amalgamaba, el mar y la montaña, quĂ© paisaje no ha evocado el rostro que lo habrĂa completado, que le habrĂa proporcionado el complemento inesperado de sus lĂneas y de sus rasgos? Incluso cuando la pintura deviene abstracta, lo Ăşnico que hace es volver a encontrar el agujero negro y la pared blanca, la gran composiciĂłn de la tela blanca y de la hendidura negra. Desgarramiento, pero tambiĂ©n estiramiento de la tela gracias a un eje de fuga, a un punto de fuga, a una diagonal, a unos navajazos, a una hendidura o a un agujero: la máquina ya está ahĂ presente, y siempre funciona produciendo rostros y paisajes, incluso los más abstractos. Tiziano empezaba pintando en blanco y negro, no para trazar contornos que habrĂa que rellenar, sino como matriz de cada futuro color.
G. Deleuze y F. Guattari: Mil Mesetas, cap. Año Cero-Rostridad, Pre-textos,Â
We are constructed in memory.
Gilles Deleuze quoting Fellini in The Time-Image (via objetpetita)
elton john, 1972

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Freddie Mercury (Queen II Album Session), London, 1974 Ph. Mick Rock
1,001 Decorating Ideas, 1974