He who jumps into the void owes no explanation to those who stand and watch.
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He who jumps into the void owes no explanation to those who stand and watch.
Jean-Luc Godard (via neuromaencer)

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Jan van Huysum - Still Life with Flowers and Fruit (1715)
Jean-Baptiste Greuze, La veuve inconsolable, c.1762-63
The Bower of Pan
by Richard Westall
Date painted: 1800
Oil on canvas, 88.5 x 106.2 cm
Collection: Manchester City Galleries
'Fiori' - Federico Andreotti.

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Eva Gonzalès: La toilette, 1879.
A Villa Garden, Manuel Garcia y Rodriguez
Ca’ Rezzonico, Venice
Paradise By Jan Brueghel the Younger(c. 1620). 31 x 21.5 cm
The Night Watch (Detail) - Rembrandt, 1642

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The Money Changer and His Wife
1514
Quentin Massys, the Younger
Federico Andreotti - “The Finishing Touches”
unknown date
Portrait of Madame Récamier by François Gérard, 1805.
From my Nietzschean/Spenglerian point of view, mere conservatism is not really an alternative to decadence. Instead, it is a form of decadence, for a healthy organism does not merely preserve or repeat the past, but carries it forward and transforms it creatively.
Greg Johnson (via hierarchical-aestheticism)
David Roberts (1796-1864) - Petra’s Treasury, Jordan. 1839.

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Land of Makebelieve - Maxfield Parrish
Pierre Désiré Guillemet, Portrait of a Lady of the Court Playing the Tambourine (Detail), 19th Century