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Are u ok??
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âSo, I thought I had to become more than I was, more than Iâd been. / But that wasnât it. It seemed rather that / something had to go. Something had to be let go of.â
Marie Howe, from Magdalene: Poems; âThe Teacherâ
âBe kind to yourself in the year ahead. Remember to forgive yourself, and to forgive others. Itâs too easy to be outraged these days, so much harder to change things, to reach out, to understand. Try to make your time matter: minutes and hours and days and weeks can blow away like dead leaves, with nothing to show but time you spent not quite ever doing things, or time you spent waiting to begin. Meet new people and talk to them. Make new things and show them to people who might enjoy them. Hug too much. Smile too much. And, when you can, love.â
â Neil Gaiman
Antonio Tonelli (b.1934) - The Big Comet. 2004. Acrylic on canvas.

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âAnd maybe I was coping awfully well, I donât know. Certainly I wasnât howling aloud or punching my fist through windows or doing any of the things I imagined people might do who felt as I did. But sometimes, unexpectedly, grief pounded over me in waves that left me gasping; and when the waves washed back, I found myself looking out over a brackish wreck which was illumined in a light so lucid, so heartsick and empty, that I could hardly remember that the world had ever been anything but dead.â
â Donna Tartt, from The Goldfinch
Glorious - Diane Reeves
âI wish I were a bird. Or even a rock or a patch of seaweed. Anything â anything but a human being.â
â Antonia White, from âThe Moment of Truth,â Strangers (The Dial Press, 1980)
Friedrich Paul Nerly (detail)

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As I Was Moving Ahead Occasionally I Saw Brief Glimpses of Beauty, dir. Jonas Mekas, 2000.
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RosĂŠ and Blush paintings by Ivan Aivazovsky.
Click on the paintings for information â title (year, media).

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âWhen Van Gogh was a young man in his early twenties, he was in London studying to be a clergyman. He had no thought of being an artist at all. he sat in his cheap little room writing a letter to his younger brother in Holland, whom he loved very much. He looked out his window at a watery twilight, a thin lamppost, a star, and he said in his letter something like this: âit is so beautiful I must show you how it looks.â And then on his cheap ruled note paper, he made the most beautiful, tender, little drawing of it. When I read this letter of Van Goghâs it comforted me very much and seemed to throw a clear light on the whole road of Art. Before, I thought that to produce a work of painting or literature, you scowled and thought long and ponderously and weighed everything solemnly and learned everything that all artists had ever done aforetime, and what their influences and schools were, and you were extremely careful about *design* and *balance* and getting *interesting planes* into your painting, and avoided, with the most astringent severity, showing the faintest *academical* tendency, and were strictly modern. And so on and so on. But the moment I read Van Goghâs letter I knew what art was, and the creative impulse. It is a feeling of love and enthusiasm for something, and in a direct, simple, passionate and true way, you try to show this beauty in things to others, by drawing it. And Van Goghâs little drawing on the cheap note paper was a work of art because he loved the sky and the frail lamppost against it so seriously that he made the drawing with the most exquisite conscientiousness and care.â
â Brenda Ueland, If You Want to Write: A Book about Art, Independence and Spirit (via raggedybearcat)
The Ball, Gaston La Touche
c. 1889