Twelve Ounce Pound Cake

As the year comes to an end, we asked our fellow DJ’s of KUCI to name their top 10 albums of 2017. After sorting through over fifty nominations, here is our list of our favorite albums that were released this year, with a some words from our community explaining why. We’ve also threw in some honorable mentions at the end! 2017 was definitely a great year for music, and we can’t wait to discover more in 2018. Happy New Year everyone! 

10. Citizen - As You Please - (Run For Cover)

“Citizen was a band that I had always known about, but had never quite caught my ear enough to dive into their music. That changed, however, with As You Please. The opening track, “Jet”, is reminiscent of their past work with emotional lyrics and a driving yet somber punk instrumental feel. The following track titled “In the Middle of It All” provides a completely new and evolutionary soundscape for the band, while staying close to their usual deep lyrical content. The album as a whole is easy to listen to for both intent and absent minded purposes. Personal favorite tracks are “Ugly Luck” and “Medicine”.” - Jeremy Bibeau

“After I heard that they had a new record coming out, I just assumed that they were going to continue to develop the sound they decided to go with for Everybody Is Going To Heaven, which is why I decided to pass on As You Please at first. However, after caving in to all of the hype surrounding the album’s lead single entitled “Jet,” I was pleasantly surprised to hear that Citizen had not only made a return to their old sound, but that they had refined their sound to appeal to more of a diverse audience. This is the case for all of the songs on As You Please, not just “Jet,” which made As You Please quite a pleasant surprise upon listening to it for the first time. Much like some of their contemporaries’ latest work, As You Please is by far Citizen’s best and most complete album to date. By combining the best qualities of Citizen’s old sound (i.e. catchy yet intricate guitar riffs, powerful/explosive choruses, and angst fill vocals) with a new found sense of confidence, wisdom, and maturity, as well as more elaborate song structures and piano interludes, you get what in my opinion is the best version of Citizen that has ever existed.” - Tommy DeSilva

9. (Sandy) Alex G - Rocket - (Domino Recording Company)

“The songs, while simple, sound absolutely timeless to me. “Proud” sounds like a drive out on the open countryside. “Big Fish” sounds like a quiet confession of strength to a father. “Powerful Man” sounds like a tear jerking show of emotional maturity to a skeptical family. While Alex has always been lauded for his songwriting chops (even earning a Frank Ocean co-write in the process), this is the first record that feels like it has emotional heft to it. ” - Stephan Masnyj

“Rocket is revelatory, each song sampling and combining various genres (and creating new, nameless genres in the process) in a completely Alex G fashion. The melancholia, yearning, and dreaminess that pervades this album will tug at your soul in the best ways possible.” - Sophie Prettyman-Beauchamp

8. Sampha - Process - (Young Turks)

“Sampha is not one to hold back the heart on his sleeve. While having worked with Sbtrkt and being it’s other half, he has finally seem to come out of his shell and give his voice, well, a voice. "No One Knows Me (like the piano)” tells of his past childhood and struggles trying to figure himself out while making the living room his confessional. ‘Incomplete Kisses’ speaks of unrequited love with amazing lines and utter softness of ones heartbreak. Sampha has shown us his true colors while barely breaking the ice. I can not wait for more albums to come from such an amazing voice in R&B.“ - T.J. Bingamon

7. Thundercat - Drunk - (Brainfeeder)

"Very solid (and lengthy) release from Thundercat this year with Drunk. Each track on this album is dripping with funky jazzy vibes that make it really difficult to get sick of.” - Alex Morrow

“A Personal favorite that could easily go unnoticed from the amount of music set out this year. Thundercat’s Drunk is unprecedented in the ability to make emotion through his work with bass. A great album to listen to for long rides in the car alone.” - Christopher Santiago

6. King Krule - The Ooz - (True Panther Sounds XL)

“I think The Ooz is one of those albums you really need to listen to a few times before it grows on you. I think it’s an amazing follow up to his last album, and I feel like on The Ooz we get a better sense of his Archy Marshall music and sound. The imagery he uses is also interesting and creative!” - Katrina Vergara

