Study for rare earths #1 — Dark clay with tantalum, neodymium, yttrium, and niobium based glazes.
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Study for rare earths #1 — Dark clay with tantalum, neodymium, yttrium, and niobium based glazes.

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Nb41—Ceramics with dark clay and niobium glaze. (31 cms diameter aprox each). Nb41 is a speculative ethnography of niobium (Nb), a strategic mineral central to contemporary technologies, scientific research, cultural imaginaries, and Indigenous cosmologies and struggles. It is an art installation comprising an experimental documentary film (45 minutes) and a series of ceramics; Earths from different geological eras, from different imaginaries, economies, and environments— past, present, and future. The project critically explores how niobium’s multiple materialities—geological, industrial, cultural, and spiritual—construct and modulate human understandings of the world.
In 900 million years these rocks won’t be part of the same land mass. They will move around the planet and will form many different worlds. They will host an infinite number of environments, with life forms so strange, that trying to imagine them now, through the consciousness of a microscopic life form, is impossible. Oxygen is just appearing, and as its amount in the atmosphere increases, life will most likely thrive, and will find new ways to produce it, expanding the diversity of beings, intelligences and of perceptions on the planet. Feelings will also develop, they will evolve and change, and one day, there will be a word to describe the impossibility of being away from someone, and one to describe the disappearance of life. I will long for the next time that separated continents will come together again. I want to trust the endless cycle of leaving.
Silenciosa, Silenciada at the 41. Kassel Dok Fest in Kassel, Germany.

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May 2024
<3 <3 <3
April 2024
I am slow. Since I am a kid it takes me time; I used to sit and look at the ants for hours while my grandpa collected coffee beans. What is going on? I ask myself constantly; the coffee island, as you called it, is a time machine; today I turned 10. I was in the coffee field all day, looking at three humans collecting beans, not only contemplating them but also collecting; images. It was a 10-year-old me, looking through a camera, at three ants working. I fell, I rolled, I ate an orange or two, I laughed, I run, I was sad. I am slow, it takes me time—this is sad. I wanted to turn and see my grand pa and say that I am sorry, that I Iove him and that I admire him, that I am slow, that it took me 43 years to realize something that is impossible to express with words, even less with words that are not mine, because either English or Spanish were not his nor my languages. I was ten but he was not there, and I wanted him to be, for me, for my sister for my mom, for all of us. I am alive and I am afraid and I am not afraid of saying it. This is sad because I was 10 and had to think about his death again, about his heart growing and he dying. I am alive, and this makes me happy; I don’t want to be afraid of being happy. Tomorrow I will be 10 again and I will be in the coffee field again, I will probably feel sad again, but will be happy too, with the smells, the sounds, the colours, and the textures that have always being the essence of life. Tomorrow the moon will be there as well, and the sun will be there too, but they will not encounter each other, they will not touch, maybe not in this life time.
October, 2023
La Maladrerie, Aubervilliers (93).
July, 2019

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Live Dublin Die Young. Dublin, Ireland. July 16th, 2019
St Lawrence Niobium mine. Oka, Quebec. May 2019