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pencil on paper

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mybeingthere

Sue Wyllie uses a variety of printmaking processes to explore her ideas. She completed an MA Disciplinary Print Making at UWE, Bristol in 2021 and has since been involved in Spike Print Studio, Bristol.

Current works is about the delicate "ugly beauty" of orchids, depicted as a strange mixture of earthy and alien creatures.

https://wypw.org/flourish-award/sue-wyllie/

venusimleder

Damaged Negative by Glen Luchford

heavensghost

How it feels

rosieandthemoon

by bagiecha

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avoidbeing

Salvatore Scarpitta — Ponte S. Felice (San Felice Bridge), 1958

veronicastpierre

You too can be carved anew by the details of your devotions.

— Mary Oliver

mona-l1sa

apocryphics

Emerson, "Circles"

gouged-doll

mark rothko no. 8

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dreamyvixen

my_dear_petra

atena-0

T w o_

adrasteiax

“She loves the wolf. She does not love the lamb. Not just any wolf. She loves the wolf that is capable of love. It is even more complicated: she loves the wolf who contains, hides or reveals an unexpected sweetness in his violence. The sweetness of the cruel is a greater sweetness.”

— Hélène Cixous, from Rootprints: Memory and Life Writing; “The Story of the Wolf who loves the Lamb he does not Eat,” (via atreides)

ahududulugazoz

kuutamosonaatti

Mid-19th century cardboard keepsake box containing poetry verses.

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irenelichtensteinblog

Newton W. Gulick, Balloons, Buenos Aires, Argentina, 1921

koshigurajumy

Jumy-M Hana / イマージュの濫用

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