“King Krule’s inventive garage punk-jazz fusion and mumbling, growling voice are always worth waiting for. The Ooz oozes creative frustration ingeniously overcame. The esteemed wunderkind who is Archy Marshall really did that.” - Sophie Prettyman-Beauchamp

5. Lorde - Melodrama - (Lava / Republic)

“Lorde’s comeback that I didn’t know I needed, putting into words all the themes of finding oneself, looking for love, and just growing up from being a teen.” - Caroline Nguyen

“The main narrative surrounding Lorde’s rise to prominence has been her authority for her age (as of now, she is 21), and that has never been more apparent than her clear-eyed analysis of teenage years on this record. “Homemade Dynamite” dissects the social dynamics and self destructive tendencies people often have during a party with surgical precision, while “Supercut” takes a relationship in retrospect and understand that memories of a lost lover usually have a rose-colored tint to them. The most stunning cut on the record is “Writer in the Dark,” a song that embodies the hate, regret, and mourning that often comes directly after the end of the relationship. The way Lorde is able to thread the needle between all the separate emotions throughout the verses and chorus is nothing short of stunning, and her vocal delivery delivers an emotional depth Adele would kill to have.” - Stephan Masnyj

4. Alvvays - Antisocialites - (Polyvinyl Record Co.)

“Alvvays are such an awesome band, and in my opinion, Antisocialites is nothing short of a masterpiece. Characterized by jangly guitars, dreamy synth parts, poppy vocal melodies, and lead vocalist Molly Rankin’s soothing voice, the songs on this record sound as though they were taken straight from Indie Rock/Dream Pop heaven. While listening to this album, one can easily lose themselves in the dreamy nature of some of these songs. That’s not to say by any means that this record “drags on.” In fact, no two songs sound alike on this album, which definitely showcases the versatility of Alvvays’ musicianship as well as their ability to keep listeners on their toes.” - Tommy DeSilva

“I was over the moon when I found out Alvvays was coming out with another album. Their self-titled is one of my favorites, so I was eager to know what they had in store for their sophomore album. When I first heard “Dreams Tonite” I knew the rest of the album would be just as great. This album is your indie pop dream, with a different feel on each track.” - Caitlin Ison

3. Kendrick Lamar - DAMN - (Top Dawg / Aftermath / Interscope)

“Releases by Kendrick Lamar never go unnoticed and DAMN certainly did not when it dropped. By far a definition of modern classic and experimental.” - Christopher Santiago

“Kendrick Lamar’s DAMN is an insightful look into the rapper’s past life and future. While K. Dot relays the album to be the story of his father coming into a close call of having an alternative life ending, but while still relating to his current life woes. Thru tracks like 'Yah’ revealing the grittiness of Compton blue-collar work, to 'Love’ a record boasting of vulnerability and questions, Kendrick delivers yet another piece of his life’s work and puzzle.” - T.J. Bingamon

“From my perspective, it’s weird to think of Kendrick at the top of the pop charts; I always saw him as a supremely talented artist who’s ambitions ran deeper than pop radio. However, it turns out Kendrick can release pop hits while still maintaining the endless depth his raps often do. “Humble” is both a boast and a self-aggrandizement in the form of a three minute pop song. “DNA” is a firestorm of a rap that examines the good, bad, and ugly that exist within all of us.” - Stephan Masnyj

2. Tyler, the Creator - Flower Boy - (Columbia)

“Flower Boy is Tyler, the Creator’s fourth album, and encaptures his wittiness and internal conflict through a softer side with the use of neo-soul and the sounds of early 90’s hip-hop. He delves deep into his emotions in a mere 47 minutes, making this one of his most intimate and sincere yet shortest album. It focuses on isolation, the falling-out of friendships, and the pain of unrequited love, themes many listeners can find relatable. The whole feel of the album holds such a significant difference from Tyler’s older albums, which really goes to show his growth, not only in his music, but as a person.” - Raenna Caguioa

