"You Can Call Me Queen Z"

how do i say "horror novels these days are too woke" without sounding like a right winger. what i mean is: this one is about a woman serial killer who kills Bad Men, that one is about ~anticapitalist activists~, this one is ~queer~, that one is about *spins wheel* someone dealing with the ghosts of their immigrant roots, all of them are about intergenerational traumaaaaa. okay. cool. but is it good though. is it fucking scary

something something, losing the ability to convey horror through abstraction, through metaphor, through symbolism, through allegory, through raw unexamined un-psychiatrized feeling. if the real horror is.... dun dun dun! the patriarchy then i just feel preached to. don't use fiction as a vehicle for Saying Something About Society. write with total vulnerability and then see what it says. it will be probably be far more interesting and horrifying than what if the monster was uhh my mom's abuse or whatever. this brand of new horror writers are all so terrified of actually disclosing anything about themselves. it's like if an instagram infographic performance was a mediocre contemporary novel

I think that the Hamilton musical is objectively the funniest thing that could happen to that man's memory. Imagine dying of a gunshot wound infection in 1804 and learning from the afterlife that tweenage girls in 2017 are drawing thousands upon thousands of images of you making out with your fellow congressmen because someone wrote a 2-hour rap opera about you. I like to imagine that Hamilton found a monkey's paw and wished to leave a legacy, and this is what it did to him.

you don't control who lives who dies who tells your story