Tate Liverpool presents the first museum exhibition by New York-based painter Ella Kruglyanskaya
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@2017ayeartorecord
Tate Liverpool presents the first museum exhibition by New York-based painter Ella Kruglyanskaya

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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READING: Wikimedian in residence at the MET reflects on 6 months of work and over 300k image uploads to the Commons.
Interesting things:
âA strength of the edit-a-thon and the Wikimedia projects at the Met generally has been the ability to bring together interdisciplinary collaboration, with the museumâs Digital, Education, and Libraries departments all contributing in true encyclopedic fashion. One highlight result from the Thomas J. Watson Library edit-a-thon was Hiawatha and Minehaha, a pair of busts by Edmonia Lewis, the article developed by artist Heather Hart of the Black Lunch Table project. You can read a Met librarianâs account of the edit-a-thon at a blog post in the Met Librariesâ In Circulation by William Blueher.â
Wiki Project - Sum of All Paintings on WikiData - yes, iâve been looking for this project :)
Wiki Project Fashion
GLAM project - Wikipedia:GLAM/Metropolitan Museum of Art
Text and some of the slides of talk I gave (remotely) at/for TRLN17AM: ~~~~~~~~~~~~~~~~~~~~~~ Title slide below. See what I did there? The original version of this talk started out with an explanatâŚ
READING: âNC is a no-go: bathrooms, libraries, and the limits of welcomingâ by Chris Bourg
Inspiring blog post on why bathroom bills matter, minority frustration in the library profession, and how actions with good intentions can still cause harm...some quotes -
âTraveling to states with bathroom bills is not safe for me, and it is also not safe for any of our transgender, non-binary folks, genderqueer, gender-fluid and gender non-conforming colleagues.â
â... we [librarians] need to move beyond the notion of being welcoming and we need to consider real fundamental, cultural and structural changes that would foster inclusion and justice.â
â...this is also what we in libraries do when we declare ourselves âwelcomingâ to librarians and archivists of color. We welcome âthemâ to our spaces, and to our profession, without really doing the work to actually make our profession and our cultures inclusive, and without doing the work to undo the decades of exclusion and discrimination that are the history and legacy of our profession and of most of our institutions.â
âToo much of our diversity work is based on an unstated assumption/attitude that libraries belong to us (white folks), and out of the goodness of our progressive and definitely not racist hearts, we need to welcome âdiverseâ people. That framing, that way of approaching this work is itself a micro-aggression and is part of a culture that keeps us from making any real progress toward inclusion and social justice.â
Mazzy is a cool kid who does cool stuff!
WATCHING: The Mazzy Show - 2 year old cuteness cooking yummy recipes!!
Resource for Teaching & Learning about anti-Muslim Racism in the United States

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a good scholarly article that specifically talks about women of color and archival collections?
A place to start:
White, Deborah Gray. "Mining the Forgotten: Manuscript Sources for Black Women's History." The Journal of American History 74, no. 1 (1987): 237-42.
Dagbovie, Pero Gaglo (2004) Black women historians from the late 19th century to the dawning of the civil rights movement. J Afr Am Hist 89(3):241â261
From: SAA Archivists & Archives of Color Section Discussion List
Vivian Maier documentary
Watched the documentary today, basically cried my way through it. The photos are so good, and the interviews and work by John Maloof seem to be done with a lot of respect. The care taken with the collection and the genuine attempts to get to know the artist are very touching.
http://www.vivianmaier.com/
Yin Yu Tang -Â Huang family ancestral home at Peabody Essex Museum. Now you can take photos there, which is exciting. Nice to visit over and over during different seasons. Kitchen not open until spring/summer.
WOW: World of Wearable Art at Peabody Essex Museum
Crazy fashion, art, costumes, very fun to see
Society of American Archivists
Free videos on DACS
Video 1 mentions Wikipedia as place to share DACS compliant description

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Shoes: Pleasure or Pain at Peabody Essex Museum - busy busy busy exhibit! the first few rooms had mirrors at the bottom of the cases so you can check out everyoneâs shoes as they look at the displays. Historical pieces with images for context, scary pieces (mostly the foot binding shoes), and comfy looking flats and oxfords.
Searching for Unicorns in Publishersâ Catalogs
Statements by associations representing librarians, archivists, and other cultural heritage organizations, responding to life under theâŚ
Black History month / All The Time reading
A couple of Black History month / Black Lives Matter reading lists and reading goals.
Ta-Nehisi Coatesâs reading list via NYPL - https://www.nypl.org/blog/2015/10/23/ta-nehisi-coates-reading-list
MIT Libraries Black Lives Matter - https://www.pinterest.com/mitlibraries/black-lives-matter/
Watch 'O.J.: Made in America', a documentary about O.J. Simpson directed by Ezra Edelman.
Finished watching the OJ documentary, very very good

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Fantasies of the Library
Currently reading Fantasies of the Library edited by Anna-Sophie Springer and Etienne Turpin
Some notes / things of interest
Nobody can get enough of Aby Warburgâs âlaw of the good neighborâ! It is much more intriguing to not follow a conventional classification system. (Though it is harder to actually find things - though it wouldnât really matter if each item was given an exact space on a shelf - but then shelf reading would be actually the worst.)
At the Prelinger Library - âThe associative subject flow itself is designed to facilitate serendipty, and serendipity is enhanced by the practice of creative juxtaposition of materials within subject sections. Gov docs are shelved near the modern monographs that interpret them, and satirical histories are shelved next to serious ones. Subject-matter fiction is interspersed amongst non-fiction, and trade literature can sometimes stand for a whole topic.â p. 4
The browsing experience of physical bookshelves - and even of the web - is so absorbing, but our digital archives and libraries still struggle to serve browsers and wanderers. p. 4
http://www.futureofthebook.org/
âSome of these teenaged visitors have never really held an âoldâ book before. Iâve heard teenagers scream w/ enthusiasm that they are being âallowedâ to touch and hold an âoldâ book. And smell it. They become extremely tactile and extremely involved during their explorations of the library. This is the most illuminating part of having a lot of young people in our libraryâs community. It has shown us that 3-D objects, rather than having been de-valued in the digital age are if anything being re-valued.â p. 8
Dewey decimal system above. Impossible to arrange books objectively.
âSince it is usually possible to assign one book to multiple categories at once, any chosen library system [...] will reflect particular assumptions, while operating through a combination of various classifactory modes.â
âWalter Benjamin, in his essay âUnpacking My Library,â who highlights the relationship between objectivity and subjectivity as a core mechanism of the library. Showing that connections are not inherently present or preordained...â p. 31
January Books Read
Iâm keeping track of books read on LibraryThing. Not doing the 75 book challenge this year, but I think I might hit 75 anyway if I keep this up! I am pretty much hooked on reading.
Book 1: Shrill: Notes From a Loud Woman by Lindy West
Book 2: Something New: Tales from a Makeshift Bride by Lucy Knisley
Book 3: The Clothing of Books by Jhumpa Lahiri
Book 4: Baggywrinkles: A Lubber's Guide to Life at Sea by Lucy Bellwood
Book 5: Assassination Vacation by Sarah Vowell
Book 6: The Case for Books: Past, Present, and Future by Robert DarntonÂ
Book 7: Fantasies of the Library edited by Anna-Sophie Springer and Etienne Turpin