“Whenever Tyler, the Creator would release a record following his breakthrough “Goblin” in 2011, the question always remained the same: When will he finally grow up? His talent was always palpable, the dizzying raps in “Yonkers” and the emotional story in “48” showed his talents as a writer, and his growing production credits on “Wolf” and “Cherry Bomb” showed that he had a distinct style within his musical repertoire. Yet he always fell back on his worst tendencies; frequently using homophobic slurs or creating worthless posse cuts that did nothing but ruin the flow of his records. All of that changed with Flower Boy, easily his most cohesive and mature record to date. Much has been said about his alleged coming out in the record (a subject that Tyler has remained mum on since the album’s release), but it isn’t stated enough just how wonderful this record sounds. The strings and horns that dot highlight “See You Again” are stunning, and the queasy synths that Tyler has used in the past take on a new urgency on “I Ain’t Got Time.” Every single rap, beat, and instrument inform each other throughout the record, and not a single thing sounds out of place throughout. “Tell these black kids they can be who they are,” raps Tyler on the highlight “Where the Flower Blooms.” For the first time in his career, Tyler sounds like he’s living those words to the fullest.” - Stephan Masnyj

1. SZA - Ctrl - (Top Dawg / RCA)

“I felt like this album came out at the right time in my life. The deeply personal lyrics on every song made it weirdly relatable for me. SZA really refined her sound since her last album titled Z.  I love the concept and every song on this album. ” - Yasmin Moradi

“An album that needs no explaining, SZA’s Ctrl ups the ante with her debut studio album, most well known for her features prior to this, she makes a name for herself with this anecdotal release.” - Christopher Santiago

“It’s no wonder SZA is probably one of the biggest artists to emerge out of 2017. I hadn’t listen to her prior, but there was so much talk after Ctrl was released, I knew I had to see what the fuss was about. To say the least, I was not disappointed. Of course there are the standouts of the album, "The Weekend” and “Love Galore,” but there are also some underrated tracks like “Drew Barrymore” and “Prom.” Personally, I think an artist’s biggest success is when they can make a listener feel their emotions, regardless of if they can relate to the song or not. I felt SZA’s emotions in every single track, and I don’t think I’ve really ever been in any of those situations. I thought that was really beautiful. Also, it’s hard not to fall in love her incredible buttery voice.“ - Caitlin Ison

"I love this album because all the songs are bangers but they also make me cry. One publication called Ctrl an album about side-hoe anthems but that’s so far from the truth! SZA sings about insecurity, adjusting to adulthood, and bad relationships with such honesty. Anyone can relate to her struggles of going through your twenties feeling vulnerable, whether you’re a side hoe or the main.” - Katrina Vergara

“Where do I start? SZA’s vocals are gorgeous and lush, earnest and biting, confident even when expressing pain and insecurity. It’s a versatile album you can both cry to and dance to, mixing elements of R&B and lo-fi indie rock. It’s a reminder of female strength and independence, and even has an ode to the vagina that simultaneously disses ungrateful, trash dudes. SZA is a normal girl with the same wishes and fears as the women who listen to her music, her lyrics resonate with those of us who are still finding our way and learning how to love and respect ourselves. It’s like sitting down with a good friend who laughs with you, cries with you, and always knows the right thing to say, helping you regain your own power. Ctrl is what it feels like to be a woman.” - Sophie Prettyman-Beauchamp

Honorable Mentions

The XX - “I See You” (XL Recordings)

“A perfect balance between pop and melancholy, with songs like "Dangerous” and “On Hold” upbeat despite lyrics suggesting doomed relationships.  Meanwhile, “Say Something Loving” and “A Violent Noise” are filled with the emotional angst that has made the XX so popular.“ - Jarrett Lovell

The Drums - Abysmal Thoughts - (Anti-)

"You can always count on The Drums to deliver a fantastic surf-pop inspired album, and they do it once again with Abysmal Thoughts, the title appropriate for 2017 indeed. The album does have its fair share of these, as Jonny Pierce, blessed with an airily angelic voice, grapples with heartbreak and feelings of nothingness on “If All We Share (Means Nothing)” and chastises the upper class with “Rich Kids.” Nevertheless, The Drums remain beachy goodness with the beloved simple riffs and chords that bounce along, tambourines, cooing backing vocals, and 80s-esque synths that are sure to leave you dancing through your tears.” - Sophie Pettyman-Beauchamp

Tigers Jaw - spin - (Black Cement Records)

“This record felt like it took forever to come out seeing that many of us Tigers Jaw fans had been talking about it ever since their last record Charmer came out in 2014 along with the announcement that Tigers Jaw would from now on be a two-piece band solely featuring founding members Ben Walsh and Brianna Collins. Would they be able to make a record by themselves? Would it sound as good as the original lineup? Two questions that had lingered for quite some time amongst the Tigers Jaw fan base. After making us anxiously wait for over three years (which producer Will Yip made even more dreadful by dropping little hints about the album here and there for like six months), Tigers Jaw finally released spin earlier this Spring, and as you would expect, it was definitely worth the wait. Tigers Jaw have always been an awesome band who have consistently put out great records from front to back, so for me to say that spin is their best album would be kind of stretch, but it’s pretty damn good and should be in that conversation. While staying true to the sound that the original five piece version of Tigers Jaw developed, Ben and Brianna were still able to add their own personal touches to the songs on this record, especially since they were both in charge of songwriting duties for the first time (spin is the first Tigers Jaw album that Brianna has contributed songs to). The thing that I like the most about spin is that you can really tell that Ben and Brianna spent a lot of time on these songs and put their best effort forward to make them the best that they could be in every way. Every song on this album is well crafted both musically and lyrically. No two songs sound the same and everything sounds perfect down to the smallest detail. I really appreciate great musicianship like that, and I look forward to hearing what Ben and Brianna have in store for us next as they continue to keep Tigers Jaw not only alive, but alive and thriving.” - Tommy DeSilva

HAIM - Something to Tell You - (Columbia)

“By far, my favorite record that was released this year. I’ve been a huge fan of HAIM since their first album, which was released when I was in high school, and I had that sh*t on repeat for days. I remember finding out that the three sisters were working on new material, and I was literally counting down the days to hear their new single, "Right Now.” The video of them singing the track live in a studio was so raw and filled with emotion, it left me speechless. I knew this album was going to be packed with tears and heartbreak. I love this album because while it dwells on the hurt and pain one can experience in a romance that could’ve been, the music contrasts it with its upbeat, dancey tones. This album really has got that Stevie Nicks / Shania Twain vibe (which is fitting because they chose to cover “That Don’t Impress Me Much” for their tour), and mixing that with their HAIM sound really makes it a memorable record. One of my favorite characteristics of this band is their bad ass attitude, and although it’s a record about heartbreak, you can still feel that energy throughout.“ - Caitlin Ison

BROCKHAMPTON - Saturation II - (QUESTION EVERYTHING, INC. / EMPIRE)

“Arguably Brockhampton’s best album. Nearly every song is one I can jam to (or if it’s the last song- one I can cry to). I love Brockhampton’s unconventional rap lyrics and I think it makes them stand out from up-and-coming artists. They really are the best boy band since One Direction.” - Yasmin Moradi

"BROCKHAMPTON came out with 2 other albums just this year but I would say this was the most iconic one. With this album they really established a signature sound and the members were able to find their voice within the boy band. Even though Pitchfork didn’t give this album a good score, I would give this album a 10/10 if not only for cultural impact but for how good SWEET is.”  - Katrina Vergara

Hot Flash Heat Wave - Soaked - (OIM)